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2017

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JOIN THE CONVERSATIONConnect with the STC team and join the vibrant conversation on social media. Check out the buzz from other audience members by searching

#sydneytheatreco and our show specific hashtags (see play pages).facebook.com/sydneytheatrecompany

twitter.com/sydneytheatrecoinstagram.com/sydneytheatreco

Tag #sydneytheatreco Follow @sydneytheatreco

SHARE YOUR STC ADVENTURES We love hearing about your theatre adventures. Share yours with us.

FROM OUR ARTISTIC DIRECTORA great piece of theatre is like a great conversation. It always involves a passionate exchange of ideas, jokes, arguments and a sharing of deep-seated emotions. The same can be said for putting together a season of plays. And, like any good conversation, you never quite know to which exciting places it might lead.

In 2017, we have some great shows for students to engage with. Twentieth-century titans like Chekhov, Churchill and Orwell sit alongside superb new home-grown voices like Nakkiah Lui. We have a very Australian riff on Shakespeare in The Popular Mechanicals and I’m excited to see a classic like Michael Gow’s Away from a fresh perspective.

We welcome the wonderful Imara Savage as our new Resident Director, bringing us two very different shows, including the beautifully crafted The Testament of Mary. And I can’t wait to direct Lucy Kirkwood’s Chimerica, along with two plays very close to my heart – Cloud Nine and Three Sisters.

Bringing this myriad of stories to life will be a fabulous roll call of acting talent, from the legendary John Bell to STC favourites including Heather Mitchell, Eryn Jean Norvill, Mark Leonard Winter and Alison Whyte, to great young actors like Harry Greenwood, Shari Sebbens and Charles Wu.

2017 is a year of ideas and energy, of political engagement, of laughter, reflection and revelation. We’ve had great conversations bringing it together, and we look forward to you joining us as the conversation continues.

Kip WilliamsInterim Artistic Director

FROM OUR EDUCATION MANAGERAt Sydney Theatre Company, we believe every young person should have access to quality arts experiences. Providing these opportunities is at the core of our mission. Our work on stage, as well as in classrooms, juvenile justice centres, universities and online explores process and meaning-making through theatre.

Unique amongst the art forms, theatre is particularly adept at helping us understand what another person’s life might be like. But it doesn’t stop there. Theatre can help us understand ourselves, our world and our place in it.

I think the aptly-named Sydney Gurewitz Clemens said it best when she commented: “Art has the role in education of helping children become like themselves, instead of more like everyone else.” What more important task is there, than to help children become their unique selves?

I’m incredibly proud of the Education program for 2017 and I hope you’ll find something to excite and inspire you and your students!

John Nicholas Saunders Education Manager

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2017AT A GLANCE

TERM ONEMon 6 – Fri 10 Feb OnStage WeekTue 7 Feb 9.30am – 12pm HSC Australian Theatre ForumWed 8 Feb 10am The Testament of Mary Pre-show ExperienceWed 8 Feb 11.30am The Testament of Mary Schools DayThu 9 Feb 9.30am – 12pm HSC Australian Theatre ForumWed 8 Mar 11.30am Away Schools DayWed 15 Mar 11.30am Away Schools Day

TERM TWO Mon 24 Apr 2017 Work Experience Week applications openTue 2 May 11.30am The Popular Mechanicals Schools DayWed 3 May 11.30am The Popular Mechanicals Schools DayThu 4 May 11.30am The Popular Mechanicals Schools DayTue 9 May 11.30am The Popular Mechanicals Schools DayWed 10 May 11.30am The Popular Mechanicals Schools DayThu 11 May 11.30am The Popular Mechanicals Schools DayWed 31 May 11.30am Black is the New White Schools Day

TERM THREEWed 19 Jul 11.30am 1984 Schools DaySun 23 Jul 2017 Work Experience Week applications closeMon 25 – Fri 29 Sep Work Experience Week

TERM FOUR Tue 3 Oct 2018 Young Wharfies applications openWed 15 Nov 11.30am Three Sisters Schools DayFri 17 Nov 2018 Young Wharfies applications close

Roslyn Packer Theatre

The WharfDrama Theatre

CONTENTS3 2017 At a glance ATTENDING THE THEATRE4 Schools Days5 Evening Performances DIGITAL RESOURCES6 Schools Days Resources7 Director Documentaries FOR STUDENTS8 OnStage Week10 Work Experience Week11 Young Wharfies

FOR PRIMARY TEACHERS12 School Drama FOR SECONDARY TEACHERS15 Teacher Forums THE PLAYS16 The Testament of Mary18 Away20 The Popular Mechanicals 22 Black is the New White24 198426 Three Sisters 28 STC Ed Recommends

BEHIND-THE-SCENES31 STC Archives and Backstage Tours BOOKINGS32 Access34 How to Book 35 Booking Form

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ATTENDING THE THEATRE

EVENING PERFORMANCESCan’t make it to a Schools Day? Discounted tickets are available for school groups for evening and matinee performances.

We know how busy term time is. If you’re not able to attend a Schools Day performance, school groups can book discounted tickets for any performance (excluding Previews and Saturday evenings) across the 2017 Season.

For productions that are part of the Education Season (see pages 16 – 27), you’ll also get a digital education resources pack to inform teaching and learning in the classroom. To make enquiries or book, please contact education@sydneytheatre.com.au

ATTENDING THE THEATRE

Bring your students to our dedicated Schools Days performances, providing students with access to great theatre that complements the curriculum.

Schools Days are performances of our productions scheduled especially for students during the school term. These productions are selected from our 2017 Season for their suitability to the classroom and curriculum-related content.

Prior to each Schools Day performance there is a Pre-show Briefing that unpacks the production for students. After each performance there is a Q&A session with the actors. You can also add a free Backstage Tour to your schools visit. For more info visit sydneytheatre.com.au/schoolsdays

SCHOOLS DAYS

BEFORE YOUR VISIT Read the Pre-show In-the-know fact sheet. This gives you insight into what to expect, things to look out for, and important moments from the play. No spoilers!

10.30AM – 11AM Arrive in time for the Pre-show Briefing. A member of the creative team will share insight into the play, the director’s vision and how meaning is created on stage.

11.30AM Take a seat and enjoy the show! Dates and times are listed for each play on pages 16 – 27. Performances are followed by a 15 minute Q&A with the cast.

ADD ONS Book a free Backstage Tour before or after the show.

BACK IN YOUR CLASSROOMDownload the digital resources pack from our website to guide your lessons, stimulate discussion and continue the learning experience.

YOUR SCHOOLS DAY EXPERIENCE

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Students prepare to see King Lear in Roslyn Packer Theatre.

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DIGITAL RESOURCES

DIRECTOR DOCUMENTARIES

The Director Documentaries follow the evolution of STC productions from page to stage. Featuring fascinating interviews with directors and exclusive behind-the-scenes footage, these short documentaries offer insightful educational content for teachers and students.

Each 5 – 10 minute documentary includes:• Insight into the director’s vision, text interpretation and

approach to bringing a play to life• Production and design element decisions including

footage of set and costume creation• Exclusive rehearsal and production footage

Stay tuned in 2017 for two new Director Documentaries.

The documentaries can be found on our website at sydneytheatre.com.au/directordocumentaries and on the STC YouTube channel youtube.com/sydneytheatreco

Find out when new documentaries are released via our Education enewsletter. Sign up at sydneytheatre.com.au/education

ENDGAMEBy Samuel BeckettDirected by Andrew Upton

KING LEARBy William ShakespeareDirected by Neil Armfield

SUDDENLY LAST SUMMER By Tennessee WilliamsDirected by Kip Williams

THE SECRET RIVERBy Kate GrenvilleAdapted by Andrew BovellDirected by Neil Armfield

CYRANO DE BERGERACBy Edmond RostandAdapted and directed by Andrew UptonOriginal translation by Marion Potts

THE HANGINGBy Angela BetzienDirected by Sarah Goodes

UPDATED PAST RESOURCESIn 2017, we will also be updating our digital resources for popular past HSC productions. These include Stolen by Jane Harrison and Ruby Moon by Matt Cameron. These are added to our website throughout the year.

VIDEOSExplore behind-the-scenes with interviews featuring directors, designers and creatives.

PRE-SHOW IN-THE-KNOWFast facts and key information to read before a performance.

ON CUE The On Cue e-publication features essential information for teachers and students, including:• Curriculum links• Information about the

playwright and director• Play synopsis• Analysis of context and the

worlds of the play• Analysis of characters, themes

and ideas• In-depth exploration of the

Elements of Drama, Dramatic Forms, Styles, Conventions and Dramatic Techniques

• Learning experiences.

DIGITAL RESOURCES

SCHOOLS DAYSRESOURCES

Access our digital education resources, developed to inform teaching and learning in the classroom.

DESIGN SKETCHBOOK Featuring sketches of the set and costume designs straight from the notebooks of STC designers.

Download our education resources and more from sydneytheatre.com.au/edresources

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BACKSTAGE TOURS OF STC

Excellent for VET Entertainment Industry students and students studying the Elements of Production Enrich your students’ STC experience by booking a free, one-hour Backstage Tour during OnStage Week.

Our Backstage Tour is like a roving Drama classroom, exploring all aspects of theatre creation and engaging students in curriculum-linked activities. For detailed information about Backstage Tours, see page 31.

Cost: FREE during OnStage week

ARCHIVES ACCESS

A great resource for investigating HSC textsBook a time during OnStage Week for your class to view archival recordings of past STC productions. STC Archives house recordings of many shows featured on the HSC text list.

For a list of available HSC plays, with corresponding archival footage and education resources, visit sydneytheatre.com.au/archives

Cost: $15 per class

HSC AUSTRALIAN THEATRE FORUM

The Australian Theatre Landscape:Investigating Australian Drama and Theatre for the HSCTue 7 Feb or Thu 9 Feb, 9.30am – 12pm Wharf 2 TheatreCost: $20 per student

HSC students are invited to take part in an intensive learning experience, tailored to the core HSC topic Australian Drama and Theatre, covering Dramatic Traditions and Contemporary Theatre Practice.

John McCallum, former Chief Examiner and reviewer for The Australian will give an overview of the Australian theatre landscape, followed by a panel discussion about STC productions of traditional and contemporary Australian plays. The panel includes Australian directors, designers, actors and playwrights. The final session is an in-depth analysis of past STC productions of plays listed on the Dramatic Traditions and Contemporary Australian Theatre Course Prescriptions lists, which includes performance footage and production resources.

This Forum is an invaluable tool for HSC students and will contribute to theoretical and experiential learning for their essays.

Book early to avoid disappointment via the Booking Form (page 35).

Find out more about STC Archives and our Backstage Tours on page 31.

Experience extraordinary theatre during OnStage Week at Sydney Theatre Company. Come to a show, take a tour and check out the STC Archives.

THE TESTAMENT OF MARY

By Colm TóibínWed 8 Feb, 11.30am, Wharf 1 Theatre

Irish writer Colm Tóibín’s Booker Prize shortlisted novella The Testament of Mary has now been adapted for the stage. Several years after Jesus’ death, his mother recounts her son’s final days and provides a maternal perspective on a very familiar story.

Mary’s narrative is both clear-eyed and moving – bringing dimension and humour to a story of misfits, miracles and crucifixion. At its core beats the heart of a mother grieving an unbearable loss. For more details see page 16, and reserve your seats via the Booking Form.

Pre-show Forum Wed 8 Feb, 10am, Wharf 2 Theatre The Testament of Mary is a powerful one-woman show. This pre-show discussion examines the art of performing solo, making it an ideal opportunity for HSC Drama students performing a monologue for their Individual Project. Members of the creative team will explore the processes particular to staging a successful monologue. Looking at previous STC monologue productions, students will have the opportunity to place their own classroom experience into a wider professional and creative context. There is limited capacity at the Pre-show Forum. Reserve your seats via the Booking Form (page 35).

Post-show Q&A with the cast and creative team Wed 8 Feb, 12.50pm, Wharf 1 TheatreJoin the cast and creative team for a short 15 minute Q&A immediately after the show.

FOR STUDENTS

ONSTAGE WEEK 6–10 FEB

Alison Whyte

Students working in groups to examine a script. Students discover STC’s Scenic Art department on a backstage tour.

“STC during OnStage week is always buzzing with wonderful opportunities for students, particularly those from regional areas! Last year my students attended the HSC Australian Theatre Forum, watched an archival recording, and were treated to a free backstage tour. It was a fantastic, inspiring day.”Pauline Cain, Teacher, St John’s College, Lismore

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Young Wharfies is a one-of-a-kind, free learning program for Year 11 Drama students (in 2017) who are inspired by the power and creativity of theatre.

The Young Wharfies spend a year attending productions, participating in workshops and meeting artists and creatives at Sydney Theatre Company.

In 2017, the Young Wharfies will:• Attend seven productions throughout the year;

The Testament of Mary, Away, The Popular Mechanicals, Black is the New White, 1984, Three Sisters and Muriel’s Wedding

• Explore aspects of each play in Pre-show workshops• Deconstruct each show in discussion groups with other

Young Wharfie participants • Participate in five masterclasses led by artists/

creatives about theatrical styles, playwriting, directing, programming and writing for theatre

• Experience an extensive backstage tour of Sydney Theatre Company.

CURRICULUM LINKS

The Young Wharfies program aims to build theatre literacy through watching and analysing how meaning is created in live theatre, from the Elements of Drama to directorial choices and production elements.

Applications open for 2017 Tue 4 Oct 2016Applications close for 2017 Fri 11 Nov 2016Applications open for 2018 Tue 3 Oct 2017Applications close for 2018 Fri 17 Nov 2017

For more information, including how to apply, visit sydneytheatre.com.au/youngwharfies

FOR STUDENTS

YOUNG WHARFIES

Seven theatre shows, seven workshops, five masterclasses, unlimited inspiration.

Young Wharfies is a great experience that has opened my eyes to career opportunities in theatre that aren’t just acting.” James MacAlpine, Young Wharfie 2016

Twenty lucky Drama students will have the opportunity to participate in our immersive, interactive Work Experience Week, open to Year 10 and 11 students from across NSW.

Each day focuses on a different STC department, looking at programming, direction, set and costume design, marketing and corporate sponsorship. Working in groups, students complete activities in the roles of different creatives and STC staff, and present their ideas in informal presentations. Students participate in tours, panel discussions, workshops and activities run by STC staff and creatives.

Work Experience Week enables students to explore many facets of STC and gain a broad understanding of the workings of a theatre company. The program endeavours to inspire a love and appreciation of the theatre-making process, as well as foster the next generation of arts industry professionals.

We strongly encourage students who are Aboriginal and/or Torres Strait Islander, those from culturally and linguistically diverse backgrounds, and those with disabilities to apply.

For more information, visit sydneytheatre.com.au/workexperience

Date Mon 25 – Fri 29 Sep 2017 9am – 4pm Location Sydney Theatre Company Pier 4, Hickson Road, Walsh BayApplications open Mon 24 Apr 2017Applications close Sun 23 Jul 2017

FOR STUDENTS

WORK EXPERIENCE WEEK

2015 Work Experience Week participants engaging in a workshop led by Richard Wherrett Fellow, Paige Rattray.

2016 Young Wharfies listen to The Australian's John McCallum as he discusses critiquing theatre.

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SCHOOL DRAMA CLASSICWhat does it include? • A one-on-one professional learning experience in your

own classroom• Expert instruction from experienced Teaching Artists• Six hours of pre-program professional development

workshops with STC and University of Sydney• Two customised planning sessions before in-class

workshops commence• Seven weekly in-class workshops• A wide range of drama strategies to employ across the

curriculum

How do I sign up?Visit sydneytheatre.com.au/schooldrama and follow the link to complete the expression-of-interest form. Applications close at 5pm on Thu 2 Mar 2017 (Week 5 of Term 1) for the 2017 program.

SCHOOL DRAMA CLUSTER Take School Drama to the next levelHave you previously participated in School Drama Classic? Looking for a way to refresh and extend your skills? Join us for School Drama Cluster in Sydney in 2017.

A small group of teachers take part in a series of twilight professional development workshops, led by Professor Robyn Ewing AM (University of Sydney), John Nicholas Saunders (Sydney Theatre Company) and special guests. Learn how to integrate Drama across the curriculum, plan your own Drama units and develop your teaching artistry. This is a unique opportunity to expand your knowledge and be mentored by experts in the field.

How do I sign up?More information will become available at sydneytheatre.com.au/schooldrama

Watch the video at sydneytheatre.com.au/schooldrama to hear from teachers about their experience of the program.

WHAT IS SCHOOL DRAMA? School Drama is a teacher professional learning program with a difference — we bring the learning to you, pairing each teacher with a Teaching Artist to embark on a unique co-mentoring partnership.

In School Drama, every teacher and student becomes a storyteller — exploring texts, making meaning and gaining confidence in literacy skills. School Drama combines drama strategies and quality literature to improve literacy and English outcomes in young learners. The program is designed with sustainability in mind, instilling confidence in primary school teachers to put their learnings into action straightaway, in their own classrooms.

School Drama has evolved from a four year pilot program, developed in partnership with the University of Sydney and leading academic Professor Robyn Ewing AM.

School Drama is available to primary school teachers in Greater Sydney, Blue Mountains, Albury-Wodonga, Adelaide and Darwin.

HOW WILL SCHOOL DRAMA BENEFIT MY STUDENTS?A wealth of longitudinal and sustainability studies has shown:• Increased student academic achievement in literacy

and English• Improved student confidence• Increased student engagement and motivation• Significant improvements in collaboration• Positive shifts in empathy

HOW WILL SCHOOL DRAMA BENEFIT ME?You’ll be paired with a Teaching Artist, who adapts the program to meet your needs. Together, you’ll explore how drama strategies can be integrated into any area of English and literacy, such as inferential comprehension, narrative writing, confidence in oracy or descriptive language. Over seven weeks, you are empowered to integrate these ideas and strategies into your regular teaching practice.

The result is an intensive and immersive professional learning experience with lasting benefits for teachers and students.

FOR PRIMARY TEACHERS

SCHOOL DRAMATM

A teacher professional learning program for primary teachers

School Drama is delivered via three streams – School Drama Classic, School Drama Cluster and School Drama Staff Days.

A group of early primary school students participate in School Drama activities.

Teaching Artist Courtney Stewart working with students on the School Drama program.

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Throughout the year, STC provides a series of professional learning opportunities for secondary Drama and English teachers.

These intimate events bring the behind-the-scenes creative process to light, as members of the STC creative team discuss the challenging choices that come with directing, designing and rehearsing a play for the STC stage.

Professional learning opportunities for secondary teachers will be announced throughout the year. Details are available at sydneytheatre.com.au/teacherlearning

They provide an insight into how STC puts on a show, from the white card presentation to opening night. They’ve been a fantastic opportunity to get a real insight into the STC process.” Brendan Laurence, The King’s School

FOR SECONDARY TEACHERS

TEACHER FORUMSSCHOOL DRAMA STAFF DAYS Upskill your entire staffSTC also runs whole staff days, delivered to the entire teaching staff at a particular school. Sessions are run on demand. For enquiries, email schooldrama@sydneytheatre.com.au

THE SCHOOL DRAMA BOOKLooking for a comprehensive resource exploring how Drama can be used to improve literacy in the primary and middle years of schooling? Check out The School Drama Book: Drama, Literature and Literacy in the Creative Classroom by Ewing & Saunders published by Currency Press. This text documents the research, methodology and practice of the School Drama program and contains 22 units of work for Kindergarten to Year 8.

For more information or to purchase the book, visit currency.com.au

MORE INFORMATIONFor more information about School Drama visit sydneytheatre.com.au/schooldrama Contact us at schooldrama@sydneytheatre.com.au or (02) 9250 1795.

School DramaTM would not be possible without the support we receive from the following organisations:

The Raymond E Purves Foundation 2016 STC Auction Donor Circle

Sydney Theatre Company is endorsed to provide QTC Registered Professional Development for teachers accredited at Proficient Teacher.

PROGRAM PARTNER

FOR PRIMARY TEACHERS

SCHOOL DRAMATM

Teaching Artist Courtney Stewart leads students in a 'word circle' activity as part of School Drama in 2016.

Teachers brainstorm at an STC Education event.

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DirectorImara SavageDesignerElizabeth GadsbyComposer & Sound DesignerMax Lyandvert

WithAlison Whyte

CURRICULUM LINKS

Suitable For Years 9 – 12

Schools Day Wed 8 Feb, 11.30am

Season Dates Term One 13 Jan – 25 Feb

Drama and English Stages 5 and 6 • Monologue• Adaptation• Faith and Belief• Historical perspectives

Themes and Ideas• Religion• New female perspectives• Personal sacrifice versus universal belief

SYDNEY THEATRE COMPANY PRESENTS

THE TESTAMENT OF MARY BY COLM TOIBIN

AUSTRALIAN PREMIERE

The truth should be spoken

She is the Mother. She is the Virgin. She is the Saint. But, for two thousand years, Mary has been silent. A woman seen but not heard. Until now.

Irish writer Colm Tóibín has been shortlisted for the prestigious Booker Prize on three occasions. Most recently, in 2013, for The Testament of Mary, now adapted for the stage. In it, a profound new voice emerges. Several years after Jesus’ death, Mary recounts her son’s final days and provides a maternal perspective on a very familiar story.

Mary’s narrative is both clear-eyed and moving – bringing dimension and humour to a story of misfits, miracles and crucifixion. At its core beats the heart of a mother grieving an unbearable loss.

In the role is the Helpmann Award-winning Alison Whyte (Love and Information, Travelling North), an actor renowned for her visceral connection to language, her intelligence and her deep reserves of empathy.

Shaping the space around her are STC Resident Director Imara Savage (Hay Fever), Resident Designer Elizabeth Gadsby (The Hanging) and composer Max Lyandvert (The Golden Age). In their hands, a new kind of gospel will ring true.

“Plays as stark and strong as this don’t come along very often... this is a work of manifest integrity.”The Telegraph, UK

13 JAN – 25 FEB

WHARF 1 THEATRE

1HR 20MINS(NO INTERVAL)

#STCTESTAMENTWARNING:VIOLENT IMAGERY

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DirectorMatthew LuttonDesignerDale FergusonLighting DesignerPaul JacksonComposer & Sound DesignerJ. David Franzke

WithMarco Chiappi Wadih Dona Glenn Hazeldine Natasha Herbert Heather Mitchell Liam NunanNaomi Rukavina

CURRICULUM LINKS

Suitable For Years 9 – 12

Schools Days Wed 8 Mar Wed 15 Mar, 11.30am

Season Dates Term One18 Feb – 25 Mar

Drama Stages 5 and 6• Australian Theatre Traditions• Magic Realism• Tragi-comedy

Themes and Ideas• Family• Coming-of-age and journeys• Life and death• Conformity

SYDNEY THEATRE COMPANY PRESENTS A SYDNEY THEATRE COMPANY AND MALTHOUSE THEATRE PRODUCTION

AWAY BY MICHAEL GOW

“We’re going to drive for a bit. See what we find.”

Christmas, 1967, and three families are about to go on their summer holidays by the beach. The end-of-year school play is a success and young love is lighting up the dressing room. But ’tis not the season to be jolly.

Michael Gow’s Away premiered in Sydney 30 years ago, winning the NSW Premier’s Literary Award and quickly establishing itself as a modern classic. At the story’s heart are three mothers – each dealing with loss and loneliness in their own particular way. Their personal tragedies and small victories play out in front of a snapshot of Australian history, with the Vietnam War and the social upheavals of the 1960s providing a complex backdrop.

In director Matthew Lutton’s new vision for the play, we see events unfold through the eyes of Tom, an aspiring actor facing the hard reality of his own impending curtain call.

Throughout, Away delights in the full range of theatrical expression – from the smallest intimacy to the most epic of storms. This co-production with Melbourne’s Malthouse Theatre brings together some of the country’s most admired stage performers, including Heather Mitchell (Hay Fever), Glenn Hazeldine (Disgraced) and Liam Nunan (The Golden Age) for this return of a great Australian play.

“Truthful, fantastical, satirical and deeply touching... Away is inspiring.”The Sydney Morning Herald

18 FEB – 25 MAR

DRAMA THEATRE, SYDNEY OPERA HOUSE

1HR 40MINS(NO INTERVAL)

#STCAWAYWARNING:SEXUAL REFERENCES

ASSOCIATE PARTNER

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SYDNEY THEATRE COMPANY PRESENTS A STATE THEATRE COMPANY SOUTH AUSTRALIA PRODUCTION

THE POPULAR MECHANICALSBY KEITH ROBINSON, WILLIAM SHAKESPEARE AND TONY TAYLORFROM THE ORIGINAL DIRECTION BY GEOFFREY RUSH

A funny thing happened on the way to the theatre

The popular mechanicals are Shakespeare’s greatest clowns – the endearingly amateur acting ensemble led by Bottom in A Midsummer Night’s Dream. Here, they take centre-stage in a wild imagining of what goes on in the wings.

The troupe is bumbling its way through rehearsals of Pyramus and Thisbe, somehow surviving the misadventures brought on by their own sheer idiocy. The result is a riotously funny mix of Shakespearean verse, songs and dance that is lewd, rude and ingenious. Clowning, vaudeville, slapstick, farce, stand-up comedy and some hilarious puppetry come together to create an unhinged feast of wit and profanity.

First directed by Geoffrey Rush in 1987, The Popular Mechanicals holds a special place in the Australian comedic canon. This revival from State Theatre Company of South Australia, directed by former STC Resident Director Sarah Giles, includes the very fine comic talents of Julie Forsyth (Romeo & Juliet) and Amber McMahon (School Dance). This is a show that will lift the roof in the silliest ways imaginable.

“There are Bottom jokes, poo jokes, giggles and japes. The Popular Mechanicals captures the bawdy spirits of the Elizabethan entertainments.”The Australian

6 APR – 13 MAY

WHARF 2 THEATRE

1HR 35MINS (NO INTERVAL)

#STCMECHANICALS RECOMMENDEDFOR AGES 13 AND UP

WARNING: SEXUAL

REFERENCES

DirectorSarah GilesDesignerJonathon OxladeLighting DesignerMark PenningtonComposer/ Sound Designer/ Musical DirectorDavid Heinrich ChoreographerGabrielle Nankivell

WithLori Bell Julie Forsyth Charles Mayer Amber McMahon Tim Overton Rory Walker

CURRICULUM LINKS

Suitable For Years 9 – 12

Schools DaysTue 2 May, Wed 3 May, Thu 4 May, Tue 9 May, Wed 10 May, Thu 11 May, 11.30am

Season DatesTerm Two 6 Apr – 13 May

Drama and English Stages 5 and 6 • Links to A Midsummer Night’s Dream • Appropriation• Comedy, slapstick

Themes and Ideas• Friendship• Australian references• Foolishness

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DirectorPaige RattrayDesignerRenée Mulder Lighting DesignerBen Hughes Composer & Sound DesignerSteve Toulmin

WithTony Briggs Luke CarrollVanessa DowningGeoff Morrell Shari Sebbens Anthony Taufa

CURRICULUM LINKS

Suitable For Years 11 – 12

Schools Days Wed 31 May, 11.30am

Season Dates Term Two5 May – 17 Jun

English and Drama Stage 6• Contemporary Australian Theatre• New Indigenous writing• Comedy

Themes and Ideas• Family Relations and Rivalries• Acceptance • Racial Identity• Politics

SYDNEY THEATRE COMPANY AND ALLENS PRESENT

BLACK IS THE NEW WHITEBY NAKKIAH LUI

WORLD PREMIERE

Guess who’s coming to dinner?

Charlotte Gibson is a lawyer on the up. She won a landmark Native Title case, she’s making her parents proud, she could have her own TV show tomorrow. But she has other ideas. First of all, it’s Christmas. Second of all, she’s in love.

The thing is, her fiancé, Francis Smith, has the whitest name in the world and is an unemployed experimental classical composer. This is not what her family expected.

In this deliciously funny romantic comedy, newly commissioned by STC, writer Nakkiah Lui shows why she is one of this country’s most in-demand young voices. A writer and star of Black Comedy on ABC, a fearless columnist and an award-winning playwright, Lui writes cutting satire that is both seductively subversive and thoroughly delightful.

Paige Rattray (Boys will be boys) directs a wonderful ensemble, featuring Tony Briggs (ABC TV’s Cleverman), Luke Carroll (The Hanging), Shari Sebbens (Battle of Waterloo) and Anthony Taufa (The Golden Age).

“Have you ever thought about what life would have been like if you made the opposite decision to every one you’ve ever made?” Marie

5 MAY – 17 JUN

WHARF 1 THEATRE

1HR 30MINS (NO INTERVAL)

#STCBLACKWHITEWARNING: ADULT THEMES, STRONG LANGUAGE, NUDITY

AND DRUG USE

PRESENTING PARTNER

Black is the New White was commissioned with the support of the Malcolm Robertson Foundation.

SEE p37

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DirectorsRobert Icke and Duncan Macmillan Associate Director (Australia)Corey McMahonDesignerChloe LamfordLighting Designer Natasha ChiversSound Designer Tom GibbonsVideo Designer Tim Reid

CURRICULUM LINKS

Suitable For Years 9 – 12

Schools Days Wed 19 Jul, 11.30am

Season Dates Terms Two and Three28 Jun – 22 Jul

Stages 5 and 6 • Advanced English: Module A Comparative Study of Text and Context, Elective 2 Intertextual Perspectives, Prose Fiction and Film• Appropriation

Themes and Ideas• Power• Politics, nationhood, government• Individual versus the institution

SYDNEY THEATRE COMPANY IN ASSOCIATION WITH STATE THEATRE COMPANY SOUTH AUSTRALIA & BY ARRANGEMENT WITH AMBASSADOR THEATRE GROUP PRESENTS THE HEADLONG, NOTTINGHAM PLAYHOUSE & ALMEIDA THEATRE PRODUCTION

1984 BY GEORGE ORWELL A NEW ADAPTATION CREATED BY ROBERT ICKE AND DUNCAN MACMILLAN

28 JUN – 22 JUL

ROSLYN PACKER THEATRE

Orwell’s dystopian future is now

April, 1984. 13:00. Comrade 6079, Winston Smith, thinks a thought, starts a diary and falls in love. But Big Brother is always watching.

Published in 1949, George Orwell’s book helped define the 20th century. Now, 1984 is re-examined in this radical, award-winning international theatrical blockbuster seen by more than a quarter of a million people.

An exploration of surveillance and identity, 1984 presented a vision of the future that looks a lot like our present. Orwell’s fiction has become our reality. Described as “masterfully constructed and chillingly frank” (Limelight Magazine), this stage adaptation is a dynamic, political, technology-enhanced dive into Orwell’s complex vision.

Produced by British theatre innovators Headlong along with Nottingham Playhouse and Almeida Theatre, this production’s success has led to multiple seasons on the West End and numerous international festival appearances. With an Australian cast set for a national tour, this is an arresting production not to be missed.

“This compelling incarnation of Orwell’s dystopia makes you gasp.” The Age

Nineteen Eighty-Four by George Orwell (Copyright, 1949) by permission of Bill Hamilton as the Literary Executor of the Estate of the Late Sonia Brownell Orwell, in a new adaptation created by Robert Icke and Duncan Macmillan.

1HR 40MINS (NO INTERVAL)

#STC1984WARNING:

VIOLENCE, STROBE LIGHT, LOUD SOUND EFFECTS

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DirectorKip Williams Composer & Sound DesignerStefan Gregory

WithBrandon McClellandEryn Jean NorvillChris Ryan

CURRICULUM LINKS

Suitable For Years 9 – 12

Schools Day Wed 15 Nov, 11.30am

Season Dates Term Four 6 Nov – 16 Dec

Drama and English Stages 5 and 6 • Links to Significant Plays

of the 20th Century: The Cherry Orchard by Anton Chekhov

• Links to Advanced English Module B: Critical Study of Texts, Drama or Film: The Seagull by Anton Chekhov

Themes and Ideas• Family• The roles of women• Isolation and Loneliness• Destruction

SYDNEY THEATRE COMPANY PRESENTS

THREE SISTERS BY ANTON CHEKHOV IN A NEW ADAPTATION BY ANDREW UPTON

6 NOV – 16 DEC

DRAMA THEATRE, SYDNEY OPERA HOUSE

2HRS 30MINS (INCLUDING INTERVAL)

#STCTHREESISTERSWARNING: STRONG LANGUAGE

Moscow’s calling

What if you could start life over again, knowing what you do now? What if it were all a rough draft waiting to be rewritten?

Anton Chekhov wrote Three Sisters during the earliest rumblings of the Russian Revolution. Living at the turn of a new century, his characters are adrift in uncertain times – holding on to memories of the past, grasping at hopes for the future.

In a remote Russian town, three sisters yearn for Moscow. They dream of freedom, sex, work and romance. Like the migrating birds above them, they long to be elsewhere. Exquisitely layered in its characters and imagery, Three Sisters is a bittersweet time-lapse of life passing. A work full of Chekhov’s acute observations, his playfulness and love of surprise. In short, a masterpiece.

Having created astonishing productions of Tennessee Williams’ Suddenly Last Summer and Arthur Miller’s All My Sons, Kip Williams brings his precise vision to another modern great. Our former Artistic Director Andrew Upton (The Present, Uncle Vanya) returns to adapt Chekhov once more in his inimitable voice. With a cast including award-winner Eryn Jean Norvill (All My Sons), Three Sisters promises to be a riveting performance of an achingly beautiful tale.

“I’ve never been in love. I’ve dreamt of it day and night, but my heart is like a fine piano no one can play because the key is lost.”Irina

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DirectorKip WilliamsDesignerElizabeth Gadsby

WithKate BoxHarry GreenwoodJosh McConville

EDUCATION LINKS FOR YEARS 11– 12

• Racial and gendered identity• Colonial and sexual oppression • Social roles and family structures

SYDNEY THEATRE COMPANY PRESENTS

CLOUD NINEBY CARYL CHURCHILL

Cloud Nine begins in colonial Africa, amidst the Victorian constrictions of corset and empire. It ends in London a century later, but the characters have aged only 25 years. In the course of time passing, Churchill unpicks the knotted realities of human relationships – between lovers, siblings, genders, and generations.

As ever, Churchill distils a symphonic array of politics and ideas into living, breathing, tangible characters.

Equal parts hilarious and heartbreaking, Cloud Nine is a play about love and work, race and power, identity and sex. And as necessary as ever.

DirectorPaige RattrayLighting DesignerSian James-Holland

WithAirlie DoddsPeter KowitzKenneth MoraledaSrisacd SacdpraseuthMonica Sayers

EDUCATION LINKS FOR YEARS 8– 12

• Discovery• Contemporary Australian Theatre• Migration and racial identity

AUSTRALIAN GRAFFITIBY DISAPOL SAVETSILAWORLD PREMIERE

Ben’s family has uprooted its restaurant business one too many times. Being the only Thai household in a small country town turns out not to be a great idea. And when graffiti starts appearing, tensions quickly escalate.

Australian Graffiti marks the debut of a remarkable young voice. Disapol Savetsila’s play is an investigation of the migrant experience from the inside out. Teasing out the complexities of identity and belonging, his writing – both wryly humorous and deeply affecting – offers an insight into Australian lives often overlooked.

1HR 30MINS(NO INTERVAL)

#STCGRAFFITIWARNING: STRONG LANGUAGE

7 JUL – 12 AUG, WHARF 2 THEATRE

2HRS 30MINS(INCLUDING INTERVAL)

WARNING: SEX SCENES,

STRONG LANGUAGE #STCCLOUDNINE

1 JUL – 12 AUG, WHARF 1 THEATRE

STC ED RECOMMENDS

SEE p37

SEE p37

DirectorLee LewisDesigner Renée MulderLighting DesignerVerity HampsonComposerSteve Toulmin

WithPaula ArundellAirlie DoddsShari Sebbens

EDUCATION LINKS FOR YEARS 11– 12

• Ensemble & Group Performance • Contemporary Australian Theatre• Female voices

SYDNEY THEATRE COMPANY AND LENDLEASE PRESENTA GRIFFIN THEATRE COMPANY PRODUCTION

THE BLEEDING TREEBY ANGUS CERINI

Triggered into thrilling motion by an act of revenge, The Bleeding Tree is a murder ballad blown up for the stage, with three strong women fighting back. Angus Cerini’s writing is powerfully lyrical, bracingly funny and a highly original take on Australian gothic.

The Bleeding Tree premiered at Griffin Theatre Company in 2015. It immediately earned praise as “a great and complex production” (The Australian) and went on to win three Helpmann Awards as well as a 2016 NSW Premier’s Literary Award.

In the hands of Director Lee Lewis, this is theatre that is “brutally brilliant” (Daily Review).

3HRS (INCLUDING INTERVAL)

#STCCHIMERICAWARNING:

STRONG LANGUAGE, VIOLENCE

28 FEB – 1 APR, ROSLYN PACKER THEATRE

DirectorKip WilliamsSet DesignerDavid FleischerCostume DesignerRenée MulderLighting DesignerNick SchlieperComposer & Sound DesignerTHE SWEATS

WithGabrielle ChanJason ChongGeraldine HakewillBrent HillShuang HuMonica SayersMark Leonard Winter Anthony Brandon WongCharles Wu

EDUCATION LINKS FOR YEARS 10– 12

• International politics and political history• Chinese & USA relations• Protest and activism

SYDNEY THEATRE COMPANY AND COLONIAL FIRST STATE GLOBAL ASSET MANAGEMENT PRESENT

CHIMERICABY LUCY KIRKWOODAUSTRALIAN PREMIERE

Inspired by one of the 20th century’s most recognisable images – a man blocking a column of tanks in Tiananmen Square – Chimerica tracks two decades of US-China relations alongside the personal stories that exist beyond the margins of history.

Lucy Kirkwood’s compelling script premiered at London’s Almeida Theatre before winning an Olivier Award for Best New Play and going on to a West End season. Filmic in scope, this is both an astounding, globe-trotting thriller and a rich, character-driven drama.

Our award-winning Kip Williams (All My Sons) directs an enthralling and spectacular production.

PRESENTING SPONSOR

STC ED RECOMMENDS

1HR 15MINS (NO INTERVAL)

#STCBLEEDINGTREEWARNING:

STRONG LANGUAGE, ADULT THEMES, VIOLENT IMAGERY

9 MAR – 8 APR, WHARF 1 THEATREPRESENTING SPONSOR

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Unlock the magic of theatre

STC’s Backstage Tour is tailored to the curriculum and is a hands-on, interactive experience providing detailed insight into our vision as a theatre company and the evolution of plays from page to stage. Come behind-the-scenes to investigate all aspects of the production process, from programming and design presentations to set and costume creation, and bump-in. Take on the role of STC staff through activities that investigate how theatre of vision and scale is created at Australia’s largest theatre company.

Our Backstage Tour is an excellent excursion for secondary Drama and VET Entertainment Industry students with exclusive opportunities to talk to STC staff about the production process.

Tours are available Mon – Fri from 9.30am – 4pm. To book, contact education@sydneytheatre.com.auCost: $5 per student or FREE if you are seeing a show the same day or week.

STC ARCHIVES

BACKSTAGE TOURS

Discover a treasure trove of resources

Finding performances of plays studied in class or on the HSC text list can be difficult. STC Archives is a treasure trove of production materials available by appointment to teachers and students. STC Archives houses footage of productions, programs, set and costume design sketches and press clippings.

STC has produced many of the plays featured in the Topics of Study and the Individual Projects list for Drama and in various English modules, making the archives a valuable resource for HSC students and teachers. Plays include Rosencrantz and Guildenstern are Dead by Tom Stoppard, The Shape of Things by Neil LaBute and A Man with Five Children by Nick Enright.

For a full list of available plays, visit sydneytheatre.com.au/edresources

Bookings are available on Tuesdays and Wednesdays, from 10am – 5pm, and can be made for individuals, small groups or entire classes. To book, contact Judith Seeff at jseeff@sydneytheatre.com.au or 02 9250 1745.Cost: $15 per class

BEHIND-THE-SCENESSYDNEY THEATRE COMPANY PRESENTS A SYDNEY THEATRE COMPANY AND MELBOURNE THEATRE COMPANY PRODUCTION

THE FATHER BY FLORIAN ZELLER TRANSLATED BY CHRISTOPHER HAMPTON AUSTRALIAN PREMIERE

Now 80 years old, André (John Bell) was once a tap dancer. He lives with his daughter Anne (Anita Hegh) and her husband Antoine. Or was he an engineer whose daughter Anne lives in London with her new lover, Pierre? Either way, he’s still wearing his pyjamas and he can’t find his watch. He’s starting to wonder if he’s losing control.

A touching, funny and deeply unsettling mystery, The Father, by French playwright Florian Zeller, is a winner of the Molière Award, France’s most prestigious honour for a new work of theatre.

By special arrangement with Theatre Royal Bath Productions.

1HR 35MINS(NO INTERVAL)

#STCFATHER

19 AUG – 21 OCT, WHARF 1 THEATRE

DirectorDamien RyanDesignerAlicia ClementsLighting DesignerRachel BurkeComposer & Sound DesignerSteve Francis

WithJohn BellIan BlissMarco ChiappiAnita HeghNatasha Herbert

EDUCATION LINKS FOR YEARS 10 – 12

• Time• Family responsibility and relationships• Mental health and ageing

STC ED RECOMMENDS

3HRS(INCLUDING INTERVAL) #STCMURIELSWEDDING WARNING: STRONG LANGUAGE,

ADULT THEMES, SEX SCENES

6 NOV – 30 DEC, ROSLYN PACKER THEATRE

SYDNEY THEATRE COMPANY PRESENTS A SYDNEY THEATRE COMPANY AND GLOBAL CREATURES PRODUCTION

MURIEL’S WEDDINGTHE MUSICALBOOK BY PJ HOGAN MUSIC & LYRICS BY KATE MILLER-HEIDKE & KEIR NUTTALLWITH SONGS BY BENNY ANDERSSON, BJÖRN ULVAEUS& STIG ANDERSON ORIGINALLY WRITTEN FOR ABBAWORLD PREMIERE

DirectorSimon PhillipsSet & Costume DesignerGabriela Tylesova

EDUCATION LINKS FOR YEARS 11 – 12

• Musical theatre • Comedy• New Australian adaptation for the stage

Muriel Heslop is back! In this highly-anticipated world premiere, the iconic Australian film is set to become an equally iconic laugh-out-loud musical.

The film’s original writer-director PJ Hogan has updated his screenplay into a dazzling new stage show, bringing the story into the present but keeping the irreverence and naughtiness of the film along with its dark edge.

STRATEGIC PARTNERSPRESENTING PARTNER

ab

Costume sketches of an STC production held in the Archive.

Students explore The Wharf on a Backstage Tour.

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Access ProgramOur Access Program makes theatre accessible and affordable for schools. We sell a limited number of Access Tickets available to each Schools Day performance, at 50% off the student price.

If your school is a NSW public school eligible for Equity Funding in 2017, a Catholic/Independent equivalent or a school located in regional NSW, you are eligible to apply for the significantly reduced ticket prices.

To apply, simply tick the Access option on your booking form. We will contact you about your application when processing your booking.

Priority Schools ProgramOur Priority Schools Program provides opportunities for students to experience live theatre, who may not otherwise have access due to socio-economic status or geographic location. In 2017, we are continuing our partnerships with two high schools and two primary schools in Western Sydney.

Priority Schools receive complimentary tickets, in-class drama workshops, backstage tours and additional support as required. The program aims to develop a culture of theatre going and appreciation, and to make students feel welcome to STC.

School Drama subsidiesThanks to the generous support of The Raymond E Purves Foundation, the 2016 STC Auction Donor Circle and City of Sydney, we are able to provide additional subsidies so disadvantaged schools can participate in School Drama for free or a nominal fee. To date, recipients have included behavioural schools, Intensive English centres, Juvenile Justice schools and specialty schools.

School Drama in Juvenile JusticeSince 2015, STC has been working with schools within Juvenile Justice Centres to adapt the School Drama program for teachers working with young people who are incarcerated. With a greater focus on self-confidence and collaboration, the program offers students a chance to engage with quality literature and use drama exercises to explore character, motivation and decision making.

BOOKINGS

IMPROVING ACCESS“The kids are so much more confident, their self-esteem has grown ... so not only has it enhanced my teaching, but the whole wellbeing of the class has really been enhanced as well.” Juliet Sonter, teacher at Plunkett Street Public School and participant in School Drama

We believe every young person should have access to quality arts experiences.

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NAME

DEPARTMENT / POSITION

PHONE FAX

MOBILE

EMAIL

SCHOOL NAME

POSTAL ADDRESS

SUBURB

STATE POSTCODE

STC ED 2017 BOOKING REQUEST FORM

SCHOOL DETAILS BOOKING TEACHER DETAILS

SEND INVOICES TO

NAME PHONE FAX EMAIL

YOUR SIGNATURE

SIGNATURE PRINT NAME

DATESCHOOL NAME

TO BOOK TEACHER PROFESSIONAL LEARNING OR REGISTER INTEREST FOR SCHOOL DRAMA PLEASE VISIT SYDNEYTHEATRE.COM.AU/TEACHERLEARNING

I WOULD LIKE TO RECEIVE THE STC ED ENEWSLETTER

I WOULD LIKE TO APPLY FOR ACCESS TICKETS. WHEELCHAIR

PLEASE NOTE: YOU MUST COMPLETE AND RETURN BOTH SIDES OF THIS FORM IN ORDER FOR YOUR REQUEST/S TO BE PROCESSED.

ACCESS TICKETS ARE DISCOUNTED TICKETS FOR UNDER-FUNDED OR REGIONAL SCHOOLS. SEE PG 33 FOR MORE INFO. (NB: LIMITED AVAILABILITY. STC WILL CONTACT YOU ABOUT YOUR APPLICATION FOR ACCESS TICKETS.)

ACCESS TICKETS ACCESS AND SPECIAL SEATING REQUIREMENTS

HEARING / VISION IMPAIRED

AISLE SEAT

(WE WILL CONTACT YOU FOR DETAILS)

BOOKINGS

HOW TO BOOKThe STC Ed booking form can be found at the back of this brochure or can be downloaded from sydneytheatre.com.au/stced

Email education@sydneytheatre.com.auMail STC Education Sydney Theatre Company PO Box 777 Millers Point NSW 2000Fax (02) 9251 3687

Once your booking has been processed, STC invoices the school for a 25% deposit. Once you have paid your deposit, your booking is secured.

STC invoices you for the balance, payable six weeks before your performance. At this stage numbers are final.

Prior to your visit, you will be sent a detailed confirmation to ensure you have a hassle-free excursion. This includes any updates about changes to times or content.

To attend multiple shows, can we get a school group subscription?School groups can subscribe to STC if you book for six or more performances. For school subscription enquiries, contact education@sydneytheatre.com.au

Can we attend an evening or matinee performance?School groups can book for any performance, with discounted youth prices to all performances (excluding Previews and Saturday evenings). Limited availability. Full upfront payments required.

Does STC have access for mobility or hearing impaired students?STC is committed to providing equal access for all to ensure that everyone can fully participate and enjoy our productions. Wheelchair access is available for visits to all our Theatres. An Induction Loop system is also available in our theatres to assist our patrons with impaired hearing. When booking please tick the Access and Special Seating Requirements box where applicable. Audio-described,

captioned and Auslan interpreted performances are available at selected evening performances. For more information visit sydneytheatre.com.au/access

Does the cost include GST?STC Ed tickets are GST exempt, however GST does apply to the booking fee. Any applicable GST is listed on your invoice.

What time does the performance finish so I can book the bus?Estimated running times are listed in the brochure. Running times may change during rehearsal, so please check the STC website for the exact duration closer to your performance date.

Can I change my student numbers?Changes to booking numbers must be received in writing and can be accepted up to six weeks prior to the performance. Changes to student numbers after this time depends on availability and are at our discretion. This may incur a change fee.

Where can I park the bus?For performances at Roslyn Packer Theatre or The Wharf, buses can park on Hickson Road opposite Pier 4. Smaller buses are eligible for on-street metered parking.

Is there any nudity or strong language in the production?Sometimes STC productions contain mature material, but this cannot be confirmed until rehearsals commence. We offer a guide in this brochure and take all measures to inform you if the content has changed prior to your performance. Please ensure you check each show page for relevant warning information. If you would like any further assistance, please contact education@sydneytheatre.com.au

FAQS

1. COMPLETE YOUR BOOKING FORM

2. SEND YOUR BOOKING FORM

3. PAY DEPOSIT TO SECURE BOOKING

4. MAKE YOUR FINAL PAYMENT

5. RECEIVE CONFIRMATION AND USEFUL PRE-SHOW DETAILS

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Interim Artistic DirectorKip Williams

Executive DirectorPatrick McIntyre

School Drama™ PartnersProfessor Robyn Ewing amThe University of SydneyState Theatre Company of South AustraliaFlinders UniversityHotHouse TheatreMurray Arts

School Drama™ Teaching ArtistsGeorgia Adamson, David Andri, Bronwyn Batchelor, Victoria Campbell, Danielle Catran, Alyson Evans, Rowan Freeman, Kaylee Hazell, Zoe Hogan, Felix Jozeps, Anna Martin, Suzannah McDonald, Rachel McNamara, Carla Nirella, Gwyneth Price, Jena Prince, John Nicholas Saunders, Rachel Small, Courtney Stewart, Amber Virtue, Jennifer White, Kate Worsley

Teacher Advisory PanelHannah Brown, Pauline Cain, Aine de Paor, Robyn Ewing am, Joanne George, Rosemary Gorman, Julian Kennard, Costa Loucopoulos, DiAnne McDonald, Mary Mooney, Rita Morabito, Alison O’Grady, Colleen Roche, Jane Simmons, Elizabeth Surby, Tamara Sweetman, Michael Terzo, Lisa Wright.

Sydney Theatre Company LtdA company limited by guarantee andincorporated in New South Wales.ABN 87 001 667 983

STC ED CONTACTSSydney Theatre CompanyThe WharfPier 4 Hickson RoadWalsh Bay NSW 2000 Australia

Facsimile (612) 9251 3687education@sydneytheatre.com.ausydneytheatre.com.au/stced

Postal AddressSTC EdPO Box 777Millers Point NSW 2000 Australia

John Nicholas SaundersEducation Manager(02) 9250 1795jsaunders@sydneytheatre.com.au

Lisa MumfordEducation Projects Officer(02) 9250 1768lmumford@sydneytheatre.com.au

Zoe HoganEducation Development Officer(02) 9250 1967zhogan@sydneytheatre.com.au

Walter MansfieldEducation Ticketing Coordinator(02) 9250 1778education@sydneytheatre.com.au

Judith SeeffArchivist(02) 2950 1745jseeff@sydneytheatre.com.au

THANK YOUSchool DramaTM would not be possible without the vital support we receive from the following individuals and organisations.

The Raymond E Purves Foundation2016 STC Auction Donor Circle City of Sydney

Brochure CreditsDesign concept and art direction Collider Design Grant Sparkes-CarrollPrinterPlaybill

Photography creditsProduction Photography James GreenPhotography styling Elizabeth Gadsby and Hannah LobelsonHair and makeup Kelly Tapp, Isabella Schimid, Annette McKenzie1984 image courtesy of HeadlongThe Popular Mechanicals image byKris Washusen

facebook.com/sydneytheatrecompawnytwitter.com/sydneytheatrecoinstagram.com/sydneytheatreco

Throughout the brochure you may have noticed this symbol. It denotes productions that need the support of our donor family in 2017.

Sydney Theatre Company is a member of AMPAG

Sydney Theatre Company is assisted by the Australian Government through the Australia Council, its arts

funding and advisory body

Sydney Theatre Company is supported by the NSW Government through Arts NSW

YOUR PLAY SELECTION

SEND IN YOUR FORM EMAIL: EDUCATION@SYDNEYTHEATRE.COM.AUFAX: (02) 9251 3687MAIL: STC ED TEAM, SYDNEY THEATRE COMPANY

PO BOX 777 MILLERS POINT NSW 2000

PLEASE NOTE: YOU MUST COMPLETE AND RETURN BOTH SIDES OF THIS FORM IN ORDER FOR YOUR REQUEST/S TO BE PROCESSED.

THERE IS NO NEED TO PAY UPFRONT. WE’LL SEND YOU AN INVOICE FOR THE DEPOSIT AFTER WE HAVE CONFIRMED YOUR TICKET REQUEST/S.

* COMPLIMENTARY TEACHER TICKETS: ONE TEACHER ATTENDS FREE WITH UP TO 20 STUDENTS AND ONE TEACHER FREE PER 20 STUDENTS AFTER THAT. 25%DEPOSIT $

TOTAL $

BLACK IS THE NEW WHITE SCHOOLS DAY

WED 31 MAY, 11.30AM @ $25 @ $0 @ $32 $

1984 SCHOOLS DAY

WED 19 JUL, 11.30AM @ $25 @ $0 @ $32 $

THREE SISTERS SCHOOLS DAY

WED 15 NOV, 11.30AM @ $25 @ $0 @ $32 $

THE TESTAMENT OF MARY PRE-SHOW FORUM

WED 8 FEB, 10AM @ $0 @ $0 @ $0 $

HSC AUSTRALIAN THEATRE FORUM

TUE 7 FEB, 9.30AM

THU 9 FEB, 9.30AM@ $20 @ $0 @ $0 $

SCHOOLS DAYS SELECT YOUR PREFERRED PERFORMANCE DATES

YEARLEVEL/S

STUDENTS (A)

COMP TEACHERS* (B)

ADDITIONAL TEACHERS (C)

TOTAL No. OF TICKETS (A+B+C)

TOTAL COST

OFFICE USE ONLY

THE TESTAMENT OF MARYSCHOOLS DAY

WED 8 FEB, 11.30AM @ $25 @ $0 @ $32 $

AWAYSCHOOLS DAY

WED 8 MAR, 11.30AM

WED 15 MAR, 11.30AM@ $25 @ $0 @ $32 $

THE POPULAR MECHANICALS SCHOOLS DAY

TUE 2 MAY, 11.30AM

WED 3 MAY, 11.30AM

THU 4 MAY, 11.30AM

TUE 9 MAY, 11.30AM

WED 10 MAY, 11.30AM

THU 11 MAY, 11.30AM

@ $25 @ $0 @ $32 $

• A 25% non-refundable deposit is to be paid within 14 days of the booking being confirmed by Sydney Theatre Company.

• Changes to student numbers MUST BE IN WRITING and no later than 6 weeks prior to the performance.

• Final payment is due 6 school weeks prior to the performance.• Any changes to student numbers after this time are at the discretion of Sydney Theatre

Company and subject to availability.

• The booking is made on behalf of the school and the school accepts liability to make payments on the due dates.

• STC retains the right to change or amend the terms and conditions at any time.

PLEASE NOTE ALL SCHOOL BOOKINGS MADE WITHIN 6 SCHOOL WEEKS OF A PERFORMANCE DATE MUST BE PAID IN FULL WITHIN 1 WEEK OF CONFIRMATION AND ARE FINAL. THERE ARE NO REFUNDS OR CHANGES TO NUMBERS OR DATES ON THESE BOOKINGS.

TERMS & CONDITIONS

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