22187676 the Formalist Approach to Literature (1)

Embed Size (px)

Citation preview

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    1/39

    and to Young Goodman Brown

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    2/39

    What is the Formalistic Approach?

    what is formalism?

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    3/39

    Formalism

    The term formalism describes an emphasis on form over content or meaning in thearts, literature, or philosophy.

    A practitioner of formalism is called a formalist. ...

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    4/39

    Formalism/New Criticism

    The formalist movement began in England with the publication of I.A. Richards Practical Criticism (1929).

    American critics (such as John Crowe Ransom, Robert Penn Warren, and Cleanth Brooks) adapted formalism and termed their adaptation New Criticism.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    5/39

    So the Formalistic Approach is

    A critical approach that analyzes, interprets, or evaluates the inherent features of a text. These features include not only grammar and syntax but also literary devices such as meter and tropes.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    6/39

    Formalism

    Has the advantage of forcing writers to evaluate a work on its own terms ratherthan to rely on accepted notions of the writers work

    Works best when applied to poetry and short fiction.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    7/39

    Formalism

    Attempts to discover meaning by close reading of a work of literature. Focus ison: Form, organization, and structure Word choice and language Multiple meanings

    Considers the work in isolation, disregarding authors intent, authors background,context, and anything else outside of the work itself.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    8/39

    The Formalistic Approach DOES NOT look at

    The name of the author. The nationality or era of the composition. The speakersbackground, or biographical information.

    Whether or not the author the had adapted this work from a past experience.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    9/39

    A formalist does not look at the

    who, what, when, where or why

    They look at the how

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    10/39

    Formalistic Approach Summary

    The object of formalistic criticism is to find the key to the structure and meaning of the literary work

    We search for form which is necessary for real understanding A unifying patternis the pattern that as modern critics say, informs or shapes the work inwardly and gives its parts a relevance to the whole

    We must narrow our attention to what the literary work says butwe must first consider how it is said

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    11/39

    Formalistic Approach Summary

    Suggests that the reader see what is in the poem, novel, or the play rather thanto consider what is outside it.

    First step in explaining the literary work is to discover what the words actually mean in their full denotative and connotative value.

    Principle by which content and form inseparable Imagery, tone, meters, rhymes, etc

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    12/39

    Formalism/New Criticism

    New Criticism varied from formalism in that New Criticism focuses on image, symbol, and meaning. Traditional formalists often attacked New Critics for their lack of

    attention to the form of the work.

    Seminal works on New Criticism include John Crowe Ransoms The New Criticism (1941) and Cleanth Brooks The Well Wrought Urn (1947).

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    13/39

    Impact of FormalismToday, few critics adhere only to the formalist or New Criticism theory.

    However, its back-to-the-basics approach pervades many other critical theories.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    14/39

    Young Goodman Brownand how to view it via the formalistic approach

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    15/39

    In Nathaniel Hawthorne s Young Goodman Brown, there are numerous formalistic approach concepts. This method to reading, which is one of the most common, has three main points: symbolism, allegory, and allusion. Even though these main pointsare most prominent, there are other points such as, ambiguity, and organic form.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    16/39

    Ambiguity in YGB

    Ambiguity Allows for two or more simultaneous interpretations of a word,

    phrase, action, or situation, all of whichcan be supported by the context of a work.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    17/39

    Ambiguity in YGB

    Deliberate ambiguity can contribute to the effectiveness and richness of a work,for example, in the open-ended conclusion to Hawthorne s "Young Goodman Brown."However, unintentional ambiguity obscures meaning and can confuse readers.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    18/39

    What is the meaning behind the pink ribbons?Are they emblematic of love, of innocence, of good? Conversely, do they suggestevil or hypocrisy, or the ambiguous and puzzling blend of good and evil?

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    19/39

    Faith vs. faith

    Does

    Goodman Brown lose Faith or

    faith?

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    20/39

    Allegory in Young Goodman Brown

    The story Young Goodman is allegorical, meaning that the characters and objects

    in the story represent abstract ideas.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    21/39

    Allegory and Faith

    In Young Goodman Brown, we have Browns wife Faith and the spiritual faith

    which contribute to the ambiguity of theshort story.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    22/39

    Allegory and faith

    If the tale is allegorical, for example, it may be that Goodman Brown gained hisfaith three months before the action of the story, when he and Faith were married. The allegory may further suggest that Goodman Brown shortly loses his new faith, for he

    shrank from the bosom of Faith

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    23/39

    Allegory in YGB

    Allegory is difficult to maintain, often requiring a rigid one-to-one equivalence between the surface meaning and a higher meaning. Thus if Faith is faith, and Goodman Brown loses the latter, how do we explain that faith remains with him andeven outlives him?

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    24/39

    Allegory in YGB

    Strict allegory would require that she disappear, perhaps even vanish in that dark cloud from which the pink ribbon apparently falls. On the other hand, a pattern of symbolism centering on Faith is easier to handle, and may help by offeringmore pervasive,

    and more subtle interweaving ideas.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    25/39

    Symbolism - Faith

    Goodman Brown s wife, Faith, symbolizes Brown s spiritual faith. When he sees her in

    the forest at the witches sabbath, herealizes he is in danger of losing not only his wife but also his spiritual faith.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    26/39

    Symbolism and The Forest as Eden

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    27/39

    Symbolism The Forest as Eden

    Goodman Brown appears to represent human beings confronted with temptationthat is, he wishes to enter the dark forest of sin, so to speak, to satisfy his curiosity about the happenings there and perhaps even to take part in them.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    28/39

    Symbolism The Forest as Eden

    The man who meets Brown in the forest appears to represent the devil; his staffis a symbol of the devil as a serpent. Thus, we have Adam (Brown, curious to learn forbidden knowledge) facing the serpent in the Garden of Eden. It was, of course, a treethe Tree of Knowledgethat enticed Adam. Goodman Brown is enticed by anentire forest. Like Adam, he suffers a

    great fall from innocence.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    29/39

    Symbolism The Forest as Eden

    Faith appears to represent Browns religious faith and his faith in others; her pink ribbons stand for innocence. But when she also appears at the witches sabbath apparently, like Eve, desiring forbidden knowledgeshe too loses her innocence. At the last moment before his and his wife s baptism into the evil society gathered in the forest, Brown urges his wife: "Look up to Heaven, and resist the Wicked One." He then finds himself alone in the forest, wondering whether he has

    awakened from a dream or really did attend the witches sabbath. But the damageis done, and he becomes "a stern, a sad, a darkly meditative, a distrustful, ifnot a desperate man."

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    30/39

    Allusions within Young Goodman Brown

    Goodman: Husband or master of a household.

    Goody: (1) Housewife, especially an elderly one, of a lower class; (2) any lower-class woman; (3) housewife or mistress of a household. King William (Paragraph13): William III, king of England from 1689 to 1702.

    Wot st: (Paragraph 15): Know. King Philip (Paragraph 18): Nickname of the Wampanoag Indian chief Metacom (or Metacomet). Maltreatment of Indians by whites provoked him into waging what came to be known as King Philip s War against New Englanders in 1675-1676. His defiance instilled fear in the white inhabitants of NewEngland.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    31/39

    Allusions within Young Goodman Brown

    Lecture-Day (Paragraph 21): Weekday on which a sermon was given.

    E en Go Thy Ways (Paragraph 25): Just (righteous) be thy ways.Cinquefoil (Paragraph 32): Flowering plant of the rose family that has white, red, or yellow petals. Wolf s Bane (Paragraph 32): Wolfsbane, a poisonous plant. Devil

    s Staff (Paragraph 36): The narrator says, "So saying, he threw it [the staff] down at her feet, where, perhaps, it assumed life, being one of the rods which its owner had formerly lent to the Egyptian magi." This passage alludes to verses 8-12 in Chapter 7 of the Bible s Book of Exodus. According to these verses,God directs Moses to tell Aaron, his brother, to cast down his staff before thethrone of the pharaoh of Egypt. When he does so, it transforms itself into a serpent. The pharaoh

    s magicians (magi) then cast down their staffs, which in likemanner turned into serpents. However, Aaron s staff consumes the staffs of themagicians.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    32/39

    One characteristic we must look at when analyzing Young Goodman Brown is form; the structure or style of a text.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    33/39

    Young Goodman Brown - Form

    A short story like YGB, as opposed to a long novel, is structured in such a waythat there are a few notable characters and only one major situation.

    As a result, a short story like YGB reaches its climax and solution and thus quickly comes to an end.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    34/39

    Young Goodman Brown - Form

    A short story is restricted in scope, like a news story, but unlike the news story, the short story possess the balance and design-the polish and finish, the completeness which

    we associate with the work of art.

    In brief, like any other imaginative literary work, the short story possesses form.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    35/39

    Organic Form

    The organic form has two parts: The local texture The logical structure.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    36/39

    Local Texture

    The local texture is the comparison that is made between things. A comparison inthis

    story would be the description of red fire and aman who is mean and controlling. A comparison can be made to the devil and hell.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    37/39

    Logical Structure

    The logical structure of this story is a young man that has a wife, who ironically is named Faith, goes out one night on a journey. His wife begs him not to gobut he does anyway. On his journey he encounters the devil, and because of thisdevil he loses his wife Faith, and his own faith. When he comes back from his journey he is a changed man for the worst, in a sense that he treats everyone as asinner, and forever

    treats people with disgust.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    38/39

    Virtues and Vices

    If you use your prior knowledge of Puritans you would or should have come to theconclusion that this would be a stereotypical story where the protagonist (Goodman)

    would be tempted by the devil or some evil creature thatsomehow makes the faithful protagonist lose their faith

    and then somehow regain it. However as this storyprogresses it is shown that this was not the case.

  • 7/30/2019 22187676 the Formalist Approach to Literature (1)

    39/39