A Guide to the Fundamentals of Sacred Geometry

8/9/2019 A Guide to the Fundamentals of Sacred Geometry

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Guide to The Fundamentals of Sacred Geometry

Posted by admin on May 26, 2013

in 2013, Ascension, Ascension 2013, i!her

"onsciousness, #i!ht Technolo!ies,mastery

consciousness, Meta$hysics, Multidimensional Self , %uantum

"onsciousness, Sacred Geometry , s$iritual e&olution, S$iritual

ealin!, S$irituality ' 3 "omments

HJ: Even a basic understanding of the science of sacred

geometry can take us a long way in developing a deeperconnection with the world around us. Suddenly, you can see

the basic geometric forms appearing in nearly everything,

especially in plants and other creations of nature. Sacred

geometric forms are what give rise to many aspects of the

experience of life as we know it. Furthermore, they havetremendous symbolic power and metaphysical properties.

One can see divinity expressing itself everywhere when

sacred geometry is properly understood.

This wonderful primer by onald and !yssa "olt will give

introduce you to the history and fundamental concepts thatunderlie the science and art of sacred geometry.

# Truth

Sacred Geometry

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by (onald olt and #yssa (oyal olt ) Soli School

*

Anyone can dra+ a !eometric form and it is ust !eometry- but

+hen you relate s$irit, consciousness, or di&inity to !eometry,

you.re creatin! Sacred $eometry. Therefore, Sacred Geometryuses !eometric models to hel$ us understand the e&olution of

consciousness and the di&ine nature of human bein!s and the

$hysical +orld/ Throu!h these models, +e can learn to

tan!ibly understand our o+n di&ine

nature and creation itself/

For eam$le, the model to the ri!ht is

an artist.s rendition by &ette ae45

of the ancient Flo+er of #ife $attern

that has been found in tem$les, burial

sites, and sacred locations around the

+orld/ The $attern, sho+n often in the +ors of #eonardo 7a

8inci, has a uni9ue 9uality/ :ithin this $attern, all the

!eometric forms no+n in creation can be found/ Thus, the

Flo+er of #ife symbol is no+n as a symbol of "reation that

clearly e$resses the unity of all ;se$arate< obects in creation/

Geometric models mirror our consciousness/ =ust as our

bodies are e$ressions of our consciousness in a $hysical

form, the $hysical !eometric forms are re$resentations of the

ori!inal !eometry of li!ht that eists beyond the $hysical le&el/

http://www.thehealersjournal.com/2013/05/26/guide-to-the-fundamentals-of-sacred-geometry/www.solischool.orghttp://www.thehealersjournal.com/2013/05/26/guide-to-the-fundamentals-of-sacred-geometry/www.solischool.org


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>n this ori!inal le&el beyond the $hysical, !eometric formsfluidly transition into each other, re$resentin! ho+ our

consciousness continuously transcends and mo&es into hi!her

and hi!her states of e&olution/ The ey element that ties the

!eometry to!ether is that of the s$iral, creatin! a tree of

transcendent !eometries that re$resent our true infinitenature/ Many of the +orsho$s offered in the SOLi School,

es$ecially those from (onald olt, e$lore these conce$ts in

$rofound and yet tan!ible +ays/

Sacred geometry is the study of geometric forms and their

metaphorical relationships to human evolution as well as a

study in fluid evolutionary transitions of mind, emotions,

spirit, and consciousness reflected in the succeeding

transition from one sacred geometric form and its related

consciousness state, into another.

Sacred Geometry by Leonardo Da Vinci

Many of the ancients dee$ly studied sacred !eometry and it.s

connection to the creation of $hysical reality as +ell as

consciousness/ >ne of the most +ell no+n is ?taly.s masterartist and in&entor, #eonardo 7a 8inci/ The dra+in!s to the

left are all by #eonardo and are from the follo+in! boos@


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%rt and Science by "arloPedretti and "atherine Frost

!eonardo le &acchine by

"arlo Pedretti

The 'nknown !eonardo by

#adislas (eti

Why is Sacred Geometry

Important?

:hen +e tae the ourney to

e$lore Sacred Geometry, itaids us in ma$$in! our inner

landsca$e/ Throu!h these

$o+erful meta$hors, the

unno+n becomes no+n

and +e be!in the $rocess ofa+aenin! from an unconscious to a conscious state of bein!/

The teachin!s of Sacred Geometry hel$ us not only

understand, but acti&ely interact +ith our 7i&ine nature in a

tan!ible +ay/ The ancients ne+ the $o+er of Sacred

Geometry and thus incor$orated it into the most sacred ofarchitecture as in some of the most ma!nificent tem$les and

cathedrals no+n on arth/ :e e$lore some of these sacred

sites in the section called Around the :orld/

http://www.solischool.org/around-the-world.htmlhttp://www.solischool.org/around-the-world.html


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Another reason that Sacred Geometry is im$ortant andrele&ant to us today is because it reflects the fractal and

holo!ra$hic natures of consciousness/ Fractals, found in

nature, are selfBsimilar $atterns that re$eat in both the small

and lar!e scale/ The $hrase ;as abo&e, so belo+< is an

e$ression of a fractal reality that $oints to the truth of ourdi&ine nature bein! reflected in a $hysical reality, e&en if +e

ha&e not yet learned to reco!ni4e or embrace it/

"onsciousness is also holographic/ Put sim$ly, a holo!ram

reflects fractal $rinci$les because its $ro$erties re$eat, no

matter ho+ lar!e or small the ima!e/ For instance, a holo!ram

of a tree may $hysically be able to be ;cut< into se&eral $ieces/

ut u$on closer eamination of the holo!ram, the com$lete

ima!e of the tree +ill still be $resent, no matter ho+ small C

theoretically, e&en beyond the $hysical and into the 9uantum

le&el/

?t is this ability of Sacred Geometry to model and reflect these

im$ortant characteristics of consciousness that ha&e

ca$ti&ated mystics, $hiloso$hers, and shamans all o&er the

+orld since ancient times/ They ha&e been attem$tin! toans+er the a!e old 9uestions, ;o+ did the di&ersity +ithin

the $hysical +orld seemin!ly come from Dnothin!E< and, ;?s

there a hidden $attern or tem$late on a 9uantum le&el that

or!ani4es realityE< These 9uestions in&ariably lead to, ;:hat

is the nature of consciousnessE<


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y dra+in! sacred !eometry models, learnin! about theseunseen $atterns, and seein! the uni&erse reflected in $hysical

reality on small and lar!e scales, +e can be!in to intuit our

$lace in the cosmos as bein! an intricate $iece of a &ery lar!e

;$u44le/< Throu!h the a+areness of sacred !eometry +e come

to see the $arado of se$aration and unity as bein! t+oe$ressions of the :hole C al+ays $ointin! us bac to the

7i&inity of creation that is +ithin us +aitin! to be reco!ni4ed/

Sacred roportions and Fractals in !at"re

These are ust a fe+ eam$les of sacred $ro$ortion andfractals found in nature/

They are all around us

Throu!h the many

+orsho$s, articles and

offerin!s from the SOLi

School, our !oal is to

hel$ seeers tan!ibly

access this 7i&inity in

+ays that can be a$$lied in $hysical life, and to hel$ them

$rofoundly reco!ni4e their connection to a !reater reality of

+hich +e are all a $art/

#he latonic Solids $ #he %"ilding %loc&s o' (reation


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As +e sa+ abo&e, these tem$lates of creation manifest on the$hysical le&el in many forms/ The $hysical manifestations are

an archety$al e$ression of the ener!y fields beyond the

$hysical/ Sacred !eometry in nature is then a tan!ible

e$ression of the archety$al matri of creation that acts as the

buildin! blocs of reality/

These ideas are $erha$s best e$ressed by Michael S/

Schneider in the boo, (eginner)s $uide to *onstructing the

'niverse+

%s ideal geometric patterns materialie, they)re clothed with four thicknesses of garment, four densities of -mother

substance, unfolding as light and thickening through phases

of gas, li/uid, and solid. 0n mythic terms, the 1emiurge

2creator3 is said to con/uer chaos by dividing it into four

elements.

"onstructin! the uni&erse, therefore, in&ol&es the $rocess of

&olumi4ation/ The archety$al field +here the $atterns first

a$$ear is a s$here, a Monad/ The !eometry that arises +ithin

this s$here is obli!ated to manifest the Monad.s $rinci$al of

e9uality in all directions/

Hature adheres to this $rinci$le by confi!urin! $rimary

&olumes that di&ide the s$here e9ually in all directions/ There

are only fi&e &olumes that fulfill this re9uirement of e9uality


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by re$eatin! the identical corner an!les, ed!e len!ths, andsurface sha$es around a s$here/

These fi&e &olumes +ere described by Plato in Timaeus and

are so no+n to mathematicians as ;Platonic Solids/< Four

+ere identified by Plato +ith the four ancient elements, or

states of matter, and the fifth, the 9uintessence ;fifth bein!


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these Platonic Solids and made many detailed dra+in!s ofthem/ elo+ +e offer a com$arati&e chart of #eonardo.s

dra+in!s of Platonic Solids * first in a solid format, then in a

frame format/ Het to each ima!e, +e ha&e included a sim$le

dra+in! to hel$ the &ie+er see it.s $ro$erties/ Please note that

+e ha&e included additional forms called Star Tetrahedron,Stellated ?cosahedron, and Stellated 7odecahedron, +hich are

technically not included as Plato.s solids/ :e include them

because they +ere used by many ancient mystics and studied

by #eonardo 7a 8inci/ They also re$resent s$ecific states of

consciousness that +e the SOLi School5 and others e$lore

durin! inBde$th sacred !eometry studies/


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Mystics throu!h time ha&e e9uated these forms to &arious

states of consciousness/ ecause !eometric forms aretranscendent in their true ener!y state, they are ne&er

sta!nant/ Thus, they can e$ress the idea of the e&olution of

consciousness/ All the forms ultimately nest inside each other

to e$ress the truth of our multidimensionality and the

holo!ra$hic nature of our consciousness/ This is a conce$t

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that +e at the SOLi School use often in our +orsho$s * notonly on a $hiloso$hical le&el but throu!h e$eriential

eercises desi!ned to hel$ one tan!ibly feel this uni&ersal

connectedness/

Art+or by #eonardo 7a 8inci, directly abo&e and belo+, is

from the boo %ntologia della 1ivina 4roporione by 7uilio

"ontin, Pier!ior!io >difreddi, and Antonio Pieretti/

)onald Holt has been a teacher of sacred !eometry,

meditation, and Taoist yo!a since the early 1JJ0s, offerin!

trainin!s for thousands/ e often +ors +ith his +ife,internationally no+n trance channel, s$eaer, and author

#yssa (oyal olt/ To!ether they created Seed of #ife ?nstitute

and the S>#i School, combinin! her intuiti&e and channelin!

+or +ith his e$ertise in the fields of sacred !eometry,

meditation, yo!a and martial arts/ They offer seminars!lobally/ :eb

Sites@ +++/solischool/or! and +++/lyssaroyal/com/ Seed of

#ife ?nstitute htt$s@KK+++/faceboo/comKS>#?nstitute #yssa

(oyal Grou$
http://www.solischool.org/http://www.lyssaroyal.net/https://www.facebook.com/SOLInstitutehttp://www.solischool.org/http://www.lyssaroyal.net/https://www.facebook.com/SOLInstitute

Documents

A Guide to the Fundamentals of Sacred Geometry