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1 Culturally Responsive Classroom Management African American Students By Dr. Mack T. Hines III

1 Culturally Responsive Classroom Management African American Students By Dr. Mack T. Hines III

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Culturally Responsive Classroom Management

African American Students

ByDr. Mack T. Hines III

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PURPOSEThe purpose of this presentation is to

provide research validated strategies for

building positive behavior within African

American students.

ENGAGED ENCOURAGED

EMPOWERED EXPRESSIVE

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*Anthony *Latoya Dirk

*“The Problem” *“The Look” “The Issue”

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JUST CAUSEDISCIPLINARY MOMENTS

• Moments that foster disciplinary removal of African American students from the class because of a conflict with the teacher.

• Because subjectivity defines the extent to which student behavior warrants disciplinary action, teachers decide which behaviors are “Just Cause” for reprimand and removal.

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CULTURALLY RESPONSIVE DISCIPLINARY RESPONSES

Relational approaches to using race and culture as a guide to

building positive behavior within African American students.

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QUESTION

What does it take to use race and culture as a guide

to respond to African American students?Knowledge about how power and communication are usedin African American culture to create an environment ofdiscipline with African American children.

*Skills to translate knowledge into specific responses toconflict with African American students.

Disposition to process the emotionality of teacher-studentconflict with African American students.

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RESPONSE SKILLS SET

Verbal, Vocal, and Visual uses of Power and

Communication to redirect African American students

• Verbal-Using specific words to communicate a specific message.

• Vocal-Using the words to consistently maintain expectations.

• Visual-Maintaining a demeanor that communicates an authoritative way of expecting the best behavior.

VERBAL(What do your words say?)

VOCAL(What does your voice convey?)

VISUAL(What does your face mean?)

On CueOur attention to the world is based on three cues:

•Spatial-orientation to environment•Objects & Materials-details about the environment•Affective-emotions & feelings within the environment

Culture socializes our approaches to responding to these cues.

On Cue

African Americans pay

more attention to the

emotions and feelings

in the environment

than other cues.

Result1. African Americans are better

able to distinguish the emotions and nonverbal communication of faces in situations.

2. African Americans have a strong tendency to direct their attention towards the emotions, expressions, and feelings of people.

Ms. RobinsonAnthony, I do not have problems. I have

never had problems. I just have students who

make mistakes that become problems.

The problem with this situation is that you want to

belittle other students in this classroom.

Because I care for all of my students, which

also includes you, I will always protect them

from being ridiculed by other students, which also

includes you.

Ms. Robinson“Anthony, she is a smart student. And let me

say one other thing-You are smart, too-So

smart until I know that you understand me

when I tell you that you can not and will not

make fun of any student in this classroom.

You won’t do it because you know that I

expect more and will get better from you

than what you are showing me.”

VERBAL(What do your words say?)

Key Statements Verbal(Words)

How is directness and/or relatedness usedin the statements?

Statement(s) A

“Anthony, she is a smart student.”

“And let me say one other thing-You

are smart, too-So smart until I know that

you understand me when I tell you

that you can not and will not make fun

of any student in this classroom.”

Statement(s) (B)“You won’t do it because you knowthat I expect more andwill get better from you than whatyou are showing me.”

VOCAL(What does your voice convey?)Key Statements Vocal

(Voice)What type of tone would you use to conveysincerity?

Statement(s) A

“Anthony, she is a smart student.”

“And let me say one other thing-You

are smart, too-So smart until I know that

you understand me when I tell you

that you can not and will not make fun

of any student in this classroom.”

Statement(s) (B)“You won’t do it because you knowthat I expect more andwill get better from you than whatyou are showing me.”

VISUAL(What does your face mean?)

Key StatementsVisual(Face)

What type of facial expression/demeanorwould you use to show seriousness?

Statement(s) A

“Anthony, she is a smart student.”

“And let me say one other thing-You

are smart, too-So smart until I know that

you understand me when I tell you

that you can not and will not make fun

of any student in this classroom.”

Statement(s) (B)“You won’t do it because you knowthat I expect more andwill get better from you than whatyou are showing me.”

What type of facial expression/demeanorwould you use to show seriousness?

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KNOWLEDGE

COMMUNICATION OF POWER

POWER OF COMMUNICATION

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Q/AQUESTION

What is the

significance

of power and

communication

with regards to

addressing behavioral

situations with

African American

students?

ANSWERPower andcommunicationare anchored byauthority andemotions,which have relational implications inBlack culture.

(c) 2011 Mack T. Hines III20

Black Culture

Black people expect leaders to act with authority to acquire authority.

“Act With Authority”

Use of interpersonal characteristics and communication

to establish authority.

“Communication”

Direct use of words to give and seek understanding of

others in an authentic, relational way.

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ACTING WITH AUTHORITY• Figure of Authority

“Because I am the teacher,

I am the authority.”

• Certification

• Title

• Authoritative Figure“Because I can show authority,

I am the teacher.”

• Qualification

• Temperament

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Basis• Spirituality• Harmony • Affect• Verve• Communalism• Orality• Movement• Expressive Individualism• Social Time Perspective

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COMMUNALISM

Emphasis on

interdependent

connectedness that

emphasizes social bonds

and responsibilities.

HARMONY

Emphasizing wholeness

because of believing that

humans and nature are

one.

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AFFECT

Expression that is

centered on a heightened

sensitivity towards

emotional cues and

expression.

ORALITY

A preference for

aural modes of

communication.

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MOVEMENT EXPRESSIVENESSA stylized, rhythmic way ofmoving and expressing one’s self.

Communalism Harmony

Orality Affect MovementExpressiveness

What did you see?

Power & Communication• Animation/Expression

• Turn Taking

• Directness

• Volume

You SawA. Two people who will not change their style of relating to

others during conflict.

You SawB. Their way of handling conflict is influenced by the

culture in which they grew up in for the longest time.

You SawC. Emotions are universal, but the way in which

they convey them is culturally determined.

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PowerLisa Delpit

“Other People’s Children”

1. Issues of power are enacted in classrooms.2. There are codes and rules for participating in

power.3. The rules of the culture of power are a reflection

of the rules of the culture of those who have power.

4. If you are not already a participant in the culture of power, being told explicitly the rules of that culture makes acquiring power easier.

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CommunicationDr. Mack T. Hines III

“The Skin They’re In”

1. Communication is the cornerstone of all classrooms.

2. Different codes and rules for communication exist between people from different racial groups.

3. Failure to understand the racial differences of communication creates negative perceptions of other people.

Power & Communication• Animation/Expression

• Turn Taking

• Directness

• Volume

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RESPONSES TO CONFLICT

Figure of Authority• React• Emotions• Symptomatic • Power• Embarrass• Confront• Tell

COERCEASSIMILATION

Authoritative Figure• Respond• Expectations• Systematic• Purpose• Empower• Convey• Teach

COOPERATEACCOMMODATION

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THANK YOU!

www.mackthines.com

[email protected]