26
Ꮫㄽせၐᩍ⫱ෆໟㄢ㢟ศᯒ ᨵၿࡓࡅ⤌㛵◊✲ ┾◁Ꮚ

5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

  • Upload
    others

  • View
    0

  • Download
    0

Embed Size (px)

Citation preview

Page 1: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2
Page 2: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

Indiana

MIRACULUM

5 6

Page 3: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 2 -

NHK

Page 4: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 3 -

2010

Page 5: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 4 -

2010 p.27

2004

2004, pp.189-190

1955

1955 pp.12-14 1984

1984, p.41

2010 p.27

10

20

20

60

Page 6: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 5 -

2008 p.91

2008 p.91

1

1 Phillips, Kenneth H. Teaching Kids To Sing

2

3

Page 7: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 6 -

1 Indiana 3 International Vocal

Ensemble , Singing Hoosiers , American African Vocal Ensemble

3

University Elementary School St. Charles School

2

MIRACULUM

2008 pp.93-94

Page 8: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 7 -

3

4

Espoon Lounais-Hämeen

5 NHK

6

3

Page 9: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 8 -

3 1 1

3

2

1 2

5

2 3

3

8

14 22

22

1

2

1

2

7 7

3 2

Page 10: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 9 -

3

1 3 1 2

3

3

3

3

2010, p.37 2019

Page 11: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 10 -

1 9

2

,

3

4

4

4

2019 p.8

Page 12: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 11 -

-1

4 1 4

1

2 3

4

Page 13: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 12 -

, 2019

Page 14: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 13 -

5

3

3

Page 15: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 14 -

2008 .

2013 .

2014

vol.11.no.2, pp.143-153.

1957 3 .

, 2006.

Bulletin 2003-2005 School of Music, Indiana University Bloomington Campus.

Conable, Barbara H. and Conable, Benjamin J. 1999 WHAT EVERYMUSUCIAN NEEDS TO KNOW

ABOUT THE BODY: The Practical Application of Body Mapping to Making Music1999, 2000

Andover Press. ,

2004 , 2004.

Davies, D. Garfield/Jahn, F. 2004 Anthony Care of Professional Voice, Bloomsbury Publishing Plc.

, , , 2017

.

, 2007

No.489, , p.7

Eberhardt, Carl 1973 Praxis der Chorprobe, Edition Peters.

, , 2001 .

Emmons, Shirlee/Thomas, Alma 1998 Power Performance for Singers; Transcending the Barriers,

originally published in English, is published by arrangement with Oxford University Press, Inc.

, , 2007

.

Ferrell, Matthew August (2010) Perspectives on Choral and Solo Singing: Enhancing Communication

between Choral Conductors and Voice Teachers , A DOCTORAL ESSAY

Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the

degree of Doctor of Musical Arts Coral Gables, Florida.

Finnish Music Quality (FMQ) 2006 Art Print Oy, Helsinki.

Foorai, Katalin / Szőnyi, Erzsébet 1971 Atmenetek iskoláskorig, Pedagogiai Tarsasag, Budapest.

, , 1974

.

2017

46-2, pp.13-24.

1987 .

1983 pp.16-20.

2000

Page 16: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 15 -

35 , pp.141-156.

2001

36 pp.99-116.

2003

38 pp.115-128

2004

, pp.378-379.

Garcia, Manuel 1894 HINTS ON SINGING, London, 1894.

2003 .

2014 ―

― 2 , pp.23-34.

Goodwin, A. 1980 Acoustic study of individual voices in choral blend Journal of Research in Music

Education, 28(2), pp.119-128.

2001 JCDA Vol.8,

pp.1-25.

2002

Green, Barry/ Gallwey, W. Timothy 1986 THE INNER GAME of MUSIC DOUBLEDAY.

, , , 2005

100 .

Green, Don 2001 Audition Success, Copyright by Routledge. ,

2013

.

Haefliger, Ernst 1983 Die Singstimme, B, SCHOTT’S SOHNE, Mainz, Germany.

1992 .

2004 .

2018 6 .

1981 .

1990 ― ― .

1995 .

2012 MOUUSAⅠ

2003 .

2012

2 , pp.60-70.

Page 17: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 16 -

Heizmann, Klaus 2003 Vocal Warm-ups 200 Exercises for Choral and Solo Singers , Schott Music

GmbH & Co. KG, Mainz. , 2014

200 .

Helmholtz, Hermann von 1896 Die Lehre Von Den Tonempfindungen Als Physiologische Grundlage

Für Die Theorie Der Musik, BRAUNSCHWEIG DRUCK UND VERLAG VON FRIEDRICH

VIEWEG UND SOHN 2014

.

Herboly-Kocsár, Ildikó 1984 Teaching of Polyphony, Harmony and Form in Elementary School ,

Budapest : Erdei, Péter a Kodály Intézet igazgatója. = ,

2002

, .

1994 2

, pp.183-202.

2006

57 , pp.49-61.

Husler, Frederick and Rodd-Marling, Yvonne 1965 Singen; Die physische Natur des Stimmorganes;

Anleitung zum Aufschließen der Singstimme , Schott Musik.

= 1987

.

Indiana University Bulletin Second Semester 2003 Bloomington Schedule of Classes and Student

Academic Information Indiana University.

2001 ―

― 51 11 , pp.887-895.

1976 .

2017 .

2008 vol.5 no.2, pp.86-91.

2004 , pp. 371-374.

1982 Ⅰ 32 , 5 , pp.

197-212.

1997 .

Kardos, Pál 1977 Kórusneveles Kórushangzás, ZENEMÜKIADÖ BUDAPEST. ,

, 1944 .

Kardos, Pál 2007 Egyszólamúság az énekkari nevelésben - Módszertani útmutató SZTE ÁOK Nyomda.

Page 18: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 17 -

2015 SZTE ÁOK .

Kainulainen, Jussi Vocational music education in Finland , FMQ, 3/2006, pp.40-41

1998 .

2014 F

MUS 2014-MUS-102(13), pp.1-6.

2015 6 , pp.4-12.

1978

Klemettinen, Timo 2006 Music for life, Finnish Music Quality (FMQ), Art Print Oy, Helsinki, 3/2006,

pp.6-7.

Klemettinen, Timo 2006 Music education in Finland: institutions, Finnish Music Quality (FMQ), Art

Print Oy, Helsinki, p.8.

Klemettinen, Timo 2006 Basic music education in Finland, Finnish Music Quality (FMQ), Art Print

Oy, Helsinki, p.9.

1973 .

2002 , p.611.

1990 pp.

39-45.

Kodaly, Zoltán 1941 333 OLVASOGYAKORLAT, by Kodaly, Zoltán, Editio Musica Budapest, 1958.

, 1992 333

1993 , pp.126-139.

2002 .

Opponent, Mari 2006 The land of music playschool, Finnish Music Quality (FMQ), Art Print Oy,

Helsinki, p.11.

1995 .

2003

25 10 , HD, pp.16-19.

2008 .

2010 NLP, 110 (122),

pp.91-95.

Large, J. and Iwata, S. 1971 Aerodynamic study of vibrato and voluntary ‘straight tone’ pairs in

singing Folia Phonies. 23(1), pp.50-65.

Lied, Marika 2006 Vocational music education in Finland , Finnish Music Quality (FMQ), Art Print

Oy, Helsinki, p.40.

Page 19: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 18 -

Lehmann, Lilli 1902 Mine Gesangskunst, Berlin:Verlag der Zukunft.

1991 .

Loehr, James E. and Migdow, Jeffrey A. 1988 TAKE A DEEP BREATH, Jerome B. Agel Japanese

translation right though Japan UNI Agency, Inc. ,

1988 TBS

Loehr, James E. 1987 Mental Toughness Training for Sport, All rights reserved. By permission of J.

OSAWA&CO., LTD. 1987

TBS

Malde, Melissa, Jean / Kurt-Alexander, Mary, Zeller 2009 What every singer needs to know about the

body, Plural Publiching, Inc. M M Z

2010 .

Martens, Rainer 1987 Coaches Guide to Sport Psychology , Japanese translation riguts arranged with

Human Kinetics Publishers, Inc. , 1991

.

Martienßen-Lohmann, Franziska 1956 Der wissende Sänger, Atlantis Musikbuch.

1994

.

2013

.

2014 2 .

1996 .

Miller, Richard 1986 The Structure of Singing System and Art in Vocal Technique , Schirmer Books.

2014 .

Miller, Richard 2004 Solution for Singers, Oxford University Press. ,

2009 Q A

.

2000

35 , pp.141-145.

1991 34 4 , pp.25-36.

2011 ,

pp.213-216.

2008 .

2008

2008 .

Page 20: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 19 -

1999 .

1997a .

1997b .

2000 7 ― ―

.

1984 ― ―

33 , pp.41-48.

2003 Training Jounal October -

25 , 10 , pp.12-15.

1988 MOOK .

2001

, pp.2-9.

2003 45

, 4 , pp.16-21.

1995 99

pp.163-175.

2000 Ⅱ 114 ,

pp.59-67.

2002a Ⅰ 119

, pp.31-39.

2002b 30

, pp.4-12.

2004 Ⅰ

127 , pp.87-92.

2006 34 , pp.3-14.

2008

MIRACULUM 139 , 2008, pp. 91-99.

2009a

37 , pp.32-42.

2009b

142 pp. 73-84.

2010 Ⅰ

143 , pp.27-38.

2010 Ⅱ

Page 21: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 20 -

145 , pp.69-75.

2011

148 , pp.39-48.

2012 Ⅰ

151 , pp.109-117.

2012 No.3, pp.16-28.

2013 Ⅱ

153 , pp.59-69.

2014 Ⅲ

155 , pp.91-100.

2014

N0.5, pp. 16-25.

2015

158 , pp.137-148.

2017

3-P-25, pp.387-388.

2017

164 , pp.65-74.

2017

166 , pp.99-108.

2018

167 , pp.37-43.

2018

19 , pp.231-241.

2019

N0.10, pp.3-14.

2012 .

2019

76 , p.6.

1991

― ―

Page 22: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 21 -

2002 .

NIRS 2014 2017

https://kaken.nii.ac.jp/ja/file/KAKENHI-PROJECT-26350316/26350316seika.pdf.

2001 JCDA Vol.8, pp.1-25.

2016

Ⅰ Music View .

2009 .

2008

2-5-13, pp.913-916.

1958 .

1972 .

2002a .

2002b

1977 .

2007 .

1993 .

2000 FFT N 28 , pp.13-22.

Olson , Margaret 2010 The Solo Singer in the Choral Setting: A Handbook for Achieving Vocal Health

Scarecrow Press.

2013 Ⅵ

43-2, pp.75-80.

2017

28 , 2 , 2017, pp.67-84.

2012

, 61 , pp.333-342.

2015

42 , pp.85-95.

2013 . ―

.

2011 Vol.35, No.5, pp.421-426.

Parncutt, Richard / McPherson, Gary 2002 The science & psychology of music performance , Oxford

University Press, Inc. E

2011 .

Page 23: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 22 -

Phillips, Kenneth.H. 1996 Teaching Kids To Sing, Schirmer, a division of Thomson Learning. Inc.

Reid, Cornelius L. 1950 BEL CANTO Principles and Practices, COLEMAN-ROSS COMPANY, INC.

, 1988

Reid, Cornelius L. 1983 A DICTONARY of VOCAL TERMINOLOGY by CORNELIUS L. REID ,

Japanese translation with rights arranged with Reid, Cornelius L. through Japan UNI Agency. Inc.

, 2005

.

Rico, Esther Sard 2003 En Forma Ejercicios para músicos, Editions’ Periods. ,

2006

.

Robinson, Russell and Arthouse, Jay 1995 The Complete Choral Warm-Up Book by Alfred publishing

Co. , Inc. Printed in USA.

Roederer, Juan G. 1979 Introduction to the Physics and Psychophysics of Music Springer-Verlag New

York Inc. , G. 1983

.

Roma, Lisa 1955 The Science and Art of Singing, G Schirmer, Inc. 1955. ,

1966 .

Rossing, T., Sundberg, J. and Ternstrom, S 1984 Acoustic comparison of voice use in solo and choir

singing, Speech Transmission Laboratory Quarterly Progress and Status Report, 25(1), pp.30 -43.

Rossing, T., Sundberg, J. and Ternstrom, S 1985 Acoustic comparison of soprano solo and choir

singing, Speech Transmission Laboratory Quarterly Progress and Status Report, 26(4), pp.43 -58.

2016 .

2004

35 pp.1-6.

2013

6 , pp.1-11.

1974 .

2014 .

1974 No.96 .

2016

25 .

2002 .

Schneider, Walter 1972 Einsingen im Chor, Edition Peters .

Page 24: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 23 -

2000 .

2012 NHK .

, 2013 .

1959 .

1976 ,

1955 .

Sundberg, Johan, Department of Speech Communication and Music Acoustics, Royal Institute of

Technology, S-100 44 Stockholm, Sweden Deutsch, Diana 1982 The Psychology of Music,

Academic Press. Inc. ,

1987 pp.72-115.

Sundberg, Johan 1987 The Science of The Singing Voice , Northern Illinois University Press.

, 2007

.

2002 .

Szabó, Helga 2002 ÉNEK-ZENE , Memetic Tankönyvkiadó, Budapest.

2005 2 134 ,

, pp.72-73.

2005 133 ,

, pp.56-57.

2001

― ― 51 11 , pp.887-900.

2015

2 , pp. 52-61.

2005 Ⅱ

pp.228-241.

2006 60

, pp.61-73.

2007

57 , pp.31-43.

1999 , 1999, pp.109

-113.

2003

31 , pp.18-19.

2005 2

Page 25: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 24 -

33 , pp.33-43.

2007

35 , p.36.

2009 3

37 , p.48.

2017 8 , pp.27-29.

2011 .

2002 .

2016

5, pp.78-89.

2017

7, pp.57-66.

2014 100 .

2007 .

2004

XVI, pp.181-195.

2015

= IEICE technical report 114(475), pp.301-306.

2017

.

Thomas, Kurt 1935 Lehrbuch der Chorleitung, Bnd1 Leipzig. Breitkopf & Härtel. ,

1965 .

Titze, Ingo R. 1994 Principles of Voice Production, Prentice Hall.

, 2003

.

1991 .

1994 .

2005 .

2010 .

2011 .

2012 .

2013 .

2009 —

, pp.69-81.

Page 26: 5 ¥ E S v ~) s 6õ M %Ê'2 · Ê ] v S U b 7 P _ ± A ^ Ó u>* ¼, C I O >* 8 z M z _ º b 7 P æ _ @ 6 ]>&1955>' c>* Q b | : ^ æ _ _ | ~>* B6×4#&ì _ 6 Ê ] v S U b l b4# Ø ^2

- 25 -

2012

No.14, pp.1-5.

2003 32 ,

pp.39-44.

2018

, pp. 1121-1124.

1982 No.30, pp.24-29.

1983 ― .

1989 .

1995 38 .

2002 .

2002 .

2008 .

Winter, Lloyd B. 1981 RELAX & WIN Championship Performance in Whatever You Do, originally

published by A. S. Barnes & Company, Inc. 1984

.

Wood, Alexander 1944 The Physics of Music, Richard Clay and Co, Ltd. ,

, J.M , 1976 ―

.

2004 pp.525-526.

1949 .

2011 pp.119-167.

1998 .

2007 .

2011 .

2006

Vol.16 pp.7-16.