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Richard Hamilton

Just what is it that makes today’s homes so different,

so appealing?

1956Collage on paper

10-1⁄4 × 9-3⁄4”

Kunsthalle TübingenSammlung Zundel

[Fig. 19-01]

Peter Blake

On the Balcony

1955–57

Oil on canvas47-3⁄4 × 35-3⁄4”

Tate, London

[Fig. 19-03]

R. B. Kitaj

The Autumn of Central Paris (After Walter

Benjamin)

1972–73

Oil on canvas60 × 60”

Private collection[Fig. 19-04]

David Hockney

Robert Rauschenberg

Bed

1955

Combine painting: oil and pencil on pillow, quilt, and sheet on wooden supports

75-1⁄4 × 31-1⁄2 × 8”

The Museum of Modern ArtNew York

[Fig. 19-08]

Robert Rauschenberg

Reservoir1961

oil, wood, graphite,fabric,

metal, rubber on canvas

85” ½ x 62” ½

Smithsonian American Art museum

Jasper Johns

Flag

1954–55 (dated 1954 on

reverse)

Encaustic oil and collage on fabric

mounted on plywood42-1⁄4 × 60-5⁄8”

Museum of Modern Art New York

[Fig. 19-11]

Cy Twombly

Untitled1969

Crayon and oil on canvas

6’ 6” × 8’ 7”

Whitney Museum of

American Art New York

[Fig. 19-16]

Allan Kaprow

Household

1964

A Happening featuring women licking

strawberry jam off a carpresented for Festival of Contemporary Arts at the city dump, Ithaca,

New York

[Fig. 19-17]

George Segal

The Diner

1964–66

Plaster, wood, chrome, laminated plastic, Masonite, fluorescent lamp, glass, and paper

8’ 6” × 9’ × 7’ 3” Walker Art Center,

Minneapolis

Claes Oldenburg seated in The

Store

107 East 2nd Street, New

York, December 1961

Collection the artist

[Fig. 19-22]

Claes Oldenburg

Proposed Colossal Monument for Park Avenue

New York: Good Humor bar

1965

Crayon and watercolor on paper23-1⁄2 × 17-1⁄2”

Collection of Carroll Janis New York

[Fig. 19-25]

Jim Dine

Double Isometric Self-Portrait

(Serape)

1964

Oil with metal rings and hanging chains on canvas

4’ 8-7⁄8” × 7’ 1⁄2”

Whitney Museum of American Art,

New York

[Fig. 19-27]

Roy Lichtenstein Whaam! 1963Oil and Magna on two canvas panels 5’ 8” × 13’ 4” Tate, London

[Fig. 19-35]

Andy Warhol

Andy Warhol

Marilyn Monroe

1962

Silkscreen ink on synthetic oil, acrylic, and silkscreen enamel on

canvas

20 × 16”

[Fig. 19-40]

James Rosenquist Portion of F-111 1965

Oil on canvas with aluminum

overall 10 × 86’

Private collection [Fig. 19-42]

Wayne Thiebaud

Pie Counter

1963

Oil on canvas

30 × 36”

Whitney Museum of American Art

New York [Fig. 19-49]