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A “Storied” Relationship: The Marriage of American Literature and Art Jay Peledge NEH “Picturing Early America” Institute- Salem State College July 2009

A “Storied” Relationship: The Marriage of American ...picturingamerica.salemstate.edu/images/unit09/optimized_units/Peledge.pdf · Lay in its tall old groves again.” • “This

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Page 1: A “Storied” Relationship: The Marriage of American ...picturingamerica.salemstate.edu/images/unit09/optimized_units/Peledge.pdf · Lay in its tall old groves again.” • “This

A “Storied” Relationship:The Marriage of American

Literature and ArtJay Peledge

NEH “Picturing Early America”Institute- Salem State College

July 2009

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Miller’s Trials

How Arthur Miller’s The Crucibleand other cultural visual sources

have skewed our understanding ofthe Salem Witch Trials

James Batchelder. Map of Andover, 1692.

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Pioneers in the Settlement of America by William A. Crafts. Vol. I Boston: Samuel Walker &

Company, 1876. Artists: F. O. C. Darley, Wm. L. Shepard, Granville Perkins, etc. Image courtesy ofhttp://www2.iath.virginia.edu/salem/generic.html

What does this image claim had happened in Salem in 1692?

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Photo date: 4 February 2002; Film1996-Twentieth Century FoxImage courtesy ofhttp://www.sheffieldtheatres.co.uk/creativedevelopmentprogramme/productions/crucible/images/TheCruciblefilm.jpg

F.C. Yohan, “WitchcraftVictims on the Way to theGallows”, Boston Herald,May 14, 1930 image courtesy ofhttp://www2.iath.virginia.edu/salem/people/burroughspics.html

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Project Pieces

Examination of a Witch, Thompkins H.Matteson, 1853, Peabody Essex MuseumImage courtesy of http://www2.iath.virginia.edu/salem/generic.html

The Trial of George Jacobs, August 5th,1692, T. H. Matteson, 1855, Peabody EssexMuseum, Image: http://www2.iath.virginia.edu/salem/people/gjacobspics2.html

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Assignment

• Select one of the Matteson works to focus on• While at museum (or looking at PPT images if

museum trip is not feasible), take several notes asto what is learned about the trials via the image(eg. color; placement; expressions-face and body,etc)

• Research Matteson’s background and concludewhat may have influenced him to “alter” reality

• Write an article reviewing Matteson’s paintingincluding a paragraph on its historical accuracy

Page 7: A “Storied” Relationship: The Marriage of American ...picturingamerica.salemstate.edu/images/unit09/optimized_units/Peledge.pdf · Lay in its tall old groves again.” • “This

Defining America:

Gilbert Stuart GeorgeWashington, LansdownePortrait, 1796

Thomas Jefferson et al.Declaration ofIndependence, 1776

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Hawthorne’s Puritans v. theFreakes

How The Scarlet Letter’s RigidPuritan is more Myth than to the

Letter!

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Happy Puritans? Oxymoron?

• Mrs. Freake and herdaughter’s portraitcontains many colors

• Not the somber andmelancholic Puritansthat Hawthornepresents in The ScarletLetter

• Hawthorne, so whatsamatta wit you?

Unidentified artist. Elizabeth Freake (Mrs. JohnFreake and Baby Mary. About 1671-74

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Holding on to the Landscape:Transcendentalists and the Hudson

River School Painters

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So is this what Emersonmeant by “Blight”?

“But these young scholars who invade our hills,Bold as the engineer who fells the wood,And travelling often in the cut he makes,Love not the flower they pluck, and know it not,And all their botany is Latin names.”

Thomas Cole. Course of Empire Series, Destruction. 1833-36

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Trying to Stay United• “Mr. President, - I wish to speak to-

day, not as a Massachusetts man,nor as a Northern man, but as anAmerican, and a member of theSenate of the United States.”

• “I have a duty to perform, and Imean to perform it with fidelity,not without a sense of existingdangers, but not without hope. Ihave a part to act, … for I amlooking out for no fragment uponwhich to float away from thewreck, if wreck there must be, butfor the good of the whole, and thepreservation of all; … I speak to-day for the preservation of theUnion. ‘Hear me for my cause.’"

– Daniel Webster, March 7, 1850 Speech Beforethe U.S. Senate

Emmanuel Leutze. George Washington Crossing theDelaware. 1851

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Guilty Eradication: The Portrayal ofNative Americans in Texts and Images

• “A white man, gazing on the scene,Would say a lovely spot was here,And praise the lawns, so fresh and green,Between the hills so sheer.I like it not--I would the plainLay in its tall old groves again.”

• “This bank, in which the dead were laid,Was sacred when its soil was ours;Hither the artless Indian maidBrought wreaths of beads and flowers,And the gray chief and gifted seerWorshipped the god of thunders here.”

• “But I behold a fearful sign,To which the white men's eyes are blind;Their race may vanish hence, like mine,And leave no trace behind,Save ruins o'er the region spread,And the white stones above the dead.”

– William Cullen Bryant “The Indian at theBurial-Place of His Fathers” (1824)

George Catlin. Catlin Painting the Portrait of Mah-to-toh-pa-Mandan (1861/69)

John Vanderlyn. The Death of Jane McCrae. (1804)

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America’s Rebirth• “My first American ancestor,

gentlemen, was an Indian—an earlyIndian. Your ancestors skinned himalive, and I am an orphan.”

• “All those Salem witches wereancestors of mine!”

• “O my friends, hear me and reform! Iseek your good, not mine. …Disbandthese New England societies…Hear me,I beseech you; get up an auction andsell Plymouth Rock! The Pilgrims werea simple and ignorant race.”

• “I don’t mind coming out flat-footedand saying there ain’t any way toimprove on [Pilgrim stock]—excepthaving them born in Missouri!”

– Mark Twain “Plymouth Rock and thePilgrims” Address to the New EnglandSociety, Philadelphia, 22 December1881

Winslow Homer. A Veteran in a New Field. 1865