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1900 14 18 40 45
ProgressiveEra WWI RoaringTwenties NewDealEra WWII Postwar
23 LeCorbusierTowardsanArchitectureVillaSavoyePoissy,France
24 RietveldSchröderHouseUtrecht,NL
28 MiesvanderRoheBarcelonaPavilionBarcelona,Spain
25 GropiusBauhausDessau,Germany
36 FrankLloydWrightFallingWaterPennsylvania,US
1950 60 70 80 90 2000
61 VenturiVannaVenturiHouse
VenturiGuildHouse
POSTMODERNISM
66 Venturi,ComplexityandContradiction
Modernism><Postmodernism
• Simplicity
• Logic
• InternationalStyle
• Complexity
• Contradiction
• Eclectic/Mannerism/Baroque
• Imageoriented/Panache/Fun
• PlaywithClassicalformsandrules
“Theduckisthatspecialbuildingthatisasymbol;thedecoratedshedistheconventionalshelterthatappliesthesymbol.”LearningfromLasVegas,p.87.
1966 2000
POSTMODERN I SM 66 RobertVenturiComplexityandContradiction
77 PeterEisenmanPost‐Functionalism
dialecticoppositionsbetweenFunction&Form
1500sHumanism–RenaissanceusedIdealForms
1900sComplexprogramnoconsiderationsofForm
2000Stilltohappen…Modernism…
FORMcanbeseenasaseriesoffragments
1966 2000
POSTMODERN I SM 66 RobertVenturiComplexityandContradiction
77 PeterEisenmanPost‐Functionalism
82 MichaelGravesACaseforFigurativeArchitecture
isgroundedinnature
recognizesgravityandisreadinatotemicoranthropomorphicmanner
andrecognizesarchitecturalelements,e.g.,thereciprocityofplanandwall
FIGURATIVEarchitecture
LANGUAGE
StandardForm><PoeticFormTechnicalandUtilitarian
Determinedbypragmatic,constructional,andtechnicalrequirements
Abstract
syntax
CulturalandSymbolic
Operatesatthelimitsofconvention
3D‐expressionofthemyths,symbols,andritualsofsociety
PurposefulambiguityMythsandRituals
withinthebuildingnarrative.
Semantics
1966 2000
POSTMODERN I SM 66 RobertVenturiComplexityandContradiction
77 PeterEisenmanPost‐Functionalism
82 MichaelGravesACaseforFigurativeArchitecture
89 D.PorphyriosTheRelevanceofClassicalArchitecture
“Modernismhasproducedbuildingsbut,asyet,
noarchitecture.”
• TheModernistapproachwasaradicallyrationalisttabularasa,acleanslate:zoning,thecityinthepark,thefree‐standingbuilding,thedisappearanceofthestreet,andthesquare,thedestructionoftheurbanblock.Inshort,itmeantthedestructionoftheurbanfabricofthecity.
or…themathematicalabstractionofthecity
and…theextinctionofsymbolicmeaning
“Post‐Modernism.”ThePost‐Modernistapproach—Post‐ModernHigh‐Tech,Post‐ModernClassical,Post‐ModernDeconstruction—
differintheirstylisticpreferences,symboliccontentandsocialconstituencies,buttheyshareasimilarscenographicviewofarchitecture…andtheirfascinationwithparody.
Scenographic(theatricalscenery)canbesummarizedinRobertVenturi’sprincipleofthe“DecoratedShed”:
construction(firmness),shelter(commodity),andsymbolism(delight)asdistinctandunrelatedconcerns.
“Classicismisnotastyle.”
Classicalarchisadialoguebetweenthecraftofbuildingandtheartofarchitecture.
Classicalarchisadialoguebetweenonebuildingandanother.
“TheworldofAlbertiwasdifferent,…,butthegreathumanistthemeofcommodity_firmness_delightwasstillaliveandwillstayalive.”
Buildingsaresymbolsandcarrymeanings
Buildings,suchasLeCorbusier’sVillaSavoye,aremagnificentsymbolsofthe1920s
Pevsner:“everybuildingcreatesassociationsinthemindofthebeholder,whetherthearchitectwanteditornot”
pragmatics
• Architecturalpragmaticsconsistoflookingatallthewaysinwhicharchitecture,asasignsystem,actuallyaffectsthosewhousebuildings.
• Architecture“means”somethingtoeachofthesenses.
• Studiesinthephysiological,psychologicalandsocialreactionstothebuiltenvironment
syntax
Syntaxisconcernedwiththeorderingstructureofsign‐systems.
NoamChomsky’s
SyntacticStructuresdistinguishes Deepstructure generativeandtransformationalrules Surfacestructure
StructuralisminArchitectureEisenman’sHouseIIIstudy‐developedbydividingabasic3x3cubeaccordingtoasetofsyntacticrules.
Saussure:Thesignstandsfor/representsthethingdenoted,formally
unitedbysocialcontract.Signifier(representation)
• Word
• Diagram• Picture• Drawing• Building
SYMBOL‐‐SYNTAX
Signified(thingdenoted)
• Concept• Meaning• AssociationintheMind
MEANING‐‐SEMANTICS
Referent(actualobject,person,oreventtowhichoneis
referring)
Building
Symbol(Saussure’sSignifier)
Representations
Concept(Saussure’sSignified)
1980 60 70 80 90 2000
POST S TRUCTURAL I SM & DECONSTRUCT ION 86 DerridaArchitecturewhereDesirecanLive
81 TschumiLimitsI,II,IIIParcdelaVillette
• Descartes’DiscourseonMethodemploysarchitecturalimagessuchasfoundations,towns,building,etc.
• Aristotle’sarchitecton.Architectonicsisdefinedasanartof(ordering)systems,asanartthereforesuitablefortherationalorganizationofcompletebranchesofknowledge.
Philosophersusearchitecturalmetaphors
• Architectureisthought(concept)notrepresentation(drawings).
• Architectureisontheway(thinkpath);itisnotamethod.
• Relationbetweensignandmeaningisrestrictive
astoArchitecture
Derida’sMetaphors
TowerofBabel><Labyrinth
UniversalLanguage
Incomprehensibilityoflanguage
DiversityofLanguages
Unintelligiblespatialcondition
DeridaonArchitecture
Architecturewillalwaysremainlabyrinthine.Theissueisnottogiveuponepointofviewforthesakeofanother,whichwouldbetheonlyoneandabsolute,buttoseeadiversityofpossiblepointsofview.
Derida’sArchetypes
Pyramid
• Representsthetheoretical,linguisticaspectsofarchitecture
Labyrinth
• Representstheexperiential,sensoryaspectsofarchitecture
DeridaonArchitecture
Perhapsthereisnoarchitecturalthinking.Butshouldtherebesuchthinking,thenitcouldonlybeconveyedbythedimensionoftheHigh,theSupreme,theSublime.
Viewedassuch,architectureisnotamatterofspace
butanexperienceoftheSupremewhichisnothigherbutinasensemoreancientthanspaceandthereforeisa
spatialisationoftime.
Tschumiadvocatesresisting
“thenarrowingof
architectureasaformofknowledgeintoarchitectureasmereknowledgeofform”
Formalism
“toreduceandlimitarchitecturaltheoryandcriticismtoideologiessuchasformalism,functionalismandrationalism”
Tschumi’sArchitectureandLimits2
Venustasattractiveappearance
Utilitasappropriatespatialaccommodation
Firmitasstructuralstability
Tschumi’sArchitectureandLimits2
“thematerialityofarchitecture…isinitssolidsandvoids,
itsspatialsequences,itsarticulations,
itscollisions”
Bodiesconstructspacethroughmovement Choreographicaspectofthebody’sexperience
Cinematic_tostressmovementanditstemporaldimension
Tschumi’sArchitectureandLimits3
• Gaudet:“Anarchitecturalprogramisalistofrequiredutilities;itindicatestheirrelations,butsuggestneithertheircombinationnortheirproportion.”
Tschumi’sArchitectureandLimits3newdefinitionsofthearch.program
ProgramwasadeterminantofForm19thComplexityofProgram(seeEisenman)
20s‐50sSocialReformoftheModernists 30s‐50sTechnologicalInnovations
NOW‐ThereisNoCausalrelationbetweenProgramandFormProgramisreplacedbyPerformanceorEventAneventhappenswhensettingupanhabitableplace.Thetakingofplaceinspaceisinfacttheprimaryquestionof
architecture(seeDerida).
1975 80 90
POLITICALANDETHICALAGENDAS75 HarrisTheEthicalFunctionofArchitecture
84 GhirardoTheArchitectureofDeceit
92 McDonoughTheHanoverPrinciples
93 Design,Ecology,Ethics…
1975TheEthicalFunctionofArchitecturebyKarstenHarriesLossofplaceandcommunity
Phenomenologicalcritique:
Architecturehasbecomepartofatechnologicalculturethatdemands(Corbusian)”machinesforliving”insteadof(Heideggerian)“dwellings”.
Architecture'sethicalfunctionistoarticulateandestablishtheethos,topermithumankindtodwell.Involvethebodyandhumanscaleinarchitecture,allowfor‘heterogeneityandboundaries’,andcreateadistinctiveplace.Architectureistoexpressthe‘character’ofaplace,neighborhood,andregion,andshouldestablish‘unity’.
1984TheArchitectureofDeceitbyDianeGhirardo
• “Isarchitectureanartoraservice?”
• “Whydoesarchitecturenotconfronttherealissuesinthedisciplineandintheworld?”
• “Whydoesittrytoremain“pure”?Whatisbeingconcealed?”
• Architectsshouldgetinvolvedwiththesocio‐politicalissues.
HanoverPrinciples
• Broadethicalguidelines‐‐ideals‐‐forsustainabledesign.
• Firstpresentedatthe92‐EARTHsummitinRioDeJaneiro
• Standardsforthemillennial94‐World’sFairinHanover,Germanyunderthetheme—Humanity,Nature,andTechnology.
• Life,nature,…
• EnergyandWaste…
• Recycling,reuse,reassemble,…
• Increasingknowledge,interdisciplinaryproblem‐solving
HanoverPrinciples
1. Insistonrightsofhumanityandnaturetoco‐existinahealthy,supportive,diverse,andsustainablecondition.
2. Recognizeinterdependence.
3. Respectrelationshipsbetweenspiritandmatter.
4. Acceptresponsibilityfortheconsequencesofdesigndecisions.5. Createsafeobjectsoflong‐termvalue.
6. Eliminatetheconceptofwaste.
7. Relyonnaturalenergyflows.
8. Understandthelimitationsofdesign.
9. Seekconstantimprovementbythesharingofknowledge.
1994Design,Ecology,Ethics,andtheMakingofThings• Mass(wallsofJericho)providesthermalinertia.
• Themembrane(Bedouintent)does5thingsatonce:shade,ventilation,diffuselight,waterresistant,transportable
• Today,moreaboutbuildingthanaboutpeople.
• Poorindoorairqualityduetothousandsofchemicals.
• Designshould“workwithlivingmachines,notmachinesforlivingin”
• Focusonpeople’sneeds,cleanwater,safematerials,anddurability,andsolarenergy.
• And…
1980 90 2000
TECTONICEXPRESSION83 GregottiTheExercisofDetailing
84 FrascariTheTell‐theTaleDetail
90 FramptonRappelal’OrdretheCasefortheTectonic
CarloScarpa
1983TheExerciseofDetailingbyVittorioGregotti• InterestinMaking:
TadaoAndo,JuhaniPalasmaa,Morphosis,FrankIsrael,StephenHall,MarioBotta.
• Constructionasanarrativeofamaterialbecoming.• “Architecture(notbuilding)residesinthedetails.
Detailingdemonstratestheattributesofmaterialsthroughapplicationofthelawsofconstruction;
itrendersdesigndecisionsarticulate.”• Detailscanprovidemeaningfulornament
wronglysoughtnowinpastiche.• Detailingshouldberesituatedas
anessentialarchitecturalproblem.• Thetectonicexpressionofarchitectureiscapableofenhancingthe
sensualandintellectualexperienceofbuilding.
1984TheTell‐the‐TaleDetailbyMarioFrascari• MeaninginConstruction
• TheJOINT‐‐theoriginaldetail‐‐thegeneratorofconstruction,andthusofmeaning.
• Thejointistheplaceofinnovationandinvention.• Thejointcanimposeitsorderonthewhole.
• Thejointistheminimumunitofsignificationwithinthearchitecturalproductionofmeaning.
• CarloScarpa’sadorationofthejoint‐”eachdetailtellsusastoryofitsmaking,ofitsplacing,ofitsdimensioning.”
• Semiotics(studyofsignsandsymbolsandtheirmeanings):Constructing(detailsandmeaning)&Construingmeaning.
1990Rappelal’ordre,theCaseoftheTectonicbyK.Frampton• Morethanmerespatialinvention,
buildingisfirstanactofconstruction,atectonicnotascenographicactivity.
• Ontological‐NatureofBeing• Scenographic‐Representation• Tectonic‐Actofmakingandrevealing
• “Thestructuralunitistheirreducibleessenceofarchitecturalform”
HeavyMassversusLightFramesopposites EarthversusSky SolidityversusDematerialization
Ref.SemperandLaugier