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JS^ i IRSITVI 19/7 : t^'Hjii' OpraH CoK)3a nHcaiejieM CCCP H MHHHcrepcTBa Kyjibrypw CCCP HiOJib 1976 roAa 0"'^^ m •^> », 3-

0'^^€¦ · JS^ i IRSITVI 19/7 : t^'Hjii' OpraH CoK)3a nHcaiejieM CCCP H MHHHcrepcTBa Kyjibrypw CCCP HiOJib 1976 roAa 0"'^^ m •^> », 3-

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Page 1: 0'^^€¦ · JS^ i IRSITVI 19/7 : t^'Hjii' OpraH CoK)3a nHcaiejieM CCCP H MHHHcrepcTBa Kyjibrypw CCCP HiOJib 1976 roAa 0"'^^ m •^> », 3-

JS^ i IRSITVI

19/7 : t^'Hjii'

OpraH CoK)3a nHcaiejieM CCCP H MHHHcrepcTBa Kyjibrypw CCCP

HiOJib 1976 roAa

0"'^^

m •^>

», 3-

Page 2: 0'^^€¦ · JS^ i IRSITVI 19/7 : t^'Hjii' OpraH CoK)3a nHcaiejieM CCCP H MHHHcrepcTBa Kyjibrypw CCCP HiOJib 1976 roAa 0"'^^ m •^> », 3-

B HOMepe

K). JluuTpuea. EAHHCTBO H MHoroo6pa3He . . 3 r

CncKTaKJiH JI. EyAzaK. HapTKOM npoflojixaeTCH! . . . 8 //. KaiaAoe. FIoBTopeHHe npoiifleHHoro . . . 13 HpuHa narpuKeeea. HcnuraHHe HpaBCTBeHHOii npOTOOCTH 17 B. FyMHeHKO. MaxoHHn H K° 20 TaTbHHa 3AOTHUK0ea. «... Koxopux MU HasbiBaeM JIK)a.bMH» 27 AycMa Jleeada. Bepa yTpa ieHHaji H ofipereHHaa 33

Fpuzopuu Xa&HeHKO. Hropb HjibHHCKHfi . . . 40

Tearp K). Py6uHa. B 3TH «floarHe, BaxHbie» roaw 42 H aexH H. maebidoea. HTO nrparb AJIH Aereii? . . . 47

B rearpax louoro apHxejiH M. Cezedu. Tpy^Hoe npoapeHHe 55 H. CuAUHa. Crapan Jierenaa 56 A. BucAoe. KpacHoe H lepnoe 59 A. SacAaecKUR. JIIOAH H crpacTH ,62 AKTepbl TI030B K). Po&TMaH. HaAewfla noflT)Hno.iibCKaH . . . 66 AnawAuQ. CMeAsmCKUu. AjieKcaHflp na.neec 69

MuxauA }Kapoe. Cepreft OSpasuoB . . . . 72

OwepK IJoAUHa BoedaHoea. Vxe HSBecxHaa ncTopnH 74

Paivina H XCHSHB 81

noprpeTbi BA. nuMeme. ra;iHHa naiuKOBa 97

HcTopHsi Hnna CoAoebeea. «MecHU B flepeBHe» . . . 101 A. MatiKUH. Opjienea 112

3a pyCexcoM nosflpaBjineM xypna;! «TeaTep aep liaftx* 124 O. Jl3io6uHCKaa. Ha BoJibuioM 6yjibBape H pHAOM 125 C. Bytuyeea. O ApaMaTyprHH ITHpaHAeJiJio 131 KopOTKO 141

PoMaH JloKOH E0Q.HT0H FIpucTAU. JXuRH HHK H Bapbeie. FlepeBeflH c anrjiHiicKoro JI. PacKHna H B. AiuKe-Ha3H (OKOHiaHHe) 144

ribecbi Anna PoduoHoea. JlsBo^Ka HBAH. Hbeca B AByx AeiiCTBHHx 161 Maii ToAeecT. Bcrpeqa. Tlbeca B OAHOM AeftcTBHH. riepeBOA c scTOHCKoro M. CtopoxeBoii . . . 178 BAaduMup EypbLAUiee. BpeMH cjiasbi. KoMeAna B OAHOM AeiiCTBHH 184

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Contents

Productions

Theatre and children

Essay

Portraits

History

Abroad

Unity and diversity. Y. Dmitriev . . . .

The meeting of the Party Committee is going on. L. Bulgak Repetition of the passed. N. Kachalov The test of the moral strength. Irina Patrikeeva Makhonin and Co. V. Gulchenko . . . . "...the personages, we name people". Tatya-na Zlotnikova The lost and a new found faith. Ausma Legzda

Igor Iljinski. Grigori Khaychenko . . . .

During these "long significant" years... Y. Rubina What to stage for children? N. Davydova In theatres for children and youth A difficult insight. /. Segedy . . . The old legend. /. Silina . . . . The red and the black. A. Vislov People and passions. A. Zaslavskaya Actors of theatres for children and youth Nadezda Podyapolskaya. Y. Roytman

Alexander Palees. Anatolij Smelyanskij

Sergej Obraztsov. Michail Garov

A well-known story. Polina Bogdanova

Footlights and life Galina Pashkova. Vl. Pimenov . .

"A month in the country". Inna Solovyeva Orlenev. A. Matskin

We congratulate "Theater der Zeit" At the Grand boulevard and in the nearly. 0. Dzyubinskaya About Pirandello's dramas. S. Bushueva Briefly

13 17 20

27 33

40

42 47

55 56 59 62

66 69

72

74

81

97

101 112

124

125 131 141

Novel

Plays

Lost empires. John Boynton Priestley. Transla­ted from English by L. Raskina and V. Ashkena-zi. (The end) 1'*'*

The girl named Nadya. Anna Rodionova. A play in two acts 161 Meeting. Mye Talvest. A play in one act. Trans­lated from Estonian by M. Storozeva . . 178 The burden of fame. Vladimir Burylichev. A co­medy in one act 184

© «TeaTp», 1976 r.

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i s^-

OpiaH (oioja nucartMeii CCCP II MHHHCTepcTBa Kv.ibTypbi CCCP

•^-1

V

kip.

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B HOMepe

06o3peHHe

CneKTaxjiH

CouHOJiorH4e-CKHe 3TIOAM

HcTOpHfl

KHMPH

3a py6eK0M

npoaa

flbecu

BuKTop ^MUTpuee. FlapTHH H xyAowecTseHHaH HHTejiJiHreHUHH 3

E. CTuucoBa. rioroAa Ha aastpa? 10 HuKOAau CaeunKuH. KaK jKHBere, peSsxa 17

HuHa CaaoHoea. Bopiic ^HpKOB 26

S- PoMaduHoea. B pycjie TpaAHunft . . . . 28 M. ButuHeecKaa. <I>aMycoB H ^auKHft . . . 31 H. Bazanoea. FocnoAa r.neM6aH AOMa H B roo-Tsx 34 EAeua FpuMuna. B rapMOHHH c MHpoM . . . 38 M. CaeHKO, A. <Pedopoe. OAHH B nojie He BOHH 44 A. Baepa. EAHHCTBeHHaa 48 Huna BsAexoea. CeKpeT KoMHiecKoro . . . 51 M. MuzKoea. Flocjie «rpo3u» 54 HpuHa LlujudaA. FpycTHwe Me TareJiH H3 CeHT-JlyHca 56

JI. Kozan. Tearp H Te.neBHAeHHe 59

PaMna H WHSHb 65

A. Mau,KUH. pp.neHeB. (OKOHiaHiie) . . . . 81

B. CuMonac. HeyMHpaiomee cnoBO HciopHKa 93

E. JlyiiKoji. FeoprHii HKyjiOB 97

AHaTOAUd BblCTpu^Ku^l. FOCTH H3 ITjiOBAHBa — B

MocKBe 99 A. CuAUH. JltcaTb .ner cnycTH 102 Teodop u AdeAb UJeuK. TpeSyromne couHa.nbHbix nepeMBH 113 KopoTKo 120

AAeKcandp KOHHUKOB. MOH KHHFHHH Bo.nKOHCKaH 122

MuKOAa SapydHuH. HOA BHCOKHMH sBesAaMH. KoMeAHH B AByx AefiCTBHHX. ABT0pH30BaHHHH

nepeaoA c yKpaHHCKoro A. Co^jpoHoaa . . . 138 MuxauA BozyiapoB. THXHB cxapHKH. /Ipaina B AByx AeiicTBHflx 161

lOMop 190

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Contents

Variety

Productions

Sociological Essays

History

Books

Abroad

Prose

Plays

The party and the artistic intelligentsia. Victor Dmitriev 3

The weather forecast for tomorrow? E. Stishova 10 How are you getting on, my boys... Nicolai Savicki 17

Boris Chirkov. Nina Sazonova 26

Within the channel of traditions. D. Romadinova 28 Famusov and Chatski. /. Vishnevskaya . . 31 Alessrs. Glembai at home and on a visit. N. Vagapova 34 In harmony with the world. Elena Crishina 38 One man is no warrior in the field. M. Sayen-ko, A. Fedorov 44 The only one... A. Vavra 48 The secret of the comic element. Nina Velekhova 51 After the "Storm". /. Myagkova . . . . 54 Sad dreamers from Saint-Louis. Jrina Tsimbal 56

Theatre and TV. L. Kogan . . . . • . . 59

Footlights and life 6.5

Orlenev. (The end). A. Matskin . . . • . 81

The undying word of the historian. V. Silyunas 93

Georgi Yakulov. E. Lutskaya 97

Guests from Plovdiv in Moscow. Anatoli Bys-

tricki 99 Ten years later. A. Silin 102 Demanding social changes. Theodor and Adele Schank 113 Briefly , . . . 120

My princess Volkonskaya. Alexander Konnikov 122

Under high stars. Mikola Zarudny. Comedy in two acts. The authorised translation from Ukrai­nian by A. Sofronov 138 The quiet old people. Mikhail Bogucharov. Dra­ma in two acts 161

Humour 190

© «Teaxp», 1976 r.

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[s\C> -

i [S M

OpraH Coiosa nHcaTejieJi CCCP H MHHHCTepcTBa kyjibTypbi CCCP

CeHTfl6pb 1976 roiia

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B HOMepe

Ha VI ciesAe nHcarejiefl CCCP

CneKTaKJiH

TsopwecKasi ;ia6opaTOpHfl

IlojieMHKa

noprpeTH

3a py6e>K0M

Atpanacuti. CaAbiHCKuH. JTHTeparypa H npo6.neMbi pasBHTHH coBCTCKoro MHoroHauHOHaJibHOfo rearpa 3 CJIOBO flejieraraM: BjiaAHMHp OHMeHoB, AjieK-caHAp UlTeHH, FpHropHH Tep-FpHropHH, Toyman SceHOBa, Xa$H3 AfiAycaMaroB, Honac JlauKyTHC, KDpHft MejieHTbeB, nerepc nerepcoH, AHaTo.nHH Co(})poHOB, BacH.;iHH JleKanoB, HocHCJ) KHcejiea, FeoprHii MAHBaHH, AjieKceft Ap6y30B . . . 15

B. KUHUH. MoMeHT HCTHHbl 22 H. Sa&nee. 06pameHHe K npose JleoHoaa . . 29 ^OK/4JMUK. TearpajibHasi Bepa TooMHHra . 32 A. JleMudoe. «...noKyAa cepAUe 6beTCH» . . . 38 B. MaKcuMoe. ^nxb H BepHTb! 46 E. PaMOHoea. FporecK, ncHTeiicKH onpaBAaHHWH 49 A. MHHXUH. Ha see speMena 51 H. KaaeHUK. B caMoii O6UIHO& 6oflbHHue 54

B. TyAUHt{ee. JIMHTPHS UIocTaKOBH'i. (K 70-Jie-

THK) CO AHH pO»<AeHHfl) • 56

PaMna H KHSub 65

MuxauA yAbSMoe. Hpo^eccHH — aKtep! . . . 81

A. AnacTacbee. CyAb6a Tcaxpa H onpoMerqH BOCTb KpHTHKa

PocTUCAae Saxapoe. 0;ibra JlenernHHCKan

M. BuuMeeCKasi. AAeKcaHAp IIlTeiiH

E. PaKUTuna. AMnjiya — xyAOWHHK

TaTbsma BaneAuc. MoJiiaHHe H C;IOBO H. MfizKoea. nocTOHHCTBo Bappo B. FaeecKud. Bappo

93

102

104

112

115 126 132

ribecu Fpuzopud BaKAOHOB. Heu AIOAH KHBM. Flbeca B AByx AefiCTBHHX 135 Anna Kaadanoea. HBQTU Ha ac4)ajibTe. OHTHMH-

cTireecKafl xpoHHKa B AByx lacTHx . . . . BAaduMup noAHKOB. BH3HT 6a6ymKH. Hbeca B OAHOM AeftCTBHH

159

183

K)Mop 190

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Contents

The Vl-th CongressLiterature and the problems of the development of the Writers of the Soviet multinational theatre. Afanasy Sa-of the USSR lynski

The delegates speak: Vladimir Pimenov, Alexan der Stein, Grigori Ter-Grigoryan, Toushan Ese nova, Hafiz Abdusamatov, lonas Lankutis, Juri Melentyev Peters Peterson, Anatoli Sofronov, Va

sili Lekanov, losif Kiselev, Georgi Mdivani, Alek sey Arbuzov

Productions The moment of truth. V. Kichin Staging Leonov's prose. N. Zaytsev Theatre faith of Tooming. Jak Allik Until the heart beats. A. Demidov To live and to believe! V. Maksimov Grotesque, justified by everyday life. E. nova For all times. A. Inyakhin . . . . In the most usual hospital. V. Kazenin

Ramo-

Footlights and life

Actor's workshop Profession — the actor! Mikhail Ulyanov

15

22 29 32 38 46

49 51 54

Dmitri Shostakovich. B. Tulintsev. (Celebrating the 70-th birthday) 56

65

81

Polemics ^Theatre's fate and critic's rashness. A. Anastasyeo 93

Olga Lepeshinskaya. Rostislav Zaharov 102

Portraits Alexander Stein. /. Vishnevskaya . . . . 104

Profession — artist E. Rakitina 112

Abroad Silence and word. Tatyana Bachelis 115 Barrault's constancy. /. Myagkova . . . . 126 Barrault. V. Gayevsky 132

Plays How people live. A play in two acts. Grigori Baklanov 13 E Flowers on asphalt. Optimistic chronicle in two parts. Anna Kaydanova 159 Grandmother's visit. A play in one act. Vladimir Polyakov 183

Humor 190

© «Teaxp» 1976 r.

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OpraH CoK)3a nHcarejieft CCCP H MHHHcrepcTBa Kyjibrypu CCCP

^ 1 ^ - :

T^

J

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B HOMepe

A. Andpeea. XXV cbesA KHCC H Bonpocu xyAO-MtecTBeHHoii Ky;ibTypu

npo6jieMU lepTbi Hauiero BpeMeuH. AASucandp FeAbMOH. ApaMaryprHH JIorHKa OTBeTCTBeHHOciH. CaMyuA AABUIUH. H C -

xoAHas TOUKa — xapaKxep. Feopzud XyxatueuAU. MbicjiH Bc;iyx. Muac BaAeee. IlepeA HpaBCTBen-HUM Bbi6opoM 11

CneKTaKJiH 5 . KanurauKUH. CoKpoBeHHuft He;ioBeK . . . 23 F. 'Pedopoe. Y nopora Tearpa IHocTaKOBHqa 26 T. HyTUHi^eea, A. BUCAOB. ^ H ; I H - 6 U ; I H Maxb aa

jio^h 34 T. AndpOHUKauieuAU. JIoMHHaAse H Apyrne . . 37 EAena Xa&neHKO. «MbicJib — BOT npeAMer ero BAOXHOBeHHH» 39 E. MySnoaa. 06pau;aHcb K FopbKOMy . . . 42 H. Cezedu. FOAU H .HKIAH 46

PaMna H XHSUb 49

TacTpoJiH A. HayMOB. Teaip c 6eperoB BaflKaAa . . . 65

50 JieT TeaTpy HMeHH JlecH yxpanHKH . . . 68

McTopMfl E. FloAHKOBa. «...OcTaiOTCfl He3a6biBaeMbiMH BaniH

pa6oTH...» . 72

KuHrH F. AnpecuH. j[I,BH5KeHHe scTeTHqecKoft MHCJIH 88 lO. PbidaKOB. HcTopHH B flOKyMeHTax . . . 90 AAAC PouaneHKo FlyreuiecTBHe B MHp npeKpac-Horo 92 A. OSpaanoea, M. OHaKOBCKosi. Ha KpyTux noso-porax MHpoBOH moBHaHU 95

3a pyfiexoM F. Mo6uiu. FIpaaAHHK dpaiCKoft Ky.nbTypH . . 101 MapaapuTa EpaducTUAOBa-JJodpeBa. Ha HCTopHH cnaBHHCKoro xearpa 104 E. PoKUTUHa. KapTHHKH C BUCTaBKH . . . 107

A. AHUCUMOB. KaK nocTpoHTb TeaTp? . 114 10. KazapAutiKud. FlHTep BpyK 120 KopoTKO 130

BocnoMHHaHHii Ahdpe Mopya. TojibKo 4>aKTU. (OpapMeHTW Ha KHHrn). DepeBOA c (jjpanuyacKoro F. Tpo4)H-MBHKO 132

ribecbi ddeapd PadauncKud. BeceAU c CoKpaxoM . . 142 AAUM KeutOKoa. JlexaiomaH xapejixa. CoBpeMen-Hbifi BOAeBHflb. nepesoA c KaSapAHHCKoro JlKOBa Ko3;ioBCKoro 168

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Contents

The 25th CPSU Congress and problems of crea­tive activity. A. Andreyev . . .

Problems of Features of our time. Alexander Gelman. Logic dramaturgy of duty. Samuil Alyeshin. Character as a starting

point. Georgy Khukhashvili. Thoughts aloud. Bi­as Valeyev. Before a moral choice . . . . 11

Productions His self-restraint E. Kapiiaikin 23 On the threshold to of Shostakovich theatre. G. Fedorov 26 Once upon a time there lived a mother and da­ughter. T. Putintseva, A. Vislov 34 Lominadze and others. T. Andronikashvili . . 37 "Thought inspired him". Elena Khaichenko . 39 Turning to Gorky. £. Dubnova 42 Years and people /. Segedi 46

Footlights and life 49

Tours A theatre from the shores of Baikal. A. Naumov 65

Lesya Ukrainka theatre is 50 68

History "...And your work remains inforgettable..." E. Polyakova 72

Books The progress of esthetic thought. G. Apresyan 88 History in documents. Yu. Rybakov . . . 90

' Travelling to the world of beauty. Alia Roma-nenko 92 The sharp turns of international studies of Show. A. Obraztsova, M. Ochakovskaya . . . . 95

Abroad A festival of fraternal culture. G. Dobysh . . 101 From history of Slavic theatre. Margarita Bra-distilova-Dobreva 104 Pictures from an exhibition. E. Rakitina . 107 How to build a theatre? A. Anisimov . . 114 Peter Brook. Yu. Kagarlitsky 120 In brief 130

JVlemoris Only facts. Andre Maurois. Translated from French G. Trofimenko 132

Plays Talks with Socrates. Edward Radzinsky Flying Saucers. Alim Keshokov. A modern vode-viUe. Translated from Kabardian J. Kozlovsky

142

168

«TeaTp», 1976 r.

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i OpraH CoK)3a nHcaTCJieM CCCP H MHHHCTepcTBa KyjibTypbi CCCP

sjrM

• * ^ „ *

HoflSpb 1976 roAa

' • ^ t i ^

t 4 1 ^ ^

% m^

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B HOMepe

XXV ciesA KHCC H npo6jieMbi

^nHTepaxypw H HCKyCCTBa

npoSjieMU ApaMaTypFHH

CneKTaKJiH

OnepK

HCTOpHH

3a pySeKOM

ribecbi

A. 3ucb, B 6opb6e HAeii 3 B. ECUH. napXHiiHOe pyKOBOACXBO HCKyCCXBCM—

oSieKXHBHaH SaKOHOMepHOCTb 5

E. CopoKUH. OxKpbixas 3CxexH4ecKafl cucTeivia . 6 A. TnaieHKo. KpuxepHH xBopHecxBa . . . 8 H. Ku!iw,eHKO. rioBbiiiieHHe AeiicxBeHHOCTH HCKyc-cxBa ^ _ 9 T. CypuHa. njiOAoxBopHbiH nyxb . . . . II F. MySoe. ^H3Hb H «cMepxb» HCKyccxBa . . 13

Hepxbi Hauiero BpeMeHH. JleoHud 3opuH. BcerAa aaHHMaao OAHO...* BoAemuH Hepnux. lejiOBeKa BHe npo$eccHH He noHHXb * 3OT TO6OAKUH. HpHMepHxb ce6H KO BpemeHH * JleoHud Mouceea. HTP ApsMaTmnal * AnaTOAUii AHTOXUH. Llejiocx-HHii o6pa3 MHpa 17

A. HHHXUH. POBHO xpHAUaxb Jiex H xpn roAa... 30 H. CuAuna. TpyAHMft pasroBop 34 T. Cyxanoea. O «cxpaHHbix» rcposx IllyKmHHa . 41 E. EHAUK. TpareAHfl nocjieAHHX 45 Huna BeAexoaa. Bapbep Ha nyxH . . . . 52 Feopzud KoAoc. C perjiaMenxoM H 6e3 . . . 56

lOoaac Fpyuiac. DHcaxejibcxBo — pa6oxa THxeJiaa 58

M- MedaedeHKo. «BcaAHHK, CKaiym-Hii BnepeAH* 68 JO. 0pud. Hrpa 6e3 npasHji . . . . . 71

Teaxpy HMCHH HKy6a Kojiaca nojiaeKa! . . . 77

PaMna H XCHSHB 81

K. PydnuiiKud. «:Jlec» MeftepxojibAa . . . 97 T. HapuiuHa. TeaxpajibHuft (J)ejibexoH . . . 113

H. EandyuAoaa, M. JizHaneBa. XyAOXHHKH Ka-saxcxaHa, ysdeKHCxana, KHiprasHH . . . I l l

Ha cueaax MHpa

F. MoKapoea. SanaAHWii xeaxp 70-x roAos, Ylonn-pHsauHH HAeft * Opanu KcaBep Kpexu: ne HSMC-HHH ce6e * EABHa JlMMendopcpepp. «/I,aqHHKH» B 3anaAH0M BepjiHHe * H. KorpeAee. HopxyrajibCKHH xeaxp ceroAHs: HOHCKH nyxH •* M. CKopHfUioea. «BHmHeBufi caA» B Mnjiane * 0. Fapudoaa. Hrpa-lox CTpHHA6epra * KapoAb flKy6oeuH. AMepHKa oxKpuBaex Bpexxa * 10. 'PpuduireuH. Mnp, Bpaw-Ae6HHH HcKyccTBy * A. CUAUH. «CeroAH5i B nauieft nporpaMMel..» * JI. JIuAeeea. FlapHxcKHe Bcxpe-HH * C. 3uHzepMaH. Ha KOHuepxe Cepxa JIaMa 119 KopoxKO . 144

MuxauA MuKAApcKud, KupuAA PanonopT. JleA H njiaMCHb. /IpaMaxHiecKHe cuenu . . . . 147 Fypau EaruameuAU. KHJiorpaMM BKycHoro xjie6a. ribeca B AByx AeiicTBHHx. ABxopHsoBaHHuH nepe-BOA c rpysHHCKoro H cueHH ecKaH peAaKUHH O. /laioeHHGKoft 176

T p a x n Mil 1 1

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Contents

The 25th con­gress of the CPSU and the problems of lite-ratura and art

In the struggle of ideas. A. Zis . . . . The Party guidance of art—objective regularity. V. Esin The open aesthetic system. B. Sorokln Criteria of creation. A. Tkachenko . . . . The rise of the efficacy oi art. N. Kijashchenko Fruitful way. T. Surina Life and "death" of art. G. Dubov . . . .

11 14

Problems of dramaturgy

Productions

Essay

History

Abroad

Plays

Features of our time. J'm interesting only one... Leonid Zorin * You can't understand a man without any occupation Valentin Chernych * Com­mensurate yourself with the epoch. Zoi Tobol-kin * Science and technology revolution is dra­matic! Leonid Moiseev * Integra! immage of the world. Anatoly Antochin . . . . 17

Thirty and three years exactly. A. Injachin . 30 A difficult talk. /. Silina 34 About Shikshin's "queer" characters. T. Sukha-nova 41 Tragedy of the last. B. Bjalik 45 The barrier on the road-way. Nina Velekhova . 52 With and without regulations. Georgy Kolas . 56

Writing is a difficult job. Yuozas Grushas . . 58

"A rider gallopping in the lead". D. Medvedenko 68

A play without rules. /. Frid . . . . . 71

J.,Kolas' theatre is 50! 77

Footlights and life 81

The Forest" by Meyerhold. K. Rudnitsky . . 97

Theatre feuilleton. T. Parshina 113

The artists of Kazakhstan, Uzbekistan, Kirghizia. /. Banduilova, L [ghaijeva Il l

On world stages Western theatre of the 70-s. Polarization of Ideas. G. Makarova * Franz Ksaver Kretz: wit­hout betraying yourself •* "Summerfolk" in West Berlin, Elena Immendorferr * Portuguese theatre today: in search of the way. N. Kotrelev * "The cherry-tree orchard" in Milan. M. Skornjakova * Playing Strindberg. 0. Gariboua •* America opens Brfcht. Karol Jacubovitch * World hostile to art. y. Frids^ein. •* "Today in our programme!.." A. Silin * Parisian meetings. /. Lileeva * At the conserts of Serge Lama. S. Zingerman . . 119 Briefly 144

Ice and Flame. Dramatic scenes. Mikhail Mak-Ijarsky, KyriU Rapoport 147 A kilogram of Tasty Bread. A play in 2 acts. Guram Batiashvili. The authorized translation from Georgian and the scenic version by O. Dzjubinskaya 176

© «TeaTp», 1976 r.

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