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OPEN DAY
• Course overview and Q&A, with Head of Film & Television Kingsley Marshall & Course Coordinator for Television Sarah Arnold
• (Interviews with Kingsley or Sarah)
• Campus tours, with current students, and TV Studio introduction with Ornella
• Talk to Student Ambassadors for the inside story
• Make the most of today, try not to leave with unanswered questions
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SCHOOL OF FILM & TELEVISION3
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OUR EDUCATIONAL PHILOSOPHY4
BA FILM
YEAR 1 YEAR 2 YEAR 3
TEACHING COACHING SUPPORTING
Theory 70% / 30% Practice Theory 60% / 40% Practice Theory 50% / 50% Practice
BA FILM BA TELEVISION
Theory 60% / 40% Practice Theory 40% / 60% Practice
BA TELEVISION
YEAR 1 YEAR 2 YEAR 3
TEACHING COACHING SUPPORTING
Theory 30% / 70% Practice Theory 40% / 60% Practice Theory 50% / 50% Practice
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HOW AM I TAUGHT? 5
• Lecture & Screening (whole cohort)• Seminars, Workshop, Masterclasses (groups, 6-20)• Tutorials (1 to 1 & small groups 2-6)• Practical work (small crews, 4-6)
• Visiting Speaker Programme (Fortnightly)• International Exchange (School of Film & Television
have relationships with institutions in over 50 countries, including Australia, US, Canada)
• Erasmus Exchange (Mainland Europe)• Trips – to production facilities and festivals (optional)
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SPECIALIST STAFF6
• Course teams teach modules they have written, matching their academic specialisms and scholarly and practice research
• Supporting lecturers are working producers, editors, cinematographers, VFX/Post, screenwriters (features, shorts and TV), composers, sound designers and directors of factual, experimental and narrative short films and features
• We use industry mentors and run masterclases from local, national & international companies
• Falmouth have an in-house production facility, delivering professional productions
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AW
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AP
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LEV
ISIO
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Stage 1 (Level 4)
Semester 1 Semester 2
Theory: Television Histories, Industries & Innovations
Core (20 credits)
Theory: Television Content: Reading the Screen
Core (20 credits)
Practice: Introduction to Television Practice
Core (20 credits)
Practice: Producing FormatsCore (20 credits)
Practice: Researching for Television
Core (20 credits)
Practice: Screenwriting for Television
Core (20 credits)
Stage 2 (Level 5)
Practice or Theory: Television DramaCore (20 credits)
Practice or Theory:Television Realities
Core (20 credits)
Theory: Television’s New Platforms & Audiences
Core (20 credits)
Practice or Theory: TV Sales, Distribution & Marketing
Core (20 credits)
Practice: Directing TV DramaOption (20 credits)
Practice: Scripted Comedy &
DramaOption (20 credits)
Practice: Concept Development
Option (20 credits)
Practice or Theory: Sports Television
Option (20 credits)
Stage 3 (Level 6)
Theory: Research PracticeCore (20 credits)
Practice: Professional PracticeCore (20 credits)
Theory: Literature ReviewCore (20 credits)
Practice: Conceptual DevelopmentCore (20 credits)
Practice: Professional DevelopmentCore (20 credits)
Theory: DissertationCore (20 credits)
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AW
AR
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AP
FILM
Stage 1 (Level 4)
Semester 1 Semester 2
Practice: Professional Practice One: Screenwriting & Production
Core (20 credits)
Practice: Professional Practice Two: Journalism& Production
Core (20 credits)
Theory:Film History & The Canon
Core (20 credits)
Theory: Post-War World Cinema
Core (20 credits)
Theory: Criticism, Analysis and Theory
Core (20 credits)
Theory/Practice: History of the Moving Image
Core (20 credits)
Stage 2 (Level 5)
Theory/Practice: Film & PhilosophyCore (20 credits)
Theory/Practice:Research and Method
Core (20 credits)
Theory:American Cinema
Option(20 credits)
Theory:British
CinemaOption
(20 credits)
Theory:Transnational
CinemaOption
(20 credits)
Theory:Film & The
EnvironmentOption
(20 credits)
Theory:Representing
Gender & SexualityOption
(20 credits)
Theory:Cult FilmOption
(20 credits)
Practice:Narrative
Screenwriting ShortsOption
(20 credits)
Practice:Sound Design
Option(20 credits)
Practice:Documentary
Option(20 credits)
Practice:Production
Option(20 credits)
Practice:Cinematography
Option(20 credits)
Practice:Narrative
Screenwriting FeaturesOption
(20 credits)
Practice:Writing About
FilmOption
(20 credits)
Practice:Script to ScreenOption
(20 credits)
Practice:Experimental
& Avante-Garde
Cinema Option
(20 credits)
Practice:Editing & Post
ProductionOption
(20 credits)
Stage 3 (Level 6)
Theory: Research PracticeCore (20 credits
Practice: Professional PracticeCore (20 credits)
Theory: Conceptual DevelopmentCore (20 credits)
Practice: Conceptual DevelopmentCore (20 credits)
Practice: Professional DevelopmentCore (20 credits)
Theory: DissertationCore (20 credits)
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STUDY TRIPS9
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STUDY TRIPS10
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VISITING SPEAKERS11
SCHOOL OF FILM & TELEVISIONGUEST SPEAKER SERIES 2013/2014
SCHOOL OF FILM & TELEVISIONGUEST SPEAKER SERIES 2013/2014
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PIXELATE FILM FESTIVAL 201414
SCHOOL OF FILM & TELEVISIONHOST OF ADOBE & ENVY CAMPUS TOURS
17SCHOOL OF FILM & TELEVISION• 14 x 8m TV studio with three studio cameras, full gallery facility, Chromatte
grey screen, blue/green screen and full lighting rig
• Centroid 3D (Pinewood Networked) Motion Capture Studio/Research Lab
• 117-seat cinema, with Christie M Series HD projection (as used in Vue cinemas) and 7.2 surround sound, screening from BluRay
• Equipment store with RED Scarlet (4K, RAW), range of Blackmagic (inc. 2.5K) & Panasonic, JVC, GoPro and Canon C100 & DSLR (5D Mk II & III) Cameras, jibs, tracks & dollies
• 35 seat SoFT Production Suite equipped with Apple Mac - Final Draft (screenwriting), Movie Magic (Production Management & Budgeting), & visual and sound editing software, including Pro Tools, Final Cut Pro & X, AVID & Adobe Creative Suite
• 6 x Avid Unity MediaNetwork Edit Labs, Labs with edit/sound, grading suite, networked presentation studio
• Recording studios equipped with Pro Tools audio editing & foley traps
• 24,000-title DVD, BluRay & TV library + online streaming services
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NATIONAL STUDENT SURVEY 2013Specific return for BA Film, 2013
• Overall Satisfaction – 92% (92% 2012, 81% - 2011)
• Staff have made the subject interesting – 92%
• Staff are enthusiastic about what they are teaching – 94%
• I have received detailed feedback on my work – 91%
• Teaching on my Course – 93%
• Academic Support – 87%
• Learning Resources – 92%
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THIS YEAR’S PRACTICE19
• Over a dozen 10 minute dramas• Over a dozen 10 minute documentaries• Over a dozen experimental films• Skills portfolios in editing, cinematography, sound
design, production design, VFX/grading – anything done at L1/L2 can be extended into a skills ‘folio
• 14 feature length screenplays• 12 journalism portfolios – interviews include multiple:
Academy Award winners, costume designers, composers, sound designers, producers, editors
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WHAT ARE WE LOOKING FOR?
• Lots of ideas, and how you develop them
• Individualism
•Vision for your scholarship and practice
•Open-mindedness to areas of study
•Professional approach to the discipline
•Cultural and critical awareness
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APPLYING TO FALMOUTH
•Be detailed in your personal statement, add links to your work, tell us what you have done outside of your studies
•We are interested in you
•We conduct face to face interviews with all promising applicants, come & look at the campus, meet other members of the team
•We begin interviews in October
•Kingsey & Sarah make ALL final decisions
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THE INTERVIEW
•Why have you chosen to study this subject?
•What aspect of Film or TV at Falmouth really engages you?
•What are you looking forward to studying on the course?
•What other opportunities interest you?
•What have been reading/watching/attending?
•What else have you been doing to prepare for university study?
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HOW CAN I PREPARE?23
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THE WORK24
Trailers - http://vimeo.com/33529868 http://vimeo.com/6569874All our films - http://www.vimeo.com/filmatfalmouth/likes
Film magazine- http://www.rushesmagazine.com
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www.facebook.com/FilmAtFalmouth
www.facebook.com/TVatFalmouth
@FilmatFalmouth - @TVatFalmouth
www.falmouth.ac.uk/filmwww.falmouth.ac.uk/televisionwww.rushesmagazine.com
www.vimeo.com/filmatfalmouth/likes
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LLOW
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