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ACTING

The ultimate goal of any actor should be to make us believe completely in the reality of the character They must be able to project sincerity, truthfulness,

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Page 1: The ultimate goal of any actor should be to make us believe completely in the reality of the character  They must be able to project sincerity, truthfulness,

ACTING

Page 2: The ultimate goal of any actor should be to make us believe completely in the reality of the character  They must be able to project sincerity, truthfulness,

The ultimate goal of any actor should be to make us believe completely in the reality of the character

They must be able to project sincerity, truthfulness, and naturalness in such a way that we are never aware that they are acting a part

Becoming the character can be done on of two ways, from the outside or the inside

GOAL OF THE ACTOR

Page 3: The ultimate goal of any actor should be to make us believe completely in the reality of the character  They must be able to project sincerity, truthfulness,

Outside approach- do the behavior and it starts to seep inside◦ Learn to limp and discover why the character

limps Inside approach- begin with the feeling and

memory and those affect your behavior◦ Learn why the limp is there and then let that

affect the limp

Page 4: The ultimate goal of any actor should be to make us believe completely in the reality of the character  They must be able to project sincerity, truthfulness,

Impersonators- have the talent to leave their real personality behind and to assume the personality of a character with whom they may have few characteristics in common

Interpreters- play characters closely resembling themselves in personality and physical appearance, and they interpret these parts dramatically without wholly losing their own identity

Personality- primary talent is to be themselves and nothing more

TYPES OF ACTORS

Page 5: The ultimate goal of any actor should be to make us believe completely in the reality of the character  They must be able to project sincerity, truthfulness,

Directors must consider many aspects of an actor when casting a part to make sure the part comes off convincingly

Some problems can be solved in the production phase, but many can not

Sometimes a director decides a cast should not have any one star◦ Ensemble acting- performance by a group of

actors whose roles are of equal importance

CASTING

Page 6: The ultimate goal of any actor should be to make us believe completely in the reality of the character  They must be able to project sincerity, truthfulness,

Typecasting- consigns an actor to a narrow range of almost identical roles

Supporting players- the major stars play off them (sometimes as foils) and they make the major stars shine brighter