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Acta Hyperborea – Danish Studies in Classical Archaeology – a periodical edited and published by Collegium Hyperboreum, a group of scholars associated with Danish universities and museums: Mette Moltesen, Birte Poulsen, Annette Rathje, Eva Rystedt, and Knut Ødegård.

Editors of the present issue: Jane Fejfer, Mette Moltesen and Annette Rathje.

acta hyperborea 1, 1988: East and West. Cultural Relations in the Ancient World, edited by Tobias Fischer-Hansen.acta hyperborea 2, 1990: The Classical Heritage in Nordic Art and Architecture, edited by Marjatta Nielsen.acta hyperborea 3, 1991: Recent Danish Research in Classical Archaeology: Tradition and Renewal, edited by Tobias Fischer-Hansen, Pia Guldager, John Lund, Marjatta Nielsen and Annette Rathje.acta hyperborea 4, 1992: Ancient Portraiture: Image and Message, edited by Tobias Fischer-Hansen, John Lund, Marjatta Nielsen and Annette Rathje.acta hyperborea 5, 1993: Aspects of Hellenism in Italy: Towards a Cultural Unity ? edited by Pia Guldager Bilde, Inge Nielsen and Marjatta Nielsen. acta hyperborea 6, 1995: Ancient Sicily, edited by Tobias Fischer-Hansen.acta hyperborea 7, 1997: Urbanization in the Mediterranean in the 9th to 6th Centuries B.C., edited by Helle Damgaard Andersen, Helle W. Horsnæs, Sanne Houby-Nielsen and Annette Rathje.acta hyperborea 8, 2001: Late Antiquity: Art in Context, edited by Jens Fleischer, Niels Hannestad, John Lund and Marjatta Nielsen. acta hyperborea 9, 2002: Pots for the Living – Pots for the Dead, edited by Annette Rathje, Marjatta Nielsen and Bodil Bundgaard Rasmussen.

MUSEUM TUSCULANUM PRESSUNIvERSITy oF CoPENHAGENISSN 0904-2067ISBN 978 87 635 4258 6

acta hyperborea 10, 2003: The Rediscovery of Antiquity. The Role of the Artist, edited by Jane Fejfer, Tobias Fischer-Hansen and Annette Rathje.acta hyperborea 11, 2009:Johannes Wiedewelt. A Danish Artist in Search of the Past, Shaping the Future,edited by Marjatta Nielsen and Annette Rathje.acta hyperborea 12, 2009:From Artemis to Diana. The Goddess of Man and Beast,edited by Tobias Fischer-Hansenand Birte Poulsen.acta hyperborea 13, 2013:vessels and variety. New Aspects of Ancient Pottery, edited by Hanne Thomasen, Annette Rathje and Kristine Bøggild Johannsen.

Editorial correspondence and books intended for reviews should be sent to collegium hyperboreum,c/o The Saxo Institute Section of Classical ArchaeologyUniversity of CopenhagenKaren Blixens vej 4DK - 2300 Copenhagen S

Acta Hyperborea can be obtained from Museum Tusculanum Press,University of Copenhagen,Birketinget 6DK - 2300 Copenhagen Sorder@mtp.dkwww.mtp.dk

Cover design: Thora Fisker.Cover illustration: Fragment of a krater attributed to the Tarporley Painter. Copenhagen, National Museum, inv. 1682. © The National Museum of Denmark.

TRADITION

TRANSMISSION OF CULTURE

IN THE ANCIENT WORLD

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Danish Studies in Classical Archaeology

ACTA HYPERBOREA14

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Tradition: Transmission of Culture in the Ancient WorldJane Fejfer, Mette Moltesen and Annette Rathje (eds.)

© Collegium Hyperboreum and Museum Tusculanum Press, 2015Layout and typesetting: Erling LynderCover design: Thora FiskerSet with Garamond Printed in Denmark by Tarm BogtrykISBN 978 87 635 4258 6ISSN 0904 2067

Danish Studies in Classical Archaeology. Acta Hyperborea, vol. 14

Collegium Hyperboreum:Annette Rathje, Birte Poulsen, Eva Rystedt, Knut Ødegaard and Mette Moltesenc/o The Saxo InstituteSection of Classical ArchaeologyKaren Blixens Vej 4, DK-2300 Copenhagen S

Cover illustration: Fragment of column krater attributed to the Tarporley Painter. Copen-hagen, National Museum, 1682 (Photo courtesy: The National Museum of Denmark).

This book has been published with financial support fromThe Carlsberg FoundationLandsdommer V. Gieses Legat

Published and distributed byMuseum Tusculanum PressUniversity of CopenhagenBirketinget 6DK-2300 Copenhagen STel. +0045 32 34 14 14Fax +0045 45 32 58 14 88www.mtp.dk

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Danish Studies in Classical Archaeology

ACTA HYPERBOREA14

TraditionTransmission of Culture in

the Ancient World

Edited by Jane Fejfer, Mette Moltesen

and Annette Rathje

Museum Tusculanum Press

University of Copenhagen

2015

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CONTENTS

Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Niels Bargfeldt: Newly Invented Tradition: The Individual and the Community at the Northern Frontier of the Roman Empire . . . . . . 17

Cecilie Brøns: Textiles and Temple Inventories: Detecting an Invisible Votive Tradition in Greek Sanctuaries in the Second Half of the First Millennium BC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Jane Fejfer: Statues of Roman Women and Cultural Transmission: Understanding the So-called Ceres Statue as a Roman Portrait Carrier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Solvejg Hansen: Using Textiles to Propose a New Identity for the So-called Goddess of Xeste 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

Signe Isager: On a List of Priests: From the Son of Poseidon to Members of the Elite in Late Hellenistic Halikarnassos . . . . . . . . . . 131

Ifke van Kampen: Maripara and L’Imperatore: The Life and Afterlife of two Roman Statues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Arja Karivieri: Tradition and Renewal: The Archaeology of Magic and Theurgy in Athens and Rome in Late Antiquity . . . . . . . . . . . . 181

Jens Krasilnikoff: Tradition and Innovation in Classical Athens: The Case of the Athenian Acropolis as Place and History . . . . . . . . 195

Eva Mortensen: Ktistes: Mythical Founder Hero and Honorary Title for New Heroes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

Christian Mühlenbock: Expanding the Circle of Trust: Tradition and Change in Iron Age Communities in Western Sicily . . . . . . . . . 239

Marjatta Nielsen: New Times, Old Customs: Tradition and Renewal of Etruscan Funerary Culture from the Late Republic to the Early Empire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269

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Nora Petersen: The Fan, a Central Italian Elite Utensil . . . . . . . . 301

Rubina Raja: Palmyrene Funerary Portraits in Context: Portrait Habit between Local Traditions and Imperial Trends . . . . . . . . . . . 329

Sine Grove Saxkjær and Jan Kindberg Jacobsen: The Trozzella IN. 3417 in the Collection of Ny Carlsberg Glyptotek: An Ethnic Marker or a Sign of Cultural Transmission? . . . . . . . . . . . . . . . . . . . 363

Stine Schierup: The Nestorides: Innovation and Ambivalence in the Early South Italian Red-Figure Production . . . . . . . . . . . . . . . . 387

Lone Wriedt Sørensen: Here There be Monsters: Hybrids Painted on Cypriot Iron Age Pottery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 427

Christina Videbech: Private Collections of Sculpture in Late Antiquity: An Overview of the Form, Function and Tradition . . . . 451

Kristina Winther-Jacobsen: Ceramics in Funerary Traditions in Hellenistic Cyprus: The Custom of Duplication? . . . . . . . . . . . . . . . 481

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