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Project 3 Magazine! DMET 255

Magazine elements

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Page 1: Magazine elements

Project 3Magazine!

DMET 255

Page 2: Magazine elements

Elements of a pageLook familiar?• Similar layout to

Newsletter• Project 3: Magazine will

focus on all elements in layout composition.

Page 3: Magazine elements

Headlines!!!!• Most important TEXTUAL element on a page• #1-layout/image, #2-headline• The reader might be attracted to the layout/image, but they won’t read

the article if they don’t find the Heading interesting…they will just move on

• Headlines can vary in size-depending on the importance of the article• Headings should always be bigger than the other elements on the page

Page 4: Magazine elements

Kicker (intro, stand-first, deck) *many names• Acts as a bridge between headline and body copy• Sets tone of article-what to expect in the article/summary-

basically it’s like a good 1st paragraph of the article• Smaller font size than headline-bigger than body copy• If headline is sans serif-make kicker serif• It’s not a required element-(sometimes image/header is

enough)

Page 5: Magazine elements

Body Copy• Designing the body copy is the first thing you should do

when you are designing the templates for the magazine!• Setting the correct margins, columns, and size of the

body copy affects readability and usability.• As a designer use column and type choice to reflect the

identity of the brand and to present the story in a way that suits the content.

Page 6: Magazine elements

Pull Quotes• Attractive design element that can break up big

blocks of body copy.• Use them in conjunction with the image to tell a

story.• Set font size big enough to pull the reader’s

attention, but shouldn’t be as big as the headline.• It’s not always a “quote”.

Page 7: Magazine elements

Subhead• Used to break up body copy and give clever insight into the next

paragraphs.• Readers are put off by long blocks of text!• Can be larger than body copy or same size (but bolded)• Do not place subheads: below images, in the last 3 rows at the

bottom of the column, in the first 3 rows at the top of a column, top of a column, or below a pull quote.

• Subheads should not get cluttered up with other design elements

Page 8: Magazine elements

Image Captions• Must work as a unit with the image• Do not place caption above image!!• Place caption below or on the image.• No hyphenation!• Type size should be as big as the body copy (or

smaller)• Sans-serif type

Page 9: Magazine elements

Bylines and Credits• Depends on the importance of authors/photographers.• For stock images & outsourced writing, place credits vertically

near the gutter (a few pts. smaller than body copy).• If it’s written by famous journalist/photographer place bylines

just below headline or intro text.• Same size as body text (or a few points larger).• Bylines are smaller on news pages vs. feature pages.

Page 10: Magazine elements

Running head (section head)• Navigation elements that guide the reader.• If you set them in brightly colored box and bleed them out of

the page they are visible when the magazine is closed!• Reflect the tone of the magazine.• Should be done in the beginning of magazine creation.• Not all pages need running head-place at beginning of sections• Don’t over do it-they shouldn’t dominate the page.

Page 11: Magazine elements

Folio• Consists of many elements. Mandatory-page number• Optional: publication logo, date, month, section title, web page.• Typically the same on every page, but you can switch it up in

non-traditional magazines (ex. larger on section starter pgs.)• If you choose to put it on one page in a spread-choose the right

hand side.• It’s up to the designer to determine whether the pg. # should go

over an image.

Page 12: Magazine elements

Folio• Consists of many elements. Mandatory-page number• Optional: publication logo, date, month, section title, web page.• Typically the same on every page, but you can switch it up in

non-traditional magazines (ex. larger on section starter pgs.)• If you choose to put it on one page in a spread-choose the right

hand side.• It’s up to the designer to determine whether the pg. # should go

over an image.

Page 13: Magazine elements

WorkflowFlatplan & Structure

Page 14: Magazine elements

Flatplan• A flatplan is a

diagram of thumbnail pages in which each story is represented by the number of pages (thumbs) it consists.

Page 15: Magazine elements

How to use a Flatplan…

• When making a flatplan, ad pages should be marked clearly. Also as you are done with certain pages mark them so that you will know how many pages are finished.

• It is similar to a story board. Pages are arranged in a way so that the magazine has a flow.

• Ex. If you have several 8pg stories, it’s a good idea to break those stories with a few short stories or ads to maintain balance.

• Flatplans can change daily depending on the articles (they could be made longer or shorter) or ads (adding or dropping ads).

• It’s important that everyone has an updated plan!

Page 16: Magazine elements

• Art directors often print out the finished pages of the magazine to help them identify any flaws in the rhythm or flow of the magazine.

• Thumbnails are important! How can you utilize this system in your own workflow?

Page 17: Magazine elements

Structure

• C1-Cover Page• C2-Advertisement (2nd most expensive ad)• C3-Advertiser (3rd most expensive ad pg) or

TOC• C4- Back page of magazine (most expensive

ad pg)

Page 18: Magazine elements

Table of Contents• Always 1st page of

magazine• Can be laid out on 1

page, two page spread, or in two pages intersected with advertising (ad pgs on right)

• With or without images• Must distinctly show

page numbers, headlines, and descriptions.

• Good typography design is essential on these pages!

Page 19: Magazine elements

Impressum• Usually placed in the

front of the book, but can be in back

• List of all people that work in the magazine (from editorial staff to marketing and sales people to publishers, etc.)

• Straightforward and clean

• Magazine masthead (logo) is usually at the top of pg.

Page 20: Magazine elements

Editor’s Letter• 1st editorial page in

magazine. • Welcoming letter from

editor-in-chief where he/she explains issue’s content.

• Covers main topics and (possibly) some insight or background on the topics.

Page 21: Magazine elements

Other Key Front PagesShort 1 page topics

• News sections

• Reviews

• Topics about society, culture, arts, events, etc.

• Short interviews or columns

Section Start pages

• Generally opens a certain section of the magazine (news section, beauty section, etc.)

• Can be use throughout magazine

The front of the magazine follows a structure and design that is only slightly changed from issue to

issue.

Page 22: Magazine elements

Feature Well• Largest part of magazine

• Contains main features (long or short articles)

• Not many ads

• Important to plan this section in the flatplan to make sure that the pages flow well in regards to size and color.

• This is where designers have the biggest freedom, although certain style of the publication should be followed.

Page 23: Magazine elements

Back of the book• Contains remaining content from the front of the book, shorter

articles, news, listing, remaining columns, horoscopes, etc. • Less important than the front (from advertisers point of view)• Material should NOT be less interesting here, but rather the

more laid back content.• The last page is typically rserved for the columnist, short essay,

short interview. • Generally advertising is cheaper – smaller ads (1/4pg 1/16 pg)

grouped on these pages.

The front of the magazine follows a structure and design that is only slightly changed from issue to

issue.

Page 24: Magazine elements

Good and bad Practices

Magazine Spreads

Page 25: Magazine elements

Single Pages

• Never think of a page singularly, but as a spread!

• The page might be on it’s own, but it creates a unit with another page-even if it’s an ad!

• Peripheral vision allows us to view the entire spread in a normal viewing distance (unlike a newspaper).

• You must always consider what will be on the other page.

Page 26: Magazine elements

Elements of the Spread• Think about holding a magazine in your hands

or laying it down on a table to flip through it…the most visible side is the right side.

• The most visible parts of a spread are the outer upper parts!

• Place best content on outsides-provocative image and words.

• That’s why footnotes and some credits are on the inner corners near the gutter!

Page 27: Magazine elements

Reader’s Eye Direction

• Readers concentrate on the top parts of the spread.

• Work from top left and continue to the bottom.

Page 28: Magazine elements

Example of Bad Text Flow

Page 29: Magazine elements

Example of Good Text Flow

Page 30: Magazine elements

Sources• http://www.magazinedesigning.com/magazine-flatplan/

• http://www.magazinedesigning.com/magazine-spreads-good-bad-practices/

• http://www.magazinedesigning.com/structure-of-the-magazine/

• http://www.magazinedesigning.com/magazine-page-elements/

• http://www.magazinedesigning.com/magazine-columns/

• http://www.magazinedesigning.com/magazine-masthead-creation/