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8/6/2019 40 Years of Chez Panisse: The Power of Gathering
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8/6/2019 40 Years of Chez Panisse: The Power of Gathering
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C L A R K S O N P O T T E R / P U B LI S H E R S
N E W Y O R K
Foreword by Calvin Trillin | Afterword by Michael Pollan
th e powe rof gath er ing
yearsof
Alice Watersand friends
8/6/2019 40 Years of Chez Panisse: The Power of Gathering
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CALVIN TRILLIN (writer): I once referred to Alice
Waters as the Emma Goldman of the New American
Cuisine. Shes a revolutionary, and I have to believe that
her revolutionary approach was affected by what was
happening at the University of California at Berkeley
when she arrived there as an undergraduate in the six-
ties. I was in Berkeley not long after Alice arrived; I had
come to do a piece on the Free Speech Movement for
The New Yorker.I found that the student radicals I met
had a style (a word they used a lot) that was militantly
inclusive and nonhierarchical. The organization they
most admired, the Student Nonviolent Coordinating
Committee, which provided the young shock troops for
the civil rights struggle in the South, was said to make
decisions by letting the consensus emanate. Before the
Berkeley radicals got deflected and eventually consumed
by the Vietnam War, they were interested in organizing
around issues that were specific and close at handa
rent strike in substandard housing in Oakland, say, or
working conditions on the farms of the Central Valley.
If their interests had been culinary rather than political,
they would have been locavores.
In those days, when good food was intertwined in
the American mind with fine dining, the style of lead-
ing restaurants was neither inclusive nor nonhierarchicalnor local. The chef was a magisterial figure in a towering
toque. The menu needed but a single word to designate
the high quality of an ingredientimported.The waiters
wore tuxedos and the matre d seemed to have been
hired for his ability to make patrons feel that they didnt
quite deserve to be on the premises. Every middle-size
American city had a couple of versions of this restaurant.
I called it La Maison de la Casa House, Continental
Cuisine and speculated that the continent they had in
mind was Antarctica, where everything starts out frozen.
Chez Panisse was instrumental in overthrowing that
regime. It uncoupled good eating from fanciness. Its
menu included takes on humble street food, like pizza
and calzone. It hired the sort of chefs who wore baseball
caps rather than toques and might have found them-
selves drifting into kitchen work after getting bored with
graduate studies in anthropology. It was wildly inclusive.
The growers were an honored part of the operation. The
customers knew they deserved to be on the premises and
didnt seem to mind that Alice was serving up, with the
heirloom tomatoes and free-range chicken, some strong
views on the connection between good food and sus-
tainable agriculture. Now, every middle-size American
city has a couple of restaurants that are modeled, in one
way or another, on Chez Panisse. Like any good radical,
Alice seemed interested from the start in creating not an
empire but a network.
I tend to eat in the upstairs caf at Chez Panisse rather
than in the more formal dining room downstairs, but I
find it comforting to know that the dining room is there.
Why? Because for fifteen years, beginning in the late six-
ties, I was in a strange town every three weeks for aseries ofNew Yorkerpieces, and my last resort for finding
something decent to eat was to approach the motel clerk
and say, Not the restaurant you took your parents to
on their twenty-fifth wedding anniversary; the restaurant
you went to the night you got home after thirteen months
in Korea. In Berkeley, Im pleased to say, those are the
same restaurant.
Foreword by Calvin Trillin
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To put this history together, first my collaborators and I
pored over thousands of photographs, menus, and other
ephemera, looking for memorable images that would be
expressive enough to tell the story all by themselves.
After we had arranged the pictures in more or less
chronological order, and after I had written about what
they meant to me, I invited nearly a hundred friends to
contribute their recollections, too. Regrettably, hundreds
more friends of the restaurant who have also been indis-pensable members of the Panisse family have been left
out; and without their stories, this book can only be frag-
mentary, incomplete, and subjective. But in the end the
only story I can tell is my own. So here it is: my story,
mostly in pictures; the story of what I have learned and
how the restaurant has come to flourish.
For decades, Chez Panisse has been serving its guests
not just food, but ideas. The real story of this book is
how a few simple ideas about food and cultureideas
that are accessible to anyonewere planted in my mind
before the restaurant was founded and became convic-
tions that took root, blossomed, and bore fruit, to be
propagated from Berkeley back out into the world.
What are these ideas weve been serving? They
are neither new nor radical. In fact, they are as old as
humankind. Most important is the universal idea that
we have an obligation to support the farmers, fisher-
men, and ranchers who are taking care of the planet at
the same time they are nourishing us, and an equally
solemn obligation to nourish our children, who are
depending on us for a livable future. Another idea is
that our full humanity is contingent on our hospitality:
we can be complete only when we are giving something
away; when we sit at the table and pass the peas to the
person next to us we see that person in a whole newway. Finally, and critically, weve been serving forth
the idea that the whole is greater than the sum of its
parts. This concept explains, among other things, how
a restaurant like Chez Panisse becomes not just a place
to eat, but also a convivial venue for celebrating and
savoring particular moments in time, a forum for politi-
cal engagement, and an ongoing opportunity for artistic
collaboration.
Our vision at Chez Panisse has always been of a world
where delicious food enriches the celebration of life and
strengthens our connections to nature and culture. To
turn this vision into reality, we need to gather together
at the table and prove that the authenticity we crave can
exist right under our noses. This is the power of gath-
ering: it inspires usdelightfullyto be more hopeful,
more joyful, more thoughtful: in a word, more alive.
An Introduction and an Invitation by Alice Waters
I would like to invite you to share
a personal and impressionistic chronicleof the evolution of a small restaurant
and caf in Berkeley, California,
called Chez Panisse.
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