8
mm S ports ............. 6 J ustin H uneke WILL PLAY HIS SOPHOMORE SEASON ALONGSIDE HIS FATHER AND BROTHER. E ditorial ......... 3 LAST OF THE DEPARTMENT LETTERS. C ontest W inner The winner of the Alestle flier drawing is Ryan Lintker. He wins a $25 GIFT CERTIFICATE to the Morris University Center Bookstore. L ifestyles ......... 4 J ohn B rown s B ody plays reggae FOR THE SOUL, A NEARLY RELIGOUS EXPERIENCE. T hursday , S eptember 2,1999 Southern Illinois University Edwardsville Vol. 52, No. 4 ♦ System upgraded, ID cards on way BY PAT EBERS NEWS EDITOR Many SIUE students returning to class this fall have been surprised to learn their Vendacards are no longer valid. John Drueke, director of academic computing, said not to fear because new cards will be issued to replace the old ones at no cost to students. “We are in the business of letting you print,” Drueke said. Old cards can be exchanged at any computer lab where an attendant is on duty. Some students may make money on the deal, Drueke added. In many cases, the credit amounts on old cards are being rounded up to the nearest dollar when they are exchanged. Vendacards are being replaced to make the system compatible with the eventual move to use student ID cards to pay for printing. According to Drueke, with this system, printing will be paid for in the same manner as students on meal plans pay for food. There will be a separate account with a prepaid balance from which the cost of printing will be deducted. The magnetic strip on the new cards, although it looks the same, is actually a different type, which makes it compatible with upgrades made to the Vendacoder machines. Students can expect to see additional Vendacoder machines in Dunham Hall and the new residence hall and engineering building when they are completed. However, Drueke added, it is unlikely that there will be many more machines in the future. “It takes some serious negotiating to get the vendor to give up more machines,” Drueke said. Vendacoders are provided by Icon Office Solutions. Each machine costs $4,000 to $5,000. Drueke added that the expense of the machines limits their distribution. Drueke could not give a specific time frame for the switch to ID card payment. He said upgrades need to be made to the university’s internal computer network and new accounting software must be purchased. Grammy-winning jazz artist plays at Bistro BY STEPHEN WHITE LIFESTYLES STRINGER It’s been almost three years since 29-year-old jazz trumpeter Roy Hargrove released his Grammy-winning album, “Habana.” But he hasn’t spent those three years lying around his New York apartment waiting for inspiration. He’s been touring the world with his quintet at the almost unheard of rate of over 200 concerts a year. Perhaps the most ferocious musician to come out of the so-called “Young Lions” movement that started in the early ’90s, Roy Hargrove has the technical virtuosity of Wynton Marsalis, the lyrical sensibilities of Clifford Brown and the eclectic passion of Freddie Hubbard. It’s not surprising that all of these musicians played a crucial role in Hargrove’s development. Great jazz doesn’t happen any other way. What is surprising is that Hargrove, who went through his teen-age years during the dawn of the MTV generation in the early ’80s and whose parents never turned him on to jazz, discovered the music on his own and has since become one of the most promising Generation X jazzers of the ’90s. Born in Waco, Texas, Hargrove attended the Dallas Arts Magnate School as a teen- ager, where he got a chance to hear artists like David “Fathead” Newman. By the time he was 22, he had several albums under his belt — including the critically acclaimed albums “Diamond in the Rough” and “The Vibe.” Last Thursday through Saturday, Hargrove performed two sets each night at Jazz at the Bistro, located at 634 North Grand Blvd. in St. Louis. The intimate confines of the Bistro are a jazz lover’s dream— the farthest seats from the stage are less than 50 feet away, the walls are adorned with photographs of famous musicians such as Duke Ellington, Miles Davis and Ella Fitzgerald and the programs feature the best artists in world. Hargrove took to the stage the first night and immediately began to play with barely a pause between songs. He played everything from romantic ballads to hard bop to funk. His flugelhom work on such romantic ballads as “My Foolish Heart” and “Another Time” was compelling, poignant and very clean, while his trumpet soared with an extroverted fire on hard bop tunes like Frank Lacey’s “Stranded” and Sherman Irby's “Big Mama’s Biscuits.” Over the course of three consecutive nights, the feelings changed, though most of the songs he played were the same. The quintet consisted of Willy Jones III (drums), Charles Craig (piano), Gerald Cannon (bass), Sherman Irby (Alto Sax) and Roy Hargrove (Trumpet and Flugelhorn). Hargrove played like Sugar Ray Leonard boxed, jabbing notes in quick flurries, then stopping for awhile when Irby would come in with a new idea. The two hard boppers traded Roy Hargrove phrases like sparring partners. When it worked, Hargrove would shout, nod in approval, or just smile; when it didn’t, he would shake his head. It usually worked. In between Friday’s sets, I sat down with Hargrove for about 20 minutes, and we talked about his earliest musical influences, his friends in the music business, the critics and his aggressive, take-no-prisoners style of performing. He is a short, slender man. His hair is in dreadlocks, and he wears a mustache and a neatly trimmed goatee. He speaks with the same air of confidence with which he plays, and though his demeanor is peaceful and serene, he looks ready and composed. Roy Hargrove is still very much a young man — his eyes are clear, his face is very tight, and he is sturdily built. Looking at him, it’s hard to believe someone his size could produce all that sound. Without a trumpet in his hands, he doesn't look quite as intimidating or powerful. I soon discovered that Roy Hargrove off stage is a completely different person than Roy Hargrove on stage, but I’m thrilled to know both. see HARGROVE, page 4

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Page 1: 2,1999 System upgraded, ID cards on way

mmSpo r t s .............6

J u s t i n H u n e k e

WILL PLAY HIS

SOPHOMORE SEASON

ALONGSIDE HIS

FATHER AND

BROTHER.

E d it o r ia l .........3

LAST OF THE

DEPARTMENT

LETTERS.

Co n te st W in n e r

T h e w i n n e r o f t h e A l e s t l e f l i e r

d r a w i n g is R y a n L i n t k e r . H e w in s a $25 GIFT CERTIFICATE

t o t h e M o r r i s U n i v e r s i t y C e n t e r

B o o k s to r e .

L ifestyles .........4

J o h n B r o w n ’s

B o d y p l a y s r e g g a e

FOR THE SOUL, A

NEARLY RELIGOUS

EXPERIENCE.

♦ T h u r s d a y , S e p t e m b e r 2 ,1 9 9 9 Southern Illinois University Edwardsville Vol. 52, No. 4 ♦

System upgraded, ID cards on wayBY PAT EBERS NEWS EDITOR

Many SIUE students returning to class this fall have been surprised to learn their Vendacards are no longer valid.

John Drueke, director of academic computing, said not to fear because new cards will be issued to replace the old ones at no cost to students. “We are in the business of letting you print,” Drueke said.

Old cards can be exchanged at any computer lab where an attendant is on duty.

Some students may make money on the deal, Drueke added. In many cases, the credit amounts on old cards are being rounded up to the nearest dollar when they are exchanged.

Vendacards are being replaced to make the system compatible with the eventual move to use student ID cards to pay for printing.

According to Drueke, with this system, printing will be paid for in the same manner as students on meal plans pay for food. There will be a separate account with a prepaid balance

from which the cost of printing will be deducted.

The magnetic strip on the new cards, although it looks the same, is actually a different type, which makes it compatible with upgrades made to the Vendacoder machines.

Students can expect to see additional Vendacoder machines in Dunham Hall and the new residence hall and engineering building when they are completed.

However, Drueke added, it is unlikely that there will be many more machines in the future. “It

takes some serious negotiating to get the vendor to give up more machines,” Drueke said. Vendacoders are provided by Icon Office Solutions. Each machine costs $4,000 to $5,000. Drueke added that the expense of the machines limits their distribution.

Drueke could not give a specific time frame for the switch to ID card payment. He said upgrades need to be made to the university’s internal computer network and new accounting software must be purchased.

Grammy-winning jazz artist plays at BistroBY STEPHEN WHITE

LIFESTYLES STRINGER

It’s been almost three years since 29-year-old jazz trumpeter Roy Hargrove released his Grammy-winning album,“Habana.”

But he hasn’t spent those three years lying around his New York apartment waiting for inspiration. He’s been touring the world with his quintet at the almost unheard of rate of over 200 concerts a year. Perhaps the most ferocious musician to come out of the so-called “Young Lions” movement that started in the early ’90s, Roy Hargrove has the technical virtuosity of Wynton Marsalis, the lyrical sensibilities of Clifford Brown and the eclectic passion of Freddie Hubbard.

It’s not surprising that all of these musicians played a crucial role in Hargrove’s development. Great jazz doesn’t happen any other way. What is surprising is that Hargrove, who went through his teen-age years during the dawn of the MTV generation in the early ’80s and whose parents never turned him on to jazz, discovered the music on his own and has since become one of the most promising Generation X jazzers of the ’90s.

Born in Waco, Texas, Hargrove attended the Dallas Arts Magnate School as a teen­ager, where he got a chance to hear artists like David “Fathead” Newman. By the time he was 22, he had several albums under his belt — including the critically acclaimed albums “Diamond in

the Rough” and “The Vibe.”Last Thursday through

Saturday, Hargrove performed two sets each night at Jazz at the Bistro, located at 634 North Grand Blvd. in St. Louis. The intimate confines of the Bistro are a jazz lover’s dream— the farthest seats from the stage are less than 50 feet away, the walls are adorned with photographs of famous musicians such as Duke Ellington, Miles Davis and Ella Fitzgerald and the programs feature the best artists in world.

Hargrove took to the stage the first night and immediately began to play with barely a pause between songs.

He played everything from romantic ballads to hard bop to funk. His flugelhom work on such romantic ballads as “My Foolish Heart” and “Another Time” was compelling, poignant and very clean, while his trumpet soared with an extroverted fire on hard bop tunes like Frank Lacey’s “Stranded” and Sherman Irby's “Big Mama’s Biscuits.”

Over the course of three consecutive nights, the feelings changed, though most of the songs he played were the same. The quintet consisted of Willy Jones III (drums), Charles Craig (piano), Gerald Cannon (bass), Sherman Irby (Alto Sax) and Roy Hargrove (Trumpet and Flugelhorn).

Hargrove played like Sugar Ray Leonard boxed, jabbing notes in quick flurries, then stopping for awhile when Irby would come in with a new idea. The two hard boppers traded

Roy Hargrove

phrases like sparring partners. When it worked, Hargrove would shout, nod in approval, or just smile; when it didn’t, he would shake his head. It usually worked.

In between Friday’s sets, I sat down with Hargrove for about 20 minutes, and we talked about his earliest musical influences, his friends in the music business, the critics and his aggressive, take-no-prisoners style of performing.

He is a short, slender man. His hair is in dreadlocks, and he wears a mustache and a neatly trimmed goatee. He speaks with the same air of confidence with

which he plays, and though his demeanor is peaceful and serene, he looks ready and composed. Roy Hargrove is still very much a young man — his eyes are clear, his face is very tight, and he is sturdily built. Looking at him, it’s hard to believe someone his size could produce all that sound. Without a trumpet in his hands, he doesn't look quite as intimidating or powerful. I soon discovered that Roy Hargrove off stage is a completely different person than Roy Hargrove on stage, but I’m thrilled to know both.

see HARG RO VE, page 4

Page 2: 2,1999 System upgraded, ID cards on way

♦ P a g e 2 H i W 1 THURSDAY, SEPTEM BER 2 , 1 9 9 9 ♦

SIUE welcomes new faculty membersBY DANIELLE STERN

ASSISTANT NEWS EDITOR

Say hello to more than four dozen new faculty members.

The office of the provost sponsored its annual new faculty orientation Aug. 18 and 19 to welcome 53 new full-time faculty members to the SIUE campus.

“The orientation helps the new faculty get to know the other faculty on campus,” said Donna Ireland, an administrative aide in the office of the provost.

“This program gives an overview of what the university is about,” Assistant Provost for Planning Dwight Smith said. “It introduces them to the available resources that help with teaching and research.”

The new faculty members will teach in more than 20 departments within the College

of Arts and Sciences, the schools of business, dental medicine, education, engineering and nursing, as well as Library and Information Services. The departments assigned mentors to each new faculty member.

These mentors, experienced professors who act as counselors, also attend several sessions during the orientation, Ireland said.

Only faculty members on tenure track and continuing term status, including those hired midterm after last year’s orientation, are required to attend orientation, according to Ireland.

The office of the provost has officially sponsored a full orientation of new faculty since the mid-1980s. Prior to that, more informal methods were used to welcome incoming faculty.

This year’s programs

included speeches from the chancellor, vice chancellors and other faculty and staff members who discussed effective teaching, graduate programs, benefits and rights and responsibilities. Topics included maintaining a fair and courteous climate, university benefits and faculty expectations for student achievement.

The new faculty members also toured the East St. Louis Center and the School of Dental Medicine.

“The welcome breakfast and presentation on the first day of orientation were well received as a social event,” Ireland said after reviewing some of the new faculty members’ evaluations.

“Our new faculty come from a variety of institutions, which brings diversity and interesting backgrounds to the university,” Smith said.

C a m p u s S c a n n e rBasketball: Campus

Recreation will hold a Slam Dunk Contest 5 p.m. Wednesday, Sept. 8, in the Vadalabene Center gymnasium. Competitors receive two dunks each round. Top scores advance to a two-person showdown. Call 650-3241 for more information

Outdoors: Come sail the Campus Lake from 10 a.m. to 2:30 p.m. Sunday, Sept. 12. Students, faculty, staff and alumni sail free. Instruction and sailboats will be provided. Bring a lunch, and meet at the Cougar Lake Recreation Pavilion. Call 650-2340 to reserve a spot by Wednesday, Sept. 8.

Nutrition: The Wellness

Center will present “Sports Nutrition and Supplements...Facts or Hype?” from 6 to 7 p.m. Wednesday, Sept. 8, in the Student Fitness Center.

IMAGE: Learn resume development skills in this career development workshop from 2 to 2:50 p.m. Thursday, Sept. 9, in room 3207A in Founders Hall.

Call the Career Development Center at 650- 3708 or the Kimmel Leadership Center at 650-2686 for more information.

Action: Volunteer for a United Way Day of Caring at the River Bluff Girl Scout Council and Trails West Boy Scout

Council camps Saturday, Sept. 11. Transportation and lunch will be provided. Volunteers should wear work clothes, sturdy shoes and work gloves. Participants will meet in Lot B at 8 a.m. and return at 4 p.m. Earn volunteer hours toward the SLDP program. Call the Kimmel Center at 650- 2626 for more information.

Fundraiser: Support your local skate park tonight at 8 p.m. Laurie’s Place, 228 N. Main. This is an all ages show featuring performances by Mayor Dan, Not Waving But Drowning and Mom Hates Dad, presented by the Young Democrats of Madison County. Tickets are $3.

Know Your World Read the Alesile

^ Kerasotes Theatresvisit our website at www.kerasotes.c

S h o w t im e s S ta r t F r id ay !

C in é 25400 Central Ave„ Roxana

$2 °° All Seats / All Shows|Wild Wild West (PG-13)

Fri/Sat 7:00, 9:30; Sun/Thurs 7:00; Sat/Sun/Mon Matinee 2:00

ShO w PlaC F. 12 659-SHOWEdwardsvilleJust W. of Rt. 159 on Center Grove Rd.ALL STADIUM SEATING • ALL DIGITAL SOUND

$4.50 • All Shows Before 6 pm r * L “ « • Students • Seniors P -

The 13th Warrior (R)Daily 5:00, 7:30,10:20;Sat/Sun/Mon Matinee 1:00

Dudley Do-Right (PG)Daily 4:50, 6:50, 9:15;Sat/Sun/Mon Matinee 2:30

The Astronaut’s Wife (R)Daily 4:30, 7:00, 9:20;Sat/Sun/Mon Matinee 2:00

The Muse (PG-13)Daily 3:50, 6:30, 9:00;Sat/Sun/Mon Matinee 1:10

Outside Providence (R)Daily 5:10, 8:10, 10:30;Sat/Sun/Mon Matinee 2:10

Teaching Mrs. Tingle (PG-13)Daily 5:40, 8:00, 10:10;Sat/Sun/Mon Matinee 2:50

Mickey Blue Eyes (PG-13)Daily 4:00, 6:40;Sat/Sun/Mon Matinee 1:20

Blair Witch Project (R)Daily 9:10 Only;

Runaway Bride (PG)Daily 4:10, 7:20, 9:50;Sat/Sun/Mon Matinee 1:30

The Sixth Sense (PG-13)Daily 4:40, 7:10, 9:40;Sat/Sun/Mon Matinee 1:50

Bowfinger (PG-13)Daily 5:20, 7:40, 10:00;Sat/Sun/Mon Matinee 1:40

Thomas Crown Affair (R)Daily 5:50, 8:20, (Fri/Sat/Sun 10:40); Sat/Sun/Mon Matinee 2:20

Chill Factor (R)Daily 5:30, 7:50, 10:15;Sat/Sun/Mon Matinee 2:40

Nameoki Cinema 877-6630 1Nameoki Village, Granite City 'i

$2.°° All Seats / All Shows| 2 IMickey Blue Eyes (PG-13)

Fri/Sat/Sun 7:15, 9:50; Mon/Thur 7:15 Sat/Sun/Mon Matinee 2:15

Runaway Bride (PG) Fri/Sat/Sun 7:00, 9:40; Mon/Thur 7:00 Sat/Sun/Mon Matinee 2:00

.. ■I ^

Cottonwood Cinema 656-6390Upper Level of Cottonwood Mall (Next to Walmart) • Edwardsville_____

ctor/Sat in/TI it/Su Blu

Inspector Gadget (PG) Fri/Sat 7:15, 9:15; Sun/Thurs 7:15; Sat/Sun/Mon Matinee 2:15

Deep Blue Sea (R)Fri/Sat 7:00, 9:30Sun/Thurs ?:00; “ at/Sur............... 2:00Sat/Sun/Mon Matinee

Lake Placid (R)Fri/Sat 7:30, 9:50; Sun/Thurs 7:30; Sat/Sun/Mon Matinee 2:30

E a s TGATE 6 254-5289Eastgate Center, East Alton

Moo • All Shows Before 6 pm /ri L• Students • Seniors O-

Bowfinger (PG-13)Fri/Sat/Sun 4:20, 7:00, 9:10; Mon/Thurs 4:20, 7:00; Sat/Sun/Mon Matinee 2:00

Chill Factor (R)Fri/Sat/Sun 4:30, 7:10, 9:20; Mon/Thurs 4:30, 7:10; Sat/Sun/Mon Matinee 2:10

The Sixth Sense (PG-13)Fri/Sat/Sun 5:10, 7:40, 10:00; Mon/Thurs 5:10, 7:40; Sat/Sun/Mon Matinee 2:40

Teaching Mrs, Tingle (PG-13) Fri/Sat/Sun 5:00, 7:30, 9:50; Mon/Thurs 5:00, 7:30; Sat/Sun/Mon Matinee 2:50

The 13th Warrior (R)Fri/Sat/Sun 4:40, 7:20, 9:30; Mon/Thurs 4:40, 7:20; Sat/Sun/Mon Matinee 2:20

Dudley Do-Right (PG)Fri/Sat/Sun 4:50, 6:50, 9:00; Mon/Thurs 4:50, 6:50; Sat/Sun/Mon Matinee 2:30

FREE REFILL on All Sizes of Popcorn and Soft Drinks!

GRANo o o o o o o o

featuring. ..

BobJ ie rseeWorld-renowned coach and strength conditioning consultant whose athletes have earned an incredible 23 Olympic medals!

Some of Mr. Kersee's athletes include:Jackie Joyner-Kersee Florence Griffith-Joyner Grant Fuhr Ray Lankford Gail Devers Monica Seles Tony Dorsett

ami...

Mark A.CBanter

Former Mr. U.S.A. &

Mr. North America

So u t h e r n I llin o is U niversità Ed w ar d sv ille

NEW STUDENT FITNESSXCENTER WEIGHT ROOM

Tuesday, September 74:00 - 6:00 pm

FREE Sports Bar SamplesGeneral Nutrition Center New Weight Room

4:00 - 6:00 pm* 'Training Tips For Peak

Performance" - Mark BanterNew Weight Room

Wednesday, September 812:00 - 1:00 pm

FREE Frozen YogurtStudent Fitness Center Lobby

6:00 - 7:00 pm* "Sports Nutrition &

Supplements... Fact or Hype?"Ellie Zografakis, RD Aerobics Room

Thursday, September 94:00 - 5:00 pm

Ribbon Cutting Ceremony & ReceptionNew Weight Room

7:00 - 8:00 pmPresentation by Bob Kersee"Going For the C o ld ...Living A Healthy Lifestyle

in the New M illennium " Dunham Hall Theater Autograph Signing will Follow.

FREE souvenir photograph to the first 200 people at the door.

FREE tickets for this presentation available at the Student Fitness Center, or by calling 650-5392.

* fr e e g iveaw ays lo a l l w / j o a lle n d ( w fiiie su p p lies ia s lj

Page 3: 2,1999 System upgraded, ID cards on way

» l u m m

♦ T u e s d a y , A u g u s t 3 1 , 1 9 9 9

E d it o r ia l :E d it o r in c h i e f :

R. John Klimut N e w s e d it o r :Patrick Ebers

A s s is t a n t n e w s e d i t o r :Bridget Brave Danielle Stern

L if e s t y l e s e d i t o r :Sheri McWhirter S p o r t s e d it o r :Tony Ammann

C h ie f c o p y e d it o r :Sarah Landwehr C o p y e d it o r s :

Katherine DeToye A.J. Harshbarger

Melissa Stein P h o t o e d it o r :

Jill Stevens

G raphics/ pr o d u c t io n :G r a p h ic s a s s is t a n t s :

Jennifer Green Mark Wood

W e b m a s t e r :James Lentz

A d v e r t is in g :Katie Clanton

A l e s t l e a d v is e r :M ik e M o n t g o m e r y

G r a p h ic s s u p e r v is o r :M ik e G e n o v e s e

O f f ic e m a n a g e r :M ary A l l is o n

P a g e 3 ♦

RESUME>-xCL<ccÜO

<ocÜo

Busy Bee § Copy Service \(6 1 8 )6 5 6 -7 1 5 5 1

Î 311 North Main Street Edwardsville, IL 62025

Letters to the Editor-----------------------------------------------------Continued department Letters from the Back to School Survival GuideAmerican Humanics----------------------------------------

What makes you think you can change the world? If you remember the answer to that question, we think you can. American Humanics is an exciting new program on campus dedicated to connecting students with meaningful opportunities that have a positive impact on their campus and community.

American Humanics is a national certificate program that gives students the skills they need for employment in nonprofit organizations. But why would you want to consider a job in a nonprofit organization? Believe it or not, you can have a rewarding career in a nonprofit organization and still receive a decent salary! In recent times, nonprofit organizations have assumed greater responsibility for services formerly provided by government agencies. That means that they not only need individuals with a variety of backgrounds, but they need many more of them! The need for qualified nonprofit professionals is expected to increase 45 percent by the year 2002.

So, how can you become involved in this innovative new program? American Humanics is a very unique program because it combines co-curricular activities with an academic program. In addition to courses and

workshops, you will participate in community service projects, leadership opportunities, a community internship and an Annual AH Management Institute. This challenging mixture of experiences is completed throughout your college career to receive the formal AH certificate.

However, you do not have to seek certification to become involved in American Humanics. The American Humanics Student Association (AHSA) is open to any student dedicated to community service, leadership and having fun! AHSA will operate as its own nonprofit organization to provide plenty of opportunities for using the skills you will someday need on the job. We are looking for the energetic students that will make the first semester of American Humanics a success.

Together we believe the support we give nonprofit organizations can make a difference in our communities. With programs for children, the disabled, the abused, the delinquent, the environment, the arts and more, nonprofit organizations are the glue that hold are communities together. Join us to make a difference!

To find out more about American Humanics, please call

Ann Parisi at 650-3645 or e-mail [email protected] to request an informational packet.Informational meetings will be held in the Cahokia room, in the lower level of the Morris University Center, at the following times: 6 p.m.

September 8, 12:30 p.m. September 9 and 9 a.m. September 10.

Check out our Web site at http://www.siue.edu/HUMANIC S.

American Humanics

Facilities ManagementClassroom too hot or too

cold? Classroom or walkway light out? Recycling can full? Restrooms a mess? Don’t gripe to your co-workers or roommate. Call Facilities Management and get it fixed!

Facilities Management takes care of the maintenance and operation of all campus buildings and grounds except Housing, the University Center, and the Fitness Center. If something is not right, FM wants to hear about it. With more than 12,000 students on campus, students usually know about a problem long before FM does.

Our goal is to provide a safe, clean, comfortable learning and work environment to the SIUE community at all of our campus sites and to provide customer- focused, high-quality facilities and services.

When a problem occurs in any academic building, call FM at ext. 3711 or e-mail [email protected]. Do not assume that someone else has already called. FM knows from past experiences that problems frequently go unreported for days and, in some cases, weeks.

For up-to-date information, visit FM’s Web page at http//www.siue.edu/FACILITIES where you can submit a work order, view the building floor plans (where is 2108 Peck Hall anyway?), find out when buildings are open, or to subscribe to the Clipboard. The Clipboard is FM’s weekly e-mail newsletter that gives a run-down on campus construction

and other events related to the operation of campus buildings.

Facilities Management

Need a hand adjusting to student life?

You are welcome to joinAdjusting To Student Life Support Group

At: Woodland Hall on the SIUE Campus

When: September 8, 1999 through December, 1999

Wednesdays, 5:30-7:00 p.m.Spring semester

group will be on Tuesdays

What students will learn in this group:

•How to explore and develop greater independent living skills

•How to enhance social skills•How to reduce “new student isolation” and get to know others

•How to reduce stress levels through expressive activities

LEARN NEW WAYS TO EXPRESS YOURSELF AND RELAX USING ART!

MODULES9/7/99Module 1, 2:00 p.m.Leadership Characteristics:. You area Leader!Don Owens & Sandra Rhodes - CORO Midwest MUC - lylississippi/Illinois

. a,, 6:30 p.m. odels & Risk Takers ney - Trails West Boy Seoul Council

- Mississippi/Illinois

9/8/99 OrientationI P^3I) p.m. -I

Suzanne Kutterer-Siburt Peck Hall 1410\ \ jfjppv»toograni9/14/99Module 2, 2:00 p.m.GiVic Responsibility & Citizenship Jud> Dallas - Madison County ProbationMUG»- fvi&sissippi/Illinois

\ / / .9/14/99Module 12, 6:30 p.m.Goal Setting & Delegating Effectively Jennifer Rodis - St. Louis Partners Americorps MUC - Mississippi/Illinois

SLDP Reminders....

Volunteer ProjectsSeptember 2 - Voter Registration Drive, Morris University Center September 11 - Action! Day, Day of Caring, Boy Scout Camp Warren

Levis, Godfrey, IL September 15 - Global Solidarity Haiti Connection Kick-Off September 25 - PrairieLand Share Food Co-op, Granite City, IL September 15 - Stephen Covey’s Seven Habits of Highly Effective

People® begins

For more information contact the Kimmel Leadership Center at extension 2686

Page 4: 2,1999 System upgraded, ID cards on way

Why do they put Braille on the number pads of drive-through bank machines?

TiioikjitOf

TUf DP

¿»TOTJHnfidiT í (m id♦ T h u r s d a y , S e p t e m b e r 2, 1999

Net yew averagereggae band

John Brown s My hss released 3 new albumBY DAVID TATUM

GRADUATE ASSISTANT

Reggae has always been popular on college campuses so “Among Them," the new album by John Brown’s Body, should give reggae fans cause for elation.Even for the reggae impaired, such as this writer, the album and band are fun.

For those of you who don’t smoke dope anymore and didn’t listen to Bob Marley when you did, you still might want to give this band a try, as it is a pleasant enough trifle for a late summer day.

The strangest thing about “Among Them” is the deeply religious nature of every song.When listening to the music itself, the words are too heavily accented to understand. But pull out the liner notes, and you discover a reggae sermon, complete with a recitation of “The Lord’s Prayer.” These guys could actually be at home at the Cornerstone Festival, a concert held every year featuring Christian music, as much as in Jamaica.

For instance, in the song “Orange and Gold,” singer Kevin Kinsella croons, “I say the sun rules the day, oh children let us pray. The moon governs the night, love is the light.”

These guys dig Jesus, but they don't suck like most other Christian bands. It must be because they enjoy reggae’s chemical tradition, as in “Singers and Players:” “Give thanks and praise for your daily piece of bread, and a little herb to nice up your head.”

The band sounds as if it is straight out of Jamaica but is actually from Boston. Kinsella started a band called the Tribulations in high school in 1986. In 1993, the band won a Yamaha Soundcheck competition for unsigned bands but broke up soon after, due to the usual “creative differences.”

It seems Kinsella wanted to move away from the Tribulations' MTV-driven, neo-reggae posturing and go for a more authentic, stripped-down sound. Based on the evidence of the John Brown’s Body album, this was a worthy travail. The band sounds great, and

there’s not a lot of studio trickery or overdriven Marshall

amplifiers involved.

Thebanddeserves a degree of respect for making real,

personally meaningful music devoid of commercial

pretension or trendy traipsing.

The members of John Brown's Body are not out to

make a buck, but to spread their

message. This takes moral courage. Even if you don’t agree with the politics, at

least the band is being true to its beliefs.

To quote Kinsella from the liner notes, “I see Bob Marley as a

prophet of today, [which is] not so different from those times Jesus walked the Earth. High and mighty people think we’re so advanced with our technology, but the same elements of struggle with evil are still ever present. There are still, and always will be, wars and rumors of war.”

In case you didn't know, John Brown was the rabble-rousing abolitionist who caused quite a hubbub at Harper’s Ferry in 1852. His name became a rallying cry of the anti-slavery movement. Although the band members have appropriated Brown’s name, they don’t seem to support the violent means Brown took to express his humanitarian views. With an album as musically honest as this one. it is a sure wager John Brown’s Body will be even more impressive in concert. You can find out 8 p.m. Thursday at Cicero’s, 6991 Delmar Blvd., St. Louis. Tickets are $5 to $7, and it is an all-ages show.

P a g e 4 ♦

L V L L V E D O L L A R

HEADACHETOBIE DEPAUW

I .IFESTYLE REPORTER

Some would say the best part of indie rock is the fact that no one knows the bands. And sometimes, no one should ever know the bands.

This was all too evident when June of 44 played at the Side Door in St. Louis Friday along with Three Second Kiss and DJ B-Money.

These bands should never become readily known. Of course they never want to be famous because they are indie, but they have no chance. Maybe if they practice a bit more, change some songs around, and get new members they would have hope, but even that is pushing it.

DJ B-Money was decent, although not exactly congruent with the other bands. But, the crowd was entertained. He was just a simple hip- hop DJ who let his friends dance and freestyle while he spun records.

Next up was Three Second Kiss from Italy. The members walked on stage looking like the typical, dirty, rock n’ roll stereotype. Images of the older-brother whose dad was always telling him to get a real job invaded my mind. To be honest, the set started out quite tolerable. The band played a steady, concrete sound with a heavy Fugazi influence. This indie/noise-rock band barely lived up to its three-second name before the music began its downward spiral. Soon after, a grueling headache ensued. They may be from Italy, but this “kiss” was bone dry after just a few songs. Three Second Kiss must have made a secret promise to keep playing each song too loud and too long. The attention focused on the stage soon drifted to searching for something to cram in my ears to dampen the barrage of sound. These Italian bunnies kept going and going, much to the dismay of bored onlookers and June of 44 fans. Finally, like an angel from heaven, the sound man turned on the stage lights and told the guys they were out of time. The applause that followed probably carried mixed messages. I had to clap. It’s a long way to Italy.

There is a pressure point in the hand that supposedly relieves headaches, but unless you are trained, there is a good chance it won’t be found in the time equivalent to a set change. June of 44 started out slow and began it’s particular rhythm right away. The music itself became horribly bland soon after June’s set began. The disjunctive, syncopated percussion and repetitive dive bomb guitar riffs quickly grew quite stale. The songs usually took way too long to get going and sometimes never got going at all. The singer was not impressive in the slightest. He simply accentuated his normal speaking voice just enough to sound like a moderately loud whisper. Although the back­up singer’s voice sounded very much like the lead’s, the harmony was hardly pleasant. The voices lingered too high on the scale to be enjoyable.

The solace of the evening was found in watching the drunk couple attempt to waltz in the middle of the crowd. This, of course, did not go over well with the people staring at the stage and doing their best to look sad.

These guys may be the perfect example of indie rock, but, if so, it must be understood that indie rock requires a particular ear to enjoy it. Probably one with an earplug in it.

HARGROVE -------------------------------from page 1

Q:During what year did you meet Wynton Marsalis?A:The first time I guess was 1988. He was playing in a club at Fort Worth, Texas called Caravan of Dreams. He had a thing where he would go down to all the local high schools, and he came to mine.Q:You’ve been described by several critics as sounding like a mix between Clifford Brown and Freddie Hubbard. What were the first records you had of these a r t i s t s ? A:“The Hub of Hubbard,” and “The Three Giants” with Clifford Brown, Max Roach and Sonny Rollins.Q: You’re 29-years-old now and have been playing trumpet for

over 20 years. What do you think about being called a “Young Lion of Jazz?”A:I don’t know what I consider myself. I would have to leave that to the other people... listeners, you know?Q:You were once quoted as having said that “every note has got to be like your last.” Do you feel like you have to constantly prove yourself?A:Yes, but more or less to myself than anybody else. You know, it’s a challenge to come out here and travel all around the world and bring something to the table every night. Sometimes it’s hard because you might be fatigued, you might be tired, you might not feel so good, but you still have to

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+ T h u r s d a y , S e p t e m b e r 2 , 1 9 9 9 I I { { $ T V I t 5 P a g e 5 ♦

deliver because people don’t know. So I would just say you have to keep the Creator in your heart, man. You know, you got to keep God first. He don’t let you down ever.Q:Talk about your experiences at Mount Pleasant Baptist Church in rural Mart, Texas and Trinity Temple at Dallas.A ¡Mount Pleasant was my grandmother’s church, and Trinity Temple was my mom’s church. I used to go with them sometimes. I didn’t play so much in church, but I used to love to listen to the choir, and I’d get very inspired by the sermons that the preachers would deliver, and this is something that influences my music, too.Q:You’ve worked with some of the best musicians in the business— people like Shirley Horne, Wynton Marsalis, David “Fathead” Newman and Jimmy Cobb. Is there anyone whom, if they called you up right now, you’d immediately drop what you were doing to work with them?A:Yeah, there’s a couple of people I haven’t gotten a chance to record with— people like Hank Jones, Roy Haines, Milt Jackson.Q:What is it about them that you like so much?A:Well, I mean they’re just like some of the oldest cats in the business. Hank Jones is like, over 80, and he’s still sharp. I’d like to get a chance to record

with them before they get on out of here.Q:The late Miles Davis practically lived in the studio. During some years he would cut three or four albums. Do you think you could make more money if you did more studio work?A:Well, that all depends. Jazz is not a money-making business. You do this because you love it. It builds integrity when you’re out here playing this kind of music because it’s the bare necessities. You’ve got a direct line from the Creator, to the artist, to the people. It gives you a great foundation to stand on if you want to play any style of music.Q:There are very few working jazz bands today that are doing the kind of touring that your band is. Why do you think thisis?A:Well, I think that jazz has taken a back seat to a lot of other different styles of music nowadays. I mean, you go to a jazz festival and there’s hardly any jazz groups there anymore. It’s all R & B or whatever, so it makes it harder. I’ve been very fortunate to be able to work the way I’m working. I think it has a lot to do with the people I’m working with. They share the same spirit that I do in the fact that they realize you’ve got to hit it every night and give your best. And, I think that people realize that, and that’s why they

continue to hire us, and we’re able to work so much.Q:You once said that one of the reasons you admired Wynton Marsalis so much is that, every time he got on stage, he was both a teacher and performer. What do you hope people will learn from your shows?A:I hope that people will be able to take home a good feeling... that they got a chance to hear some good music... that they had a good time when they heard my music played.Q:A lot of people say that your forte is the romantic ballad. Did you have to work to develop this, or did it come naturally?A:It was never something I consciously worked on; I think it’s just because I’m a romantic person. I love to love, so it comes out in the music. You know, how you are is how you play.Q:Was there a defining moment in your life when you thought, “Yes, this is what I want to be — a jazz musician?”A:Yeah, I kind of knew it from when I was about 13. I can’t say that there was any pivotal moment. I can say that during this time I was becoming very serious about learning the instrument. During this time I was going to summer band camp, and my teacher used to bring some of the heavyweights in — people like David “Fathead” Newman and others. I guess around the time that I heard “Fathead” play it struck

me that, you know, this is what it’s all about.Q:Are you kind of an extroverted person or an introverted person? A:On stage I’m extroverted, but off stage I’m kind of to myself a lot. Off stage, I like my space. Q:What do you think about the idea that a lot of jazz critics have that the forms of be-bop that young guys are playing now are just a regurgitation of a form of music that originated in the ’60s? A:I think that critics have to say what they have to say, you know. To be playing jazz in this day and age is an original thing. There’s no way that we could re-hash anything that those cats did in the ’60s because we’re not living what they lived, because that was a whole different time, a whole different era. The music was in a different head space for most people, and it was more popular. So there’s no way that we can really re-create. All we can do is celebrate what those cats brought by playing those tunes that have a similar style. Critics have to say something. Most of them, if you put them on the bandstand, what can they do? Some critics can be optimistic, and some of them can be real a—holes. So I can’t really comment on that. Q:A lot of people say your “breakthrough album” was “Habana.” How did the Crisol form, and why do you think the album was so successful?A:I guess it all started when I went to a jazz festival in Cuba in 1996 and hooked up with Chuco Valdes. That was a direct link to a lot of Cuban musicians who were very prominent. “Habana” made the most noise. That was when people started to take notice. It sort of started a trend among jazz musicians. But, you know, I’ve been doing this for a long time.Q:Other than jazz musicians, who are the musicians you

admire most?A:Well, I like all different kinds of music. I’m partial to ’70s style, bands like Sly and the Family Stone, Parliament Funkadelic, Blue Magic, Blackbirds. I ’m partial to the ’70s music because when I was growing up, my dad was a great record collector.Q:So you didn’t grow up listening to jazz at home?A:Not so much. It wasn’t till I started playing the trumpet that I really got an ear for jazz, because in school people turned me on to Blue Note Records and such. Q:Do you plan on doing an album soon with this quintet? A:Yeah, it’s already in the can, and perhaps soon we’ll release something.

To know Roy Hargrove is to know the synthesis of several generations of jazz. His pianist, Charles Craig, calls him “The Original Young Lion of Jazz,” but Hargrove is too modest and has too much foresight to think of himself in such lofty terms.

Hargrove still has something to prove; in fact, he’s only getting started. His quintet is tighter than ever, and, as one astute admirer said of the group, “there’s no weak link in this chain.”

Hargrove is too busy to sit and ponder his place in jazz history. But, if history repeats itself, and legends beget legends, Hargrove’s name may someday be synonymous with the likes of Lee Morgan, Clifford Brown, Miles Davis, and Dizzy Gillespie — all giants of hard bop.

It will be interesting to see what Hargrove does next, but if his recent performances are any indication, his next album should be pretty hip.

For more information about Jazz at the Bistro, call (314) 531- 1012 or visit the web site at www.jazzatthebistro.com.

§ t . . L ouis S ymphony O rchestra

Wednesday, September 8 SIUE University Center, Meridian Ballroom, 7:30

650-2320

www.siue.edu/ARTS_ISSUES

Grammy Award-winning orchestra —

the second oldest symphony

orchestra in the country — will

perform a complete classics

concert under the baton of

ssociate Principal Conductor

David Loebel to open its

Millennium Season.

Become part of the programming team -

Call 650-3371 for more information UCB Hotline (618) 650-3372 S o u t h e r n I l l i n o i s U n i v e r s i t y E d w a r d s v i l l e

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W:',_Us<t I us s F u v ts —

W —Bob Gibson holds the all-time record for

lowest earned run average in a single season at 1.12, but Ed Walsh has the record for lowest career ERA at 1.82.

U P N O TWomen’s Tennis: Saint Joseph’s at HOME, 3 p.m. Friday. Lewis at HOME, 9 a.m. Saturday.Cross Country: SIUE Open at HOME, 9 a.m. Friday.Volleyball: at Winona State, 4 p.m. Saturday.

P a g e 6 T h u r s d a y , S e p t e m b e r 2 , 1 9 9 9

BY GEORGE DWYER SPORTS STRINGER

After one hit from San Diego Chargers free safety Rodney Harrison, the Rams’ hopes for the 1999 season took a huge dive.

Rams starting quarterback Trent Green went down late in the first half with a knee injury. Green tore both ligaments in his left knee and will require surgery, which means he is out for the whole season. Many of Green’s teammates felt that the hit was a cheap shot by Harrison.

“It was cowardly,” Rams’ free safety Todd Lyght said.

Harrison does have a reputation of being a dirty player in the league and was already called for a personal foul earlier in the game. The Rams have already sent video of the hit to the league office and hope some kind of fine or suspension will be issued.

Rams’ Head Coach Dick Vermeil brought in Green in the off-season and seemed sure he found the guy he wanted to lead his team. Finally getting the news about Green’s condition was very tough on Coach Vermeil.

“You get emotional. ... It hurts. That’s what this business is about,” Vermeil said. “We will rally around Kurt Warner and play good football.”

Kurt Warner will now step in to fill Green’s starting spot on the offense. Warner is spending his second season with the Rams but does not have much playing experience in the National Football League. He has only seen 14 snaps in regular season action. However, he has excelled in college, the Arena Football League and NFL Europe.

“I have been successful, and now it’s time to prove it to the fans of St. Louis,” Warner said.

In this year’s preseason, Warner has completed better than 60 percent of his passes but has not worked much with the first team offense. He also is in the same position that Green was last season.

Not many people knew of see BIG PIC, page 7

Soccer team aims at GLVC titleHead coach Ed Huneke will watch his sons perform for his own team

BY G E O R G E DW YERSPORTS STRINGER

For Cougar soccer head Coach Ed Huneke, the 1999 season brings a lot of excitement and joy.

Coach H uneke and the rest of the team members are still involved in preseason practices as they try to gear up for the season. One of the goals the team will try to accomplish is being one of the top teams in the G reat Lakes Valley Conference.

SIU E would also like a berth to the N ational Collegiate A thletic Association tournam ent. Coach H uneke believes that these two goals are not out of the question.

“I t’s very reasonable, and we should have that as our top goal,” H uneke said. “There are also a lot of variables that have to fall into place to make it happen.”

W hat m akes this season even more special to Coach Huneke is being able to coach his two sons, Justin and Sean. Justin is a sophom ore forward on the team, and Sean is a freshman midfielder who will be redshirted this year. Coach H uneke believes that redshirting his son Sean was the correct move; it was something discussed between father and son for quite some time.

“I think that it was in the best interest for him, and I

think a lot more guys should consider it,” H uneke said. “There is always a tough transition academ ically and physically for a freshman, and getting to play a fifth year seems to be m ore worthwhile.”

Making the move was not difficult because Sean has been around the team a lot in the

past and knows how these decisions are made. W hat’s even more im portant is that both of them discussed this decision before preseason practices began.

Coach H uneke is beginning to learn again of the fine line between being a coach and father. H e has done this

Corey Deist/Alestle

Sophomore Justin Huneke compiled 8 points last season.

Men’s soccer team shows SIUE alumni who’s bossFormer Cougar star and St. Louis Ambus player Joe Reiniger participate in annual alumni game

BY RICK CROSSIN SPORTS REPORTER

For the men’s head soccer coach, Ed Huneke, last Saturday’s alumni game was one of the more enjoyable games of the year.

“I have some very fond memories of the guys who came back,” Huneke said. “It’s a nice feeling to see them (former players) come back and have such a good feeling about their experience here.”

This year’s Cougars beat the Alumni squad 6-5. The Alumni included St. Louis Ambush star

Joe Reiniger and former SIUE all-conference player Matt Little.

Coach Huneke was also pleased with the level of competition in this year’s game.

“It’s a very competitive game because the capabilities of the other players (alumni) are high,” Huneke said.

The alumni game was also the last preseason game for the Cougars. The team will start the regular season Saturday at Truman State.

“Truman is one of the best in the country,” Huneke said. The Cougars first game was supposed

see SOCCER, page 7

before with both of his sons but only in the backyard. He has had m any discussions with other colleagues, and they gave him some pretty good advice.

“I have seen other coaches coach their sons in the past and learned from them. I also have been told that you just learn as the season goes on, but you try to reach a proper balance,” Huneke said.

Coach H uneke sees this opportunity to coach his sons Justin and Sean as making up for lost time. Many times he had to miss im portant games while his sons were in high school. Coach Huneke missed a lot of im portant games in the past. Now he is really looking forward to watching his son Justin play this year.

“I will say it is kind of nice to see your son play and develop in front of you,” Huneke said. “I feel that I have been shortchanged from that because the high school season is at the same time as us.”

Coach H uneke will have a lot to look forward to this season. N ot only is he getting ready to prepare for another season of Cougar soccer, but he is also able to coach both of his sons. He seems to have high hopes for his team and the future.

“For the students I think that you will see a very skilled and entertaining team this year and [I] hope we put on a good season for them ,” H uneke said.

Jill Stevens/A/eyi/eThe Cougars warmed up for their regular season opener against Truman State by edging out the SIUE alumni, 6-5.

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big picfrom page 6

Trent Green until he was given a chance. That is why Rams fans should wait and give Warner a chance. Kurt Warner seems to have very mixed emotions about the role he has to play now.

“You definitely have mixed emotions,” Warner said. “Trent has been great and has taught me a lot. You never want to see anyone go down, especially your starting quarterback.”

All Kurt Warner has to do is

play good enough not to lose. He has many weapons to work with and has the advantage of a strong offensive line which should provide great pass protection. All he asks for is a chance to shine.

“I’m going to make the best of the opportunity ahead of me and take full advantage of it,” Warner said.

Believe, Kurt, that all St. Louis Rams fans think the same way.

SOCCERfrom page 6

to be Wednesday against Lincoln, but, according to coach Huneke, it was postponed due to timing problems with eligibility matters.

Even with such a tough test for his team early in the season, Huneke is pleased with the way the Cougars look so far.

“I do think we’re playing quite well together considering we have so many new players,” Huneke said.

One of the many surprises for coach Huneke this preseason is Brian Douglas. Douglas, who played mostly defense last season, was converted to a midfielder for this season.

“I knew he was a good

player,” Huneke said. Douglas has worked well in his new position, and coach Huneke looks for a productive season from him.

Another surprise this preseason is Yuzuru Takami, a transfer student from Harding Academy in Japan. Takami, whose nickname is “Uzi,” is playing well with his new team.

One of Huneke’s specific goals in mind for this year’s team is to place high in the Great Lakes Valley Conference.

“It won’t be easy, but it is potentially realistic,” Huneke said. The preseason coaches’ poll has SIUE finishing sixth in the GLVC.

H/eeke^'

Last Weekend for the Cougar Pool!

Saturday 12:00 - 6:00pm

Sunday 12:00 - 6:00pm

Monday 12:00 - 6:00pm

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"Going for the Gold...Living a Healthy Lifestyle in the New Millennium"

Thursday, September 9 7:00 pm

Dunham Hall Theater

Autograph signing will follow the presentation.

Pick up your FREE tickets at the Student Fitness Centeror call 650-5392.

FREE souvenir photo of Bob Kersee to the first 200 people to arrive.

UO

DQ

.OZ

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tat m M»»ii(LM |f|iD Smu’ w » «♦ P a g e 8 T J I - C- HL f f T l - E T u e s d a y , Se p t e m b e r 2 , 1 9 9 9 ♦

HELP WANTEDHouse Painter Residential year round Part time $7- $ 10 /h r. Replywith experience/background to P.O. Box 339 Edwardsville 62025

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$25+ Per Hour Direct sales reps needed N O W ! Market credit card appl. Person-to- person. Commissions avg $250- 500 /w k. 1- 800-651-2832 9 /9 /9 9

Spring Break 2000 with STS. Join America's #1 Student Tour O pe ra to r to Jamaica, Mexico, Bahamas, Cruises, and Florida. Now hiring on-campus reps. Call 1 -800 /648- 4819 or visit online @ www.ststravel.com. 9 /9 /9 9

WANTED: Rider Exp. in dressage a nd /o r jumping. W ill trade riding instruction for stable work. 12 miles from campus 488- 7909. 9 /2 /9 9

Child Care positions available enjoy competitive pay, flexible schedule and great children. Must meet state requirements. Call

for phone interview or come by 510 Garfield, Edwardsville 659-1065 9 /2 /9 9

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Sunset Hills Country Club Pro Shop Cart Attendants needed for A M shift Tuesday through Friday ASAP656-8088 9/14 /99

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The world is built on the ideas o f those o f us who are misunderstood

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PERSONALSA O A O A O A O A OCongratulations to a ll o f our NEW MEMBERS. Have fun during your new member period. AO AO AO AO AEO Carla

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Congratulations to all of the newly pinned members. We are very excited to have you be a part o f A<j)E Love always Delta Phi Epsilon 9 /2 /9 9

MISCELLANEOUS

Do n 't Be Late A gain! Wake-up calls. Just 50<t.Call toll-free 877-758-49809 /1 4 /9 9 _______________________________

T h e S ex P o lice A r e C o m in g !B e a key eye -w itn ess to this

H ip -H o p dance perform an ce on: * A ID S Aw areness ♦A b s tin en ce ♦S a fe r Sex ♦H ea lth y B ehaviors

W itness this even t on: Thursday, S eptem ber 9th

G osh en Lou n ge 2:30 -3 :30

For m ore in form ation contact the W ellness coord in a to r at 650-3873.

E x p e rie n c in g G o d B o o k S tu d y

Mondays at 8:00 p.m. Morris University Center Call 656-4100 to sign-up

Baptist Student M inistries656-4100

[email protected]://members.aol.com/

siuebsm

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