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Shaping the History of Art lnSoutheut Asia
07
Yeyey G. Cruz, "Sanggawa," in
The Second ASla-Pacific Triennial of
Contemporary Art, exh. cat. (Brisbane:
Queensland Arr Gallery, 1996), p.99.
Essa 05 146 Art Studies_OJ
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Shaping the History of Art lnsoutheastAsla
Essa 05
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01
Siva Kuma,"Contemporary Indian Art: The last Fi fry Years,"' in Tryst with Destiny: Art from Modern India 1947-1997 (S;ngapore: s;ngapore Art
Museum 1997), pp.45-56.
02
Brita L. Miklouho-Maklai, Exposing Society's Wounds: Some Aspects of Contemporary /nd,,nesian Art Since 1966 (Adelaide: Flinders University, 1991),
pp. 23-77.
03
FX·1vv1// l:0>11/:$11::·.:i-. 1998~
7 JH6 B. :1-1-;b1v:$ll:-r.
Shaping the History of Art In SOUtheast Asia
04
Apman Poshyananda, Modern Ari m
Thailand: Nine1em1h and Tu,n1ie1h Centuries (Singapore: Oxford University
Pr=, 1992), pp. 207-217.
0 5
o,.,;11.+7',17:;1.r.?':rl:;!r;.,•;lr',;,1:·:n, ·nt, L~ffiil1l~~t.J:<t> Jllm7,;, 70).::..i-·7-I-JlU ;1J;lro7'<lill!ll~ik ~1/.1992!f)~~l!« .
06
Julie Ewington, "Five Elements: An
Abbreviated Account of Installation Art in South-East Asia," Ari and A1ia
Paafu 2, no. I 0995), pp. 108-115.
* pp.136-14l~~ff!l.
07
Apman Poshyananda, "Roaring
Tigers: Desperate Dragons m Transition/' in Contemporary Art in Asia: Traditiom !Tensiom (New York: Asia
Sooery, 19')6),pp.23-53
08
Mon/ten Boonma: Meltmg Void, exh.cat. (Bangkok Mam Gallery, 1998).
Essa 0 7
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01
Enenne Bali bar," Ambiguous
Ident1t1es," Chns Tuner trans., in
Polrtics and the Other Srmt (London &
Kew York Vmo, 2(Kl2), p. 57.
02
i1!!fl1 (l(Jj;JJ :It *MHl~I: "?L '"[O)jft
Mamn W Lew,s and Karen E.Wigen,
The \l)th of Contments (Berkeley, Los
Angeles & London: Un1vermy of California Press, 1997).
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~61:~;i."[L•6 ,
Shaping the History of Art lnSOUtheastAsla
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156 Art Studies_03
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Paintings ( r,,'./,,i3~ 1::i:i:m- J1tm7>'70)~li!iil J ~ (2ooo~)O)t.:6l)I:
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01
Alice G. Guillermo, "Social Concerns
in Southeast Asian Arr," in Visions
and Enchantment: Southeast Asian Paintings, exh. cat. (Singapore: Singa
pore Art Museum, 2000), p.44.
02
Maximo M. Kalaw, Introduction to
Philippine Social Science (Manila,
1937), p.185, quoted by David
Joel Steinberg et al., ed., In Search of Southeast Asia: A Modern History, (Sydney: Allen & Unwin, 1987),
p.280.
i.t:, i!Il3-z-*l!ll0)::/:,
1950~+\;-z-ilL c71 1)1!:~t,l7,?71:
IP]!tt:71/~·••fyv1/P.:~t,i~m~n
ct•<>,
Shaping the Hlatoryal Art lnSoutheutAala
03
Puma Kalaw-Ledesma and Amad,s
Ma. Guerrero, Th, Struggle for Phd,p
pme Art ( Mam la: Puma Kalaw
Ledesma, 1974), pp.68-69.
04
Syed Ahmad Jamal, "25 Years of Ma
laysian Art," m Seni L11kis Malayua?
25 Tahrm (Kuala Lumpur: Balai Seni
Luk,s Negara, 1982).
05
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06
Pamck D. Flores,"Reworldmg
Modernity: Abstract Arr in Southeast
Asia in rhe 1950s and 1960s," m
Visiom and Enchantment, pp. 34-42 .
07
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Flores, lri)J:., p.67,
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-tf'7 .:,:Iv, 77'/;,. t'l;t.;,.-7-,:l:it? f':i-, ;,."-,/'/t'l!:lli::.:r.;,.t-lJ-'77 J. Flores, [;jJJ:., p. 36
08
Kalaw-1..edesma, ii1Jffl[03l p.68,
09
lol L p.71 0
10
Emmanuel Torres,"How ro Create an
ASEAN Mainstream," m The Aesthet
w of ASEAN Exprw,om: A DOC11men
tation oftheSe,·ond ASEAN \Vorhhop. Exhibillon and S)mpomm1 on Ae1thetw
(Mantia: ASEAN Commmee on Cul
ture and Jnformauon, 1994), p. 171.
,, 70-v ;,.1:J:oJli tW7Y70)fm{i\~
ffi0>RMI!, 7,:,,70>,Hij:6'-t-:ll'.::.
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l:?L•-rJ:&Ln-o. Flores, wJ!f:1[06).
12
Torres, wJffl[IOl p. 1720
