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460 George Harrison, 'My Sweet Lord' Writer: Harrison Producers: Harrison, Phil Spector Released: Nov. '70, Apple 14 weeks; No. 1 The first hit for an ex-Beatle, it features Harrison 's teardrop slide licks and a melody virtually identical to the Chiffons' "He's So Fine." After a lawsuit, Harrison had to pay $587,000 to his former manager Allen Klein, who then owned the rights to "He's So Fine." "It made me so paranoid about writing," Harrison said. "I thought, 'I don't even want to touch the guitar, in case I'm touching somebody's note.'" Appears on: All Things Must Pass (Capitol) RELATED:

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460George Harrison, 'My Sweet Lord'

Writer:HarrisonProducers:Harrison, Phil SpectorReleased:Nov. '70, Apple14 weeks; No. 1The first hit for an ex-Beatle, it featuresHarrison's teardrop slide licks and a melody virtually identical to the Chiffons' "He's So Fine." After a lawsuit, Harrison had to pay $587,000 to his former manager Allen Klein, who then owned the rights to "He's So Fine." "It made me so paranoid about writing," Harrison said. "I thought, 'I don't even want to touch the guitar, in case I'm touching somebody's note.'"Appears on:All Things Must Pass(Capitol)RELATED:100 Greatest Guitarists of All Time: George Harrison500 Greatest Albums of All Time: George Harrison'sAll Things Must Pass 459Guns N' Roses, 'Paradise City'

Writers:Guns n' RosesProducer:Mike ClinkReleased:Aug. '87, Geffen17 weeks; No. 5For nearly seven minutes,Axl Roseexpounds on the joys of green grass, pretty girls and toxic chemicals. The song was written in the back of a van as the band drove home to L.A. after a gig in San Francisco, with all the members tossing in lines. In a typically tastefulG n' Rmove, the video has footage of the band's 1988 gig at Castle Donington in the U.K. where two fans were crushed to death.Appears on:Appetite for Destruction(Geffen)RELATED:100 Greatest Artists of All Time: Guns n' Roses500 Greatest Albums of All Time: Guns n' Roses'sAppetite for Destruction100 Best Albums of the Eighties: Guns n' Roses'sAppetite for Destruction 458Sam Cooke, 'Cupid'

Writer:CookeProducers:Cooke, Hugo and LuigiReleased:July '61, RCA17 weeks; No. 12Cooke's producers had asked him to write a song for a girl they had seen on a Perry Como TV show but once they heard her sing, they kept "Cupid" for Cooke to do himself. It was Cooke's idea to drop in the sound of an arrow being fired "straight to my lover's heart."Appears on:Greatest Hits(RCA)RELATED:100 Greatest Singers of All Time: Sam Cooke100 Greatest Artists of All Time: Sam Cooke 457Chubby Checker, 'The Twist'

Writer:Hank BallardProducer:Karl MannReleased:Aug. '60, Parkway39 weeks; No. 1"The Twist" began as a B side for Ballard and the Midnighters in 1958. But in 1960, former chicken plucker Checker covered it at Dick Clark's suggestion. "Going crazy is what I was looking for where the music is so good you lose control," Checker said. "'The Twist' did that."Appears on:Greatest Hits(Prime Cuts) 456The Beatles, 'Penny Lane'

Writers:John Lennon, Paul McCartneyProducer:George MartinReleased:Feb. '67, Capitol10 weeks; No. 1AfterLennoncomposed "Strawberry Fields Forever,"McCartneywrote his own snappy memoir. Penny Lane was a Liverpool bus stop where Lennon and McCartney often met. "John came over and helped me with the third verse, as was often the case," McCartney said. "We were writing recently faded memories from eight or 10 years before."Appears on:Magical Mystery Tour(Capitol/Apple)RELATED:100 Greatest Artists of All Time: The Beatles 455The Velvet Underground, 'Heroin'

Writer:Lou ReedProducers:Andy Warhol, Tom WilsonReleased:March '67, VerveNon-SingleThis seven-minute, two-chord track spiked out its territory with lyrics about shooting up until you felt like Jesus' son. "It wasn't pro or con,"Reedsaid. "It was about taking heroin from the point of view of someone taking it. I'm still not sure what was such a big deal. So there's a song called 'Heroin.' So what?" Drummer Moe Tucker disagreed: "I consider it our greatest triumph."Appears on:The Velvet Underground and Nico(Polydor)RELATED:100 Greatest Artists of All Time: The Velvet Underground500 Greatest Albums of All Time: The Velvet Underground'sThe Velvet Underground and Nico100 Greatest Singers of All Time: Lou Reed 454The Shangri-Las, 'Leader of the Pack'

Writers:George "Shadow" Morton, Jeff Barry, Ellie GreenwichProducers:Morton, Barry, GreenwichReleased:Oct. '64, Red Bird12 weeks; No. 1Morton found the inspiration for this song at a diner in Hicksville, New York. "Bikers, hot rodders, gum-smacking ladies," he said, "not careful at all about their language." He brought a bike into the studio for the motorcycle sounds.Appears on:Myrmidons of Melodrama: Definitive Collection(RPM) 453Toots and the Maytals, 'Pressure Drop'

Writer:Toots HibbertProducer:Leslie KongReleased:Feb. '73, MangoDid Not ChartToots and the Maytalswere already reggae stars they coined the word on 1968's "Do the Reggay" before "Pressure Drop." They were rumored to be Chris Blackwell's choice overBob Marleyand the Wailers when he wanted a group for his Island label.Appears on:The Harder They Come(Hip-O)RELATED:500 Greatest Albums of All Time:The Harder They Come 452Nirvana, 'Come As You Are'

Writers:Kurt Cobain, NirvanaProducers:Butch Vig, NirvanaReleased:Sept. '91, Geffen18 weeks; No. 32"It's just about people and what they're expected to act like,"Cobainsaid. "The lines in the song are really contradictory. They're kind of a rebuttal to each other." The song is driven by a simple riff that Vig goosed with a flanged, subaquatic guitar effect. Cobain apparently lifted it from a 1985 song by U.K. art-metal band Killing Joke, whom Dave Grohl paid back 12 years later by drumming on their 2003 album.Appears on:Nevermind(Geffen)RELATED:100 Greatest Guitarists of All Time: Kurt Cobain100 Greatest Singers of All Time: Kurt Cobain100 Greatest Artists of All Time: Nirvana500 Greatest Albums of All Time: Nirvana'sNevermind 451Sonny and Cher, 'I Got You Babe'

Writer:Sonny BonoProducer:BonoReleased:July '65, Atco14 weeks; No. 1Late one night, while Sonny andCherwere living in their manager's house, Bono woke up Cher and asked her to listen to "I Got You Babe" and to sing the lyrics, which he had written on a piece of shirt cardboard. She thought it was OK but really wanted a song that modulated. So he changed the key at the bridge and woke Cher up again hours later to hear it; she was delighted.Appears on:The Beat Goes On: The Best of Sonny and Cher(Atlantic)

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