LA FONDAZIONE [ ED. 2017 ] ARCHIVI DELLA MODA 1MASTER [ ED. 2016-17 ] DESIGN AND TECHNOLOGY FOR FASHION COMMUNICATION

1 FALL-WINTER SCHOOL

FALL-WINTER SCHOOL 2017 EDITION

FASHION ARCHIVES:

HERITAGE MANAGEMENT

THE FOUNDATION [ ED. 2017 ] FASHION ARCHIVES 3

THE FOUNDATION

Fashion Research Italy is a Nonprofit Foundation founded by Cav. Alberto Masotti - former patron of the La Perla fashion group. The foundation was born with the aim of accompanying Made in Italy in its path of affirmation and innovation also through training and research activities. The proximity to professional and academic realities of international fame makes the foundation the ideal context in which to specialize to obtain an ever-innovative education and effective entry into the labor market.

THE COURSE[ ED. 2017 ] FASHION ARCHIVES 44

48 HOURS OF LECTURES

6 LABORATORY HOURS

ARCHIVE VISITS, BUSINESS MUSEUMS AND FOUNDATIONS

6 INTERNSHIP

LESSON PERIOD13-24 November 2017

MAXIMUM STUDENT NUMBER20

LANGUAGEItalian

specialize professional figures who can work in the field of bu-siness archives and museums. Through the course participants will have the opportunity to learn the specifics of archival discipli-ne applied to the fashion sector, especially the product, along with the main technical and theoretical criteria in use. They will under-stand the importance of a figure that is in support of corporate re-search for the definition of style or communication strategies that start from the heritage.

OUTPUT PROFILES AND OCCUPATIONAL OPPORTUNITIESThe course specializes in pro-fessional figures that can work in the field of business, archives and museums and Cultural Heri-tage of the Fashion, Luxury and Lifestyle sectors. Possible profes-sional frameworks are: historical archive expert manager, record manager, coordinator of the ac-

quisition and archiving process as a tool to support creativity and corporate communications as well as the consulting archive suppor

INTERNSHIPThe course offers the possibility for six participants to take part in a training experience within the archives of the Fashion Research Italy Foundation. All participants will be able to hold an interview for the selection of the six candidates. The training experience of not more than 3 months will take place no later than 2018 on dates that will be indicated by the body itself.

the Fall Winter School intends to do. Through case histories, testi-monials from the industry, profes-sionals and university lecturers, the course intends to specialize a professional figure able to match the standards in the archive field with the most specific needs of companies, and that in the valo-risation of their heritage find new levers for a Modern communica-tion and strengthening of one’s reputation. Within the prestigious headquarters of the Foundation, an area of 7,000 square meters with the most modern technology, and called to re-qualify a former establishment of the La Perla Group, participants will be able to confront and network with professional figures who have been operating in the industry for years. The course also offers the opportunity to participate in the selection of 6 candidates for 6 internships within the archi-ves of the Fashion Research Italy Foundation.

RECIPIENTSThe course foresees a maximum of 20 students. It is aimed at pro-fessionals working in the field of fashion; scholars, students, gra-duates and graduates in the areas of archive keeping, library scien-ce, fashion, art, management and communication; those specialized in the same disciplines.

INNOVATION ELEMENTSThe archive course for fashion business emerges as the first to encode and collect the experien-ces of cataloguing and archival discipline in fashion as a training product. It offers the opportunity to encounter important compa-nies operating in the industry and provides appropriate skills for the training of easily absorbable experts in business contexts where archiving is required.

EDUCATIVE OBJECTIVESThe course focuses on acquiring the fundamentals to support and

THE COURSEA NEW PERSPECTIVEThe Fall-Winter School “Fashion Archives: Heritage Manage-ment” is a two-week full-im-mersion specialization course about archives, and product ar-chives, in the Fashion, Luxury and Lifestyle industries. In a sector in perpetual evolution as that of fashion, and under the surge of recent market changes, companies seem to react and strengthen themselves through profound self-rethinking. A point in this sense is showing the reco-very and revision of its heritage, the true heart of the brand and the true memory of the whole enterprise. But, for it to be vital, the heritage must be adequately organized. Knowing the archive at its various stages or learning how to form it, order it and catalogue it to make it a strategic tool for business competitiveness - in de-fining the brand identity and the marketing heritage – is what

FALL-WINTER SCHOOL FASHION ARCHIVES: HERITAGE MANAGEMENTBy Fabio Massaccesi

LA FONDAZIONE [ ED. 2017 ] ARCHIVI DELLA MODA 5STRUCTURE [ ED. 2017 ] FASHION ARCHIVES 5

STRUCTURE

MONDAY 20 NOVEMBER 10:00 - 17:15 H

The Archive as a communication, marketing and brand identity tool

Simona Lumachelli, Fashion Researcher & Archivist, Hubert de

Givenchy Archive, ParisMarco Montemaggi, Director of

MuseimpresaMonica Brannetti, Heritage expert,

Bulgari Archive, Rome

TUESDAY 21 NOVEMBER10:00 - 17:15 H

Managing a Business Archive, taking into account features and

needsGiorgetta Bonfiglio Dosio, former

Professor of Archives, University of PaduaIsabella Campagnol, former Curator of the Rubelli Archives (Venice), Professor

of History of Fashion and Costume, Istituto Marangoni, Milan and Florence

WEDNESDAY 22 NOVEMBER 10:00 - 17:15 H

Archives and Technologies: problems of representation

and dissemination in a digital environment

Francina Chiara, former Curator of the Archives and Museum Foundation

Antonio Ratti (Como), Professor of History of Fashion and Costume, Catholic

University of the Sacred Heart, BresciaFrancesca Tomasi, Professor in Humanistic Informatics, University of

Bologna

THURSDAY 23 NOVEMBER10:00 - 17:15 H

Visit: Missoni Archives, Sumirago (VA), Heritage Expert; MAGA

Museum, Gallarate (VA)

FRIDAY 24 NOVEMBER 10:00 - 17:15 H

Methods and techniques for describing archives; Descriptive software for corporate archivesGiorgetta Bonfiglio Dosio, former

Professor of Archives, University of PaduaMarco Rubichi, Project Manager,

Promemoria Srl, TurinFabio Massaccesi, Director of Archi-ves and Exhibition Space of FRI, Bologna

SECOND WEEK

MONDAY 13 NOVEMBER 10:00 - 17:15 H

GreetingsCav. Alberto Masotti,

President of the Fashion Research Italy Foundation (FRI), Bologna

Introduction - The Fashion Archives

Fabio Massaccesi, Director of Archives and Exhibition Space of FRI,

BolognaAlessandra Arezzi Boza, brand heritage expert, co-founder Beyond Heritage, Professor of Theories and Practices of Fashion Archives at the

University of Bologna

TUESDAY 14 NOVEMBER AND WEDNESDAY 15 NOVEMBE 10:00 - 17:15 H

Florence Archivio, Business Museum, Museum of Fashion, Foundation: Models and Comparative Needs

Caterina Chiarelli, Curator of the Collections of the Museum of Fashion and Costume at Palazzo Pitti - Uffizi Galleries, Florence

Fabio Massaccesi, Director of Archives and Exhibition Space of FRI, BolognaSilvia Zanella, Executive Assistant to the Director of Archives

and Exhibition Space of FRI, Bologna: Visit to the Brandon Fund (30,000 drawings of textile design) by FRI

Stefania Ricci, Director of Salvatore Ferragamo Museum and Ferragamo Foundation, Florence

Luca Missoni, artistic director of the Missoni Archives and Missoni spa owner, Sumirago

THURSDAY 16 NOVEMBER10:00 - 17:15 H

Visit: Salvatore Ferragamo Museum and Ferragamo

Foundation, Florence; Gucci Museum

FRIDAY 17 NOVEMBER10:00 - 17:15 H

Archives for Creativity: collections that start from the heritage

Alba Cappellieri, Ordinary Professor, Jewelery and Accessory Design,

Politecnico di MilanoRita Airaghi, Foundation Director

Gianfranco Ferré, Milan

FIRST WEEK

LA FONDAZIONE [ ED. 2017 ] ARCHIVI DELLA MODA 6VISITS [ ED. 2017 ] FASHION ARCHIVES 6

VISITS

FERRAGAMO SALVATORE MUSEUM AND FERRAGAMO FOUNDATION, FlorenceThe Salvatore Ferragamo Mu-seum is located at the historic site of the company, the 13th century Palazzo Spini Feroni in Florence. It started in 1995 on the wishes of the family in order to allow the models of Salvatore Ferragamo to be known as the role he has played in the history of footwear and international fashion. Every year the museum organizes an exhibition, starting from an episo-de of the founder’s life, trying to reach today, analysing various fa-cets of the historical, artistic and cultural context. The Ferragamo Foundation was founded in 2013 with the aim of promoting and enhancing craftsmanship and Made in Italy in all its perceptions. It also offers young people an op-portunity for growth and training. Of great importance are the pro-tection and enhancement of the historical archive, in which docu-ments, patents and products that bear witness to Salvatore Ferra-gamo’s entire career as well as the history of the brand are kept.

GUCCI MUSEUM, Florence

The Gucci Museum is housed inside the medieval Palazzo della Mercanzia in Florence overlooking the Piazza della Signoria. A clever restoration has allowed the mi-nimal contemporary elegance to dialogue with the original featu-res of the palace. As the palazzo della Mercanzia was created in support of the city’s corporations that made Florence a promi-nent center in the Renaissance landscape, in the same way the Gucci Museum is a reference for Florentine art and crafts. The museum goes back in history to the maison’ s beginning when it was a company of leather goods up to it being leader in the luxury goods market. In the rooms, you can admire the iconic items of the brand, while the archive is stored in the basement.

MISSONI ARCHIVE,Sumirago (VA))

The Missoni archive retains the company’s production from the early sixties consisting of 17,000 items from Missoni men’s and wo-men’s collections; 10,000 acces-sories (bags, shoes, scarves, hats, glasses, jewellery); Almost 7000 fabrics and about 1000 colour folders; Communication material; Books, catalogues of exhibitions; Photo and video material about the Missoni family and the events the company took part in. It is also the custodian of the artistic work of Ottavio Missoni (original tape-stries and drawings). The chrono-logical organization of the archive began in 1994 through a physical and digital reordering. The archive is a source of inspiration to keep the identity of the house in the new collections. It also realizes or provides material and costumes to museums or organizations for exhibitions and events where Luca Missoni is often the curator. In its artistic and cultural function, it often has exchanges with museu-ms, institutions, fashion schools, professional institutes and univer-sities.

MAGA MUSEUM, Gallarate (VA)

The MAGA museum was founded in 1966 as the Civic Gallery of Modern Art in Gallarate. Today it holds more than 5,000 works that illustrate the main artistic orien-tations from the mid-twentieth century to today, with openings on contemporary international research. In the exclusive multi-functional space called Sala Araz-zi, some of the most significant works of Ottavio Missoni are exhi-bited: studies for tapestries and fabrics made of felt paper and unique patchwork tapestries cre-ated by him personally. In Decem-ber 2009, the City of Gallarate formed the Foundation “Modern and Contemporary Art Gallery Sil-vio Zanella” with the task of ma-naging the museum’s activities. Since 2010, the museum has been named MAGA - Gallarate Art Museum and has moved to a more prestigious venue.

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TEACHERS

CATERINA CHIARELLICurator of the collections of the Museum of Fashion and Costume at Palazzo Pitti - Galleries of the Uffizi, Florence

Director of the Museum of Fashion and Costume at Palazzo Pitti since 2006, she replaced Kirsten Aschen-green Piacenti at the State Museum, director since 1983, year of the foun-dation of the Gallery, and Carlo Sisi, director from 2000 to 2006. Since 2016, the offices of the Uffizi and the museums of Palazzo Pitti having been united under the direction of Eike Schmidt, she is the conservative official, curator of the Museum of Fa-shion and Costume. She cares for and studies the collections daily, organizes exhibitions related to costume and fa-shion and compiles catalogues. The museum, housed in the Palazzina del-la Meridiana of Palazzo Pitti, collects costumes and historic clothes from the XVI century (funeral costumes by Cosimo I de ‘Medici, Eleonora of To-ledo and don Garzia) to this day. The contemporary section also includes a substantial donation by Gianfranco Ferré. He is author of several publica-tions related to the history of costume and fashion.

GIORGETTA BONFIGLIO DOSIOOrdinary Professor of Archives, University of Padua

She has been an Archivist Profes-sor at the University of Padua since 2011. She is a professor of archives at the universities of Padua, Ca ‘Fo-scari-Venezia, Macerata and Floren-ce. She has served at the Archivistic Superintendent for Veneto from 1978 to 1994, and led the Verona State Archives Department and taught at the State School of Archives of Bol-zano. Between 2003 and 2007, she directed two first-level Master’s de-grees focused on archive manage-ment and archiving; she is currently deputy director of the Master in Trai-ning, Management and Conservation of Digital Archives. She is director of the magazine Archives of the National Archivist Association of Italy (ANAI) of which she is a member. She is a member of scientific committees of numerous Academies or Scientific As-sociations. She has been a member of the Scientific Technical Committee for Archives from 2009 to 2012 and of the Council for Cultural Heritage from 2011 to 2012.

ALESSANDRA AREZZI BOZABrand heritage expert, co-founder Beyond Heritage, Professor of Theories and Practi-ces of Fashion Archives at the University of Bologna

Beyond Heritage Co-Founder in 2015, a consulting firm for management, conservation of the Homeland and the enhancement of Brand Identity for fashion and lifestyle companies. From 2001 to 2014 she was Director of the Emilio Pucci Foundation in Flo-rence, a consultant for the Costume Gallery in Florence and for projects for the enhancement of archives for the Gianfranco Ferrè, Giorgio Armani and Fendi Foundations. She has collabo-rated with various exhibitions related to major fashion brands and has held several lectures on Fashion History at Institutes such as Polimoda in Floren-ce, Politecnico and State University of Milan, Richmond University (USA), V & A Museum in London and from 2017 she is a lecturer at the University of Bologna. She has collaborated on the project of the Ministry of Cultural Heritage Archives of Italian Fashion of the twentieth century and from 2012 to 2016 she was coordinator and director of the Communication Europeana Fashion Project, funded by the European Community.

The course is formed by both teachers from various public uni-versities and private institutes as well as professionals from the Fashion, Luxury, Lifestyle and Ar-chive sectors.

CaterinaChiarelli

RITA AIRAGHIDirector of Gianfranco Ferré Foundation, Milan

Director of the Gianfranco Ferré Foun-dation since 2008, deals with the pre-servation, promotion and dissemina-tion of cultural, artistic and aesthetic values that the designer has worked on and witnessed in his life. Her com-mitment is divided into a variety of activities and competences ranging from organizing events and exhibi-tions, publications, and participation in conferences. All this has been made possible thanks to the perso-nalized care of a digital database in which all the heterogeneous material that testimonies Ferré’s work is orga-nized. Until 2005 she accompanied the stylist in the role of Director of Communication: a role that sums up a whole range of competencies and responsibilities across the board that made her part of all the activities, projects and successes of Ferré.

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TEACHERS

ALBA CAPPELLIERIOrdinary Professor of Jewellery and Ac-cessory Design, Politecnico di Milano

Ordinary Professor of Jewellery De-sign and Fashion Accessory at the Politecnico in Milan where she leads the 3-year course in Fashion Desi-gn. Director of the Jewellery Design and Master of Advanced Accessory Design. She is also a member of the Scientific Committee of Ecole Van Cleef & Arpels in Paris and of the Cologni Foundation in Milan. From 2013 to 2016 she taught Design for Innovation at Stanford University. In 2017 she was named Italian Design Ambassador for the Italian Design Day in Osaka. With her students, she founded the blog www.jewel-leryscape.it, coordinated many inter-national researches and curated the main exhibitions and conferences on jewels. From 2014 she is the director of the Jewellery Museum in Palladian Basilica in Vicenza, the first Italian museum dedicated to jewellery.

ISABELLA CAMPAGNOLFormer Curator of Rubelli Archives (Veni-ce), Professor of History of Fashion and Costume, Istituto Marangoni, Milan and Florence

A historian specializing in clothing and fashion history. Since 2015 she has been lecturer in History of Clothing and Fashion and Heritage Management at the Marangoni Insti-tute in Milan and Florence. In the past, she taught at other Italian universities. She is also editor of the Essence ma-gazine. The Culture of Luxury. She has been curator of the Historical Collection and the Archive of the Ru-belli Collection from 2006 to 2014, where she organized, catalogued and promoted the archive, studying the hi-story of the brand and presenting the corporate heritage in important inter-national symposia. She has worked as a consultant with several national and international institutions. She also catalogued clothes, accessories and art collections at the Napoleonic Mu-seum in Rome, the Royal Palace and the Franchetti Gallery at Ca ‘d’Oro in Venice. She is the author of numerous publications on fashion history.

FRANCINA CHIARAFormer Curator of the Archives and Mu-seum Foundation Antonio Ratti (Como), contract professor of History of fashion and costume, Catholic University of Sacred Heart, Brescia

Professor of the History of Fashion and Costume at the Bachelor of Science in Arts and Entertainment at the Brescia University of the Catholic University of the Sacred Heart. She was curator of the textile collections of the Fon-dazione Antonio Ratti of Como (FAR) from 2006 to 2016, where she began working in 1995 as assistant to the curator, participating in the project of digitizing the collections that even-tually opened to the public in 1998 in the Fabric Studio Museum. She has been attending exhibitions and publi-cations, conducting research in the field of fabric history and textile col-lecting, extending her interest in the heritage of the Diocese of Como and the Civic Collections of Applied Art of the Castello Sforzesco of Milan. She is also a member of the Center d’Etudes des Textiles Anciens (CIETA).

MONICA BRANNETTIHeritage expert, Bulgari Archive, Roma

Specializing in Communications and International Relations, she has been working in the Brand Heritage of the Maison Bulgari for 22 years as a Historical Archive Expert Manager, structuring and managing the Hi-storical Archive. In the course of her activities she has conducted historical brand-related research, coordinating numerous communication initiatives by personally being in contact with major celebrities, conceiving nume-rous publishing projects and contri-buting to the realization of itinerant exhibitions. She also contributes to the development of the brand he-ritage collection, giving a historical contribution to new acquisitions. She also cares for the company’s training for new personel and holds lessons on Bulgari’s heritage for university cour-ses in the field of luxury jewellery.

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TEACHERS

MARCO MONTEMAGGICouncilor Museimpresa

Member of the Board of Directors of Museimpresa, currently is Brand Identity Consultant for Diesel Spa and teacher of Heritage Marketing both in Italy and Chile. In the past he has held numerous positions for major Made in Italy brands including Opera-tive Marketing Manager for Borsalino Spa, Archive Curator for Riva Yacht, Director of the Ducati Museum and Special Events Manager for Ducati Motor Holding Spa. He has written and edited some books on Italian In-dustrial Culture.

FABIO MASSACCESIDirector of Archives and Exhibits of the Fashion Research italy Foundation, Bologna

Director of Archives and Exhibition Space of the Fashion Research Italy Foundation, he directs the design and cataloging project of the Renzo Brandone Fund (archive of 30,000 textile designs) and coordinates the Fashion Photography Archive data-base that embraces Emilia-Romagna manufacturing companies. He is also Fashion Contributor for some magazi-nes including Io Donna of the Corriere della Sera. Graduated and specialized in History of Art, he then attended a Master in Fashion Journalism and Communication. After some expe-rience in press offices of important fashion companies and multi-brand agencies, he supported research and development of collections whilst also teaching at the Marangoni Institute in Milan. In the field of cultural heritage and business archives he teaches at the Faculty of Culture and Techniques of Fashion in Rimini (UNIBO).

LUCA MISSONIArtistic Director of the Missoni Archives Artist and owner of Missoni Spa, Sumirago

Artistic director of the Missoni Archi-ves, he aims to make it a communi-cation tool to enhance the company’s art and fashion heritage. He owns Missoni spa together with his sister Angela and their niece. He grew up inside the maison, his mother Ro-sita had sent a sketch of him when he was nine-years-old to production. Over time, he has specialized in kni-twear textile design and has conti-nued the study of new motives, trying to express, optimize and diversify the potential of different textile machines. He follows exhibit projects and instal-lations of retrospective exhibits of the brand. In addition, as a photographer he creates personal exhibitions and has created installations with Italian artists. Photography has always been an essential part of his visual resear-ch. His other passions are astronomy and flying.

SIMONA LUMACHELLIFashion Researcher & Archivist, Hubert de Givenchy Archive, Paris

Luxury and lifestyle consultant for Au-tre Chose, the company for which she created the product and print archi-ve, she has conducted trend studies and created Mood-Boards for brand definition. Hubert de Givenchy’s Per-sonal Database Consultant in Paris for research and updating of the de-signer’s archive, she has also worked as a product and brand consultant for Geofashion srl in Florence, whe-re she analysed the archive of head office Cipriani and Elaborated the concept for the new brand “Maridò”. She is a co-founder of WWES Com-munications and Events in Florence, a company that from 2002 to 2014 has been involved in marketing and communications, public relations and press office, Brand Heritage research and project development, product and print archiving, organization of Events for several brands including Hubert de Givenchy and Salvatore Ferragamo.

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TEACHERS

FRANCESCA TOMASILecturer in Humanities Informatics, University of Bologna

Researcher in Archives, Bibliography and Library Science at the Department of Clas-sical and Italian Philology at the University of Bologna, where she teaches Computer Science and Humanities Informatics. She has recently started the Master’s Degree in Digital Humanities and Digital Knowled-ge (DHDK). She deals with humanities (di-gital humanities) with particular attention to the methods of computational modelling and projection of humanistic data in the sphere of information systems for archives and libraries. She is Vice President of the Italian Association of Humanities and Di-gital Culture (AIUCD) and President of the Humanities Library (BDU) of the University of Bologna. She has participated in nu-merous conferences of digital humanities and is author of five monographs and is responsible for the digital edition of the Letters from Vespasiano of Bisticci.

MARCO RUBICHIProject Manager, Promemoria Srl, Torino

Senior Project Manager of the Pro-memoria Group, Heritage Agency that supports multinational corpora-tions, cultural organizations and in-stitutions in the strategic promotion of their heritage. Since 2012 he has been dealing with archives in the field of archival and digital services, multimedia processing and digitiza-tion, exhibition and exhibition gallery, brand heritage, historytelling, social media and integrated communica-tion, studying solutions for historical and digital archives, leading Projects from concept to implementation. Sin-ce 2014 he has built projects related to the Luxury and Fashion sectors and Heritage Projects in collaboration with important fashion companies.

SILVIA ZANELLAExecutive Assistant to the Director of Ar-chives and Exhibition Space of the Fashion Research Italy Foundation, Bologna

Assistant to the Director of Archives and Exhibition Space of the Fashion Research Italy Foundation in Bolo-gna, has been involved in the cata-loguing and organization of the Renzo Brandone Foundation consisting of 30,000 textile drawings on paper and fabric and their placement in condi-tioned spaces. She is also responsi-ble for the scientific secretariat of the Fall-Winter School in question. She held a post degree internship at the Salvatore Ferragamo Museum in Flo-rence where she collaborated in the organization of the exhibition “A pala-ce and the city” coordinating scientific committee meetings, researching the artwork chosen by experts, drawing up loan applications and facilities report. She also did an internship at the Uffizi Gallery where she ran the internal museum card, catalogued the new arrivals and recorded all the moves of the works; she collabora-ted in organizing the exhibitions and drafted catalogues.

STEFANIA RICCIDirector of the Salvatore Ferragamo Museum and the Ferragamo Foundation, Florence

Director of Salvatore Ferragamo Museum and responsible for cultu-ral events in the brand world since 1995. Since 2013, she is Director of the Ferragamo Foundation. Since she has been director of the museum she has organized all the exhibitions and catalogues, including the most famous: Audrey Hepburn. A Woman, Style (Leonardo Arte) in 1999, Evol-ving Legend Salvatore Ferragamo 1928-2008 (Skira, 2009), Greta Garbo. The Mystery of Style (Skira, 2010), Marilyn (Skira, 2012). In 1985, she curated the first retrospective exhibition on Salvatore Ferragamo at Palazzo Strozzi in Florence and its various stages around the world, starting in organize the company’s archive. Previously, in 1984, she col-laborated with the Costume Gallery of Palazzo Pitti and with Pitti Immagine, taking care of the realization of some exhibitions and their catalogues.

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CALENDAR

Enrolment opening June 12, 2017

Enrolment closure October 16, 2017

Provisional ranking publication October 20, 2017

Subscription fee deadline October 24, 2017

Final ranking list October 31, 2017

Lesson period 13-24 November 2017

COURSE REGULATION[ ED. 2017 ] FASHION ARCHIVES 1212

COURSE REGULATION

I. GENERAL INDICATIONS

1. The course is delivered in Italian;

2. The course is subject to a limited number (max 20 stu-dents) and access is upon selection (selection criteria are given in Chapter III);

3. The course is held at Fa-shion Research Italy’s offices in via del Fonditore 12, Bolo-gna;

4. The Foundation reserves the right to make changes to the calendar and to the cour-se program for the best per-formance of the courses. Any changes will be communica-ted to the students in advance;

5. The course consists of no. 2 modules for all participants:A. 48 hours lecture module; B. 6 hour laboratory; Including a training experience (internship) within the Founda-tion archive not superior than

||. REQUIREMENTS

1. Knowledge of Italian;

2. Attestation, through curri-culum, of being a professional in the fashion industry; Scho-lars of archival, librarianship, fashion, art, management, communications; Students, graduates, specializing in:

- Graduates in Cultural Heri-tage- Graduates in Disciplines of Figurative Arts, Music, Enter-tainment and Fashion- Graduates in Economics and Business Management- Graduates in Communica-tion Sciences- Graduates in Computer Science and Technology- Graduates in Technologies for Conservation and Restora-tion of Cultural Heritage- Graduates in Letters- Graduates in Archives and

Library Economics- Graduates in Conservation and Restoration of Cultural Heritage- Graduates in Design- Graduates in Computer Methodology for Humanities- Graduates in Public Com-munication, Business and Ad-vertising Science- Graduates in Environmental Economics and Culture- Graduates in Economics-Bu-siness Sciences- Graduates in Art History- Graduates in Techniques and Methods for the Informa-tion Society - Graduates in Communica-tion Theories

- Graduates in Modern Philo-logy

- Graduates in Philology, Lite-rature and History of Antiquity

- Academy of Fine Arts

3 months for 6 participants (selection criteria are given in point 7);

6. The attendance of at least 75% of the course is essential for performing the internship training experience;

7. The selection of participants for the implementation of the training experience (intern-ship) will be through an inter-view to which all the members can access;

8. Participants may waive the internship training experience;

9. The internship training experience is activated no la-ter than 2018 on dates to be indicated by the institution;

10. The course issues a certi-ficate of attendance;

11. For attendance certificate attendance of at least 75% of the course modules is indi-spensable;

12. For information on the course you will be able to contact the course referent at: silvia.zanella@fashionresear-chitaly.org

The selection board, on the basis of CV assessment and motivation letter, may admit participants with a qualifica-tion other than those given in this section;

3. Completing the registration procedure as per cap. IV;

4. Regular contributions of secretarial rights and registra-tion fees.

COURSE REGULATION[ ED. 2017 ] FASHION ARCHIVES 1313

REGOLAMENTO DEL CORSO

scholarship to cover the full membership fee; The scho-larship is uniquely attributed to the top 10 participants; If one of them retires, the same cannot be reallocated to other candidates;

6. Candidates placed between the 11th and the 20th place (included) will be admitted to the course, subject to payment of the registration fee;

7. 21st place candidates will not be admitted to the cour-se, but they can be reinserted with the withdrawal of candi-dates between the 11th and the 20th place; the contact person of the course (within 7 days from the publication of the provisional ranking) will get in touch with individual candi-dates in case of repurchase;

8. On the basis of member-ships and possible re-scoring, the final ranking list (available at the reserved area of each candidate) is published within

|||. ADMISSION 1. The nominations will be evaluated by an internal jud-ging committee at FRI which will award a score between 60 and 100 p.ti for each can-didate;

2. The judgment of the se-lection board is indisputable;

3. Scoring is made up of the following criteria:A. Curriculum vitae (CV) (max 60 p.ti);B. Motivational letter (max 40 p.ti)

4. Based on the scores awar-ded, a provisional ranking list is published in the reserved area of each candidate. The best 20 candidates will be ad-mitted to the course according to the scores described in pa-ragraph 3 of this chapter;

5. Applicants who rank among the 1st and the 10th place (including) will be granted a

11 days of the publication of the provisional ranking;

9. Each eligible participant (both with scholarship and without a scholarship) will be contacted by the FRI course referent in the first few days following the publication of the provisional ranking to confirm adherence;

10. In the case of ex equo can-didates, the candidate with hi-gher cv score will be given pri-ority or, in the case of a further tie, the youngest candidate.

IV. ENROLMENT

1. Log on to http://edu.fa-shionresearchitaly.org; 2. Fill in the form by entering all mandatory fields;

3. At the end of the registration process you will receive an email (possibly check spam) containing username, pas-sword and link; Open the link to confirm the registration;

4. Pay the fee of 50 € for secretarial rights, indicating the following item “course secretarial rights; Name and surname; Title of the course “(eg for participant Mario Ros-si:” course secretarial rights, Mario Rossi, fashion archives: heritage management “);

5. Access the reserved area with your username and pas-sword activated and choose the Fashion archive course: heritage management to com-plete the registration;

6. Required documents: A. Photocopy of a valid identity document;B. Motivational Letter (200 words maximum); C. CV (preferably europass format);D. Receipt of transfer order Uploaded files should be in jpg or PDF format and the maxi-mum size is 2 MB;

7. When Uploaded the neces-sary documents, the applica-tion form will be completed and evaluated by FRI staff;

8. On the date of the publi-cation of the provisional list, candidates who have comple-ted the candidacy poll will be able to evaluate their status in relation to the score obtained through access to their reser-ved area: A. ADMISSION WITH SCHOLARSHIP; B. ADMISSION (an additional field will charge for transfer of receipt for the registration fee);

C. NOT ACCEPTED

Attendees are invited to care-fully evaluate their ranking on the provisional list due to pos-sible re-scoring;

9. In the case of admission wi-thout scholarship , the partici-pants will be required to: A. To pay the registration fee of 500 € in a single installment within 5 days of the publica-tion of the provisional ranking indicating the following subject “course inscription; Name and surname; Title of the course “(eg for participant Mario Ros-si:” course registration, Mario Rossi, archive of fashion: heri-tage management “); B. Upload the receipt of the transfer order to your private web area (within 5 days of the publication of the provisional ranking);

10. The failure to recognize the registration fee entails exclu-sion from the course;

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REGOLAMENTO DEL CORSO

11. Both the secretarial rights (€ 50) and the registration fee (€ 500) must be reco-gnized by bank transfer to IBAN IT 39 V 03273 02400 000600102764 (Credito di Romagna).

V. NOTE 1. This document, in its integri-ty, forms part of the terms and conditions of the service;

2. By registering, candidates accept terms and conditions of service;

3. Secretarial rights and regi-stration fees are non-refun-dable;

4. If a student renounces the course after having payed the fee, the student will not be reimbursed;

5. The tuition fee is recogni-zed as a reimbursement of expenses for participation to courses;

6. Secretarial rights and enrol-lment fees may be recognized by third parties, subject to the correct cause of payment with reference to the student as described in pts. 4 and 9 of chap. 4;

7. lThe Foundation assumes no responsibility for the di-spersion of communications due to incorrect indication by the candidate or late notifica-tion of the change of address indicated in the online regi-stration, or any disagreements attributable to third parties, Fortuitous or force majeure;

8. All candidates are admitted to the motivational interview with the reserve: the Founda-tion will subsequently exclu-de candidates who have not obtained the qualifications listed in this notice;

9. If the documentation sub-mitted by the candidate is false or misleading, relevant for the purpose of enrollment, without prejudice to the penal-ties provided for in art. 76 of Presidential Decree no. 445 of 28 December 2000, the same candidate, declines from the right to subscribe and is not entitled to any reimbursement of the paid installments. Any

false or misleading statemen-ts involve exposure to legal action by the affected parties;

10. Access to training courses and training period may be suspended for disciplinary re-asons or for reasons of major force.

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INFORMATION

LESSON ADRESS

Fondazione Fashion Research ItalyVia del Fonditore 12, 40138 Bolognawww.fashionresearchitaly.org @fondazionefri

COSTS

Secretarial costs of 50 euros. Once admitted the cost is 500 euros. Based on the admission requirements, 10 scholarships will be provided to cover the full cost of enrolment.

ENTRY

Applications must be submitted no later than October 16, 2017 following the registation steps on the web site. The ranking will be based on the evaluation of curriculum and motivational letter. Those who have attended at least 75% of the lessons will receive a certificate of attendance.

CONTACTS

For more information: course referent Silvia Zanella - T 051220086silvia.zanella@fashionresearchitaly.org

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