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Recent work in landscape architecture, public art services, writing and fine art photography. Artist and landscape architect approaches each new challenge with creativity and dedication. Brings an artist’s perspective as an innovator, and the technical training of a landscape architect, to personal art-making; site design; public engagement and planning; program development; and project management.
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Public Engagement, Planning, Design Guidelines
Program Development and Project Management
Site Design and Planting Design
Writing
Fine Art Photography
A R T • L A N D S C A P E • D E S I G N
Regina M. Flanagan RLA
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11Introduction
PrinciplesOpportunities
Categories & LocationsExamples
ProcessMaintenance & Care
Public ArtCHAPTER
Everyday Poems for City Sidewalk. Saint Paul, MN Jill Sebastian. Madison, WI.Bloomington Central Station, MN Maya Barkai. New York, NY
Bloomington, Minnesota South Loop Streetscape Master Plan, 2013Client: City of Bloomington Department of Public WorksWith Kimley-Horn and Associates, and SRF Consulting Group
• Teammemberwithtransporta-tionengineer,urbanplanner,landscapearchitectsandwayfinding/signagedesigner.
• Chapteraddressingconceptualapproachesforintegratingpublicartintostreetscapeplanninganddesignincludingprinciples,categoriesandlocations.
• Publicartopportunitiesillustratedonplansandwithphotographicexamples.
• Implementationprocessandrecommendationsregardingmaintenanceandcareofpublicart.
83South Loop District Streetscape Master Plan
Events/Activities/Temporary Works
Public Art Examples
Artist Unknown. Construction fence on State Street, Madison, WI.
Maya Barkai. Construction fence mural. New York, NY.
Ladies Fancy Work Society. Crocheted fence. Denver, CO.
Michael Murname and Andrew Saboe. Northern Spark 2011. Saint Paul, MN.
Wing Young Huie. University Avenue project 2010, Saint Paul, MN.
Terry Evans. Millennium Park exhibition. Chicago, IL.
Jim Campbell. Northern Spark 2011.Saint Paul, MN.
Christo and Jean Claude. The Gates in Central Park, New York, NY.
Wing Young Huie. University Avenue storefronts. Dawn Wagner. Larimer Square
Chalk Art Festival, Denver, CO.
Construction Fence Art Outdoor Exhibitions and Events
Figure 11.4 Events/Activities/Temporary Works Examples
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Public Art
South Loop District Streetscape Master Plan
Categories and Locations
American Boulevard East
24th
Ave
nue
34th
Ave
nue
86th Street
Lindau Lane Lindau Link
East Old Shakopee Road
Old
Sha
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Killebrew Drive
East 82nd Street
Kelly Farm/Spruce
Shadows
28th
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Sout
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South
33rd Avenue
Figure 11.1 Public Art Opportunities - District Wide Diagram
Robert Irwin. The Getty Center, Los Angeles, CA.Siah Armajani. Minneapolis (MN)
Sculpture Garden.
Cliff Garten. Avenue of Light, Houston, TX.
Dawn Wagner. Larimer Square Chalk Art Festival, Denver, CO.
Maya Barkai. Construction fence mural. Re-construction, a public art program of the Downtown Alliance, New York, NY.
Jill Sebastian. State Street, Madison, WI.
Artist Unknown. United Kingdom.
Artist and location unknown.
District Gateways Vehicular/PedestrianTransition Passages
Streetscape Ensemble ofIntegrated Elements
Gathering/Multi-UseSpaces
Events, Activities,Temporary Works
Figure 11.2 District-wide categories. The photography of public art in this section shall not be reproduced without citing the artist, if identifi ed.
Categories Key
Streetscape Ensemble of Integrated Elements
Events, Activities, Temporary Works
District Gateways
Gathering/Multi-Use Spaces
Vehicular/Pedestrian Transition Passages
Primary Arterials
Sub-Arterials
Green Streets
Local Roads (Commercial)
Residential Streets
Light Rail Stations
mall of america
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C I V I C / N E I G H B O R H O O D Z O N E A L T E R N A T I V E S
I-94 REHABILITATION PROJECT
9APRIL 21, 2010
PUBLIC ART CONCEPTS
Proposal for ceramic tile mural, Bagley Pedestrian Bridge, Hubert Massey, DetroitPeople Mover tile mural, Farley Tobin
Mosaic & ironwork bench, Mary Laredo Herbeck, Detroit
Cast ceramic bench, Anjelica Pozo, OHSculptural lighting beacon/ marker, Cliff Garten, CA
Three examples (above and right)of Pewabic Tile, Detroit
Lighting and seating, Ray King, PA
Site design by Jody Pinto, AZ
Site design & sculpture by Mykelbust & Sears, MN
No Scale
Introduction 4
corridor design gUideLines
i-94 reHABiLiTATion ProJecT Michigan Department of TransportationJune 24, 2010
S I T E I N V E N T O R Y & A N A L Y S I S
I-94 REHABILITATION PROJECT
C O R R I D O R I N V E N T O R Y & A N A L Y S I S
I-94 REHABILITATION PROJECT DETROIT, MICHIGAN
NEIGHBORHOOD CONNECTOR BRIDGEROSA PARKS BOULEVARD
NORTH
KEY INTERCHANGES
COMMUNITY CONNECTOR BRIDGES
NEIGHBORHOOD CONNECTOR BRIDGES
RAILROAD BRIDGES
PEDESTRIAN BRIDGES
SERVICE DRIVES & SIDE SLOPES
RAILROAD BRIDGES WESTBOUND NEIGHBORHOOD CONNECTOR BRIDGECASS AVENUE CORRIDOR INTERCHANGE WESTBOUND EXAMPLES OF EXISTING PEDESTRIAN BRIDGES COMMUNITY CONNECTOR AND CORRIDOR SIDE SLOPE
CONDITIONS EASTBOUND AT GRATIOT AVENUE EXITNEIGHBORHOOD CONNECTOR BRIDGE
AT BARRETT STREET
CORRIDOR ABUTMENT CONDITIONS EASTBOUND AT RAILROAD BRIDGE
CORRIDOR SIDE SLOPE CONDITIONS EASTBOUNDBETWEEN CONCORD AND FRONTENAC STREETS
CORRIDOR SIDE SLOPE CONDITIONS EASTBOUNDBETWEEN I-75 AND E. GRAND EXITS
CORRIDOR SIDE SLOPE CONDITIONS EASTBOUNDBETWEEN I-75 AND E. GRAND EXITS
EXAMPLE OF SERVICE DRIVE NEAR BEAUBIEN STREET
NEIGHBORHOOD CONNECTOR BRIDGECASS AVENUE NE CORNER
NEIGHBORHOOD CONNECTOR BRIDGECASS AVENUE NW CORNER
COMMUNITY CONNECTOR BRIDGE FROM CORRIDOR WESTBOUND AT WOODWARD AVENUE
I N T E R S TAT E
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WOODBRIDGEHISTORIC DISTRICT
NEIGHBORHOOD CONNECTOR BRIDGECONCORD AT HARPER AVENUE SERVICE DRIVE
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I-94 Rehabilitation Project Corridor Design Guidelines Detroit, MichiganHNTB Corporation 2010 Client: Michigan Department of Transportation
• Contentauthorandeditorfor64-pageDesignGuidelines,precedentsandillustrations.
• DesignWork–Landscaping,Cast-in-placeconcreteretaining-walls,publicartconcepts.
• Originalmapsandphotographs.
• Visualcommunications–InDesigngraphicdesigntem-platesandproductionofdisplayboards,PowerPoints,andguide-linespublication.
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CORRIDOR DESIGN GUIDELINES
I-94 REHABILITATION PROJECT – June 24, 2010 Michigan Department of Transportation
June 24, 2010
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CORRIDOR DESIGN GUIDELINES
I-94 REHABILITATION PROJECT
MSE Panels or Case in Place Walls
Constellation Pattern
The abstract organic pattern is drawn from celestial imagery.
Overall Layout – Constellation Pattern
Detail –
Constellation Pattern
The pattern relates to the four themes:
Underground RR – orientation to the heavens and the North Star.
Transportation Firsts – forward momentum and movement.
Modern Music – rhythm and repetition but also improvisation.
Great Lakes – wave-like fl ow.
RETAINING WALL – CONSTELLATION PATTERNNeighborhood Connector Bridges
Introduction to Design Elements 11
corridor design gUideLines
i-94 reHABiLiTATion ProJecT Michigan Department of TransportationJune 24, 2010
11DESIGN ALTERNATIVE — FIN FAMILY
fin alternative
Fin Ramp PierFin Neighborhood Bridge
Fin Community Bridge
Fin Alternative with Constellation Pattern Wall
The Fin Alternative features a geometric and angular pier configuration with clean, simple lines that is a contemporary rein-terpretation of Post-WWII octagonal freeway piers.
This alternative is matched with the Constellation Wall Pattern for the cast-in-place and/or MSE panel retaining walls and noise walls. The abstract, organic pattern is drawn from celestial imag-ery and the North Star and the incised spiraling forms have great forward move-ment and energy.
The Fin Pier Ramp completes this family of compatible elements.
1
Descriptions of the three fami-lies of Design Elements follow.
Fin Pier Illustration •DesignWork–ConstellationPatternWall,MechanicallyStabilizedEarth(MSE)orCastinPlaceConcreteretainingornoisewalls.Presentlyunderconstructionforsevenmilesoffreewaycorridor.
I-94 Rehabilitation Project Corridor Design Guidelines Detroit, Michigan
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410th AVENUE PLAZA ELEVATION – MSEWallConcept
Community Advisory Group Meeting March 19, 2009
Blue Water Bridge Aesthetic Design GuidePort Huron, MichiganHNTB Corporation 2009Client: Michigan Department of Transportation
• Contentauthor,editorandgraphicdesignerfor75-pageDesignGuideaddressingthisinternationalborder-crossing’scontrolplazaperimeterwalls,freewaybridges,retainingwallsandlandscaping.
• DesignWork–MSEwalls(5’x10’modules)for30’tallretainingwallsurroundingcontrolplazaandfacingresidentialneighborhood.
• InspiredbythearchitectureofLakeHuronlighthousesandharborlights.
June 24, 2009BLUE WATER BRIDGE PORT HURON, MICHIGAN
AESTHETIC DESIGN GUIDE
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PINE GROVE OVERPASS ELEVATIONS – BridgePierswithLighting,WingWalls,WavePatternRailing
Community Advisory Group Meeting March 19, 2009
HANCOCK STREET PLAZA ELEVATIONS – Pre-CastConcretePerimeterWallwithWavePatternandTransparentMetalFenceEnclosure
SculpturalPre-CastPanelwithWavePattern
Blue Water Bridge Aesthetic Design Guide Port Huron, Michigan
•DesignWork–EnsembleofcompatibleelementsincludingperimeterwallswithdetailinginspiredbyLakeHuronlighthousesandharborlights.
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Milwaukee
Central
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District
Primary
Corridors
Public Art &
Design Study
2004
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Public Ar t & Design ProjectC I T Y O F M I L W A U K E E , W I S C O N S I N
P U B L I C A R T A N D
U R B A N D E S I G N O V E R L A Y
The Public Art & Design Study considers
the relationships between a building’s
interior and exterior spaces; its facade and
the street; and how public art might fit into
the creation of future public places called
for by urban design plans.
The Study identifies five Major Transition
Points, two Minor Transition Points, and five
Nodes. A “kit of parts” has been designed for
the streetscape but the public art will take
substantially different forms and express
different content from place to place.
Regina M. Flanagan
Art • Landscape • Design
1506 Osceola AvenueSaint Paul, MN [email protected]
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Proposed Farmer’s Market
Proposed Park East Development Site
Public Art
Pedestrian Corridors
Parks and Plazas
Riverwalk
Civic/Cultural Institutions
Civic/Entertainment
Civic/Government/Education
Commercial/Retail/Office
Office
Industrial
Residential
Surface Parking
Structured Parking
1
Zeidler Union Square Park
Key to Building Use and Urban Functions
Major Transition Points
Minor Transition Points
Nodes
ChallengingPedestrianEnvironments
Proposed Greenspace
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0 20 40 80SCHEMATIC DESIGN DRAWING E. WISCONSIN AVENUE FROM RIVER TO N. MILWAUKEE STREET© Skidmore, Owings & Merrill LLP February 2, 2004
North
Hollow Vaults Under StreetApproximate locations
Planters or TreeGratesMeasuring 8' x 16' and 3' x 3'
Bus Stops
E. Wisconsin Avenue
N. B
road
way
N. W
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N. M
ilwau
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Node12
Node10
Milwaukee Central Business District Public Art & Design Study, 2003–2007Client: City of Milwaukee Department of Public Works• Ledthree-personteamcreatingpublicartoverlaytoPedestrian Corridor Study 2002.
• Inventoryandanalysisofthreestreetscapecorridors.
• OriginalmapsfromGIS.Documentaryphotography.
• Managecitystaffworkinggroupandbusinessadvisorycommit-tee;ledartcommitteeandartistselectionprocess.
• Demonstationprojectdefinitionandimplementation.
• Mediarelations.
Pedestrian Drama, 2011. DemonstrationprojectbyartistJanetZweig;kioskswithflip-cardmotionpicturesattachedtofivelightstandardsonEastWisconsinAvenueatMajorTransitionPoint5onmapbelow.
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The Public Art Field Guide for Madison, Wisconsin The Placemaking Collaborative August 2001 38
Scenario #1Significant Factors/Opportunities Major civic place for southwestern sub-urbs; access predominantly by automo-bile; stoplight to be added along withi m p roved pedestrian access at entranceon Gammon Road; main parking area incenter of park near entrance; park shelterand amenities nearby, next to pond
C o n c e p t E n h a n c e d e n t ry area to w e l c o m evisitors; the park shelter re p resents thehuman cultural element within the land-scape, so artwork is situated in relation to it
L o c a t i o n ( s ) Pedestrian/vehicular entranceat Gammon Road; or pond near park shelter; or intersection of paved walking/biking path at the foot of the south ridgenear the park shelter which will becomep a rt of the Ice Age Trail in the future
Case Study #1 Opportunities — Creating a Scenario for Public Art Elver Park on Southern Edge of Madison
Prototype for Large Scale Sites and Environmental Settings
Scenario #2Significant Factors/Opportunities Park occupies two glacial ridges and a valley between; water is substantial partof the park including retention pond,s t reams and wetlands
Concept Recognizing and highlightingp a r k ’s important natural features; occasionfor environmental education, especiallyre g a rding the value and function of wet-lands and protecting the watershed
Location(s) Along watercourse in valley,beginning with pond a n d utilizing wetlands
Scenario #3Significant Factors/Opport u n i t i e s R i d g et o p a ff o rd s a n i m p ressive view o f M a d i s o ns k y l i n e ; v i e w p o i n t f o s t e r s u n d e r s t a n d i n gof the city’s unique position in the land-scape; old growth red pine grove andremnant prairie
Concept Visual gateway to Madison; one of a series of overlooks or vantagepoints situated at high points in publicparks throughout the city; or quiet spot to discover within the fore s t
Location At top of southern ridge, facingn o rtheast toward the State Capitol, in mid-dle of meadow with Big bluestem andother native grasses and flowers
Note: In practice, the following scenarios wouldbe the result of an extended dialogue amongcity staff, neighborhood residents, artists,
designers and other strategic partners. The scenarios are offered here by the authors of the Framework only as examples of possible
outcomes, and to be a catalyst for further discussion. See Case Study #4 for a completeoutline of this step, including documentation of
Ideas for Artwork A rtist-designed pedes-trian bridges; sculptural elements thati n t e r p ret the movement of water from s u rrounding paved surfaces and landscapet h rough retention pond to wetland and elucidate ecological functions; smallersculptural works that are in counterpoisewith the native vegetation. Te m p o r a ryand/or permanent installations
M e e t s G u i d e l i n e s A e s t h e t i c q u a l i t i e s of s i t emake it of value (1); surroundings supportp e rception of the work (6); considers thes i t e’s e c o l o g y a n d e n h a n c e s i t s f u n c t i o n s ( 1 1 )
Ideas for Artwork Sculptural seating are ac o n s t ructed of natural materials in harm o-ny with remnant prairie landscape, orient-ed toward the view. Permanently installedwork using stone, wood, etc.
Meets Guidelines Site of great aestheticquality (1); artwork provides frame thro u g hwhich to experience site in fresh new way(2); surroundings support perception ofthe work and provide a place to pause (6);work is sustainable and enhances thes i t e ’s ecological functions (11)
the actual community dialogue that informs the scenarios that are presented for State Street.
Scenario #2
Te m p o r a ry sculptural installations; Swansong, Stanton Sears and Night Fish, Karl Ciesluk
Detail of Pegasus Plaza, Brad Goldberg, showing fountain/seating element. (Right) Goldberg ’s M e a r sPark in downtown Saint Paul, MN, with created water -course lined with boulders and native plants and tre e s
Pteris Multifida (Fern Bridges), Patricia Johanson,1986. Fair Park Lagoon, Dallas, TX
Sculpture at Milwaukee’s Mitchell Domes, 1986
Bridge by Siah Armajani at National Oceanicand Atmospheric Administration, Seattle, WA
L.A. Roxhole by Lloyd Hamrol
Seating ensembles in granite, wood and bronze by Kinji Akagawa. Cambridge (MN) Community College
Stainless steel bench in pine grove by Truman Lowe
Ideas for Artwork Outdoor fre e - s t a n d i n gs c u l p t u re; floating sculpture; art i s t -designed entrance including sidewalks,lighting, bus shelter, sculptural elements.Te m p o r a ry and/or permanent installations
Meets Guidelines P rominent site (1); isconsistent with plans for the site and wille n h a n c e i t s c o m p a t i b i l i t y with its s u rro u n d-ings (3); site at the park entrance will bedesigned especially with the work in mindo r e n t i resite may be designed with art i s t ’sinfluence (5); pond location in part i c u l a r,p resents uninterrupted view from passing vehicles (7)
C o n c e rns Routine maintenance (12);development of site must be coord i n a t e dwith plans and construction for stoplightand park entrance
Public ArtFramework and Field Guide forMadison,Wisconsin
Public Art Framework and Field Guide for Madison, Wisconsin 1999-2001Client: Madison Arts Commission
• Memberofthree-personteamandsoleauthorofFieldGuide.
• Guidelinesandprocessappro-priatetothecity’scultureandexpectationsforcommunityinvolvement.
• Establishedmethodologyfor“doityourself”investigationofsitesforpublicartthroughaseriesofcasestudiesselectedfromtheCity’sComprehensivePlanandneighborhoodmasterplans.
• Casestudiesinclude:large-scalesitesandenvironmentalsettings;gateways;neighbor-hoodgatheringspot/small-scalesites;andplanning,streetscapeandinfrastructureprojects.
• Focusgroups,interviewsandadesigncharetteforStateStreettestandrefineFrameworkandFieldGuide.
(Lefttopandcenter) Philosopher’s Stones,2004,JillSebastian.ThefirstprojectproducedundertheFrameworkandFieldGuidesetthetoneforthere-designofStateStreet,themaindowntownthoroughfarebetweentheUniversityofWis-consinandtheStateCapitol.
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The HNTB Companies
Engineers Architects Planners
The Ambassador Bridge Gateway Public Art ProjectConnecting Neighbors Through Public Art
Bagley Pedestrian Bridge Public Art, Detroit, MichiganHNTB Corporation 2010
Projectmanagementofartistselectionprocess,communityforumsandintegrationofartworkforMichiganDepartmentofTransportation.
Wisconsin Arts Board 1981-1988
Minnesota State Arts Board1988-1998
Directedgovernmentprogramscommissioningartforstatebuildings.
Administeredover135projectsforDepartmentsofAdministration,Transportation,NaturalResources,Corrections,HealthandSocialServices,MilitaryAffairsandStateCollegesandUniversities.
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Discovery Garden at Alpine Park, City of Ramsey, Minnesota, 2003-2005Client: City of Ramsey Parks• Three-acreplaygroundwith1/4milepathsystemthatistheformatforanenvironmentalgamebyartistKeithChristenseninspiredbyRamseyElementary’senvironmentaleducationcurriculum.
• Allphasesofplaygrounddesign:ConceptualMasterPlan;designdevelopmentandcostestimation;throughconstructiondocumentsandspecificationsforbids;andconstructionobservation.Selectedartistsandsupervisedtheircontributions.
• Ecologicalinformationforgame;interpretivetextandillustrationsforkiosk.
• Playstructuresusingrecycledandsustainablematerials,includingcarvedandfittedbouldersbyartistPeterMoralesforaccessibleseating.
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Festival Gardens for The American Swedish Institute, Minneapolis, Minnesota, 2002Client: The American Swedish InstituteWith Jim Hagstrom, Savanna Designs
• Fivegardens,includingbotanicaldisplaygarden,surroundingthemuseum’sTurnbladMansionfeaturingplantsnativetoMinnesotaorScandinavia.
• Plantingdesign,bluestonepavedpadsforbenchesorthedisplayofsculpture,woodbenches.
• Design/buildproject.
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Publications:LandscapeArchitecture,_SCAPE,PublicArtReview,ArchitectureMinnesota,FabricArchitecture,amongothers.
Writingabouttheintersectionofart,design,technology,scienceandsocialissues.
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The Beauty That Requires Health
PhilosopherMarciaMuelderEatonwritesin“TheBeautyThatRequiresHealth”thattheaestheticexperienceoflandscapesisinformedbyecologicalconsiderationsoffunctionandfitness,andwhatisperceivedasbeautyinalandscapeincludesanethicaldimension.
Iphotographemotionallyresonantandecologicallydistinctlandscapes,observingtheeffectsofhumans,sea-sonalcyclesandweatherinordertounderstandecologicalprocesses.
MymostrecentworkchroniclestheaftermathofthePagamiCreekFireintheBoundaryWatersCanoeAreaWilder-nessandtheSuperiorNationalForest.