1954-

2002 ART TRACE

Theory Round Table

ver.1.0 2013.9.18 2014.8.15

1982-20122013 10 9 11 1

1 3 4

3 1984.7=

FRAMEno.1-3IDE PRESS

1990.7-1991.10

1995.3

9 1997.5

3x31998.5

2002.62005.12

ART TRACE PRESS01 2011.8=

ART TRACE PRESS02 2012.12=

Julia Kristeva 2 1983.10-1984.8

Thierry de Duve2001.12

Jean Clair2009.1

1981-89

Andr Chastel 1 81981 4 pp.206-217

Andr Chastel 2 91981 5 pp.200-209

Jean-Claude Lebensztejn 1 131981 10

pp.126-135

Jean-Claude Lebensztejn 2 141981 11

pp.146-155

Jean-Claude Lebensztejn 3 151981 12

pp.132-143

Jean-Claude Lebensztejn 4 161982 1

pp.144-153

1-5 1981-1982

1982 6 pp.202-215

Man RayArturo Schwarz1982 9 =

pp.144-166

1984.3p.56

2 1983.4

1984.3pp.67-68

http://genbaken.com/contents/pdf/saizensen/saizensen_pic.pdf

http://genbaken.com/contents/pdf/saizensen/saizensen_text.pdf

500

1983 6

Lawrence Gowing 1

1983 6 pp.208-215

Lawrence Gowing 2

1983 7 pp.166-173

Lawrence Gowing 3

1983 8 pp.166-172

1983 8 =

Lawrence Gowing 4

1983 9 pp.164-170

1983 10 =pp.91-97

Marcelin PleynetCatherine Millet1983 10 =

pp.150-159

1983 10 =pp.124-128

1970-19821983 10 =pp.146-147

CONTINUUM'83 1983 11 pp.174-179

TSA 1 1983

TSA http://www.oralarthistory.org/archives/shirakawa_yoshio/interview_03.php

8 1983

Paul Barolsky1984 2 =

1984 2 =

1984 3 =

1984 3 =

1984 4 =pp.196-205

1909 1984 4 =pp.146-154

SD1984 6 =pp.16-17

3 1984.7=

Catherine Millet3 1984.7=

Marcelin Pleynet3 1984.7=

Yves Michaud3 1984.7=

Patrick Saytour3 1984.7=

Louis CaneMarcelin Pleynet

Philippe Sollers

CLAUDE VIALLAT1984 7

pp.86-94

1984 7

: 1984.7

- /1984 8 pp.164-169

1984 8 =1984

1984 9 ==

1984 9 =pp.46-68

3 3x31998.5

1984 9 =

1984 9 =pp.93-97

1984 10 =

1983 12

1984 10 =

9

2001.11 Michel Foucault et Pierre Boulez, Foucault/Boulez. La musique contemporaine et le public,

entretien avec Boulez, CNAC magazine, mai-Juin 1983, no.15, pp.10-12. Repris dans Michel Foucault, Dits et

crits, 1954-1988. tome 4, d. par Daniel Defert & Franois Ewald, [333] Paris : Gallimard, 1994

1984 10 =pp.22-33

1984 11 =pp.124-135

1984 12 =pp.130-137

1985 1 =

SD1985 2 =pp.12-13,28-19,46-47

Stephen Bann1985 2 =

F.B.GSvol.2 1/21985.3

=GODARD SPECIAL

1985 3

1985

1985 3 =

1985 3 pp.160-167

8 1985 =

1985 4 =

Claude Lvi-Strauss1985 4 ==

1985 5 =Contemporary Music

1985 6

NEW NUDE2 1985

1985 7 =pp.88-91

1985 8 =

1985 8 pp.360-371

6 1985

GSvol.31985.10=pp.224-229

1985

935 1985 =

Italo Calvino1985 9 =

1985 9 =

1985

1985 11 =

pp.36-45

17 1985.11=

Oskar Schlemmer17 1985.11=

Giorgio de Marchis1985 12 =

pp.196-203

Filippo Tommaso Marinetti1985 12 =pp.44-

47

Filippo Tommaso Marinetti1985 12 =

pp.53-57

Antonio Gramsci1985 12 =pp.107-111

ART VIVANT17 1985= 1985

Jurgen Lehl1986 3 =

pp.120-125

4 1986.6=

Jean-Franois Lyotard4 1986.6=Presenting the

unpresentableThe Sublimein ArtforumApril1982.

Edmond Jabs1986 7 =pp.178-183

Gilbert Lascault 12 1986.10

1986 12 =pp.62-71

TSA 7 1986

Jean GenetGS II vol.5 1/21987.6=

80 1987 6 30

pp.26-28

BOOK GUIDE88-1988 4

30 pp.57-65

1988 12 =pp.228-231

20 4 1989.1

1989 pp.300-303

1989 2 =pp.30-31

1989 3

1989 3 13

1989 4 =pp.160-162

1989 6

QUESTION89/99-10 1989 7 =

90 1999

ART VIVANT33 1989=

Jean Clair1907 ART VIVANT34 1989=

2009.1

1989 9 =

pp.80-85

1989 10 =

pp.42-46

Claude Lefort1989 11 =pp.59-73

2 1989

1990-99

1990 1 =

645 1990.1=pp.41-47

957 1990

1990 2

1990

IBM 1990

Claude Lefort 1990 4 pp.289-301

20 8 1990.5

1990 5

FRAMEno.1IDE PRESS1990.7

=Art and Conflict

274 1990

is49 1990=

958 1991

FRAMEno.21991.2=50s

1991 3 =pp.52-57

Thierry de Duve 12 1991.7=

2001.12

1991 9 =

Thierry de Duve 23 1991.10=

2001.12

FRAMEno.31991.10=

961 1991 =

961 1991 =

nude4 1992

962 1992

1993 1 = 4 3x31998.5

1992 12 =pp.130-141

1993 2 =pp.74-79

1993 3

1993.6

1993 11 =pp.150-163

VOCA 94 VOCA 1994.3

NTT ICC BOOKS1994.4pp.42-43

I1994.4.29

1995.3pp.302-317

1994 5

1994 7 =pp.134-143

1994 7

1994.8

1994.9pp.120-133

1994 9 =pp.86-90

II1994.11.11.

1995.3pp.318-346

1994 11 11

1994.12.6 1

2002.62005.12

1994 12 =pp.28-33

1995 1 =

1995 1

1995 2

1995.2.21 2

2002.62005.12

1995 3

1995.3

pp.262-236

1995 4

1995 5

1995 6

WALK15 1995

2 3x31998.5

1995 5 =

19951995

1995 7 =

pp.80-92 1 3x31998.5

1995.8.14 3x3

1998.5

1995.8.22 3

2002.62005.12

1995.8.24 3x3

1998.5

1995 = pp.122-

125

10+13 1995.5=pp.185-191

1995 8 =pp.308-314

1995 9 = II 20

pp.23-28

=1995 9 = II

20 pp.108-109

1995 9 = II

20 pp.116-121

1995 9 =pp.416-425

1995.6.29.

II-71995.10=

II-71995.10=

1996 1 =pp.270-273

Thierry de Duve 1II-91996.4pp.107-119

1996 6 =

pp.64-69

Thierry de Duve 2II-101996.7pp.146-155

1996 4 =pp.191-193

1964 1996 4

Jecris ton nom1996 6 =pp.58-61

99 1996.1=

4 2002.62005.12

20 50 01 03

InterCommunication17 1996.5= 20

http://www.ntticc.or.jp/pub/ic_mag/ic017/books50/01.html http://www.ntticc.or.jp/pub/ic_mag/ic017/books50/03.html

1996 5 =

Isabelle Cahn 1996 9 =

pp.58-65

1996 9 =pp.171-175

100 1996 9

=pp.108-135 7 3x31998.5

II=1996 10 =pp.115-117

1996 12 = 100 pp.226-229

(Trans-cultural Studies)1 1997pp.4-5

1997 9 =pp.67-71

106 1997.10=

consistance 1996 12 =

III1998 2 = Vol.2pp.115-117

1998 2 =

Vol.2

1989.9

110 1998.11=

20 100 3 1999 1 =20 I

20 100 12 1999 1 =20 I

20 1999 1 =20 I

pp.92-108

1999 2 pp.16-19

1999.7.26 5

2002.62005.12

1999 10 =

19 1999.10pp.336-349

20

19 1999pp.95-97

2000-2009

SAP2 Sasion Art Program Center2000.1= 1999

21X21

2000 2 =pp.88-93

4

2000.4

212 2000.5=pp.56-58

22000.6pp.109-

140

= 2000 7 =

pp.24-28

1

1 1 2000.7.21 6

2002.62005.12

2

1 5 2000.7.28 7

2002.62005.12

118 2000.10=

pp.52-61 2003.7

tabletableau 2000 10 =pp.98-101

2000 10 =80

pp.133-143

20 M 100

2000.10.6M107 2000 http://www.musabi.ac.jp/gallery/history/2000symp.html

189 2001.6=

2001 7 =pp.170-203

3 1 2001.2.9 8

2002.62005.12

2001 12 pp.46-49

http://www.kojinkaratani.com/criticalspace/old/special/matsuura/gakutou0112.html

media review from my reading 2001 12

ART TODAY 2002 2002.9pp.63-63

2002 12 pp.144-147

2002 12 =pp.109-111

SAP10 2003.3

2003 4 pp.218-220

2x2=2+22003 5 pp.97-104

with RAM 2003.4.16

2003 5 =21

http://www.eris.ais.ne.jp/~fralippo/demo/short.cgi?cate=voice&no=OKMT030517_dialogue1

http://www.eris.ais.ne.jp/~fralippo/demo/voice/OKMT030517_dialogue2/index.html

http://www.eris.ais.ne.jp/~fralippo/demo/voice/OKMT030517_dialogue3/index.html

REAR4 2003.10

d/SIGN5

2003.10p.101

2004.3.15 9

2005.12

2004.5.2.

http://www.eris.ais.ne.jp/~fralippo/daily/content/200405040001/index.html

http://www.eris.ais.ne.jp/~fralippo/daily/content/200405120002/index.html

http://www008.upp.so-net.ne.jp/wildlife/nise.a.1.2.html

Marc Dachy

2005.6

art news 2005 7 pp.106-109

466 2005.7pp.37-41

2005 8 =

a-chroniques 1 1 2005.11pp.15-17

a-chroniques 2 2 2005.12pp.2-5

a-chroniques 3 23 2(1)2006.1pp.110-113

2(1)2006.1=pp.12-14

a-chroniques 4 34 2(2)2006.2pp.11-14

a-chroniques 5 45 2(3)2006.3pp.2-5

a-chroniques 6 56 2(4)2006.4pp.2-5

a-chroniques 7 7 2(4)2006.5pp.5-8

476 2006.5pp.13-17

a-chroniques 8 8 2(6)2006.6pp.12-15

a-chroniques 9 29 2(7)2006.7pp.126-129

InterCommunication58 2006.8=2006pp.158-180

a-chroniques 10 10 2(8)2006.8pp.9-12

a-chroniques 11 211 2(9)2006.9pp.2-5

a-chroniques 12 312 2(10)2006.10pp.13-16

12 2(10)2006.11=pp.28-32

a-chroniques 13 13 2(11)2006.11pp.6-9

a-chroniques 14 214 2(12)2006.12pp.16-18

a-chroniques 15 15 3(1)2007.1pp.10-12

18 3(4)2007.6=pp.66-69

a-chroniques 16 19 3(5)2007.7pp.2-7

19 3(5)2007.7/8=pp.41-46

200020072007.7

220 3(6)2007.9pp.42-48

321 3(7)2007.11pp.24-28

422 4(1)2008.1pp.30-34

524 4(3)2008.5pp.9-15

625 4(4)2008.7pp.8-12

726 4(5)2008.9pp.8-11

827 4(6)2008.11pp.2-5

928 5(1)2009.1pp.8-12

Flambeau34

2009.5pp.1-4

1031 5(4)2009.7pp.8-13

1132 5(5)2009.9pp.9-17

2010-

1

5

2010.1.16-4.42010.1.23 5

2010

Christian Boltanski Christian Boltanski

Catherine Grenier2010.7

2010.7.16

12 1 2010.11.18

http://apm.musabi.ac.jp/~apm10070ao/ip2010/

1233 6(1)2010.7pp.62-69

ART CRITIQUE1 constellation books2010.10

Visions

2010.10.9

7F

2010.10

http://kumitate.org/matsuura/matsuura.html

2011 4 =

pp.74-89

2011 5 =

pp.104-111

1334 7(1)2011.8pp.8-15

20112011.10

1 2010.10

Eigenwertephotographers gallery

2011.9.262 2012.3

ART TRACE PRESS01 2011.8=

Michael FriedART TRACE PRESS01 2011.8

=

1ART TRACE PRESS01 2011.8

1 ART TRACE GALLERY2011.11.24

2 2ART TRACE GALLERY2011.12.1

(Trans-cultural Studies)14-15 2012.3pp.110-112

http://repository.tufs.ac.jp/bitstream/10108/72891/1/tcr014010.pdf

2012 4 =pp.123-129

2012 4 =pp.48-65

ART TRACE

3 2012.1.9ART TRACE PRESS02 2012.12=

pp.150-190

http://togetter.com/li/239840

3x32012.1.30

2012.1.26ART TRACE PRESS02 2012.12=

pp.4-44 http://togetter.com/li/247949

artscape2013 3 15

http://artscape.jp/focus/10081765_1635.html

2012.3.22

ART TRACE PRESS02 2012.12= pp.62-67

USTREAM 2012.4.8

227 2012.5.17

2012.5.27ART TRACE

PRESS02 2012.12= pp.106-149

ART TRACE 101 2012.6.23

115 2012.6.30

ART TRACE

1F 2012.7.21

103 2012.12.8

2012 2012.12.19

ART TRACE PRESS02 2012.12=

pp.94-105

2ART TRACE PRESS02 2012.12pp.232-241

Trans-Cultural Studies

16 2013.3pp.95-96. http://repository.tufs.ac.jp/handle/10108/76310

Flambeau38 2013.5pp.1-4

Theory Round Table 2013.8.1

http://www.artstudium.org/report/2013/09/theory_round_table_2.htm

21 2013.8.23

2013

1F 2013.9.14

BMCART TRACE

GALLERY 2013.9.20

-ART TRACE GALLERY

2013.9.27

2013 2 WORKS ESSAYS 2013.11

Art Studium ART TRACE2013.11.10

http://www.arttrace.org/books/details/atpress/atpress03_wareware.html

Art Studium II

2013.12.10http://artstudium-artandeducation.tumblr.com/

3 ART TRACE GALLERY2013.12.11

4 ART TRACE GALLERY2013.12.26

Art Studium III

2013.12.30http://artstudium-artandeducation.tumblr.com/

5 2ART TRACE GALLERY2014.1.23

2014 2 =

6 3ART TRACE GALLERY2014.2.13

8 2014.3pp.214-217.

Theory Round Table

2014.3.1

7 4ART TRACE GALLERY2014.3.10

8 5ART TRACE GALLERY2014.3.27

9 6ART TRACE GALLERY2014.4.17

()

UTCP

Paris sans fin , et ses potes 18

2014.5.13

Openig Discussion& :2014.6.30-7.19

2014.7.5

HAGIWARA PROJECTS Gallery 2014.7.19

whenever wherever festival 2014 B 2014.9.19