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The Business of Literature and (the Algorithms of) Culture n: Richard Nash e: [email protected] t: @R_Nash

The business of literature and the algorithms of culture

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The Business of Literature and (the Algorithms of) Culturen: Richard Nash e: [email protected] t: @R_Nash

pre-1500s: Writing 1.0

early 1500s: Publishing 1.0

early 1500s: Writing 2.0

early 1500s: Writing 2.0

The Digital Publishing Revolution begins...

July 1985:

1950: 8K

1950: 8K

1990: 35K

1950: 8K

1990: 35K

1997: 120K

1950: 8K

1990: 35K

1997: 120K

2004: 275K

1950: 8K

1990: 35K

1997: 120K

2004: 275K

2010: 315K

1950: 8K

1990: 35K

1997: 120K

2004: 275K

2010: 315K

1950: 8K

1990: 35K

1997: 120K

2004: 275K

2010: 315K

1993: MP3 standard released

2001: iPod goes on sale

2005: ProTools on a sub$1.5K computer

The 20th century was about sorting out supply...

The 20th century was about sorting out supply...

The 21st century will be about sorting out demand.

A book is more than a verbal structure or series of verbal structures; it is the dialogue it establishes with its reader and the intonation it imposes upon his voice and the changing and durable images it leaves in his memory. A book is not an isolated being: it is a relationship, an axis of innumerable relationships.—Borges, “A Note on (toward) Bernard Shaw”

Content isn’t king...

culture is.

“We’re writing things that we can no longer read.”

“We’re writing things that we can no longer read.”

“As the teams have grown better at predicting human preferences, the more incomprehensible their computer programs have become, even to their creators. Each team has lined up a gantlet of scores of algorithms, each one analyzing a slightly different correlation between movies and users. The upshot is that while the teams are producing ever-more-accurate recommendations, they cannot precisely explain how they’re doing this. Chris Volinsky admits that his team’s program has become a black box, its internal logic unknowable.”—Clive Thompson in the New York Times Magazine, writing on the Netflix Prize algorithms

Novels

Novels Break

Novels Break Algorithms

Filter vs

Map

Some Stories, Few Books

Few Stories, Many Books

Many Stories, Many, Many

Books

Infinite Stories

I’m Richard Nash. You can email me anytime at [email protected] I mean it. (It’s the freemium consulting model.)There’s also Twitter: I’m @R_Nash. And my website is http://RNash.com (And my secret project is http://Sirens.io)