Microsoft Word - c1.doc
(Sail On, Sail On)……………………………………………………50
(How Sweet The Answer)……………………………………….59
(The Minstrel Boy)……………………………………………………68
(At The Mid Hour Of Night)………………………………………….76
(Rich and Rare)…………………………………………………….83
(Dear Harp Of My Country!)…………………………………92
4
………………………………………………………………………….125
(Robert Victor Britten )(Edith Britten)
(Lowestoft Musical Society)
(South Lodge Preparatory School)
(Audrey Alston, 1883-1966)1924 (Norwich
Triennial Festival)(Frank Bridge, 1879-1941)
(The Sea, 1910-1911)
1942
(Council for the Encouragement of Music and the Art)
(Hymn to St. Cecilia, op.27, 1942)(A ceremony
of Carols, op.28, 1942)(Rejoice in the Lamb, op.30, 1942)
4 Diana McVeagh, Anthony Payne, Hugh Ottaway, Imogen Holst, Ian
Kemp, and Peter Evans,
English 20th - century Masters: Elgar, Delius, Vaughan Williams,
Holst, Walton, Tippett, Britten. (New York, Norton& Company,
1986) , 240.
5
(Le Bateau ivre, 1871)(Une Saison en Enfer, 1873)(Les
Illuminations, 1874)
10
(Folksong Arrangements: Volume 2-
France, 1946)1947
(Folksong Arrangements: Volume 3 - British Isles, 1947)
(Henry
Purcell, 1659-1695)
(Chamber Opera)
(The Rape of Lucretia, op.37, 1946) 1954 (The Turn of Screw,
op.54, 1954)1947 (Eric Crozier,
1914-1994)7 (John Pipe, 1903-1992)8 (The English Opera
6 7
8
(A Midsummer Night’s Dream, op. 64, 1960)
11
(The
Beggar’s Opera, op. 43, 1948)(The Little Sweep, op. 54, 1954)
(A Midsummer Night’s
Dream, op. 64, 1960)
C (Sonata in C for Cello and Piano, op.65, 1961)
12
(Suite for Cello Solo, op. 72, 80, 87 , 1965)D
(Symphony in D for Cello and Orchestra, op.68, 1963)
D
Vanity, op.78, 1967)
(Gamelan)9 (Claude Debussy,
(The Prince of the Pagodas, op.57, 1956)(Noh
Play)10 (Curlew River, op. 71, 1964)
14 Ottó Károlyi, The Second British Musical Renaissance – from
Elgar to P. Maxwell Davies (London and Toronto: Associated
University Press, 1994), 63. 15 Virginia Lile Boaz, A Performer’s
Guide to Benjamin Britten’s On This Island, Opus 11 (DMA diss. The
Southern Baptist Theological Seminary, 2000), 51.
16
()()
(Hans Keller,
1919-1985)(Wolfgang Amadeua Mozart,
16 Motchell, Donald and Hans Keller, Benjamin Britten: a commentary
on his works from a group of specialists (Greenwood Press, 1972),
321-322.
17
1779 (Dublin)
(Sydney Smith, 1771- 1845)17
18 (George Gordon Byron, 1788- 1824)19
(Edward
Bunting, 1773- 1843)22 (General Collection of Ancient Irish
Music, 1796)(Irish
Melodies, 1808- 1834)
23
of Anacreon, 1800)
(Anacreon Moore)1801 (Michael Kelly,
21 18
1803
22 1792
1796
1809 1840
23 24 Horatio S. Krans, Thomas Moore. Stephen Gwynn’s New Biography
of The Author of “ Lalla
Rookh” And The “ Irish Melodies. ”( The New York Times,
1905.)
19
(Epistles Odes and Other Poems, 1806)
1807 (George Thomson, 1757- 1851)26
(William Power)
(The Blue Stocking, 1811)
25 26 1799 1818
(A Select Collection of Original Scottish Airs for the Voice)
20
(Sacred Songs, 1816)(Lalla Rookh,
1817)(A Selection of Popular
National Airs, 1818)
1822
(Richard Brinsley Sheridan, 1751- 1816)
(Memoirs of the Life of Richard Brinsley Sheridan,
1825)(Letters & Journals of Lord Byron, with
Notices of his Life, 1830- 1831)(Lord Edward Fitzgerald,
1763- 1798)(The Life and Death of Lord Edward
Fitzgerald, 1831)27 28
1846
1780
(The School for Scandal, 1777)(The Critic, 1779) 1798
28
29 James W. Flannery, Dear Harp of My Country: The Irish Melodies
of Thomas Moore( J. S.
Sanders & Company, Nashville, TN, 1995 & 1997), 117.