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A guide to reading images Widespread use of the printing press, beginning in the early modern era, as well as new engraving techniques, allowed for the development of a popular press and the timely distribution of news, for maybe the first time in history.

A guide to reading images

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A guide to reading images. Widespread use of the printing press , beginning in the early modern era, as well as new engraving techniques, allowed for the development of a popular press and the timely distribution of news , for maybe the first time in history. - PowerPoint PPT Presentation

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Page 1: A guide to reading images

A guide to reading images

Widespread use of the printing press, beginning in the

early modern era, as well as new engraving techniques,

allowed for the development of a popular press and the

timely distribution of news, for maybe the first time in

history.

Page 2: A guide to reading images

Newspapers, broadsheets, and pamphlets contained not only

words, but also images, allowing for a wide variety of literacy

(even if you couldn’t read, you could understand the pictures.)

These images were factual, satirical, fantastic, and metaphoric;

they both illustrated and extended the information presented in the

news stories.

Page 3: A guide to reading images

Images might be commissioned by a particular political party in

order to glorify themselves, or to slander another group. Images

often made reference to well-known myths, stories, or allegorical

symbols, in order to add meaning to the picture. Explanatory titles

and captions, sometimes very long, were often added.

Page 4: A guide to reading images

...images do not simply show what happened. They give the events political meaning and importance.

(from “How to Read Images,” Liberty, Equality, Fraternity: Exploring the French Revolution, chnm.gmu.edu)

Page 5: A guide to reading images
Page 6: A guide to reading images

Paul Revere’s engraving of the Boston Massacre, 1770.

Documentary or propaganda?

• soldiers vs. colonists• where is Crispus Attacks?• after 9pm on a winter night• print for sale 3 weeks after incident• identical to another by Henry Pelham

Page 7: A guide to reading images
Page 8: A guide to reading images

Siege of the Bastille, 14 July, 1789. Eyewitness painting by Claude Cholat.

Page 9: A guide to reading images

Storming of the Bastille, 1789 (Jean-Pierre Houël)

Page 10: A guide to reading images

The Bastille was almost entirely destroyed by November, 1789. These foundations were some of what remained: uncovered in 1899 during the building of the Metro.

Page 11: A guide to reading images

Execution of Louis XVI, 21 January 1793 (engraving published 1794)

Page 12: A guide to reading images

English engraving of the same subject, published 1798.

What are some of the differences you see?

Page 13: A guide to reading images

Burning of Cape Francais, 1802 (French engraving from 1815.)

Page 14: A guide to reading images
Page 15: A guide to reading images

Leclerc’s veterans storm Snake Gully, 1802 (illustration adapted from an engraving by Karl Girardet.)

Page 16: A guide to reading images

Battle of Vertieres, 1803 (French engraving from 1845.)

Page 17: A guide to reading images
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Statue of Vercingetorix (legendary chief of the Celts,) erected 1865 by Napoleon on the supposed site of his surrender to Julius Caesar.

The inscription reads:

La Gaule unieFormant une seule nationAnimée d'un même esprit,Peut défier l'Univers.

Gaul united,Forming a single nationAnimated by a common spirit,Can defy the Universe.

Page 20: A guide to reading images

Suffragette pennies, early 20th century (defacing coins was a serious criminal offence then--you could go to prison for it.)