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Creative Masterclass October 14 Herschell Gordon Lewis

Creative Masterclass

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Page 1: Creative Masterclass

Creative Masterclass

October 14

Herschell Gordon

Lewis

Page 2: Creative Masterclass
Page 3: Creative Masterclass

Exploit the

21st century difference:

1. Increasing informality

2. Increasingly emphatic

persuasion

3. Inclusion of validation

4. Promise of fast action

Page 4: Creative Masterclass

The Internet is primarily

responsible for all four trends.

They apply to both email and

Website copy and have bled

over to all media.

NOTE: The dynamics of email

and Web site differ because

email arrives unannounced and

Website copy usually is the

result of a search mechanism.

Page 5: Creative Masterclass

The edge direct has over

other mass media is the

edge actionhas over

branding.

That means:

Recall is a weak

substitute for a

transactional response.

Page 6: Creative Masterclass

Example of recall –

Ten minutes after listing, test

subjects were asked to recall

these possible automobile names:

Tiger

Presto

Xecrovtu

Holiday

Sunlight

Page 7: Creative Masterclass

No surprise…

By a huge margin, the

one most recalled was:

XecrovtuWhy?

And so what? Is “recall”

parallel to “salesworthy”?

Page 8: Creative Masterclass

Why people are skeptical of online

marketing: This is the “come-on.”

Click on “Get Your Sample” and…

Page 9: Creative Masterclass

An indication of the hypocrisy behind a

Facebook “Like” … Let‟s look closer:

Page 10: Creative Masterclass

How sincere will your

“Like” be?

Page 11: Creative Masterclass

If you take nothing else

away from this session,

remember this:

Imperative

outpulls

declarative.

Page 12: Creative Masterclass

Careful –

The amount of

perceived

imperative alters

receptivity:

Page 13: Creative Masterclass

Combination of “official”

notice and threatening tone

Page 14: Creative Masterclass

How do you transmit

an imperative?

“Let‟s”

leads convivially…

“You should”

shows authority…

“You must”

can generate

resentment…

all for the same directive.

Page 15: Creative Masterclass

SUGGESTION:

Instead of

You must…

use

You have to…

(Why?)

Page 16: Creative Masterclass

Don‟t fall in love with

the current buzz-term,

BIG DATA.

In a marketing

situation, analysis

cannot compete with

salesmanship.

Page 17: Creative Masterclass

It isn‟t the data that

delivers consumer

satisfaction; it‟s the

professional application

of data.

That‟s why “Creative” is

still an operative term.

Page 18: Creative Masterclass

Prospective buyers

always will

interpret an

unclear statement

in a way that‟s

most beneficial to

themselves.

Page 19: Creative Masterclass

That is why The

Clarity

Commandment is

more significant

now than ever

before in

marketing history.

Page 20: Creative Masterclass

The Clarity Commandment:

When you choose words and

phrases for

force-communication, clarity

is paramount.

Don‟t let any other

component of the

communications mix

interfere with it.

Page 21: Creative Masterclass

A simple litmus test:

If the typical reader or

online message-recipient

can‟t determine what

you‟re pitching…

within ten seconds…

you‟ve violated The

Clarity Commandment.

Page 22: Creative Masterclass

Face of jumbo postcard:

What were they selling?

Page 23: Creative Masterclass

Address side:

What were they selling?

Page 24: Creative Masterclass

What might the Rotary Club have

said in a half-page ad in its magazine

that would add clarity and response?

Page 25: Creative Masterclass

Ad for an

accounting

company,

aimed at

non-profits.

Is this the

optimal

headline?

Page 26: Creative Masterclass

One pulled almost 20% better than

the other. Which one? And why?

Page 27: Creative Masterclass

What

makes

this

an

effective

message

?

Page 28: Creative Masterclass

An uncomfortable,

useless,

but too-common

development as

marketers become more

and more desperate for

attention:

The “Huh?” Factor

Page 29: Creative Masterclass

Huh?

Page 30: Creative Masterclass

(Full

page ad)

In ten

seconds:

What is

it?

Page 31: Creative Masterclass

(Full

page ad)

In ten

seconds:

What is

it?

Page 32: Creative Masterclass

Would

you hire

the writer

and art

director

who

“created”

this

b-to-b ad?

Page 33: Creative Masterclass

IBM ad

in

Business

Week –

a classic

“Huh?”

Page 34: Creative Masterclass

Suppose you

read the

heading and

the first

sentence of

text. What

would you

conclude

this

company

does?

Page 35: Creative Masterclass

(Ad in

Business

Week)

OK, what

do they

do?

Page 36: Creative Masterclass

Huh? This envelope held nothing

but paper, so the instruction

must have been aimed at me

personally. I‟ll show „em.

Page 37: Creative Masterclass

Why is it that so

many ads in

marketing media are aimed at people in

the marketer‟s office, not at possible business targets?

Page 38: Creative Masterclass

Is there a reason for misspellings?

Page 39: Creative Masterclass

When your

target‟s first

reaction is

“Huh?” you

should know

your

message is

less than

professional.

Page 40: Creative Masterclass

Repeat:

When your

target‟s first

reaction is

“Huh?” you

should know

your

message is

less than

professional.

Page 41: Creative Masterclass

Repeat:

When your

target‟s first

reaction is

“Huh?” you

should know

your

message is

less than

professional.

Page 42: Creative Masterclass

Who

decided to

match the

picture

with the

text?

(What

might you

have used?

Page 43: Creative Masterclass

OK,

what

is

she

selling?

Page 44: Creative Masterclass

This

might

have

been

your

137th

guess.

Page 45: Creative Masterclass

A message aimed at a

mobile audience demands

three elements or it

loses:

1. absolute clarity

2. ease of response

3. undeniable relevance

WANT TO LOSE?

OMIT ONE OF THOSE.

Page 46: Creative Masterclass

What a

deal: Call

China for

about

$12.00.

Page 47: Creative Masterclass

Can you

believe

this

ancient

scam still

exists?

(Sent as a

fax)

Page 48: Creative Masterclass

Ugh.

Sixty

years

out of

date.

Page 49: Creative Masterclass

John Caples (or at least, his

masterpiece) lives.

Page 50: Creative Masterclass

The original, written in 1926…still much imitated today:•They grinned when the waiter spoke to me in French•They laughed when I told them how I beat stress•They laughed when I said I‟d lose weightHundreds of others

Page 51: Creative Masterclass

Paralleling:Associating a familiar story or

an episode or an equivalence

with your offer:

“Just as

[that]

makes [or made] sense,

[this]

makes sense [for you now].”

Page 52: Creative Masterclass

An

attempted

parallel in

Entrepreur

magazine.

Does it

succeed in

generating

general

interest?

Page 53: Creative Masterclass

The word-

parallel

emphasizes

the point

His good fortune…

is your good

FORTUNE!

Page 54: Creative Masterclass

Too much advertising

mis-uses…

“The

Genie

Wish”

Page 55: Creative Masterclass

The Genie Wish:

Stating a wished

circumstance the

reader could

misinterpret to his/her

advantage…

and your disadvantage.

Example:

Page 56: Creative Masterclass

Example:

Page 57: Creative Masterclass
Page 58: Creative Masterclass

You write:

What is the one

thing you want

most?

That‟s a mis-used

“Genie Wish” headline.

Page 59: Creative Masterclass

“What is the one thing you want most?”

opens the door to disappointment. Instead:

“Is this the one thing you want most?”

Still not optimal. The professional would avoid

“The Genie Wish”:

“You want it. No problem: Here it is.”

Page 60: Creative Masterclass

Face of a

provocative envelope.

Flip it over and…

Page 61: Creative Masterclass

Provocation realized:

Did the copywriter and

layout artist ever meet?

Page 62: Creative Masterclass

Both “Free” and “Pre-Paid”?

Irresistible. Heat up the oven!

Page 63: Creative Masterclass

The telling difference

between semi-effective

copy and effective copy:

Specifics outpull

generalizations.

Page 64: Creative Masterclass

This

marketer

knows:

Find a

specific

benefit for

yourself

and ride it

hard.

Page 65: Creative Masterclass

Opinion,

please:

In what

ways is

this too

much?

In what

ways too

little?

Page 66: Creative Masterclass

Choice of words:

•You will be among the first

to…

•You will be one of the first

to…

Page 67: Creative Masterclass

Why is

amonga weakener?

Psychologically, it

automatically kills

exclusivity.

Page 68: Creative Masterclass

Choice of words:

•You will learn how to…

•You will discover how to…

Suggestion:

Eliminate learn and earn

from your selling

vocabulary

Page 69: Creative Masterclass

Why are learn and earnweakeners?

1. Because they suggest the

sender of the message is

superior to the recipient.

(The recipient should be in

apparent command.)

2. Because they imply

a two-step conversion.

(One-step outpulls two-step.)

Page 70: Creative Masterclass

Two points here:

1) The word

“Learn” adds

nothing and may

even reduce

response.

(How about “Why

not save money by

switching…”?)

2) Specifics

outpull

generalities (note

last bullet).

Page 71: Creative Masterclass

Avoid these words in

force-communication

messages:

• quality

• service

• value

• needs (as

noun)

•“Remember,”

• What‟s more

• …means business

•When it comes to…

Page 72: Creative Masterclass

YOUR hand is

on the

trigger.

Don‟t fire

blanks.

Page 73: Creative Masterclass

Did they need a professional

copywriter for this heading?

Page 74: Creative Masterclass

The

e-mail

catechism

(Follow these five steps

religiously and you‟ll

be hypercompetitive.)

Page 75: Creative Masterclass

The rule is easy.

The rule is obvious:

1.Make a

clear offer.

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Top line comes on first. Then rest of

image. Click on “Play Video” and…

Page 77: Creative Masterclass

Solid offer holds while video

plays: Goes directly for order.

Page 78: Creative Masterclass

Always …

ALWAYS…send yourself a

sample message, to

be sure recipients

are getting what

you‟re transmitting.

Page 79: Creative Masterclass

The rule is easy.

The rule is obvious:

2. Make your

offer fast.

Page 80: Creative Masterclass

What is

wrong with this –just the first

bits of 1417 words

?

Page 81: Creative Masterclass

This is how it ends…

diarrhea of the finger-tips.

Page 82: Creative Masterclass

Why would anyone bother

downloading, from this flat email?

Page 83: Creative Masterclass

Page one of two-page download: Where is a

motivator, a grabber?

An absolute:An

unsolicited email

demands a FAST

motivator.

Page 84: Creative Masterclass

The proper way to make a fast offer

Subject: Take the Americash 4500 best mortgage rate challenge

Page 85: Creative Masterclass

The rule is easy.

The rule is obvious:

3. Make your

offer timely.

Page 86: Creative Masterclass

The rule is easy.

The rule is obvious:

4. Make your

offer unique to

you.

Page 87: Creative Masterclass

Subscription

renewal

offer…

Note point 1

“The lowest

rate

available”

Page 88: Creative Masterclass

Note the

quoted

rate for

The New

Yorker:

$49.99

Page 89: Creative Masterclass

Included in the same mailing…

Note New Yorker rate: $39.95

Page 90: Creative Masterclass

The rule is easy.

The rule is obvious:

5. Make your

offer relevant to

the recipient.

Page 91: Creative Masterclass

Evolution of e-mail: Buddy-to-buddy

Page 92: Creative Masterclass

In e-mail, time is NOT on

your side.

Grab the target.

Shake the target.

Right now.

Page 93: Creative Masterclass

Email is the only medium in

which the approach

“It‟s important to me

so it‟s important to you”

is a valid marketing ploy…

but only if properly used.

Why?Because email is the ultimate

one-to-one, arm-around-the-

shoulder medium. Rapport is

the key to response and to

fewer opt-outs.

Page 94: Creative Masterclass

So

in an email message,

“I”is infinitely superior

to

“We.”

Page 95: Creative Masterclass

Simple and

logical way

to convert

a negative

to a

positive:

one-to-one

email

Page 96: Creative Masterclass

The Web is price-driven.

We can predict wildness:

The addition of daily deal

vouchers and aggregators

to the marketing mix

already affects the future

plans of social media.

Page 97: Creative Masterclass

WARNING:

Your first-time

Web visitor

has the

attention-span

of a gnat.

Page 98: Creative Masterclass

Logic suggests testing:

Page 99: Creative Masterclass

WARNING:

Responders disappear at

checkout.

Study conducted by Kefta Inc.,

San Francisco technology and

service provider: Between half

and 90% of orders placed in a

shopping cart are abandoned

before checkout.

Page 100: Creative Masterclass

How about

“social media”

?

Are they…

or will they be…

major marketing

factors?

Page 101: Creative Masterclass

Pro:

1. Social

media are

one-to-one.

2. Customers

become

direct

salespeople.

Con:

1. Marketer

loses

control.

2. Phony

pitch

becomes

obvious.

Page 102: Creative Masterclass

Do you see the marketing

point this satire makes?

Page 103: Creative Masterclass

E-mail and social similarities and

differences

E-MAIL

• “This is for you.”

• Demands fast action.

• Supposedly unique

discount.

• One-way

communication.

• Generally targeted.

• “We love you.”

• “I know who you

are.”

SOCIAL

• “Hi, there.”

• Reward for reply.

• Incentive matches

the vendor.

• Two-way

communication.

• Hyper-targeted.

• “Prove you love me.”

• “I know who you

are.”

Page 104: Creative Masterclass

Do you accept or reject this

advice from

“Socialmedia Today”?

The best time to post on

Facebook is between 10 am

and 4 pm

Monday through Thursday…

Twitter

between 1 pm and 3 pm

Monday through Thursday.

Page 105: Creative Masterclass

Do you accept or reject this

advice from

“Socialmedia Today”?

The worst time to post on

Facebook is between

8 pm and 8 amweekdays…

Twitter

between 8 pm and 9 am

weekdays.

Page 106: Creative Masterclass

If you plan to use

Facebook or MySpace or

Twitter or Pinterest as a

marketing tool…

please, please, please:

Test.(Best test: as both vendor

and as potential

consumer.)

Page 107: Creative Masterclass

What is the significance of

this, at online checkout?

Page 108: Creative Masterclass

This was a year ago…

blink and ratios change

Page 109: Creative Masterclass

Suggestion:Use Twitter for lead

generation, not for actual

offers…

and have super-clear

materials as quick follow-

ups.

Page 110: Creative Masterclass

From “Net Applications”

two years ago: Valid now?

Page 111: Creative Masterclass

Example

of the

two-

edged

social

media

sword

Page 112: Creative Masterclass

“Social” are new media.

The rules are still

forming. Always analyze

your results, and you‟ll

generate a constant flow

of rules you can use…

profitably.

Page 113: Creative Masterclass

A dozen implicitly weak

words and phrases:

• administration

• approximately

• define

• earn

• facilitate

• features

• formulate

• indeed

• needs (as noun)

• product

• respond

• work

Page 114: Creative Masterclass

A dozen words and

phrases with power

• free

• free gift

• limited time

• right now

• surprise

• hot

• not sold in stores

• first time offered

• good only until [DATE]

• Don‟t miss out

• I‟ll look for your order

• Try it at our risk

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