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20 NOVEMBER 2014 BEING A GUITARIST IN THE TIME OF BYRON AND SHELLEY PROFESSOR CHRISTOPHER PAGE 1

20 November 2014 - Cloud Storage — AWS Web viewILithograph of Fernando Sor (1778-1839) by Engelmann and Bordes, after Goubeau. II The old way and new way of performing a concert

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Page 1: 20 November 2014 - Cloud Storage — AWS Web viewILithograph of Fernando Sor (1778-1839) by Engelmann and Bordes, after Goubeau. II The old way and new way of performing a concert

20 NOVEMBER 2014

BEING A GUITARIST IN THE TIME OF BYRON AND SHELLEY

PROFESSOR CHRISTOPHER PAGE

I Lithograph of Fernando Sor (1778-1839) by Engelmann and

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Page 2: 20 November 2014 - Cloud Storage — AWS Web viewILithograph of Fernando Sor (1778-1839) by Engelmann and Bordes, after Goubeau. II The old way and new way of performing a concert

Bordes, after Goubeau

II The old way and new way of performing a concert. From a satirical series entitled Old Ways and New Ways (1829/30)

The Morning Chronicle, January 13, 1830: ‘Comparison of Ancient and Modern Customs and Manners exemplified in Seventy

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Page 3: 20 November 2014 - Cloud Storage — AWS Web viewILithograph of Fernando Sor (1778-1839) by Engelmann and Bordes, after Goubeau. II The old way and new way of performing a concert

Humorous Groups for Scrap Books, drawn and etched by Heath, printed for Charles Tilt, 86 Fleet Street’.

III Review of a concert from The Sheffield Independent, March

15, 1834.

IV Review of a concert from The Preston Chronicle, July 26, 1834.

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Page 4: 20 November 2014 - Cloud Storage — AWS Web viewILithograph of Fernando Sor (1778-1839) by Engelmann and Bordes, after Goubeau. II The old way and new way of performing a concert

V Review of a concert from The Bristol Mercury, March 24, 1828.

VI Fashion Plate (1801). Private collection

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Page 5: 20 November 2014 - Cloud Storage — AWS Web viewILithograph of Fernando Sor (1778-1839) by Engelmann and Bordes, after Goubeau. II The old way and new way of performing a concert

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