近藤正毅 - Meiji Repository: ホーム watching him is a sort of stream of baroque eyes, in which…

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  • 318

    4bstract

    TheBodyandLanguageinEuropeanLiterature

    TheSexualityofLaurenceSterne

    MasakiKONDO

    HaroldBloomproposedtolookuponthehistoryofliteratureasaseriesofBaroqueSternes

    strayingspiralstyleisamilestoneinitafterRenaissanceTristramsnarrationisastreamofanimal

    spiritwhichisdestinedtosuspendgoastrayandbeturnedbackAstheresulttimebecomesfreely

    extendedanddiminishedideafancifu1actionimpotentbasedontheembersofunceasingsexuality

    andlaughterandthepleasureofhobbyhorsedrivenbyaburningpassionfedbythem

    DeleuzesaysinhisargumentonLePliLamedansleBaroqueaaveclecorpsunrapportcom

    plexetoujoursins6parableducorpselletrouveenceluiciuneanimalit6quii6tourditqui1empetre

    danslesreplisdelamatiremaisaussiunehumanit60rganiqueouc6r6braleledegr6ded6veloPPe

    mentquiluipermetdes61everetlaferamontersurdetoutautresplis

    TheinexiollandreectionofeyeswhichisseenatthesceneofYorickdyingonhisbedandEu

    geniuswatchinghimisasortofstreamofbaroqueeyesinwhichtheinternalworkofmindislostina

    silentdarkllesswhilewordsarespirallingevenafterthemindislostandthesenseofalienationof

    theirdesignformtheircontentinvokesthelaughterofimagintion

    JeanRoussetsaysMovingwatertakesustotheheartofBaroqueBaroquecatcheswaterrun

    ningawayandcatchesitagaininthrowingitbackSternesallegoricalanalysisofwaterpressing

    @theoodgatesofthebrai11indicatesthedistancefromthereasonofRenaissancetotheillu

    sionofBaroqueSternehasnorapidstreamoflanguagelikeasyntheticriverJoycecomposedofall

    riversintheworldbuttheplotofhisnarrationslowlywindsinwrinklesovertheplainandstreams

    downthebodyofthecharactersSternesbaroquewrinklesarerelievedfromtheorderedprocession

    onnumberedpagesandunfoldedonacrushednosethinchestimpotelltsexanddisabledleg

    Themindofreadersandthespiritofreadingcanfarmoredirectlyreachcharactersbodyand

    sentimentlitbythephysiologicaloperationthroughtheirclothesthanthroughthecostumeOfthe

    threesonsinSwifts4TaleofaTabThepainsanddefectsofabodyarerelievedfromthesymbolic

    signicationsofmythandromanceandcometobeusedasthesymbolsofthepersonalnatureof

    charactersthemselvesinnovelsTheyarenotthehumanconditionbyfateorromancebutthecondi

    tionofliteraturearbitrarilygivenbytheauthorDifferentfromCervantesinsanityisnottheresultof

    magicbutisintroducedintoanallegoryastheincurablementaldisease

    2

  • 319

    1

    1

    11

    HOMUNCULus

    12

    12

    2

    171831

    Hobbyhorse

    3

  • 320

    Thenalasmyfriendsaidyletmetellyouthattissobruisedandmisshapenedwith

    theblowswhichandandsomeothershavesounhandsomelygivenmeinthedark

    that1mightsaywithSnchoPanathatshouldIrecoverandMitresthereuponbesufferedto

    raindowrlfromheavenasthickashailnotoneofthemwouldfitit7olastbreathwas

    hangingllponhistremblinglipsreadytodepartasheutteredthisyetstillitwasutteredwith

    somethingofaCervanticletoneandashespokeitEugeniuscouldperceiveastreamoflam

    bentrelightedupforamomentinhiseyesfaintpictureofthoseashesofhisspiritwhich

    asShafeespearesaidofhisancestorwerewollttosetthetableinaroar

    Eugeniuswasconvincedfromthisthattheheartofhisfriendwasbrokehesqueezedhis

    handandthenwalkedsoftlyoutoftheroomeepingashewalkedyfollowedEu

    geniuswithhiseyestothedoorhethenclosedthemandneveropenedthemmore112

    queaunque110vieseDiosreinossobrelatierraningunoasentariabiensobrelacabezadeMari

    Guti6rrez3

    L

    4

    4

    picture

    4

  • 321

    AlaspoorYorickWherebeyourflashesofmerrimentthatwere

    wonttosetthetableonaroarActVSc120811

    yolastbreath

    washanginguponhistremblinglips

    HerehungthoselipsActVScI207

    faintpicturer

    AlaspoorYORICK

    112

    Tristram

    1

    5

    6

    5

  • 322

    2

    211

    butwhetheritwasthattheactionitselfwasmoreinUnisontomynervesatthatageofpity

    whichinstantlysetmywholeframeintoonevibrationofmostpleasurablesensationorhowfar

    themannerandexpressionofitmightgotowardsitorinwhatdegreeorbywhatsecretma

    gickratoneofvoiceandharmonyofmovementattunedbymercymightndapassagetomy

    heartIknownot212

    E

    actionmovementrisingfromhischairandgoing

    acrosstheroomwiththeflyinhishandliftingupthesashandopeninghishandashespoketo

    letitescape

    instantlysetmywholeframeintoonevibrationofmostpleasurablesensation

    8

    6

  • 323

    82

    82Lm

    7

    8

    Impetuousuidthemomentthoupressestagainsttheoodgatesofthebrainseehow

    theygiveway

    InswimsCuRIoslTYbeckoningtoherdamselstofollowtheydiveintothecentreofthecur

    rent

    FANcYsitsmusinguponthebankandwithhereyesfollowingthestreamturnsstrawsandbul

    rushesintomastsandbowspritsAndDEslREwithvesthelduptothekneeinonehand

    snatchesatthemastheyswimbyherwiththeother

    Oyewaterdrinkersisitthenbythisdelusivefountainthatyehavesooftengovernedand

    turndthisworldaboutlikeamillwheelgrindingthefacesoftheimpotentbepowdering

    theirribsbepepperingtheirnosesandchangingsometimeseventheveryframeandfaceofna

    tureIf1wasyouquothYoricleIwoulddrinkmorewaterEgsAndifIwasyouoriclere

    pliedEugeniussowouldI85

    7

  • 324

    815

    Thereisnothingmydearpaternalunclebutonelambent

    deliciousfirefurtivelyshootingoutfromeverypartofitinalldirectionsintothine824

    lambentfire

    AneyeisforalltheworldexactlyIikeacannoninthisrespectThatitisnotsomuchtheeyeor

    thecanlloninthemselvesasitisthecarriageoftheeyeandthecarriageofthecannonby

    whichboththeoneandtheotherareenabledtodosomuchexecutionIdontthinkthecompari

    sonabadone825

    8

  • 325

    itwasnotMadamarollingeyearompingorawantononenorwasitaneyesparkling

    petulantorimperiousofhighclaimsandterrifyingexactionswhichwouldhavecllrdledatonce

    thatmilkofhumannatureofwhichmyuncleTobywasmadeupbuttwasaneyefullofgentle

    salutationsandsoftresponsesspeakingnotlikethetrumpetstopofsomeillmadeorgan

    inwhichmanyaneye1talktoholdscoarseconversebutwhisperingsoftlikethelastlowac

    celltofanexpiringsaintowcanyoulivecomfortlesscaptainShandyandalonewithouta

    bosomtoleanyourheadonortrustyourcaresto

    Itwasaneye

    ButIshallbeinlovewithitmyselfifIsayanotherwordabolltit

    ItdidmyuncleTobysbusiness825

    rollingrompingwantonsparklingpetulantimperious

    3

    r

    22Itisahistory

    ahistorybook

    9

  • 326

    t

    328

    329

    211640

    9

    Thepalofhisrighthandashefelluponthebedreceivinghisforeheadandcoveringthe

    greatestpartofbothhiseyesgentlysunkdownwithhisheadhiselbowgivingwaybackwards

    tillhisnosetouchdthequilthisleftarmhunginsensibleoverthesideofthebedhisknuckles

    reclininguponthehandleofthechamberpotwhichpeepdoutbeyondthevalancehisrightleg

    hisleftbeingdrawnuptowardshisbodyhllnghalfoverthesideofthebedtheedgeofitpress

    inguponhisshinboneHefeltitnotAxdinexiblesorrowtookpossessionofeverylineof

    hisfaceHesighdonceheavedhisbreastoftenbututterednotaword329

    Thepalmashefel1receivingcoveringgentlysunkdowntillhis

    nosetouchdthequilt

    1eftam1knucklesthehandleofcham

    berpotinsensiblerightlegshinboneedge

    HefeltitnotAfixdinflexible

    sorrow

    t

    10

  • 327

    10

    412

    102

    mightmakeabadmatterworseii412

    cross

    NowwhetherthecompressionshortenedmyuncleTobysfaceintoamorepleasurableovalor

    thatthephilanthropyofhisheartinseeinghisbrotherbegiingtoemergeoutoftheseaofhis

    afictionshadbraceduphismusclessothatthecompressionuponhischinonlydoubledthe

    benignitywhichwastherebeforeisnothardtodecideMyfatherinturninghiseyeswas

    struckwithsuchagleamofsunshineinhisfaceasmelteddownthesulle ?@ofhisgriefina

    moment42

    benignity

    agleamofsunshine42

    11

  • 328

    Arewenotherenowandarewenotdroppinghishatuponthe

    groundgoneinamoment57herenow20

    57

    57

    ThedescentofthehatwasasifaheaVylumpofclayhadbeenkneededintothecrownofit

    Nothingcouldhaveexpressedthesentimentofmortalityofwhichitwasthetypeandforerun

    nerlikeithishandseemedtovanishfromunderititfelldeadthecorporarseyefixed

    uponitasuponacorpseandSusannahburstintoaoodoftears57

    12

  • 329

    4

    9

    wisdomfolly

    1FANCY

    WITPLEAsANTRY

    15

    181921

    206

    80

    924

    Iwasinthemostperfectstateofbountyandgoodwil1andfeltthekindliestharmonyvibrat

    ingwithinmewitheveryoscillationofthechaisealikesothatwhethertheroadswereroughor

    smoothitmadenodifferenceeverythingIsaworhadtodowithtouchduponsomesecret

    13

  • 330

    springeitherofsentimentorrapture924

    sentiment

    MARIAlookdwistfullyforsometimeatmeandthenathergoatandthenatmeandthen

    athergoatagainandsoonalternately

    Wel1MsaidIsoftlyWhatresemblancedoyound924

    14

  • 331

    U

    TheLtfeandpinionsOfTristramShandyGentleman1111

    1ByrdMaxStemeandSwiftAugustanContinuitiesLaurenceS7TristramShandyEdHarold

    BloomNewYorkChelseaHouse1987107

    2DeleuzeGilesLePliLeibnit2etleBaroqueParisLesEditionsdeMinuit198817

    3MigneldeCewantesSuavedra1onQuijotedelaManchaValenciaAlfredoOrtells199162

    4197240

    5HowesAlanBYorickandtheCriticsS6ReputationinEngland1760868NewHavenYaleUP

    19585

    6Deleuzeibid44

    7RoussetJeanLalitteratttrede1agebaroqueenFranceParisJos6Corti1953

    1970240

    8243

    95

    B D640

    10198081

    11WorstwardHo

    15