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Geoffrey Bradfield is known for his sophisticated and daring handling of art and the collection in A 21st Century Palace is, quite simply, dazzling. Every room contains museum-worthy masterpieces, from Art Deco creations by Ruhlmann, Leleu and Bugatti to paintings and sculpture by Picasso, Warhol, Calder, Degas, Lautrec, Lichtenstein and Frida Kahlo. The new era of globalisation has brought with it a stunning new breed of palaces - modern-day residences built by connoisseurs whose exceptional taste and patronage are propelling art and architecture forward into the next great epoch. For more than 40 years, Geoffrey Bradfield has been creating exceptional residences around the world and in A 21st Century Palace Bradfield documents one such modern-day palace in Mexico City. Thoroughly contemporary, yet drawing on traditions of craftsmanship and excellence, Bradfield has created a truly modern palace of precious materials and outstanding art.
Citation preview
GEO
FFREY B
RA
DFIELD
• A 21S
T C
EN
TU
RY
PAL
AC
E
VOL I
TIME magazine called globalization “an epoch,
as surely as the Bronze Age” and has stimulated
a wholesale rethinking of the palace concept.
It is a concept with which designer Geoffrey
Bradfield has long been intimately familiar. The
pages of this compelling book take readers on a
rich virtual journey through the creation of
one of this stunning new breed of palaces:
a high-rise residence Bradfield designed in
the heart of Mexico City. It showcases all the
requisite building blocks essential to the
development of any great modernist collection:
museum-worthy 20th- and 21st-century painting
and sculpture, ravishing Art Deco furnishings and
extravagant materials cut and quarried from half-
way around the planet. This is the first volume in
a series that will examine the astonishing particu-
lars of five distinct contemporary palaces located
around the world.
Few designers plying their talents in the world
today are as well equipped as Bradfield to navi-
gate us on this visual excursion. An acknowledged
innovator who takes risks with an authoritative
hand, he is known for his uncannily prescient ability
to recognize unparalleled artistry and excellence,
often before it is validated by the wider world
arbiters. “Geoffrey is a trendsetter with an impec-
cable eye for the physical and the intrinsic beauty
in the pieces he uses,” confirms Adriana Friedman
at DeLorenzo Gallery in New York. Proprietor Tony
DeLorenzo adds: “He was one of the very first to
. . . recognize the leading designers of the French
Art Deco period. At a time when there were only
a few 20th-century decorative arts collectors,
Geoffrey had the foresight to see the importance
of this market and encouraged his clients to
acquire these works of art.”
continued...
GEOFFREY BR ADFIELD
A 21ST CENTURY PALACE
Bradfield is more than well acquainted with modern
glamour; he lives it. The designer circulates fluidly
in a universe of modern Medicis, those privileged
few with the means and discrimination to demand
the very best. His work amongst this distinguished
coterie has led to innumerable prestigious
accolades: An Architectural Digest Dean of
American Design, multiple AD 100 recognitions
and one of Robb Report’s Top 10 Designers in
the World. He was honored by his native South
Africa with an award presented by Archbishop
Desmond Tutu “in recognition of his sterling suc-
cess as one of the most internationally acclaimed
designers of our time.” Bradfield has two
critically celebrated monographs to his name—
Defining Millennium Modern and Ex Arte.
Perceptive enough to detect early on the
globalization of business and wealth, today he also
claims a foothold on virtually every continent. He
is a designer working at the top of his form,
a style which personifies an exquisitely reductive,
distilled sense of luxury.
“There is no magic formula for challenging the
present,” says Bradfield. “What counts is the know-
how, the passion, and the will to stay in the fray and
remain relevant.”
With impeccability and panache, Bradfield
brilliantly fulfills the most important respon-
sibility of any creative mind, as enunciated
by the incomparable Robert Rauschenberg: “The
artist’s job is to be witness to his time in history.”
GEOFFREY BR ADFIELD
A 21ST CENTURY PALACE
Jorge S. Arango is a writer, editor and stylist
specializing in interior design, art and collecting.
His work has appeared in many national and inter-
national publications, including House & Garden,
Elle Décor, Traditional Home, Metropolitan Home,
Luxe and Robb Report. He is also co-author of two
books: Harlem Style: Designing for the New Urban
Aesthetic and Ex Arte, which he wrote with
Geoffrey Bradfield.
Printed in China.
GEOFFREY BR ADFIELD
A 21ST CENTURY PALACE
PRODUCTION NOTE: YELLOW TITLE IS TO BE EMBOSSED AND PRINTED WITH A GOLD METALLIC FOIL
SEE “LAYERS” FOR INSTRUX
2726
2726
5554
5554
8180
8180
GEO
FFREY B
RA
DFIELD
• A 21S
T C
EN
TU
RY
PAL
AC
E
VOL I
TIME magazine called globalization “an epoch,
as surely as the Bronze Age” and has stimulated
a wholesale rethinking of the palace concept.
It is a concept with which designer Geoffrey
Bradfield has long been intimately familiar. The
pages of this compelling book take readers on a
rich virtual journey through the creation of
one of this stunning new breed of palaces:
a high-rise residence Bradfield designed in
the heart of Mexico City. It showcases all the
requisite building blocks essential to the
development of any great modernist collection:
museum-worthy 20th- and 21st-century painting
and sculpture, ravishing Art Deco furnishings and
extravagant materials cut and quarried from half-
way around the planet. This is the first volume in
a series that will examine the astonishing particu-
lars of five distinct contemporary palaces located
around the world.
Few designers plying their talents in the world
today are as well equipped as Bradfield to navi-
gate us on this visual excursion. An acknowledged
innovator who takes risks with an authoritative
hand, he is known for his uncannily prescient ability
to recognize unparalleled artistry and excellence,
often before it is validated by the wider world
arbiters. “Geoffrey is a trendsetter with an impec-
cable eye for the physical and the intrinsic beauty
in the pieces he uses,” confirms Adriana Friedman
at DeLorenzo Gallery in New York. Proprietor Tony
DeLorenzo adds: “He was one of the very first to
. . . recognize the leading designers of the French
Art Deco period. At a time when there were only
a few 20th-century decorative arts collectors,
Geoffrey had the foresight to see the importance
of this market and encouraged his clients to
acquire these works of art.”
continued...
GEOFFREY BR ADFIELD
A 21ST CENTURY PALACE
Bradfield is more than well acquainted with modern
glamour; he lives it. The designer circulates fluidly
in a universe of modern Medicis, those privileged
few with the means and discrimination to demand
the very best. His work amongst this distinguished
coterie has led to innumerable prestigious
accolades: An Architectural Digest Dean of
American Design, multiple AD 100 recognitions
and one of Robb Report’s Top 10 Designers in
the World. He was honored by his native South
Africa with an award presented by Archbishop
Desmond Tutu “in recognition of his sterling suc-
cess as one of the most internationally acclaimed
designers of our time.” Bradfield has two
critically celebrated monographs to his name—
Defining Millennium Modern and Ex Arte.
Perceptive enough to detect early on the
globalization of business and wealth, today he also
claims a foothold on virtually every continent. He
is a designer working at the top of his form,
a style which personifies an exquisitely reductive,
distilled sense of luxury.
“There is no magic formula for challenging the
present,” says Bradfield. “What counts is the know-
how, the passion, and the will to stay in the fray and
remain relevant.”
With impeccability and panache, Bradfield
brilliantly fulfills the most important respon-
sibility of any creative mind, as enunciated
by the incomparable Robert Rauschenberg: “The
artist’s job is to be witness to his time in history.”
GEOFFREY BR ADFIELD
A 21ST CENTURY PALACE
Jorge S. Arango is a writer, editor and stylist
specializing in interior design, art and collecting.
His work has appeared in many national and inter-
national publications, including House & Garden,
Elle Décor, Traditional Home, Metropolitan Home,
Luxe and Robb Report. He is also co-author of two
books: Harlem Style: Designing for the New Urban
Aesthetic and Ex Arte, which he wrote with
Geoffrey Bradfield.
Printed in China.
GEOFFREY BR ADFIELD
A 21ST CENTURY PALACE
PRODUCTION NOTE: YELLOW TITLE IS TO BE EMBOSSED AND PRINTED WITH A GOLD METALLIC FOIL
SEE “LAYERS” FOR INSTRUX