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1. Radioactive Introduction2. Get Away (feat. Shawty Fatt & Mystikal)3. Let’s Roll (feat. Kid Rock)4. Hard White (Up In The Club) (feat. Lil Jon)5. Growin’ Up In The Gutter (feat. Rittz)6. Throw It Up (feat. Gangsta Boo & Eminem)7. Good Girl (feat. Poo Bear)8. Made In The U.S.A. (feat. Priscilla Renea)9. Animal (feat. FeFe Dobson)10. The Hardest Love Song In The World11. Write Your Name (feat. Mona Moua)12. Everything I Love The Most13. Radio14. Slumerican Shitizen (feat. Killer Mike)15. The Last Song

BONUS TRACKS16. Whip It17. I See You18. In This World

Executive Producer: EminemCo-Executive Producer: Kawan "KP" Prather

www.yelawolf.com

RADIOACTIVE INTRODUCTIONI am, I am The American Eagle, eyes of a sparrow,/Right handbranch, Left hand arrow/Chasing a dollar, in an Impala/White Trashheart-throb, Mellow Yellow/Drinkin' hard liquor, broads get on mylevel/I'm hotter than the bottom side of of a whistlin' Kettle/Theythrew a mountain at me, I got hit with a pebble/They sent me toHell and I shit on the devil/Tried to bury my Chevy box but I won’tbuckle/Hey that's a deep hole bitch, bring a long shovel/I'm longgone, I'm grown-up and I'm gone cut you/Wit a chrome blade if youwanna play then homes Fuck You!/Fuck you til you can't take ashit,/Yea Im'a fuck everybody Tsunami, better anchor the ship/Andaim for the ankles & wrists, I came for the dangerous shit/I claim tobe named for the hits, the game is a chain that I gripSlain from the pain of a trip it took to see Wayne in a whip/I becamewhat I came to get the change for the the change I give/a quarterfor your thoughts pre'ciate the contribution/Slumerican, I depreciatethe the Constitution/alleviate the crew when I leave a page aruins/to each his own I guess I own each and every room in/thehouse I built is full of hopes no "ifs"/So I stand with a giant like aking, no stilts/If I'm generation X I'm selling X no pills/Dope manchoppin' up lines ya don't sniff..You read'em/I'm bringin' back book-lets and hook-less lyrics/so you can be certain just in case you did-n't hear it/the "what he say's", "come agains", "What is that"/cometo Earth, Touchdown! I might be your running back/Because youholler'd "run it back"/Stay cool enough to wear toboggan's as asummer hat/steady on the drum I rap, hope there's no one underthat/rock that I roll mosh-pit thow'd,/girls on ya shoulders get top-less at the shows/fuck your mop & glow, can't mop a dirt road/Itonly makes mud, raised around deer I know how to chasebucks/baby sitter 16 taught me how to make fuck..at 7/I been rais-ing hell so I can make it to heaven/pick up a 2 liter but I only needthe plastic/know how to make bombs with aluminum & acid/but-terfly effect of a hurricane's magic/tornado path in the rear viewmirror of my 87 classic/I'm talkin' bout Gadsden, Look Mama nohands, I'm Radioactive!

GET AWAY (FEAT. SHAWTY FATT & MYSTIKAL)Yelawolf(Yeah)Hell of a day to load a 22 and take it to the woods/And let it ringinto the night and break a bottle with a bullet/Yes I’m ‘bout itmutherfucker/Not a single solitary thing is missing from my south-ern roots/I’m liable just to take a Chevrolet/And run it through the

mud for giggles (huh)/What a son of a bitch my mama raised into arapper/Who could tell a story like my uncle when he's drinking/Product of aworking environment/Fuck is y’all thinking?/Meaning, I’m working, workingharder than any artist could ever do, its simply cause I’m made that way/I'llbuild a house around your ass before you could realize/You’re in a neigh-borhood that Yelawolf made/So call me a redneck and tell your boys aboutit/Tell'em I’m an Alabama wannabe, I’ll be that!/I’ll just take it to the studioand drop a bomb on you/From a muthafuckin beanbag, I need that!

HookGet away, tell my folks roll up the J’s/Bring Yelawolf a deuce, we'll sit up onthe roof or the broken Chevrolet/Talk til there's nothing left to say/Cause ifI don’t get away, you gonna see my trailer park ghetto ways/Then you gon'have to get away from me/Drink some, smoke some/You gone have to getaway from me, load up the gun, load up the gun/Then you’ll have to getaway from me/Drink some, smoke some/Cause if I don’t get away, yougonna see my trailer park ghetto ways/Then you gone have to get awayfrom me

Shawty Fatt(Yeeeaaahh)Man, I done been through it all/I done been up and know what it is tofall/Punk police feeling all on my balls/Without a probable cause, cause an---a sittin' tall/"Dawg, you gotta do something Fatt./On the road with Wolf,Why did you come back?"/Cause them up there, don’t wanna play fair/Gotme pinned to the wall, like a fucking thumb tack. "Dumb Fat!"/Dumb hell,criticize a n---- for the crack I sell/Like you could give a shit if A n---- eatwell/or eat at all, wanna see me fall/Let'em see that? Naw Dawg, themlies./long as I got Catfish on my side,/Bitch I’m headed up, up, up to thesky/Roll up, lets get high, wave at em' bye I need that!

Hook

Mystikal20 plus 20 still spittin' em out/Still piss on your porch and still shit in yourhouse/Then put my dick in your mouth, take it back out, put it back in/Fuckon the floor, skeet on the couch/Which one of you ugly muthafuckers thinkyou thugg enough or rugg enough or gutter enough/gutter enough fastenough to keep up wit me/The most retarded mutherfucker in the wholewide world/Ain’t stupid or dumb enough to fuck with me/If you in say youin, and if you is handle your mutherfuckin business/Knuckle up, buckle up,hustle up, huddle up. What we gone do? WIN!/Not a nan’ nother n---- outtathere can compare/To what I do to these boys on these bars and thesescales/In these clubs in these bars/on these tables and chairs/I need that!

LET’S ROLL (FEAT. KID ROCK)HookYeah, I’m throwed off,/it ain’t about the money/I’mma blow it all/Imade my own lane/Let’s roll! Let’s roll!/Yeah, I’m going off/Ain’tgot a whole lot/But I’mma show it off/Better recognize game/Let’sroll! Let’s roll!

Verse 1Yeah, now let me welcome you to my small town/Big trucks in theyard, big bucks on the wall/Country folks all around/How I wasraised, 808 drums quake and they shake that Box ‘88/And the dopeboys’ hotter than Hell’s gate, but I,/Still in the shade, with a fold outchair and a 30 pack on the back of that tailgate/A-L-A –B-A-M-A,I’m off, I might pee in a lake/I might go to Talladega and see me arace/And bring me a case/Yeah, I’m bringing a case, I’m gettingthrowed off

Hook

Verse 2And I’m all the way throwed off/Z-71 take the bow off/Dipped inmossy oak with a mullet Mohawk/With a bright orange hat and abat underneath that Chevy seat/Yea buddy might go off, split youlike a bowling ball/Spit to you in my overalls/Home of theGummo/Gotta couple a' folks that'll do it to you for the hundo/andwhen them elephant feet rumble/That Dixie cups gonna fall out ofthe console/You don't wanna have a convo/And not understand that‘Bama slanguage like/“Holler” and “ain’t it”,/but I come to paint/Soyou won’t get throwed off

Hook

Verse 3I’m just a kid that rocks/I’m just a boy with a dream/That bet it all withthe last bill that I had hid in my socks/Used to keep a 22 in a shoebox/Now I bang Beretta/She’s twenty-two but I keep her in a tubetop/White trash and all/Take us all the way to the top and then laugh itoff like/How the fuck did I get a catalog/With more hits than a fuckin’jack hammer dog/Cause I planned it all/Crimson Tide standing tall/ShitI’m another lit cannon ball/Fuck around and I’m a go off and I’m gettingthrowed off

Hook

HARD WHITE (UP IN THE CLUB) (FEAT. LIL JON)It’s your boy Lil Jon, got my partner Yelawolf with me, what’s up Yela,you know it’s time to crank the club up again.

Verse 1Yea, yea you ain't gotta lay down your back to know you already fuckedup./Letting me in the motherfucking game is like letting me drunk drivein your truck./When Yelawolf arrived in this club/I already had 5 in mycup, I done took another hit, I done ran into a bitch that’s looking lifelessand stuck,/baby what’s wrong with you now, what you ain’t happy withred bottoms,/mad cause I’m in VIP with a fucking jack bottle, with Tom,Dick, and Harry; but I got up in this bitch with Tank Top, cuz I spit sovery. Dumb Quick and Scary./That’s why they so quick to compare me.But fuck the critics, with a spike dick, when it can fit barely./They prob-ably think I’m a limp biscuit that spits jelly./But I put them in the woods,I’m a redneck. I’m a hick tell me, go ahead./What the fuck does it matterto me, cuz after me they'll only be wannabe’s, and mostly ain’t nevergonna be’s./Yea, in this forest I’m a lonely tree, my limbs are covered intattoos, and my roots they run deep I'm

HookTwo bottle shawty, two bitches waiting, two tens, that’s a win, win sit-uation/Happy Birthday, I’m feeling brand new/Drinks on me, for me notyou./Up in the club, don’t give a fuck, up in the club, don’t give a fuck,up in the club, don’t give a fuck, up in the club still don’t give a fuck.

Verse 2I don’t know what to say after that first verse, I mean like damn I justkilled it/What the fuck am I supposed to do with this cow/I done alreadymilked it./Smoke another cigarette unfiltered,/let go of anything that I’m

feeling./They done broke me down so many times before that I’m nolonger rapping I’m building/with one brick, two brick, three brick, four.Underneath the steps of my singlewide door./Raised by the dope boysso I know how them thangs look, thanks for the recipe rest in peaceWayne Bush./I don’t cut my shit. I don’t break it down for you mother-fuckers out there waiting around for some rap savior,/you better lookup at what it is that you’re facing now,/cuz Jesus drives rides a Harley,the devil wears Prada,/if God was one of us, he’d probably drink Vodka./Istill kick at the party when I get rich, cuz rich or broke, I’m still as dope.The realist ain’t as real as this./Dead or alive I put a stamp in this bitch,you’ll never see rock n’ roll do hip hop like I did I’m

Hook

Two bottle shawty, two bitches waiting, two tens that’s a win, win situ-ation./Happy Birthday, I’m feeling brand new, drinks on me, for me, notyou./Up in the club, don’t give a fuck, up in the club, don’t give a fuck,up in the club, still don’t give a fuck. Yeah, yeah we don’t give a fuck./It’sGhet-O-Vision, Shady, Happy Birthday, Alabama!/Still don’t give a fuck,naw your boy Lil Jon, you know we rep the south!/Up in the club, don’tgive a fuck! Up in the club don’t give a fuck! I ain’t in the building I ownthe building bitch!!!

GROWIN’ UP IN THE GUTTER (FEAT. RITTZ)YelawolfOnce upon a time in an apartment home/Lived a little girl with a heartof stone/Cause part of her heart was partly gone/Rarely seen and hardlyknown/Treated like a mat on a boxing ring/Blood drop stains on the twinbox springs/Daddy came to visit it’s not a dream/She thought to herselfwhat is happening?/Above her head is a crucifix/But Lucifer loosens uphis wrist/Lays her down with an open fist/And all that was left washopelessness/Little girl, where’s your loving mother?/Under the covers,under the covers/Little girl what have you discovered/She stuttered…

HookGrowin’ up in the gutter/No more, fairy tales, and so/No place like hell,no place like home/Growin’ up in the gutter/Black and white, in aframe/There we are, safe and sound/Stray guns, no aim, yea!/Growin’up in the gutter!

(Yelawolf)And you ain’t gotta be from the projects/To deal with this nonsenseRittzCuz even in suburbia somebody will murder ya/Over nothin leave yourbody slumpin/In the parking lot of your complex/Violence is a hard pillto swallow and digest/My town is full of drug dealers/Most of them getshot in the process/Hustlin and stackin up profits/They robbin muther-fuckas like they havin a contest/Shit, he took a bitch to his apartmentto brag/A week later he tied up on the carpet and gagged/Cause heshowed her all the pills he had for sale for the low/She told her cousinthen her cousin grabbed a glock and a mask/Kicked in his door laid himdown/Then he shot him and dashed/Ran off with all that he had/He usedto be ballin now he got a colostomy bag/What you know about that/Mid-dle class white bitch slangin her body for crack/Mexican drug cartels,you hear the buck shot shells/and then the blood clot fails/There ain'tno healin the wounds/Biggest meth bust on the east coast right here inDuluth/My lyrics are proof/of growin up in the gutta

YelawolfYou think you can define how hard you got it?!/By what neighborhoodyou live in muthafucker/Wake up in the gutter!

YelawolfSlumerican indeed, I am/Drug through the mud like a weed, what Iam/Was child who was beat, I am/Leather belts that made me, Iam/Home alone again at 8, I am/Somebody’s life to rate, I am/Given tothe beast by fate, I am/The one who did escape, I am/A voice for thecold in the dark, I am/The one who sold his heart, I am/From a familytorn apart, I am/A target for your dart, I am/Sick again from the whips,I am/Head to the gun and click, I am/A soul that don’t run from shit,I am/Exposed to the g.o.a.t.s. of sin, I am/Met a ghost and hesaid, I am/In the basement in red, I am/Dead cause the Ouijaboard said, I-A-M

THROW IT UP (FEAT. GANGSTA BOO & EMINEM)HookI see you bitches talkin’ loud, but you ain’t sayin shit/Get the fuck from‘round here, you don’t rep my shit/You ain’t from my city, you don’t knowabout this/You don’t want that drama, you ain’t ready for it bitch!/Nowthrow it up (yeah ho)/Throw it up/Throw it up (yeah ho, you ain’t readyfor it bitch) (repeat)

YelawolfI already got/2 cars in a yard that don't run/So why would I wanna breakshit down for you/Better be confused with the punch lines and bars thatI lunch/Here the king if archery come/Wit a cracker dick to fuck youand that pussy carpet you munch/If I'm not hardly the one/You must bebarely the one/Billy if really you're kiddin'/Bitch I'm the prodigal son/AndI'm stuntin' like my daddy/Dr-dr-drinkin' like my mama/Cu-cu-countrylike my uncle/Stuttering like a cd in a dunk/P-p-p-punk/And I'm in ablue Chevy runnin over motherfuckers in first/I ain't even shift gearsyet, I ain't even here yet I'm outta this earth, right (yeah Ho)/But I justhit the surface and I'm bout to walk into a bank, wit a shank and a blackcan of paint/and check the clerk WHERE THE KEYS?/Bitch you bettercheck your purse, I got a brick of herb, And I hit the syrup/And I'm feelinglike I might just hit the curb/So get the fuck outta my way buddy/Youdon't wanna walk around the chicken house with a hawk little puppydog/Yelawolf and Eminem shit/Sufferin succotash, yeah, suck a dickbitch

Hook

Gangsta BooBitch please, you don’t want to step up to this Mrs. G-A-N-G-S-T-A Boomake a n---- hit his knees When/I’m up in the building/Preaching tomy children/I don’t be taking no shit from you haters/You'll make mehurt one of your feelings (ha, ha, ha, ha, ha)/Naa, naa, ne, naa, naa/Pickyo face up off the flo'/I got you feeling sad naa/You be on thathokeewag/Hokeewag is bullshit/Run into this gangsta have yourpreacher at the pulpit, Bitch!/I was born on the Mississippi River/Takeno shit from a bitch or a n----/So, so crazy got a fucked up tem-per/‘Bipolar, Not Nikki, I’m worsa, I’ll hurt cha/I gotta crazy ass mindgame/My n----, I’m a lion untamed/Hunt your ass down in my jungle/Ido this, I tell them hoes……You ain’t ready for it Bitch!Hook

Eminem Me and Yelawolf tear the roof/of this motherfucker you ain’t got theoomph you’re a hoof to the foot of an elephant/hello toots you look soeloquent that’s what I tell a cunt/come sit up front cause your kickin’my seat and I’m tryin’ to tell the cashier what I want/they say I act likean asshole when I pull up at the Whitecastle and I ask for anappli/cation throw it back in their face and tell the bitch I’m a rapperthen I wrap her/in the head with a Whopper that I bought from BK youexpect me to be proper/bitch you better pop in a CD of me immedi

ately slut/hoe skeedideedada/ Prada not a chance I was thinking aboutbuying you some clothes but Target was closed/so I decided to moseyon over to K-mart but the doors/was locked what about some shoes Ithought great I suppose/so I go to Payless but what do you know theydidn’t carry a size 8 in hoes/oh this is ugly boy swag putting toe tags/onyou motherfucking hoe bags/what a trailer trash pioneer I am yeah that’swhy I’m here/I don’t got a rhyme book it’s more like a motherfuckin’diary that diarrhea/me Yelawolf and Gangsta’ Boo came here to showyou a thang or two/about sign language middle fingers aimed at you sowe don’t gotta scream at you/ow I just bit my bottom lip it was an acci-dent I went to go tell ‘em all to go get fucked/but I’m never gonna bitemy tongue little bitch throw it up

GOOD GIRL (FEAT. POO BEAR)This ain’t for the good girls gone bad, this one’s for the bad girls tryingto go good

HookHow could someone like me so bad like get such a good girl/Such agood girl, you’re a good girl/And I know that I don’t treat you like I shouldgirl/Like I could girl, like my good girl

Verse 1Here I go again, on my shit again/Walking through the mall, acting likea prick again/You had a halter-top; I had my Famous socks/You came toshop; I came to ho hop/You had your girl witcha/Both looking great, Iwanted both of y’all/How about a double take/She was hating lookingat me like a scumbag/But something made you want to turn around andcome back/Prob’ly cause I just don’t give a fuck/I just want to see oneof these hookas in my truck/So tell your girlfriend tough luck,/She justwanna see you with somebody dressed up/Well, I really ain’t into thattype of shit/I’m into tattoos and drinking ‘til six/Fucking ‘til nine, sleeping‘til twelve/And going back to my homies with a story to tell

Hook

Verse 2This shit should’a been finished/I’m as surprised as you are, that youstill let me in it/But you continue to text message me/Right after sayingthat we should both move separately/But you don’t want to see mego/Even though I’ve only given you dick and cold cereal/So you musthave a thing for lucky charms/Or the bad girl in you just fell into my luckyarms/You love to cuss me out and call me crazy/Say I’m no good

and all of your friends hate me/Then you show up to my room and damnnear rape me/And then goes from fuck you, to fuck me baby/You leaveearly so nobody sees you at the spot/Now you’re stuck between a hardplace and a rock/You call me a player, but I have lied to you not/CauseI’m not a player, I just crush a lot. Holler!

Hook

Verse 3I’m in jail again, on my Johnny Cash/Some dude was talking shit, I hadto whip his ass/Called you in the morning, and you just fuckin’ laugh/Youthink it’s cute, you love my crazy ass/And I wonder if you’ll ever leavemy side/Cause the more that I ignore you, the more you wanna ride/Itell you that I’m bad but you never ask why/Cause you just want thegood from a really bad guy/You want to rock, let’s rock and roll, justknow/I’m only good at one thing and it’s not control/But I am consistent,that’s something to be proud’a/Cause I ain’t shit with you and I ain’tshit without ya

Hook

To all the bad girls trying to go good/There’s no such thing as good girlgone bad girl/Just a bunch of bad girls trying to go good/Alabama,mane!/Hello, my name is Yelawolf, I’m a sex addict/It’s a disease, there’smedication for it and everything/To all the bad girls trying to gogood/There’s no such thing as good girl gone bad girl/Just a bunch ofbad girls trying to go good/Alabama, mane!/Hello, my name is Yelawolf,I am a sex addict/Here take these, there’s medication for it and every-thing

MADE IN THE U.S.A. (FEAT. PRISCILLA RENEA)Yeah, land of the free, home of the hard, home of the tough, survivors

Verse 1We some gun toting, church going, 18-wheel rolling/Bag slanging, flagwaving, at the dinner table praying/Old school yard fighting, beerdrinking, hell raising/Hard working, blue collar, earn it all duepaying/Illegal weed smoking, dope cooking, dirt dealers/On the cornerbible preachers/Hollywood dream seekers/Muddy water swimmingin/Rockin Roll all the time/Straight from the assembly line/And that’show it’s made!

HookThat’s how it’s made in the U.S.A., the U.S.A./A manufactured dream,a fraction of a thing/We got it made, in the U.S.A. the U.S.A.Isn’t it great? How we got it made

Verse 2We some 9 to 5 back breaking/Food Stamp line waiting/Convict timegiving/Underage time taking/Neighborhood gang banging/Subway graf-fiti painting/Big cars, street stars/SCYoung dirty money making/Oldmoney home taking/Clothes in the yard throwing/Late on the rent pay-ing/Foul mouth word saying/One-way street paving/Road to success,but you gotta do some concrete laying/That’s how it’s made!

Hook

Priscilla ReneaShe’s been eating lies we fed her/Shoulda been full/But nothing’s help-ing/Knew she wanted something better/Still she took the second help-ing/Now she’s well known, broke and cold/Fendi jackets, full of holes/Noone knows

Verse 3Single mother child raising/From the stripper poll swinging/Daughter in the red light/Coals for the cold season/She don’t speak, no reason/Why? Cause no one will ever knowThat’s what? That’s how it’s made!

Hook

That’s how it’s made, in the U.S.A. the U.S.A./It’s every mother’sdream/To see her daughter on her knees/Well we got it made, in theU.S.A., the U.S.A./Isn’t it great? How we got it made/That’show it’s made in the U.S.A.

ANIMAL (FEAT. FEFE DOBSON)HookThey should’a never ever let you out/Cold animal with a mouth from theSouth/Whatcha gonna say? Whatcha gonna do?/Cause you know theycoming, coming after you/Watch out for the D-Boys/Watch out for theboys in blue/You better keeping it moving/You know they’re taking shotsat you/Cause you’re an animal

Verse 1 Here we go (Alabama’s own buddy) Promenade/(And I’m in a zone now)Everybody (Bringing them home baby) To the stage/Slick Ricky Bobbyin a NASCAR/Running over mutherfuckers like I’m in a bar/Sentimentalmutherfuckers in a cookie jar/Be the late night snack I’m SantaClaus/Down in Panama Beach, drunk, in my under-alls/Playin under-wear volleyball with your broad/I ain’t bothered by you're triple D’s, notat all/Let me hold’em up for ya baby while you walk/Wanna get theparty bumpin, let me do my thing/If the marijuana plant needwatering/Throw it in a bong let it start bubbling, know what I mean/But-ter bean Badda Badda Bing/Trashy white pass the mic, yeah I’m doin’mdirty/Fists start pumpin when I’m in the lights, like I’m rapping in Jer-sey/Never get elegant in elementary never learned to write incursive/Raised by the country B-Boys, I’m elegantly perfect/Rack it in,pack’em in to the back again, rap it up,/wrap it in sicker than a pack of10 Mini-thins/You’ll get when I win, but I won’t loose in fact I’m gonnawin/Win again, with another hand, here’s another hand, here’s anotherhand/Dealer can I get another hand, here’s a hand King, King, King,King/Bitch Ghet-O-Vision in the Dirty South and you know we’re gettin’clean/Rich Yeah!

Hook

Verse 2Candy-coated whip runnin over candy coated rappers(vrooom)/Panties on her drip do a back flip for me, baby be an acro-batic actor, Action!/Do a cart wheel on a bar will you do a cart wheelwhile I chill on a bar stool/Will I throw a dart at a wet seal, well if I seea whale I’ma throw a fuckin harpoon/Go looney toons and lose yourfruit of the looms to prove you’re in the room you’re shroomin to themoon/But in the morning you’re wakin’ up like a broom, swept off yourfeet cause Yelawolf ain’t a groom/I ain’t poppin the cherry, I’m poppinberry moonshine, hop in the bedroom, let’s move/If you wanna com-pare me, compare me to a legend, don’t compare me to a youngfool/Go get a gun, go get a gun, I’ll get a cinnabon and sit upon yafuckin roof/I live it son, I get it done, Fuck anyone yea fuck anyone whoain’t fuckin with the crew/Yea throw another bucket in the pool, dry itout now everybody skate/Cause I’m a lord, I’m a doggy town (Wolf!)A-L-A-B-A-M-A My state/My state of mind 1985 wide body, lookin forthe little small town keg party/Wanna get drunk wanna fall up in a hot-tie, get shitty like a port-o-potty/So jump on the paddy wagon like aPakistanian packin’ a Mac 11 Wit a pack of maniacs/11:30 back at itagain/I’m ready for the battle when and where muthafucka, they let

another cracker in/Yea!

Hook

THE HARDEST LOVE SONG IN THE WORLDI usually don’t do this but fuck itVerse 1You like the hardest thing I ever seen/And I’m from the gutter, so believeme, I’ve seen some hard things/You come from where the black flowergrows/I wanted to cut you down and take you home/Call me Axle Rose/Ican see you in a 1976 Camaro/Me and you sipping whiskey, gettingdrunker than Jack Sparrow/Is Black Sabbath how you get mellow?/Huh,then put your feet on my Harley Davidson petals/And rock and roll girl

HookLike a diamond cuts through a pearl/This the hardest love song in theworld/You can get it in with your girl/To the hardest love song in theworld, ah yeah,/Hardest love song in the world, world!!

Verse 2You don’t gotta drive a Fleetwood Cadillac/You just gotta know some ofthe words to Fleetwood Mac/Horror movies turn you on, pull the sheetsback/Fuck it I’ll roll play, do it to you in a Jason mask/Your switch walkis like a switchblade/You walk into a room/And its like these otherbitches get hit with a grenade/With that said, let me pull them spandexpants off you with my teeth/Like Ozzy did a bat head/I’m rockin rollbaby, let’s go!

Hook

Verse 3You ain’t concerned with new clothes or salaries/You’d rather runacross the country like Mickey and Mallory/Be the natural born killerthat you are/We’ll hang out the window with a pistol and I’ll drive thecar/We’ll rob the Dollar General for nothing but snack food/Shoot any-thing that moves, dogs and cats too/Re-enact the hardest moviescene/Bloody shirts and holey jeans/We the hardest you and me rockand roll, baby!

Hook

WRITE YOUR NAME (FEAT. MONA MOUA)HookI’ll write your name across the sky/And take away the stars cause youlight up the night/Feel as high as the moon when you’re here withme/That’s why I’m gonna write your name for the world to see

Verse 1Another old man on the porch with a bottle/Wind blows and the oldrocking chair wobbles/He’s just a waving, everybody’s welcomed/Allhe can say about the youth is Lord help ‘em/Gotta couple grandbabiesbut they never call though/Let him in the South and they moved toChicago/Wife’s in Heaven and he says every since/Vietnam life’s beenhard as a veteran/Simple life just a 6-pack, ice cold/Crossed the Georgialine for a ticket for the Lotto/Probably never see his name in the head-lines/But if I had a plane I’d put it in the skyAlabama!

Hook

Verse 2She’s in love yeah, friends call her crazy/Met him at a party they starteddating/Daddy’s little angel, mama’s little lady/Only sixteen now Brenda’sgotta a baby/She can’t afford to, drop out of high school/Jimmy’s not aman and he can’t provide you/He doesn’t want to, but you kept it any-how/Nine months down the road, whatcha gonna do now?/Go to thefood stamp office and apply/If you find a job it’ll help you get by/Andyou made it when you didn’t know how/Now that’s a real star, put hername in clouds/Alabama!

Hook

Verse 3You may never be on television/Or be the one your boss at workloves/Giving you employee of the month/You may never be the firststring on a champion team/You may be the star the world just hasn’tseen/But that don’t make you any less of a star to God/Being rich isonly realizing it’s all a facade/You’re richer than you think in that oldsmall town/Cause people like you make the world go ‘round/Alabama!

Hook (repeat)

EVERYTHING I LOVE THE MOSTHookWhy is everything I love the most/So wrong from me?/And everythingI’m holding close, is so far away from me/They don’t want me to lie,but they don’t wanna hear the truth/It never made sense to me/Whyeverything I love the most is so wrong for me

Verse 1Problematic, I’m so problematic that I’m probably a problem addict/Pop-pin aspirin cause my head is hurting/Hotel bedroom missingcurtains/Sheets everywhere like a storm has passed/In fact it looks likeI got into a wrestling match/Empty bottle of Jack, I can tell I did that/Ican smell it in fact, its like death and ass/Think for a minute, then rollover and look/To my left, is an open book, the Bible/To my right is aguilty conscious her name is Brook, my rival/At least I think her nameis Brook?/She’s asleep and I’m givin’ her the lamest look/Move her hairback so I can see her face/Cause it was dark when I met her at thegame/It took about five minutes to get her inside the whip/Another fiveminutes to get up inside the lips/Never tried, really man I really tried toslip out/But it was just thighs and hips/Okay, I was high and shit/On al-cohol and a Yelawolf ego-trip/Leave her lying in bed, cause I don’t needno kiss/And it’s the walk of shame again

Hook

Verse 2Smokin out throwin up/Keep a fifth off in my cup/Trying not to be asimp/But every time I take a sip/I think I’m gonna fall in lust/I’m backand forth like I’m packing a truck/In a house that never runs out ofboxes/Knowing that if I put on my tennis shoes/And a fresh fit, I’ll endup sockless/By the end of the night, flip flopping/I’ll B-Boy if you let meHip Hop in/Alligator skin cowgirl boots only means let’s get crockin’ That mini skirt makes any man a flirt/Manicures animal furs and apurse/What could a little bit a smoke and Henny hurt?/You make anyjerk make a penny work/Sinister with sin in her/She can leave a devilsitting in the church/On another level not in the earth/Jessica Alba hadtwins at birth/Trippin sure, piles of E, ménage' trois, Piles of three/Wak-ing up again not proud of me/Yeah, I’m a lousy fiend

Hook

RADIOHookI can’t seem to get you off my mind/Turn on the station and I’m still fac-ing you and/Everybody seems to lost their mind/It's hard to handle so Ichange the channel on the/Radio Cause Internet killed the radiostar/Radio and youtube killed the video star/Hit the radio then we makea (make a) video now I'm a star/HIt the radio Then you make a (makea) video now I'm a star

Verse 1Picture me rollin Pac, It's funny how time has changed/Everybody's acritic now, it's all a debate on the internet wave/It used to be you & Big-gie, Chili Peppers "Give It Away"/Now we got 10 year olds sittin back inthe chair like "those were the days"/And though it seems so amazingto me that the labels lost the touch/And I'm in the AM flipping throughthe AM like I lost my crutch,/Limpin' cause I can't even walk straight ifI can't turn it up/Sippin' I need some gin & juice Snoop Dogg I boughtmy cup/Whas Up, Uh Huh, OK, Shut Up Cause I think we had enoughof/Radios in lust with the lust with the love bugs/Well let me give you abig hug, a bag of mushrooms, here take some drugs/And play someGroup Home or something/Shit that Goodie MoB Soulfood isbumpin....Rewind

Hook

Verse 2

Yeah,You'll never hear Black Star cause the program director's mostlydef/And you'll never hear Triple Six cause we live in the mist of theBible belt/But that's where the light is felt, so let it shine, let'emrhyme/Let'em hustle, let'em grind, nothin wrong with the truth some-times/Sometimes the truth is dark, but the darkness sparks the true-est art/And you didn't even know you had a window til the tornadoblew it apart/If Eric Clapton can sing about cocaine and there's noharm/Then I can write about guns I can rap about girls I can sing aboutmoney & cars/Not that my money is large, lets talk about broke as ajoke/Let's talk about gettin evicted, everything you own thrown out onthe road/And maybe that there goes gold, shit maybe its platinumsold/but they don't wanna see the green rings from the pirates gold/nohold up rewind

HookVerse 3Pick up the change, pick up the change! Ridin a Chevy cause I' sick ofthe Range/Catfish Billy come pick up the name, come on inside ifyou're sick of the rain/Turn the radio off and don't complain, it's all areplay, it’s all the same/got one track on a runaway train on a one waystreet better pick your lane/Yeah but you can let me pick your brainand we could be that rolling stone/mix'em up with Janice Joplin, andlet'em harmonize like bone/or we can just leave it alone and let it takea life on its own/or we could be that world class wreckin crew & tell'emturn the lights back on...come on

SLUMERICAN SHITIZEN (FEAT. KILLER MIKE)HookS l u m e r i c a n / S h i t i z e n / S l u m e r i c a n / S h i t i z e n / S l u m e r i c a nShitizen/Slumerican/Shitizen

Verse 1I’m on the sidewalk with this fuckin’ skateboard/and these dirty assjeans/I’m the boy that stole a pack of Twinkies/and a bottle that’sgreen/I never gave a fuck about environmental shit/throw my emptybottle in the gutter/Rednecks four’ wheelin’ screaming “skate or diedude”/Fuck you motherfucker (fuck you motherfucker)/I’m a carwreck in a swamp I drown victims slow/with these words thatI lay/Pigs on the corner got an eye for my kind/cause we ignore lawseveryday/What do you mean I’m white trash?/Grab my nuts and kick

your poodle in the face/I’m sick to the soul with hate/Cause I’m thebitch that society raped/So what’a ya say?Hook

Verse 2My body is covered in tattoos/that are totally offensive/If I didit, I did for life/No regrets, you know that I meant it/I ain’t bothered byracist/My family is worldwide, ho come get it/I’ll take you to the gutterlike a cigarette butt in the rain/Let Shawty Fatt spit it (Yeah!!)/Youmotherfuckers are lost, get your maps out/And follow me into thecreek water/I didn’t forget where I came, jus how to ignore my/mymusical calling/That crack on the window on the Chevy’s/Been therefor over 7 months/Along with Jon Newport’s beer bottle caps and theroaches of WillPower’s blunts/So what’a ya say?

HookVerse 3 (Killer Mike)People why shit is so wrong/Why they won’t let all our soldiers comehome/Why them boys who get caught with such small amounts ofdope/on the Ave do bids so long/They bids so long by the time they getto come home/Mamas is gone and babies is grown/And baby mamathat was tight in that thong/Fat as a fuck and her body all gone/Pay forit cash her ass is gone/She never worked so the stash isgone/Government rations she gets on/Year after year she get checkafter check/A gangster come home already in debt/The governmentsay you owe $50k/For all the free lunches that yo baby ate/Do you golegit, and never have shit?/Or G’ up and re-up and get you a brick?(yeah)/Get you a brick (yeah)

Hook

Killer Mike See what you suckas don’t understand is/This ain’t even aboutrace/This is about who got it and who ain’t got it/So if I’m on the bot-tom/and you on the bottom/We’re the same color...Dirty Fuckin’ Poor!!

THE LAST SONGVerse 1Everybody’s asking me lately, where I’m from/They wanna know whatI’ve been through and what dirt I’ve done/But man if I told you what

I’ve seen and been through, then you’d probably run off/You’re scaredof the truth, so it’s dead in secret lined in chalk/See I’ve been lost eversince I could walk/lookin’ for my daddy in any one of mama’s boyfriendwho would talk/Or listened to me when I spoke instead of looking atme like a joke/Or leavin’ me behind, leavin’ me to cry when you treat-ed my mama like a ho’/But I learned quick that my daddy wasn’t nevergonna come around/And I didn’t give a shit cause me and my mamawe held it down/No new kicks, first day of school I’m good willbound/But when you come from the trench that’s how you learned towalk around/So I don’t give a fuck if you ever lay eyes on top of my newshoes homie/I just wanted you to know that I didn’t need a dollarfrom you I got’em myself/So if you find yourself in the middle of thefloor, with a bottle, drinking yourself lonely/then you can keep companywith a picture of me in a magazine on the shelf/Turn the page...

Hook:

Daddy can you see me/I’m putting on a show/In the magazines/Hearme on the radio/So what’a you think?/Well I hope that you’re proudnow/to watch it all go down/I’m sorry Daddy/You didn’t get to watchme grow/Now I’m always on the road/No time to say hello. Bye/And Ihope that you’re proud now/To watch it all go down

Verse 2Yeah Mamma you look great, perfect/Be safe on your first date, for cer-tain/If he brings you home too late, I’ll hurt him/Don’t worry bout’ meI’m safe, I’ll close the curtains/And I feel like I’m raising you, but whatdo I know, Baby Blue/All I know is that I was made in you, so I put allmy faith in you/Yea I was only 10, but I felt like a man and I had to letyou go/All I wanted was for us to be rich, tear drops in my cerealbowl/So I turned into an asshole, young and dumb smokin’weed/Vandalizing, robbing houses, stealing cars that was me/Buteverything I did I had to see, feel the pain had to grieve/To become whoI am, and I’m proud of the man I came to be/Cause what I’ve learned,cannot be taught, what I’ve earned could not be bought/Justifieddeserved it all so don’t be concerned, It’s not your fault/I never countedsheep, I count my blessings/So if you see him out Mamma, don’tgive him the cold shoulder, give him my message/Just tell him...Hook

WHIP ITYe, ye, Ye- Yela, ye, ye, Ye- YelaVerse 1We hit the club, tore it up/Mally Mall’s got model sluts/Fearin’ &Loathin’ in Las Vegas, party, party, bottles up!/I’m feeling like a king,someone tell me where my robe is?/This nitrous oxide got me feelinglike Moses/Laugh’in it up, laughin’ loud/Twist it up until you tappin’out/But Yelawolf ain’t throwing in the towel/Take a pull buddy, how yousound?/My voice feeling like I just swallowed a frog/I think I’m Mr. T, Ithink I’m Boss Hog/(Get, get, get) getttie up, promenade/Rip it up, hitthe stage/Outta my mind yeah, wanna go craze/Feeling like I wannafloat around for days/She’s all about it, she’s getting rowdy/She like toparty! So whip it shawty!Hook

You gotta charge, I gotta charge!/Whip it real hard, whip it, whip it realhard/Whip it real hard, whip it, whip it real hard/Whip it real hard, whipit, whip it real hard/You gotta charge, I gotta charge/Whip it real hard,whip it, whip it real hard/Whip it real hard, whip it, whip it real hard/Whipit real hard, whip it, whip it real hard

Verse 2Baby you and maybe you/Need to come back to the naked room/Whipit, whip, get with it/I’ll open you up like a Baby Ruth/She’s getting ripped,she’s getting striped/Swimming in a funk/I watch her skinny dip/Youwanna feel ill, wanna get real/Wanna pop a pill feel out of control/Wannaknow what I’m into though/That N2O/And cloud nine is somewheredown below/Get on my level, look at the light show/You lay back in theway back of the Maybach or lay back on the Lazy Boy/You can pay meback with a bj in the ‘Lac here enjoy!/She’s all about it, she’s gettingrowdy/She like to party! So whip it shawty!Hook

Verse 3Crazy youth, yeah, that trashy life/I’m getting high, I’m in my afterlife/Rock star no holds barred/Got new hoes sitting in old cars/And I’mfeeling like the world is mine/Arms wide open/One country at a time,middle fingers up/Fuck critics, nitrous in a bottle/Bitch whip it!

Hook

I SEE YOUVerse 1Yeah, Once upon a time not long ago,/My grandmother told me one dayI’d change/I felt like she was coming down on me/So I told her no, I’dbe the same/Not knowing she was only trying to help/Motivate me toexcel and climb/I was thinking she was the one trapped/While I wasstuck in the cage of my mind/Man if I would’ve known what I knownow/I would have brought my head down out of that cloud/Told herthank you and that I loved her/But I was too cool and too damnproud/What a fool I was in fact/I’ve changed so much, now lookingback?I wish somebody I thought was cool/Was cool as she was whenshe told me that

Hook

I see you, I see you, the real you/Trying to cover up what’s inside ofyou/But everything you do, is make believe/Yeah you’re hot, but you’re

too cool/I see you!/I see you! /I see you!

Verse 2Baby girl don’t know much about/What it would take to become astar/Hollywood is so far fetched/Too long of a drive in an old car/Workevery day but you barely eat/Going over lines from a script youread/Your boyfriend said it’s a silly dream/But how can you dreamwhen you never sleep/You’re looking in the mirror and your picturinga light show/A glimpse in the lens of a camera/Behind the scenes of lifeas a tightrope /Yea you walk a thin line/But a thin line is all you need/Athin line in an Indy movie/Just a break for somebody to see the/Talentinside, the ballad of a diary you write/The by and by is just another dayfor a normal girl/But for you it’s another day that you tried/Aside fromthe fact that you ride in the back of a bus/Sometimes cause your carwon’t work/Well maybe you should take that bus to L.A./And put yourdreams first because…

Hook

Verse 3Black and white, everything is black and white/Broke down, simpleand plain/Most of us lost with a curious brain/Curiosity is looked at asstrange/Stuck in a lane, but you can’t complain/While you look atanother passing train/Wondering how, where’s it going?/Wishing youwere inside, packed and rolling/To another place, but your time is cho-sen/To live low key, ‘cause your dream is stolen/They don’t under-stand, they believe in loathing/Lounging, loafing, waiting,hoping/Homie if the grass in greener/Look, the gate is open/You’rewaiting for God to release the ocean/Sitting on the beach two feet fromfloating/But I see you..

Hook

IN THIS WORLDHookIt’s getting hard to be me/Every where I go, somebody’s looking atme/And If I ever need something, I’ma get it for myself/Cause I’m theonly person thinking ‘bout me/It’s getting hard to be me/Every where Igo, somebody’s looking at me/And if you gon’ compare me at all bestcompare me to myself/Cause I’m the only person fucking with me!

Verse 1In this world of sticks, hicks and chicks with aqua net spray/Sh sh shh-

hhhh shut up muthafucker don’t disrespect these country ways/Yeah!Alabama, if yeen know,/I ain’t hiding a damn thing, I just like to leanlow/Yeah, I’m the theme show/Stereotypical beanpole/Slim, tall, tatted,let me add that I gotta green glowFrom all the Mountain Dew that Iconsume/From a mason jar, in a racing, chase it with a tall ice brewLet me not leave you confused, what I represent culturally/Trash bagfull of Freon, I’m huffin’ puffin’ on potpourri/That gummo’s squeakyswingin’ gate in front of that trap house/Trailer park is sewed up andBilly done pulled that Lac out

Hook

Verse 2Wonder what I got inside this Chevrolet Trunk I’m hiding/About tenbodies on a fishing line with baby clothes on consignment/Came to thegame so broke that I still find one-dollar bills and get a thrill/That’s thekind of shit that leaves my pickle dill'd/Siding on the single wide gotIcicle steel, too cold/Gotta kerosene heater to heat up the grill, meat-loaf?/Daddy’s in jail again for shuffling pills, we know/Man I’ve onlycome to give you a peep show, (in this world ) I run across the South,like a wild stream, smiling/I’ve seen more colorful mushrooms than achild’s dream/On an Island, desolate left behind/Cause my state, is astate of crime/God said, 1979, go change the minds ( in this world )

Hook

Verse 3Yelawolf. Hi, my name is/President O ‘Bama I’m so shameless/I’m takingit all so what am I saying/I’m the voice of every small town (in thisworld )/Like a light and a pipe with a mic and take flight in this life/Whata sight, put a vice grip lock on my right to fight despiteThe way you may feel about sights and sounds that I might put downAbout prices found on a sack of that white/Heaven is a place in a 7/11I can never get away from hell/Found hell in the bible-belt and foundlove in a 6-pack up on the shelf/Went to the seashore to see more butLeroy didn’t seem sure to me/So I took Leroy to Alabama, he boughtthe hat and bought the Tee/Converted him Y’all, I gave him convertiblethoughts/When he saw that big buck hangin’ on the wall (Yeah)/I’m offby a millimeter/I’m on by a Million light years and 2 liters a pint ofmoonshine/I ride a 2 seater Take a ride/In this world..Hook

“Radioactive Introduction” (M. Atha & W. Washington)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered byBug/My Inheritance (SESAC)/Fellowship of Ghet-O-Vision (BMI)/Bug Music (BMI) Ad-ministered by Bug PRODUCED BY: WillPower for SupaHotBeats/Ghet-O-Vi-sion Entertainment/RECORDING & MIX ENGINEER: Matthew HayesRECORDED AT: Tree Sound Studios, Norcross, GA/MIXED BY: MatthewHayes/ASSISTED BY: WillPower, Irvin Johnson and Jason WilsonMIXED AT: Tree Sound Studios, Norcross, GA/BACKGROUND VOCAL:Nikkiya/ALL MUSIC & PROGRAMMING: WillPower/MASTERED BY: DaveKutch at The Mastering Palace/PRODUCTION COORDINATION: ReginaDavenport for Ghet-O-Vision Entertainment

“Get Away” (feat. Shawty Fatt & Mystikal)(M. Atha, D. Barnes, J. Horton, M. Horton & S. Otis)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered byBug/Slapademiks (SESAC)/The Braids Publishing (adm by Zomba Enterprises Inc.)(ASCAP)/Jerrico Horton (BMI)/BMG Rights Management on behalf of itself and BugMusic (BMI) PRODUCED BY: Phonix Beats/RECORDING ENGINEER: PhonixBeats, Matt Hayes, Sasha Sirota/RECORDED AT: Kitchen 213 Studio, LosAngeles, CA/Tree Sound Studios, Norcross, GA/Future Music RecordingStudios, Las Vegas, NV/MIXED BY: Leslie Brathwaite/ASSISTED BY: MuzzySolis & Michael Pratt/MIXED AT: Patchwerk Recording Studios, Atlanta,GA/ALL MUSIC PROGRAMMING: Phonix Beats/MASTERED BY: Dave Kutchat The Mastering Palace/Mystikal appears courtesy of RCA Records, adivision of Sony Music Entertainment Contains elements of “StrawberryLetter 23” written by S. Otis and published by BMG Rights Managementon behalf of itself and Bug Music (BMI). Used by permission. This trackcontains a sample of the recording “Strawberry Letter 23” as performedby The Brothers Johnson. Courtesy of A&M Records under license fromUniversal Music Enterprises. Used by permission. All rights reserved.

“Let’s Roll” (feat. Kid Rock)(M. Atha, J. Giannos, D. Jordan, D. Simmons & J. Boyd)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered byBug/Will Work For Pub (ASCAP)/Will Work For Pub (ASCAP)/Universal MusicPublishing Group/U Can’t Teach Bein The Shhh Inc. (ASCAP)/POO BZ Publishing, Inc.(ASCAP) and Bug Music-Hitco South (ASCAP) All Rights On Behalf Of POO BZPublishing, Inc. and Bug Music-Hitco South Administered By Bug Music-Music OfWindswept (ASCAP)PRODUCED BY: The Audibles & Mr. PyroCO-PRODUCED BY: Eminem/RECORDING ENGINEER: Sasha Sirota,Mike Strange, Al Sutton/RECORDED AT: Future Music RecordingStudios, Las Vegas, NV & Effigy Studios/MIXED BY: Eminem & MikeStrange/MIX ENGINEER: Mike Strange/

ASSISTANT MIX ENGINEER: Joe Strange/BACKGROUND VOCALS: Herschel Boone/MUSIC & DRUM PROGRAMMING: Jimmy Giannos and Do-minic Jordan/ADDITIONAL KEYBOARDS: Luis Resto/Kid Rock appears courtesy of Atlantic Records/MASTERED BY: Brian “Big Bass” Gardnerat Bernie Grundman Mastering/Kid Rock appears courtesy of Atlantic Recording Corporation

“Hard White (Up In The Club)” (feat. Lil Jon)(M. Atha, L. Grant, M. A. Jackson, A. Cartagena & J. Smith)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/Jam 88 Publishing Company (ASCAP)/Lil Jizzel Music Publishing; adm. By Songsof Universal, Inc. (BMI) PRODUCED BY: Tha Hydrox/RECORDING ENGINEER: Sasha Sirota and Cristian Delano/ASSISTED BY: Eric Weaver/RECORDEDAT: Future Music Recording Studios, Las Vegas, NV/Conway Recording Studios, Los Angeles, CA/MIXED BY: Leslie Brathwaite/ASSISTED BY:Muzzy Solis and Michael Pratt/MIXED AT: Patchwerk Recording Studios, Atlanta, GA/ALL MUSIC & PROGRAMMING: Tha Hydrox/MASTEREDBY: Dave Kutch at The Mastering Palace/Lil Jon appears courtesy of Little Jonathan, Inc.

“Growin’ Up In The Gutter” (feat. Rittz)(M. Atha, W. Washington & J. McCullom)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/My Inheritance (SESAC) / Fellowship of Ghet-O-Vision (BMI) / Bug Music (BMI)Administered by Bug/Johnny Valiant Productions (ASCAP) PRODUCED BY: WillPower for SupaHotBeats/Ghet-O-Vision Entertainment/RECORD-ING & MIX ENGINEER: Matthew Hayes/RECORDED AT: Tree Sound Studios, Norcross, GA/MIXED BY: Matthew Hayes/ASSISTED BY: WillPower,Irvin Johnson and Jason Wilson/MIXED AT: Tree Sound Studios, Norcross, GAALL MUSIC & PROGRAMMING: WillPower/MASTERED BY: DaveKutch at The Mastering Palace

“Throw It Up” (feat. Gangsta Boo & Eminem)(M. Atha, W. Washington, L. Mitchell & M. Mathers)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/My Inheritance (SESAC) / Fellowship of Ghet-O-Vision (BMI) / Bug Music (BMI)Administered by Bug/Lady Kash ASCAP/ Shroom Shady Music, admin. by Songs of Universal, Inc. (BMI) PRODUCED BY: WillPower for SuparHotBeats/Ghet-O-Vision Entertainment/ADDITIONAL PRODUCTION: Eminem/RECORDING ENGINEER: Matthew Hayes, Tristan McClain & Mike

Strange/RECORDED AT: Tree Sound Studios, Norcross, GA & Effigy Studio, MI/MIXED BY: Eminem & Mike Strange/MIX ENGINEER:Mike Strange/ASSISTANT MIX ENGINEER: Joe Strange/MIXED AT: Effigy Studios, MI/ALL MUSIC PROGRAMMING: WillPower/ADDI-TIONAL KEYBOARDS: Luis Resto/MASTERED BY: Brian “Big Bass” Gardner at Bernie Grundman Mastering

“Good Girl” (feat. Poo Bear)(M. Atha, J. Giannos, D. Jordan, J. Boyd, K. Prather & C. Sills)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/Will Work For Pub (ASCAP)/Will Work For Pub (ASCAP)/POO BZ Publishing,Inc. (ASCAP) and Bug Music-Hitco South (ASCAP) All Rights On Behalf Of POO BZ Publishing, Inc. and Bug Music-Hitco South Administered By Bug Music-MusicOf Windswept (ASCAP)/In Thee Face Music Publishing (ASCAP)/Bughouse (ASCAP) Administered by Bug/C. Sills Publishing Inc. (ASCAP)/PRODUCED BY: TheAudibles/CO-PRODUCED BY: Poo Bear/RECORDING ENGINEER: Sasha Sirota/RECORDED AT: Future Music Recording Studios, Las Vegas,NV/MIXED BY: Leslie Brathwaite/ASSISTED BY: Muzzy Solis and Michael Pratt/MIXED AT: Patchwerk Recording Studios, Atlanta, GA/PRO-GRAMMING: Jimmy Giannos/KEYBOARDS: Dominic Jordan/MASTERED BY: Dave Kutch at The Mastering Palace

“Made In The U.S.A.” (feat. Priscilla Renea)(M. Atha, E. Kiriakou, C. Dwight & P. Hamilton)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/Roditis Music (ASCAP)/Courtney Dwight/Isaiah 431920 Publishing(BMI)/Warner-Tamerlane Publishing Corp. (BMI), POWER Pen Biz Publishing (BMI) and Priscilla Renea Productions (BMI). All rights on behalf of itself, POWER PenPublishing and Priscilla Renea Productions Administered by Warner-Tamerlane Publishing Corp. PRODUCED BY: Produced by Emanuel Kiriakou forModSquad Music Inc/CO-PRODUCED BY: BLAQSMURPH for PoSMoV/POWER Entertainment, LLC/ENGINEERED & EDITED BY: EmanuelKiriakou & Sasha Sirota./RECORDED AT: Studio E at Chalice Recording, Los Angeles CA/Future Music Recording Studios, Las Vegas,NV/MIXED BY: Leslie Brathwaite/ASSISTED BY: Muzzy Solis and Michael Pratt/MIXED AT: Patchwerk Recording Studios, Atlanta, GA/AD-DITIONAL VOCALS BY: Priscilla Renea/KEYBOARD PROGRAMMING, BASS & DRUMS: by Emanuel KiriakouADDITIONAL KEYBOARD PROGRAMMING PIANO & DRUMS by: BLAQSMURPH/MASTERED BY: Dave Kutch at The MasteringPalace/Priscilla Renea appears courtesy of Capitol Records

“Animal” (feat. FeFe Dobson)(M. Atha, A. Borger, T.W. Pentz, F. Dobson & N. Brooks)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/Buygore Music/Downtown Music Publishing/Suave Ink (SESAC)/Felicia

Dobson/Sony/ATV Music Publishing Canada (SOCAN) PRODUCED BY: Diplo & Borgore/RECORDING ENGINEER: Tristan McClain, SashaSirota,/RECORDED AT: Tree Sound Studios, Norcross, GA/Future Music Recording Studios, Las Vegas, NV/MIXED BY: Leslie

Brathwaite/ASSISTED BY: Muzzy Solis & Michael Pratt/MIXED AT: Patchwerk Recording Studios, Atlanta, GA/ALL MUSIC PROGRAMMING: Diplo &Borgore/MASTERED BY: Dave Kutch at The Mastering Palace/Fefe Dobson appears courtesy of Island Def Jam Recordings

“The Hardest Love Song In The World”(M. Atha, W. Washington, J. Boyd, K. Prather & B. Miller)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/My Inheritance (SESAC) / Fellowship of Ghet-O-Vision (BMI) / Bug Music (BMI) Administeredby Bug/POO BZ Publishing, Inc. (ASCAP) and Bug Music-Hitco South (ASCAP) All Rights On Behalf Of POO BZ Publishing, Inc. and Bug Music-Hitco South Administered By BugMusic-Music Of Windswept (ASCAP)/In Thee Face Music Publishing (ASCAP)/Bughouse (ASCAP) Administered by Bug/Chevis Publishing Corp. (BMI)PRODUCED BY: WillPower for SupaHotBeats/Ghet-O-Vision Entertainment/RECORDING ENGINEER: Sasha Sirota/RECORDED AT: Future Music Record-ing Studios, Las Vegas, NV/MIXED BY: Matthew Hayes/ASSISTED BY: WillPower, Irvin Johnson and Jason Wilson/MIXED AT: Tree Sound Studios, Nor-cross, GA/DRUM & MUSIC PROGRAMMING: WillPower/BASS: Ben Didelot for Tree Leaf Music/GUITAR: Matt Barrett/MASTERED BY: Dave Kutch atThe Mastering Palace/Contains elements of “Always Together” as written by B. Miller and published by Chevis Publishing Corp. (BMI). Used by per-mission./This track contains a sample of the recording “Always Together” as performed by The Dells. Courtesy of Universal Records under licensefrom Universal Music Enterprises. All rights reserved. Used by permission.

“Write Your Name” (feat. Mona Moua)(M. Atha, K. Bartolomei, E. Ortiz, K. Crowe, G. Cihumsky, C. Nwagbara, U. Nwagbara, R. Harrell & W. Smith)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/Kenneth Bartolomei (BMI)/Warner Chappell (BMI)/Gabriella Publishing Designee Adminby Warner Chappell (ASCAP)/MissChas Publishing/Young Pen Publishing/Bug Music publishing /BMI Affiliation Admin by Bug Music/Only the lomie Publishing (ASCAP)/Rozzy-RocksMusic (ASCAP)/Sitting on the Moon Music (BMI)/PRODUCED BY: J.U.S.T.I.C.E. League/RECORDING ENGINEER: Mike Wilson/RECORDED AT: PatchwerkStudios, Atlanta, GA/MIXED BY: Leslie Brathwaite/ASSISTED BY: Muzzy Solis and Michael Pratt/MIXED AT: Patchwerk Recording Studios, Atlanta,GA/ADDITIONAL VOCALS BY: Mona Moua/ALL MUSIC PROGRAMMING: J.U.S.T.I.C.E. LeagueMASTERED BY: Dave Kutch at The Mastering Palace

“Everything I Love The Most”(M. Atha, W. Washington, J. Boyd & W. M. Joel)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/My Inheritance (SESAC) / Fellowship of Ghet-O-Vision (BMI) / Bug Music (BMI) Administeredby Bug/POO BZ Publishing, Inc. (ASCAP) and Bug Music-Hitco South (ASCAP) All Rights On Behalf Of POO BZ Publishing, Inc. and Bug Music-Hitco South Administered By BugMusic-Music Of Windswept (ASCAP)/ Impulsive Music (ASCAP) PRODUCED BY: WillPower for SupaHotBeats/Ghet-O-Vision EntertainmentADDITIONAL PRODUCTION: Eminem/RECORDING ENGINEER: Sasha Sirota/RECORDED AT: Future Music Recording Studios, Las Vegas, NV a& EffigyStudios/MIXED BY: Eminem & Mike Strange/MIX ENGINEER: Mike Strange/VOCALS BY: Yelawolf/MUSIC & DRUM PROGRAMMING: WillPowerBASS & GUITAR: Sasha Sirota/ADDITIONAL KEYBOARDS: Luis Resto/MASTERED BY: Brian “Big Bass” Gardner at Bernie Grundman MasteringContains elements of “The Stranger” written by W. Joel and published by Impulsive Music (ASCAP). Used by permission.

“Radio”(M. Atha, J. Scheffer, D. Morris, M. Mule, I. De Boni)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/Jimipub Music /EMI Music Publishing (BMI)/Hypnotic Beats/Rebel Made/Kobalt

(BMI)/Retromono/Rebel Made(BMI) PRODUCED BY: Jim Jonsin for Rebel Rock Productions/PROGRAMMING BY: Jim Jonsin, Finatik 'N' Zac/KEYBOARDSBY: Danny Morris/GUITARS BY: Dave Karmiol/PERCUSSION BY: Finatik & Jim Jonsin/RECORDED BY: Jason Wilkie and Nikolas Marzouca at ParklandPlayhouse/ASSISTED BY: Matt Huber/MIXED BY: Robert Marks at Parkland Playhouse/ASSISTED BY: Matt Huber

“Slumerican Shitizen” (feat. Killer Mike)(M. Atha, W. Washington, M. Render & B. Parks)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/My Inheritance (SESAC) / Fellowship of Ghet-O-Vision (BMI) / Bug Music (BMI) Administeredby Bug/Aniyah’s Music (ASCAP) administered by the Royalty Network/Hydrilla Music, PRO (ASCAP) PRODUCED BY: WillPower for SupaHotBeats/Ghet-O-Vision En-tertainment/RECORDING ENGINEER: Sasha Sirota/RECORDED AT: Future Music Recordings, Las Vegas, NV/MIXED BY: Matthew Hayes/ASSISTED BY:WillPower, Irvin Johnson and Jason Wilson/MIXED AT: Tree Sound Studios, Norcross, GA/ALL MUSIC & PROGRAMMING: WillPower/BASS & GUITAR:Sasha Sirota/MASTERED BY: Dave Kutch at The Mastering Palace

“The Last Song”(M. Atha & W. Washington)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/My Inheritance (SESAC) / Fellowship of Ghet-O-Vision (BMI) / Bug Music (BMI) Administered

by Bug PRODUCED BY: WillPower for SuperHotBeats/Ghet-O-Vision Entertainment/RECORDING ENGINEER: Tristan McClain/RECORDED AT: Tree SoundStudios, Norcross, GA/MIXED BY: Matthew Hayes/ASSISTED BY: WillPower, Irvin Johnson and Jason Wilson/MIXED AT: Tree Sound Studios, Norcross,GA/ALL MUSIC & PROGRAMMING: WillPower/MASTERED BY: Dave Kutch at The Mastering Palace

“Whip It”(M. Atha, J. Giannos, D. Jordan, J. Boyd & C. Sills)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/Will Work For Pub (ASCAP)/ Will Work For Pub (ASCAP)/POO BZ Publishing, Inc. (ASCAP)and Bug Music-Hitco South (ASCAP) All Rights On Behalf Of POO BZ Publishing, Inc. and Bug Music-Hitco South Administered By Bug Music-Music Of Windswept (ASCAP)/C.

Sills Publishing Inc. (ASCAP) PRODUCED BY: The Audibles/RECORDING ENGINEER: Sasha Sirota/RECORDED AT: Future Music Recording Studios, LasVegas, NV/MIXED BY: Leslie Brathwaite/ASSISTED BY: Muzzy Solis and Michael Pratt/MIXED AT: Patchwerk Recording Studios, Atlanta, GA/MUSIC &DRUM PROGRAMMING: Jimmy Giannos and Dominic Jordan/GUITAR: Sasha Sirota/MASTERED BY: Dave Kutch at The Mastering Palace

“I See You”(M. Atha, W. Washington, J. Giannos, D. Jordan, S. Sirota, J. Boyd & K. Prather)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/My Inheritance (SESAC) / Fellowship of Ghet-O-Vision (BMI) / Bug Music (BMI) Administeredby Bug/Will Work For Pub (ASCAP)/Will Work For Pub (ASCAP)/Sasha Sirota (ASCAP)/POO BZ Publishing, Inc. (ASCAP) and Bug Music-Hitco South (ASCAP) All Rights On Behalf OfPOO BZ Publishing, Inc. and Bug Music-Hitco South Administered By Bug Music-Music Of Windswept (ASCAP)/In Thee Face Music Publishing (ASCAP)/Bughouse (ASCAP) Ad-

ministered by Bug PRODUCED BY: WillPower for SupaHotBeats/Ghet-O-Vision Entertainment/CO-PRODUCED BY The Audibles & Sasha SirotaRECORDING ENGINEER: Sasha Sirota/RECORDED AT: Future Music Recording Studios, Las Vegas, NV/MIXED BY: Matthew Hayes/ASSISTED BY:WillPower, Irvin Johnson and Jason Wilson/MIXED AT: Tree Sound Studios, Norcross, GA/MUSIC & DRUM PROGRAMMING: WillPower/KEYBOARDS:Jimmy Giannos/BASS & GUITAR: Sasha Sirota/MASTERED BY: Dave Kutch at The Mastering Palace

“In This World”(M. Atha, W. Washington, M. Mathers, J. Boyd, K. Prather, P. Zaza & T. Dandy)Archibald Highwater/Fellowship of Ghet-O-Vision/Bug Music (BMI) Administered by Bug/My Inheritance (SESAC) / Fellowship of Ghet-O-Vision (BMI) / Bug Music (BMI) Administeredby Bug/POO BZ Publishing, Inc. (ASCAP) and Bug Music-Hitco South (ASCAP) All Rights On Behalf Of POO BZ Publishing, Inc. and Bug Music-Hitco South Administered By BugMusic-Music Of Windswept (ASCAP)/In Thee Face Music Publishing (ASCAP)/Bughouse (ASCAP) Administered by Bug / Shroom Shady Music, admin. by Songs of Universal, Inc.(BMI) / Zaza Sound PRODUCED BY: WillPower for SupaHotBeats/Ghet-O-Vision Entertainment/CO-PRODUCED BY: Eminem RECORDING ENGINEER: Joe Strange/RECORDED AT: Effigy Studios/MIXED BY: Eminem & Mike Strange/MIX ENGINEER: Mike Strange/MUSIC PRO-GRAMMING: WillPower/ADDITIONAL KEYBOARDS: Luis Resto/ADDITIONAL GUITAR: Mike Strange/MASTERED BY: Brian “Big Bass” Gardner at BernieGrundman Mastering/Contains elements of “Is There Any Love” written by P. Zaza, T. Dandy and published by Zaza Sound c/o The NumeroGroup. Used by permission.This track contains a sample of the recording “Is There Any Love” as performed by Trevor Dandy. Courtesy of TheNumero Group. Used by permission.

THANK YOUS

Thank You Jesus.Mom and Pop, and my babies Rico, P Bird and Dippy And their dedicated Mother Meca.MawMaw and PawPaw, Jazmen, Amy, PJ, Uncle Bud, Aunt Terri, Uncle Critter, Uncle Mouse, Jim Garner, Sue Garner. Carmen, Jared, Cole-Blooded, Jordan and AT

To my best friend Jon Newport and all my homies: Jacob (hiccup) Burton, Christ Bothwell, Shock G, Walter, Snake, Bug, GrassHopper,NateDog, Red, Luke Fife, Shorty, Betty and Man, Dirt Shawty Fatt, Big Fittz, Big Henry, Diggy, DJ Bob, Dead Man, Mario Rubicabo, NathanBrown, Sean Stockton, Derek Dingman, Will Lotes, CoCo, Payton, Keen, Nathan Smith, Mike Devine, Ricker, SweetWaste, Frankhouse, MattK, Kevin, Jimmy Lannon, Josh Dowd, Mancini, Joel Mindhold, 30Pak, JackCurtain, Stevie Williams, Jason Ellis, Ean @ Ruin, M.I.A, FTC,Westside Skateshop 510, Mike Diamond, Supreme, Antwan Dixon, Felix, Giavonni Reda, Thrasher and Transworld, TK, JayJay, Kevin De-laney, Rob Dyrdek and DramaBeats. P-Rod and Rainbow, Mike Mo, Collin McKay, Brandon Bieble, Josh Kalis, Danny Way, Zered andSkatePark of Tampa, SlaughterHouse (2.0!!), Bun B, Raekwon, Juelz Santana, Travis Barker, Tech N9ne, Busta Rhymes, Twista, Big Boi,3000, Gucci Mane, Mr. Finley, CyHi Da Prynce, Pill, SugarToungeSlim, B.O.B, Wiz Khalifa, Jackie Chain, 6Tre, Bubs, Maurice Garland, GrooveChambers, Mali and the whole TreeSound Studios staff, Leslie Brathwaite, Curtis Daniels, Mike Wilson and the entire Patchwerk staff,Bobby Straightedge and Tyler (thanks for the amazing cover art homie). Sway, Whitney Gayle-Benta at MTV. Paul Wall for letting me inon CSI. Queen Latifah, Shakim Compere , Stacy A. Littlejohn, Tamra Davis Stacey Dash, Kassandra Clementi and the cast of Single Ladiesfor letting me “do it in a car” on TV. And to Mally Mall, thanks for letting us use the studio, the house, the pool, the cars, the monkey, thecheetah, and the wolves to make this project (sell that shmell!!) ..

To all The artists that helped to make Radioactive: Eminem, Kid Rock, Poo Bear, Mystikal, Gangsta Boo, Lil Jon, Killer Mike, Rittz, ShawtyFatt, Priscilla Renea, Nikkiya, FeFe Dobson (333) and Mona Moua (you’re a “Real”star!!).To the Producers: Eminem, SupaHotBeats, Jim Jonsin, DipLo & Borgore, J.U.S.T.I.C.E. League, Track Bangas, Phonix, E-man & Smurph,The Audibles, Sasha, Pyro, & Tha HydroxTo the DJ's: DJ Dirty, DJ Ideal, DJ Artime, DJ Swiff, DJ BurnOne, DJ Greg Street, DJ Frank White, DJ Craze, DJ Klever, Frank Ski & Wanda,Ebro, Mary K, Dough Boy, Michael Long, DJ Fresh, Joski Love, Big Ant and all of Alabama Radio and every DJ’s that Rocks Hip Hop! Shade 45, Famous, Monster, Brisk, Fader, The Source, Respect, XXL, DJBooth, RapRadar, TheSmokingSection and all the digital media outthere supporting real art!!

Our Beats By Dre Fam: Todd Parker, Karen Civil & Luke Wood (thanks for my headphones…and everything else)

Interscope: Jimmy Iovine, Steve Berman, Dennis Dennehy, Barry Williams, Ray Alba, Archie Davis, Jason Sangerman, Don Clemons, DonRobinson, Jericho Adams, Susan Hilderley, Jeanne Venton, Todd Douglas, Brian Alvarez, Gary Kelly, Garnett, Nino, Dee, Shadow, Mar Brown,Enrique, Moetown, Jen Zeller, Karen Rait and the entire Interscope Staff

My Shady Crew : Paul, Tracy, Riggs, Mark Labelle, Dart and Dro.

My Ghet-O-Vision team ... Look what you've created !!!! I love y'all for putting up with my shit ... Thank you all. Each of you deserve apage: Seneca Doss, Regina Davenport, Jeremy (J.Dot) Jones, Courtney (BrotherBear) Sills, Kawan (KP) Prather

My lawer: Denise BrownMy accountant: Lisa AlexanderMy Agents: The Agency Group-Peter, Zach Q. and Josh DICK, James Rubin and the good folks at Bug Music To Marshall .. It means more than words I can write that you put it on the line for me dog .. Being apart of your legacy is an honor .. Thankyou for helping me light this torch ... What you have done will never be repeated ... now you're genius is an instrument to my music .. Aninstrument that will open millions of people to my culture and my perspective .. My brother from another .. Thank you .. - whitedog !!!

Dedicated to my Calling Angels: Wayne (Weezy) Bush and MeMaw my great Grandaddy Otis

To All the landlords that put me and my family out, all the jobs/bosses that hired and fired me. THANK GOD !!!

Management: Jeremy “J-Dot” Jones & Courtney “Brother Bear” Sills Booking Agent for Yelawolf: The Agency Group

Art Direction: DLWARFIELD.com for www.GoldfingerCreative.comCover Art: Tyler Clinton @ DoNotResist.com Watercolor: Brian Nelson Photography: Lionel Deluy

Ghet-O-Vision Entertainment:A&R: Kawan “KP” Prather

A&R Coordination: Regina Davenport Digital Marketing: Seneca Doss Legal: Denise Brown, Esq.

Shady Records:A&R: Riggs Morales

Project Coordinator: Marc LabelleLegal: Theo Sedlmayr, Esq & Lisa Donini, Esq for

Sedlmayr and Associates, P.C.Effigy Studio Manager: John Fisher

Interscope Records:Marketing Director: Jason Sangerman

Publicity: Ray Alba Production: Andrew Van Meter International: Don Robinson & Jericho Adams

Legal: Susan Hilderley, Brian Alvarez & Todd DouglasTour Marketing: Don Clemons

A&R: Archie Davis

Executive Producers: Executive Producer: Eminem

Co-Executive Producer: Kawan "KP" Prather

P© 2011 Interscope Records. All rights reserved.