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ron Maiden
A Matter of Life and DeathDifferent World - 02
These Colours Don't Run - 12
Brighter Than A Thousand Suns - 22
The Pilgrim - 33
The ongest Da! " #1
$ut $f The Shado%s " &1
The Reinarnation $f Ben(amin Breeg " &)
*or The +reater +ood $f +od " )0
ord $f ight " ,&
The ega! " ,
al Conversion © 2011 Sorgdal Disclaimer: This is not the official sheet music release for this artist, but rather my own digital offering. No warranty is expressed or implied regarding the usability of this score, nor do I
to its accuracy or value as a learning aid.
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© Copyright 2006 Iron Maiden Publishing (Overseas) Limited
BMG Music Publishing Limited
All Rights Reserved. International Copyright Secured.
Different World
Intro
q = 185
Words & Music by Steve Harris & Adrian Smith
7fr
E53fr
C55fr
D5 G5 A5 Dsus4 D2fr
G/B
[E]
Gtr. 1
ff w/dist. P.M.
Gtr. 2
ff w/dist. P.M. P.M.
Gtrs. 1+2
E5
Gtr. 3
f w/dist.
Gtr. 1
P.M.
cont. in slashes
Gtr. 2
P.M. P.M.
cont. in slashes
79
79
79
710
77
79
7 9 107
10 9 7 79
79
79
710
77
79
710 9 7
10 9 7
02
02
02
03
00
02
0 2 30
3 2 0 02
02
02
03
00
02
03 2 0
3 2 0
3
05
05
05
05
05
05
05
05
05 3
05
05
05
05
05
05
05
05
05
05
79
79
79
710
77
79
7 9 107
10 9 7 79
79
79
710
77
79
710 9 7
10 9
02
02
02
03
00
02
0 2 30
3 2 0 02
02
02
03
00
02
03 2 0
3 2
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Verse C5
D5 E5
1.
2.
You
I
lead
thought
me
I
on
had
the
it
path,
all,
keep
I had
show ing
it
- me
all worked
the way.
out.
rhythm cont. sim.
Gtr. 2
cont. in slashesP.M.
I
Just
feel
what
a
the
lit
fu
tle-
ture-
lost,
held,
a
that
lit
there
G5
tle
would
- strange
be no
to day.
doubt.
D5
-
E5
I
But
think
then
I’ll
the card
take
came
a hold
up
of
and
what
I
C5
- ev
took
er-
an
comes
oth-
my
er-
way.
turn.
D5
Gtr. 1 2°
P.M. cont. in slashes
Gtr. 2 2°
P.M. cont. in slashes
Gtr. 2 1°
P.M. cont. in slashes
0 2 30
3 2
5 74 5 4
7 5
7 9 107
10 9 7
0 2 30
3 2
2
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1.
$2.
E5
But
Then
I don’t
we’ll
know
see
if
what
it’s
hap pens,
for
take
ev
G5
-
it
er-
day
that
by
I
day.
yearn.
D5
Gtr. 2
P.M.
cont. in slashes
G5
Chorus
C5
rhythm cont. sim.
A5 C5
Tell me what you can hear and then tell me what you see.
Ev ’ry- bo
G5
- dy- has a diff
C5
’rent- way to view
E5
the world.
D5
I would like
E5
you to know,
C5
when you see
G5
the sim ple- things,
D5
to ap pre
E5
- -
ci- ate- this life.
C5
It’s not too late
G5
to learn.
D5
Don’t
E5
Gtr. 3 (2° ad lib.)
0 2 30
3 2
9
3
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Bridge
To Coda Ø
want
G5
to be
C5
here,
D5
some
E5
- - where
G5
I’d ra
C5
ther- - be.
D5
But
E5
when
G5
I get
C5
there,
D5
I’m a fraid
A5
-
it’s not
C5
for me.
Dsus4 D
Tell me what
G5
9
8
9
10
9 9
8
9 9
8
9
8
9
7
9 9
8
9
10
9 9
7
9
10
9
7
9
8
9 9
9
89
109 9
89
89
109 9
7
9
8
9 9
7
9 910
98
97
98
9 9
98
910
9 98
98
910
9 9
7
9 98
910
9 9
7
910
97
98
9 9
98
910
9 9
7
9
8
9
7
910
9778
778
778
777
777
4
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Chorus
Interlude
you can hear
C5
and then tell
A5
me what you see.
C5
Ev ’ry- bo
G5
- -
dy- has a diff
C5
’rent- way to view
E5
the world.
D5
I would like
E5
you to know,
C5
when you see
G5
the sim ple- things,
D5
to ap pre
E5
- -
C5 G5
D5
ci- ate- this life. It’s not too late to learn.
[E]Gtr. 1
P.M.
Gtr. 2
P.M. P.M.
79
79
79
710
77
79
7 9 107
10 9 7 79
79
79
710
77
79
710 9 7
10 9 7
02
02
02
03
00
02
0 2 30
3 2 0 02
02
02
03
00
02
03 2 0
3 2 0
5
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P.M.
P.M. P.M.
Gtr. 1
Gtr. 2
*E5 C5 G5 D5
Gtr. 3
*chords implied by bass
79
79
79
710
77
79
7 9 107
10 9 7 79
79
79
710
77
79
710 9 7
10 9 7
02
02
02
03
00
02
0 2 30
3 2 0 02
02
02
03
00
02
710 9 7
10 9 7
98 8
87
9
78 8
87
9
78 8
8 7777
9 710 9
2
710 9
4 5 45
5 45
5 4
5
9 710 9
710 9
6
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E5 C5 G5 D5
E5 C5 G5 D5
Gtr. 4
f w/dist.
88
79
78 8
87
9
78 8
87
9
78 8
87
9
78 8
8 7775
5 45
5 45
5 45
5 45
5 4
5
88
79
78 8
87
9
78 8
87
9
78 8
87
9
78 8
8 7777
5 45
5 45
5 45
5 45
5 4
5
9 79
9 79
9 79
9 79
9 97 11
7
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Gtr. solo
Gtrs. 1+2
E5
A5 C5 D5
cont. in slashes
Gtr. 5
f w/dist.
1/2
C5 G5
rhythm cont. sim.
D5 E5
Gtrs. 3+4 tacet
full
C5
3 3
G5 D5
E5
88
79
78 8
87
9
78 8
87
7
710
14
5
5 45
5 45
5 4
5
9 79
9 79
9 97 11
1412 12 13 15
1215 13 12 13 12
1412
14 12 11 12 1412 12
15
12 12 14 15 14 12
12 1112 10 10 12 10
1210
1210 12 12 12 10 10
8
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D.S. al Coda
Ø Coda
C5 G5
5 6 5 5 5 5
-1/2
w/bar
D5 C5
P.M. 3 3
-1/2
G/B
Dsus4
D
Tell me what
G5
3 3
full
fullfull
Gtr. 3 cont. ad lib.
Don’t
E5
know
G5
what I
C5
want,
D5
or
E5
where
G5
I want
C5
to be.
D5
Feel
E5
ing
G5
- more
C5
con
D5
fused,- the more
A5
the days
C5
go by.
Dsus4 D
12 8 7 58 7 5
12 8 7 512 8 7 5
8 12 8 7 512 8 7 5
12 8 7 512 8 5
12 8 7 512 8 7 5
12 8 8 7 5 55
7 5 47 5 4
5 2 3 5 74 5 7 9
5
7 9 9 9 9
017
14 15 17 19 20 20 20
9
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Outro
[E]
Gtr. 3
Gtr. 1
P.M.
Gtr. 2
P.M. P.M.
E5
P.M.
P.M.
3
05
05
05
05
05
05
05
05
05 5
05
05
05
05
08
08
08
08
08
08
08
08
08
08
010
010
010
79
79
79
710
77
79
7 9 107
10 9 7 79
79
79
710
77
79
710 9 7
10 9 7
02
02
02
03
00
02
0 2 30
3 2 0 02
02
02
03
00
02
03 2 0
3 2 0
0
120
120
120
120
120
120
120
120
120
150
150
150
150
170
170
170
170
17 170
170
79
79
79
710
77
79
7 9 107
10 9 7 79
79
79
710
77
779 9
02
02
02
03
00
02
0 2 30
3 2 0 02
02
02
03
00
02
10
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These Colours Don't Run
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited.BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%).
All Rights Reserved. International Copyright Secured.
Intro q = 110
Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith
1.
accel.
2.
Em92fr
C'9/E5fr
D'9/E7fr
E53fr
C53fr
G55fr
D5 Csus2 Gsus2 A5 F5 E5*
Em9
Gtrs. 1+2
mf w/clean tone
C'9/E
P.M.
Em9 C'9/E D'9/E
P.M. Fig. 1
Em9
Gtr 3.
mp
C'9/E Em9
C'9/E D'9/E
w/dist.
Gtrs. 1+2 play Fig. 1
Gtr. 4
mp w/dist.
Em9 C'9/E Em9
C'9/E D'9/E
C'9/E D'9/E
02
42
45 4 2
5
03
53
7 5 45
02
42
45 4 2
03
57
05
79
912 12 12 10
12
1013 12 10 12
12 12 1111 1210
2 9 9 9 7 57 5
9 7 9 5 5 44 5 7
1 2 1 2 1 2 1 012
1013 12 10 12
12 12 1111 12 11 9 11 9
9 9 9 7 57 5
9 7 9 5 5 44 5 47
47
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q = 148 1.
Verse2.
Em9Gtrs. 1+2
ff w/dist.
C'9/E Em9 C'9/E D'9/E
P.M. Fig. 1
C'9/E
D'9/E E5
1.
2.
It’s
There
the
is
same
no one-
in ev
that
C5
’ry
will
- coun
save
try,
you,
- when
go
G5
-
Gtr. 2
P.M.
P.M.
Fig. 3
P.M.
Gtr. 1
P.M. P.M. P.M. P.M.Fig. 2
you
ing-
say
down
you’re
in
leav
flames.
D5
ing.-
E5
P.M.
P.M.
P.M.
Fig. 3
P.M. P.M. P.M. P.M.Fig. 2
02
42
45 4 2
03
53
7 5 45
02
42
45 4 2
03
57
05
79
02 2
42
45 4
03
53
7 5 4
3
03
57
05
7799
799
0 0799
0355
355
3 3 355
3355
35
3
75
3577
57
5
97
5
355
3 3 355
3577
577
5 5 577
5
2
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Pre-chorus
Chorus
q = 103
1.
Gtr. 1 plays Fig. 2Gtr. 2 plays Fig. 3
Left
No
be
sur
hind,
ren
the
der,-
loved
cer
C5
ones
tain-
wait
death,
ing,
you
- si
look
G5
lent
it
- in
in
the
the
hope.
eye.
D5 E5
Where
On
you’re
the
go
shores
ing,
of
there’s
tyr
C5
ad
ra-
ven
ny
-
-
ture
you
- oth
crashed,
G5
ers
a
- on
hu
ly
man
-
-
dream
wave.
D5
of.
E5
Gtrs. 1+2
E5
Red
Pay
and
ing for
green light,
our
this
free
C5
is
dom-
real
with
and
your
so
lone
G5
you
ly,-
go
un
to
marked-
war.
graves.
D5
For the pas -
Csus2 Gsus2rhythm cont. sim.
D5 E5
sion,- for the glo ry.- For the mem ’ries,- for the mon ey.- You’re a sol
dier- for your coun
Csus2
try.- What’s the diff
Gsus2
’rence?- All the same.
D5
E5 C5 G5
rhythm cont. sim.
D5 E5 C5 G5 D5
Far a way- from the land of our birth, We fly a flag in some for eign- earth.
E5
We sailed a way-
C5
l ikeour fath
G5
ers- be fore.
D5
These co
E5
lours- don’t run
C5
from cold,
G5
blood-y war.
D5
Gtrs. 1+2
0
3
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q = 148
2.
Interlude
$q = 180
Em9 C'9/E Em9 C'9/E D'9/E
P.M.
Em9
C'9/E
Em9
C'9/E
D'9/E
cold,
G5
blood-y war.
D5
Gtr. 2
P.M.
Gtr. 1
[A]
Gtr. 4
Gtr. 3
f w/dist.
Gtrs. 1+2
Fig. 4 P.M.
2 4 2
4
5 4 2
03 5 3
7 5 4
5
02 4 2
4
5 4 2
03 5
7
05 7
9
02
02
42
45 4 2
03
53
7 5 45
02
42
45 4 2
03
57
05
7799
512
613
815
613
512
613
512
613
512
613
55
7
1213
14
23 0
35 0
57 0
35 0
23
35
23 0
35 0
57 0
35 0
23
35
4
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To Coda Ø
(*F5)
Gtrs. 1+2 play Fig. 4
(D5)
*chords implied by bass
[A]
Gtr. 2
Gtr. 1 plays Fig. 4
P.M. P.M. P.M. P.M.
Fig. 5 P.M. P.M. P.M. P.M.
Gtr. 2 plays Fig. 5
512
613
815
1017
815 13
6 512
613
512
613
55
7
1213
14
512
613
815
613
512
613
512
613
512
613
55
7
1213
14
512
613
815
1017
815 13
512
613
512
613
55
7
1213
14
910
0
1012
0
1214
0
1012
0
910
1012
910
0
1012
0
1214
0
1012
0
910
1012
512
613
815
613
512
613
512
613
512
613
55
7
1213
14
5
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Gtr. Solo
Gtr. Soloq = 103
F5 D5
C5
D5
Gtr. 5
ff w/dist.
12
full
E5* G5 E5* G5
6 6 3
full
Gtrs. 1+2
P.M. P.M. P.M. Fig. 6 P.M. P.M. P.M.
E5*
Gtrs. 1+2 play Fig. 6
G5 E5*
G5
6 3 3 3 6
512
613
815
1017
815 13
6 512
613
512
613
55
7
1213
14
15
512
613
815
613
512
613
512
613
512
613
55
7
1213
14
1215
1 2 1 5 1 4 1 5 1 4 1 215
12 14 1215 14 12
1512 14 12
15 14 1214
12 1215 17 15
022
0 0 022
0 0 022
0 0 355
355
022
0 0 022
0 0 022
0 0 355
355
13 1 5 13 15 1 3 12 13 1 214
1 3 1 21412111214
1 2 1 3 1 21412141112111211
141214121214 714 14 12 0
1412
6
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D.S. al Coda
Ø CodaGtr. Solo
E5* G5
3 6
E5* G5
3
3 w/bar
-1/2
E5* -1/2
-1/2
w/bar
G5
E5*
G5
-1/2 -1/2 -1/2
Gtr. 6
f w/dist.
[A]
P.M.
3
1/2
full
Gtr. 2 (Fig. 4)
Gtr. 1 plays Fig. 3
P.M.
13 12 15 14 1215
12 13 1215 14 12
1412 12
1412 15 14 14 15
12 13 1215
12 13 1214
12 11 12 1412 13 12
14 12 14 12 11 12 1114 12 10 12 10 12 10 9 10 12 10 9
5
8 7 10 8 13 12 1512 1714 15 17 19 1819 19 19
10 1310 12 10
1310
1210
13 12 1010 910 9
5 612 13
55
7
1213
142
3 03
5 05
7 03
5 02
33
52
3 03
5 05
7 03
5 02
33
5
7
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Interlude
Gtr. 1 plays Fig. 3
Gtr. 2 plays Fig. 4
*F5 D5
*chords implied by bass
1/2
[A]
rake
Fig. 7...
E5Gtr. 3
G5
Gtrs. 1+2
1715
17 17 15 13 15 1314
1314
13 15 1314
13 12
12 12
1214
1 2 1 3 1 512
12
15 15 13 13 1214
12 12
10 10 9 9
74 5 7
5 6 5 57 5
75 7
5
X
X
17 18 17 1815
1 7 1 815 17 19 20 22
12 12 13 15 13 12 12 13
4 4 5 7 5 4 4 5
8
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1.
2.
1.
2.
C5
D5
Oh,
...Fig. 7 ends
E5
oh,
G5
oh,
C5
Gtr. 3 plays Fig. 7
oh.
D5
Oh,
D5
12 14 12 14 12 14 12 14
47 5 7 5 7 5 7
4 4 5 7 5 4 4 5 4
7 5 7 7 5 75 5 5
9
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Chorus
Chorus
q = 103
1.
2. rall.
Outro q = 110
rall.
E5
Gtrs. 1+2
Gtr. 3 tacet
C5 G5
rhythm cont. sim.
D5
Far a way- from the land of our birth,
E5
We fly a flag
C5
in some
G5
for - eign earth.
D5
E5
We sailed a way-
C5
likeour fath
G5
ers- be fore.
D5
These co
E5
lours- don’t run
C5
from cold,
G5
blood y war.
D5
G5 D5
cold,
G5
blood- y war.
D5
These co
E5
lours- don’t run
C5
from cold, blood -y war.
Em9
Gtr. 3
mp Gtr. 3 w/dist.Gtrs. 1+2 play Fig. 1
C'9/E Em9
C'9/E D'9/E
Gtr. 4
mp w/dist.
Em9 C'9/E Em9
C'9/E D'9/E
12 12 12 1012
1013 12 10 12
12 12 1111 1210
9 9 9 7 57 5
9 7 9 5 5 44 5 7
12 12 12 1012
1013 1 2 10 12
12 12 1111 12 11 9
9 9 9 7 57 5
9 7 9 5 5 44 5 47
10
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© Copyright 2006 Iron Maiden Publishing (Overseas) Limited.
BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%).All Rights Reserved. International Copyright Secured.
Brighter Than A Thousand Suns
Introq = 115
Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith
Verse
Em9
4fr
D/E5fr
Em
Cmaj7#11
7fr
F#m/E
5fr
Am9
9fr
G/E
F52fr
G/B
E5
9fr
D/F#
F#53fr
G5
7fr
E5*
B5
C
3fr
C5
4fr
D'4
A5
8fr
C5*
G5
7fr
B5*
Fmaj7#11
5fr
A5*
D/EGtr. 1
mf let ringw/slight dist.
Em F#m/E G/E F#m/E Em D/E
Fig. 1
D/E Em
1. We are not
F#m/E
the sons
G/E
of God,
F#m/E
we are not
Em
his cho sen
D/E
- peo
Gtr. 2
mf Gtr. 2 w/clean tone + chorus
Gtr. 1 plays Fig.1
D/E
ple- now.
Em
We have
F#m/E
crossed the
G/E
path he trod,
F#m/E
we will
Em
feel the pain
D/E
of
45
0
57
0
79
0
910
0
910
0
79
0
57
0
45
0
77
0
89
0
1011
0
1212
0
1212
0
1011
0
89
0
77
0
77
0
89
0
1011
0
1212
0
1212
0
1011
0
89
0
77
0
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accel. poco a poco
accel. poco a poco
Verse
$
q = 125
q = 125
(1° only)
D/E
his
Em
be gin- ning.
F#m/E G/E
F#m/E Em D/E
Gtrs. 1+2
ff w/dist.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.Fig. 2
E5 F#5 G5
P.M.
B5 C5 E5 D5 F#5
P.M.
G5 B5 C5
D/E
2.
3.
4.
5.
6.
Gtrs. 1+2 play Fig. 1
Di
Knock
Bomb
Sha
Yel
vide
Em
-
- ing
low
anders
dow-
-
fing
heads
sun,
conlaunch
ers
to
its
querwith
-
-
rise
geth
ev
whileno
F#m/E
-
a
er
il
yere
-
-
bove,
well,
twin,
may,call,
G/E
-
-oth ers
ir
raise
in
preachmin
on
a
the
ute
F#m/E
- fin
ci
black,
andwarn
oth
gers
ty
the
ing
-
-
-
stab
build
winds
ersof
Em
-
the
a
de
fallthe
de
liv
liv
andmis
D/E
-
-
-pray.
sert
ing
er
sile’s
-
-
sky.
hell.
him.
fall.
D/E Em
Oh,
Join
We
In
Take
be
the
will
a
a
hold
race
split
bunk
look
-
F#m/E
the
to
our
er’s
at
-
pow
su
souls
where
your
er
G/E
of
i
with
we’ll
last
-
man,
cide,
in,
die,
sky,
-
-
guess
on
lis
at
there
its
ten
om
the
ing
F#m/E
-
-
tow
for
seed
ex
you
er
the
to
e
won’t
-
-
read
tol
nu
cu
have
Em
-
the
y
ling
clear
tion
-
-
-
-
for
of
dust
ers
time
D/E
-
the
the
is
they
to
4
50
57
0
79
0
910
0
910
0
79
0
57
0
45
0
02
02
02
02
02
24
35
024
35
02
02
02
02 5
7
0 24
35 2
435
2
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1, 4.
2, 3, 5.
Pre-chorus
1.
2, 3.
To Coda Ø
fall.
bell.
riv
lie.
cry.
E5
en.
F#5 G5 B5 C5 E5
D5 F#5 G5 B5 C5 E5
D5 F#5 G5 B5 C5
Gtrs. 1+2
P.M. P.M. P.M. cont. in slashes
C5 A5
rhythm cont. sim.
G5 F5
Out of the un i- verse,- a strange love is born.
C5
Un ho- ly- u
A5
ni- on,- tri
G5
ni- ty- re formed.
Fmaj7#11
-
E5
F#5 G5 B5 C5 E5
D5 F#5 G5 B5 C5
Gtrs. 1+2
P.M. P.M.
Em9Gtrs. 1+2
mf let ring
w/slight dist.
Cmaj7#11 Am9 Fmaj7#11
Fig. 3
02
02
02
02
02
24
35
024
35
02
02
02
02 5
7
0 24
35 2
435
02
02
02
02 5
7
0 24
35 2
435
0
2
0
2
0
2
0
2
0
2
2
4
3
5
0
24
35
0
2
0
2
0
2
0
2 57
0 2
4
3
5 24
35
02
40
00
43
40
00
00
40
75
00
00
1
32
00
02
3
3
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Chorus
1.
2.
Chorus
Em9
Gtrs. 1+2 play Fig. 3
Out of the dark
Cmaj7#11
ness,- bright er- than
Am9
a thou sand- suns.
Fmaj7#11
Em9
Out of the dark
Cmaj7#11
ness,- bright er- than
Am9
a thous and- suns.
Fmaj7#11
-
ness, bright er- than
Am9
a thou sand- suns.
Fmaj7#11
E5*
Gtrs. 1+2
C5 A5
rhythm cont. sim.
Out of the dark ness,- bright er- than a thou sand- suns.
F5 E5*
Out of the dark
C5
ness,- bright er- than
A5
a thou sand- suns.
F5
ff w/dist.
Gtr. 3
full
14
10
0
4
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Gtr. Solo
E5 C5 A5 G/B
C5 G5* D/F#
E5*
full
Gtrs. 1+2
Fig. 4
*Gtr. 3 w/pitch shift pedal
Gtrs. 1+2 play Fig.4
C5 A5
5 6
*Set pitch shift -1 8ve and
use pedal to slur into notes.
G/B C5 G5* D/F# E5*
6 6 6
1/2
C5 A5
3
full full full full fullfull
10 12 14 15 14 12 14 12 1 4 12 1 0
14121412
1214 14
14
12
12 10 10 1010 12 12 12 12
799
7799
9 10 9 78 8 5 7 8 7 5
022
022
25
25
355
355
1012
912
799
12 14 15 17 1215
12 15 1215
12 17 1215
12 15 12 15 1215
12 1 7 1215
12
15 1215
12 17 1215
12 15 1215
12 17 1215
12 12 0 0 19 19
14
12 15
1215 12
12 1215
14
1512 1212 12 12
1514
12 1212 15
1 5 12
5
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InterludeDouble time feel
G/B C5 G5* D/F# E5*
full full full full full
C5 A5
full full
G/B C5 G5*D/F#
fullfull full full full
E5Gtrs. 1+2
Gtr. 3 tacet
P.M. P.M. P.M. P.M.
C5
P.M. P.M. P.M. P.M. Fig. 5
A5
P.M. P.M. P.M. P.M.
F5
P.M. P.M. P.M. P.M.
15 1515 15 17 17 12 15
17 11 1 5 1 7 1 2 1 5 1 212 15 17 12 15
1 7 1 2 1 5 1 21 2 1 5 1 7 1 2
1412
1 2 1 4 141 6 1 212
14
15 12 12
14
1215 12
14
1212
15 12 1212
1514
12 1212
14
15 12 12
151215 12
0 0799
0 0799
0 0799
0 0799
3 3 355
3 3 355
3 3 355
3
0 0 022
0 0 022
0 0 022
0 0 022
1 1 133
1 1 133
1 1 133
1 1 133
6
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Bridge
(Double time feel)
1.
Bu
Ev
Gtrs. 1+2 play Fig. 5
E5
ry
er
-
-
your
would
3
prob
Ro
lems
bert-
and
have
3
bu
said
C5
ry
to
- your
his
3
dead,
God, ’bout
Bu
how
A5
ry
he
- your
made
3
head
war
in
with
the
the
3
sand.
sun.
F5
E
E5
e quals
3
- M C squared,
3
you
C5
can re
3
late-
how
A5
we made
3
God with our
3
hands.
F5
Gtr. 2
P.M. P.M. P.M. P.M.
Gtrs. 1+2
P.M.
End double time feel
[E]
C
D'4 [E]
C D'4
What
Gtr. 3
let ring
let ring
let ring let ring
5 5 54
5 5 54
5 5 54
5 5 54
1 1 13
13
13
13
13
13
13
13
13
13
0
4 25 4 2
32
0
54
0
0
4 25 4 2
32
0
54
0
0
5 4 2 02 3
20
54
0
0
5 4 2 02 3
20
54
0
7
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Bridge
(End double time feel)
2.
Gtr. Solo
[E]
All na tions are ris
C
ing,-
D'4 [E]
through ac id- veils
C
of love
D'4
and hate.
[E]
let ring
Fig. 7
let ring
let ring let ring Fig. 6
Gtrs. 1+2 plays Fig. 6Gtr. 3 plays Fig. 7
C D'4 [E] C D'4
Gtrs. 1+2
A5
Chain let ters of Sa tan,- Un cer- tain ty led us all to this.
Gtr. 3 tacet F5 G5 A5 F5 C5 A5
All na tions are ris ing,- through ac id- veils of love and hate.
G5 Fmaj7#11
Cold fu sion- of fu ry.-
B5*
rake
C5*
full
Gtrs. 1+2
P.M. Fig. 8
0
4 25 4 2
3 32
0
54
0
0
4 25 4 2
32
0
54
0
0
5 4 2 02 3
20
54
0
0
5 4 2 02 3
20
54
0
0
7
99
79
9 79
79
7 9 1 0
7
10X
X
10
9 79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
810
8
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Interlude
D.S. al Coda
Ø Coda
A5* B5* G5* F5
D/E
ff w/dist.
Em
P.M. P.M.
F#m/E G/E
P.M. P.M. P.M.
F#m/E
P.M.
Em
P.M.
D/E
P.M.
E5 F#5 G5
P.M.
B5 C5 E5 D5 F#5
P.M.
G5 B5 C5
E5 F#5 G5
P.M.
B5 C5 E5 D5 F#5
P.M.
G5 B5 C5
Gtrs. 1+2 play Fig. 3
Em9
Out of the dark
Cmaj7#11
ness.-
Am9 Fmaj7#11
16 1416
1416 14 12 14 12
14 13 13
4 50
5 70
7 90
9 100
9 100
7 90
5 70
4 50
02
02
02
02
02
24
35
024
35
02
02
02
02 5
7
0 24
35 2
435
02
02
02
02
02
24
35
024
35
02
02
02
02 5
7
0 24
35 2
435
10
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Chorus
1, 2, 3.
4.
Outro
rall.
Em9
Out of the dark
Cmaj7#11
ness,- bright er than a thou
Am9
sand- suns.
Fmaj7#11
Gtr. 1
f w/dist.
E5Gtrs 1+2 play Fig. 4
Out of the dark
C5
ness,- bright er- than
A5
a thou
G/B
sand- suns.
C5 G5* D/F# E5*
G5* D/F# E5 (Hi-hat)
D/EGtr. 1
mf let ring...Gtr. 1 w/slight dist.
Gtr. 2 tacet
Em F#m/E G/E F#m/E Em D/E
D/E
Em F#m/E G/E
Ho ly
F#m/E
Fa ther,- we
Em
have sinned.
D/E E5
Gtr. 2
mf let ring...
w/slight dist.
133
133
133
133
133
133
133
133
355
355
1012
1012
912
022
45
0
57
0
79
0
910
0
910
0
79
0
57
0
45
0
77
0
89
0
1011
0
1212
0
1212
0
1011
0
89
0
77
0 022
11
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© Copyright 2006 Iron Maiden Publishing (Overseas) Limited.BMG Music Publishing Limited.
All Rights Reserved. International Copyright Secured.
The Pilgrim
Introq = 95
Words & Music by Janick Gers & Steve Harris
7fr
E53fr
C55fr
D5 A5 B5 F58fr
F5*4fr
B5/A4fr
Db5
µGtr. 3
E5 C5 D5 E5 C5 D5 A5
Gtrs. 1+2
f w/dist.
(Drums)
Gtr. 4
f w/dist.
E5 C5 D5 E5 D5 E5 C5 D5 A5
7 710 8 7
910 10
7 8 7 710 8 7
9
7 710 8 7
910 10 8 7
98 7
9 7
4 47 5 4
77 7
4 5 4 47 5 4
7
4 47 5 4
77 7 5 4
75 4
7 5
9
7 710 8 7
910 10
7 8 7 710 8 7
9
7 710 8 7
910
7
10 8 79
7
4 47 5 4
77 7
4 5 4 47 5 4
7
4 47 5 4
77
5
7 5 47
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Verse
q = 190
E5
Gtrs. 1+3
Gtr. 4 tacetP.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
cour(2.)
E5
age
1. The
find
keys to
and gra
death
-
and
cious
hell,
will.
the
De
ail
liv
C5
- er
ing- king
good
dom,
from ill.
doomed to fail. The
Gtrs. 1+2+3
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
bonds
Clean
D5
of
the
sin
wat
and
er,-
hearts
clean
A5
will
our
break,
guilt. With
the pil
us
E5
grim’s
do
course
what
will
you
take.
will.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
Quell
Then
ing
will
- the
my
dev
judge
il’s
ap
might
pear,-
and
bear
read
no
C5
y
false
for
an
e
gel-
ter-
that
nal
I
- fight.
hear. For
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0 079
0 0 079
0 0 079
0 0 0 0 0 0 079
0 0 079
0 0 079
0 0 0
0 079
0 079
0 079
0 079
79
3 3 35
3 3 35
3 3 35
3 3 35
35
5 5 57
5 5 57
0 0 02
0 0 02
02
0 079
0 079
0 079
0 079
79
0 079
0 079
0 079
0 079
79
3 3 35
3 3 35
3 3 35
3 3 35
35
2
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$
Ach
on
A5
ing- limbs
ly- then
and
I
faint
will
C5
ing
con
soul,
fess
ho
D5
ly
to
- bat
my
E5
tles
e
- take
tern-
their
al-
toll.
hell.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. Pre-chorusE5Gtr. 4
C5 D5 B5 C5
2. 3.
1. Li
Now
ber
give
- ty
us
- and
our
hope
ho
di
ly-
- vine,
sign, chang
chang ing
ing-
- the
the
Gtr. 3
Gtr. 2
Gtr. 1
D5 E5 E5 C5 D5
wat
wat
er
er
-
-
in
in
to
to
-
-
wine.
wine.
So to you we bid fare -
0 0 02
0 0 02
0 0 35
3 3 35
57
0 079
0 079
0 079
0 079
0 0
9 5 7 4 5
5
8
7
94
7
5
8
4
7
5
7
7
9
7 2 9 5 7
9
754
5
8
7
94
7
5
8
4
7
3
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Chorus
B5 F5 C5 D5 E5
well, king dom- of hea ven- to hell.
[A]
Spi rit- ho ly,- life e tern- al.-
Gtrs. 1+2+3
Gtr. 4 tacetFig. 1
Raise me up, take me home.
D5
Fig. 1
4 75 7 9
5
7
3
6
7
8
5
5
7
7
01414
1413
1212
1212
01010
109
1212
1212
01414
1413
1212
1212
01010
109
577
577
4
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To Coda Ø
Interlude
q = 95
1.
2.
[A]Gtrs. 1+2+3 play Fig. 1
Pil grim- sun rise,- pa gan- sun set.-
On ward- jour ney- be gun.-
D5
E5
Gtr. 3
F5* rhythm cont. sim.
P.M.
Gtr. 2
Gtr. 1 dbls. ad lib. 8vb
E5 F5
C5 Db5
C5
Db5
2. To
Db5
0
9 109 10 9
9 10 9 9 109 10 9 10 9 10 9
9 10
9 10 9
9 10 9 9 10
9 10 9 10 9 10 9
5 65 6 5
5 6 5 5 65 6 5 6 5 6 5
5 65 6 5
5 6 5 5 65 6 5
6 5 6 5 5 65 6 5
6 5 6 5
5
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Gtr. Solo
q = 190
B5
P.M. P.M.
Gtr. 5
ff w/dist.
rake 3
full full
C5
P.M. B5
rhythm cont. sim.
B5/A
3
3
1/2
B5 C5 B5
3
full
B5/A B5
3
C5 B5
full
X
X
4 4 54 5 5 57 5 4
54
5 4 5 4
74 4 8
11
8
11 7 7 6 8 8 7 8 710
7 8 11 12
12
12 11 8 11 8 7 10 7 14 17 15 14 12 1215 1 412
14
15 12
12 13 12 1010 12 12 10 12 13 0 13 0 13 12 1311 12 11
1311
1212 14 15 14 15 15 15
6
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D.S. al Coda
Ø Coda
1.
2.
q = 95
3
B5/A B5 C5 D5
3
3
full 1/2
[A]Gtrs. 1+2+3 play Fig. 1
Spi
Pil
rit
grim
-
-
ho
sun
ly,
rise,
-
-
life
pa
e
gan-
tern
sun
- al.
set,
-
-
Raise
On -
me
ward
up,
jour
take
ney-
me
be
home.
gun.-
D5
Interlude
E5
Gtr. 3
F5rhythm cont. sim.
P.M.
Gtr. 2
Gtr. 1 dbls. ad lib. 8vb
E5 F5
14 12 14 14 1216
15 14 15 1416
14 15 17 17
0
9 109 10 9
9 10 9 9 109 10 9 10 9 10 9
9 109 10 9
9 10 9 9 109 10 9 10 9 10 9
7
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Outro
1.
2.
C5 Db5
C5 Db5
Slower
E5
Gtr. 3
C5 D5 E5 D5 E5 C5
Gtrs. 1+2
f w/dist.
Gtr. 4
f w/dist.
D5 A5
rall.
D5 E5 A5
5 65 6 5
5 6 5 5 65 6 5 6 5 6 5
5 65 6 5
5 6 5 5 65 6 5
6 5 6 5
9
7 710 8 7
910 10
7 8 7 710 8 7
9
7 710 8 7
9
7
4 47 5 4
77 7
4 5 4 47 5 4
7
4 47 5 4
7
910 10 8 7
98 7
9 710
7
10 8 79
7 7 5 47
5 47 5
75
7 5 47
8
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Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith
The Longest Day
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited.
BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%).All Rights Reserved. International Copyright Secured.
Intro
q = 108
Verse
2°+3° poco a poco accel...
2fr
G/B
7fr
E53fr
C5
Asus4
G5
10fr
G5*
5fr
D5
9fr
F#5
3fr
Cadd9
2fr
Badd9
Eadd9
3fr
Gadd9
5fr
Dadd9
5fr
Aadd9
[E]Bass arr.
for Gtr.
Fig. 1…let ring...
w/slight dist.
[E]Gtr 1
mf
…Fig. 1 ends
[E]
3. The
1.
2.
In
Ov
ris
the
er
ing
-
-
gloom
lord,
dead,
-
the
your
gath
mast
fac
’ring
er
es
-
-
-
storm
not
bloat
your
ed,-
a bates.
God.
torn.
-
Gtr. 2
mf Gtr. 2 w/dist.+ flangingGtr. 1 plays Fig. 1
cont. sim.
P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0
9 7 97
97
107
710
0
9 7 97
97
107
7 7 97
9 7 97
97
107
710
0
9 7 97
97 7
9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
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The
They
In
en
are
e-
the
my
re
-
lieved,
ships,
coast,
- the
gim
dawn
liv
let
ing
ing
-
-
eyes
grey
wait
with
their
a wait.
scud.
turn.
- A
These
Your
call
wretch
num
to
ed
ber’s
arms,
souls,
up,
to
the
ham
puk
bul
mer
ing,
let’s
at
shak
got
ing
your
-
the gates.
fear.
name.
To
To
You
blow
take
still
them
a
go
wide,
bul
on
let-
throw
for
to
ev
those
hell
il-
who
and
to
sent
back
its
them
a
here.
gain.-
fate.
[B]
All
TheVal
sum
halworld’s
-
mers
ala-
long,
light,waits,
-
the
theVal
drills
cliffskyr- ies-
to
e
build
ruptrise
- inand
the ma
flame.fall.
-
Gtr. 1
Gtr. 2
cont. sim.P.M.
chine,- to
The
turn
No
war ri
es
or-
men
cape,
tombs
from
re
lie
- morse
flesh
op
and
en
less
-
blood
shrap
for
nel
us
-
to steel.
rains.
all. A
From
Drown
pap
ghost
-
er
ing
ly
-
-
sol
man,
hand
diers to
no
24 2 4
24
25
2
25
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
24 2 4
24
25
22 4
24 2 4
24
2
2
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1.
2, 3.
bo
chance
reach
dies
es
for
on
a
through
war ri-
the
or’s
the
-
beach.
fate.
veil,
From
A
sum
chok
blood
mer
ing
and sand,
sands
death,
to
we
ar ma- ged- don’s reach.
Pre-chorus
E5 C5rhythm cont. sim.
G5
en
will
ter-
pre
hell’s
vail!-
gate! Slid ing- we go, on ly- fear
ff w/dist. Fig. 2
on our side.
D5
To the edge
E5
Fig. 2
Gtr. 1 plays Fig. 1
of the wire,
C5
and we rush
G5
with the tide.
D5
Oh, the wat
E5
er- is red
C5
with the blood
G5
of the dead.
D5
Oh, but I’m
E5
C5 G5Gtrs. 1+2
D5
still a live,- pray to God I sur vive.-
52
25
24 2 4
24
244
44
079
079
079
079
079
077
000
355
355
355
35
25
XXX
355
355
355
35
25
XXX
577
577
577
57
47
XXX
0799
3
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Chorus
q = 122
To Coda Ø
How
Cadd9
long,
Eadd9
on this long
Dadd9
est- day,
Eadd9
’til we fin
Cadd9
al- ly- make
Eadd9
it through?
Gtrs. 1+2
let ring...Fig. 3
Dadd9
How
Cadd9
long,
Eadd9
on this long
Dadd9
est- day,
Eadd9
’til we
Fig. 3
fin
C5
al- ly- make
G/B
it through?
A5
Fig. 3
How
Cadd9Gtrs. 1+2 play Fig. 3
long,
Eadd9
on this long
Dadd9
est- day,
Eadd9
’til we fin
Cadd9
al- ly- make
Eadd9
it through?
Dadd9
How
Cadd9
long,
Eadd9
on this long
Dadd9
est- day,
Eadd9
’til we fin
C5
al- ly- make
G/B
it through?
35
7
02
45
79
02
43
57
02
4
3 57
9
57
57
57
35
7
02
45
79
02
4
355
355
355
355
355
2
05
2
05
2
05
2
05
2
05
022
022
022
022
4
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1.
2.
e = 190
A5 Asus4
A5
Gtrs 1+2
E5 G5* F#5 D5 E5 G5 F#5 E5 G5* F#5 D5
E5 G5* F#5 D5 E5 G5 F#5 E5 G5* F#5 C5
[E] [F]
P.M. P.M.
[E] [F]
P.M. P.M.
022
0223
022
022
79
79
79
1012
911
57
79
79
1012
911
79
79
79
1012
911
57
79
79
79
1012
911
57
79
79
1012
911
79
79
79
1012
911
35
0 3 2 0
2
3 0 3 2 0
2
3 1 3 5
2 3 52
5 3 2
5 3
0 3 2 02
3 0 3 2 02
3 1 3 52 3 5
25 3 2
5 3
5
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1.
2.
Gtr. Solo
[B] [C]
P.M. P.M.
[B]
[C]
[C]
Gtr. 3
ff w/dist.
P.M. P.M. P.M. cont. in slashes
Eadd9
Gtrs. 1+2
Badd9 Gadd9 Aadd9 Eadd9
rhythm cont. sim.
Badd9
full full
full
Gadd9 Aadd9
Eadd9 Badd9
2 5 4 24
5 2 5 4 24
5 3 5 74 5 7
47 5 4
7 5
14
000
2 5 4 24
5 2 5 4 24
5 3 5 74 5 7
47 5 4
7 5 3 52 4 5 7
4
X
X
15 15151 2 1 4 1 5 1 4 1 2 1 4 1 2
151512 12 14 12 12
15 1215 14 12 14
1412 14
12 1112
12 1412 14 12 14
12
14 14
12 14 12 11
1212
11 12 14
6
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Interlude
Interlude
1.
Gadd9 Aadd9
Eadd9 Badd9
Gadd9 Aadd9
Gtr. 4
Gtr. 5
Gtr. 6
C5 G5 D5 E5
C5 G5 D5
Gtr. 3 tacet
910
12
9 9 11 12 1212
12
101012
1415
17 17
5 7
10 12
7 9
7 9 7 5 47 5
7 47 5
74
5 7 9 7 5 47 5
7 5 7
12
9 10 9 7
13 12 1 0
5 47
8 7 8
7 5 47
10 8 79
12
710 12
9
57 9 10 9 7
13 12 10 88 7 8 10
55 47
7
10 12
7 9
7
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2.
1.
2.
A5
Gtrs. 1+2
E5
Gtrs 4+5+6 tacet
Gtrs. 1+2
P.M.
Fig. 5 P.M.
P.M.
P.M.
Fig. 4
C5 G5 D5 E5 rhythm cont. sim.
Gtrs. 1+2 play Fig. 4
Gtr. 3 plays Fig. 5
Gtr. 4
Gtr. 3 tacet
Gtr. 5
Gtr. 6
6
799
799
799
799
799
799
799
799
7
10
7
10
022
022
022
022
022
022
022
022
799
799
799
799
0 2 30 2 3 7
99
799
799
799
799
799
799
799
799
799
799
799
3 2 03 2 0
022
022
022
022
0 2 30 2 3
022
022
022
022
022
022
022
022
022
022
022
022
3 2 03 2 0
75 7 9 7 5 47 5
79 7 5 4
5 7
1210 12
97 9 10 9 7
13 12 10
5 47
8 7 8
7 5 47
10 8 79 7
10 12
57 9
8
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1.
2, 3.
Gtr. Solo
D.S. al Coda
C5
G5 D5
D5
Gtr. 3
cont. sim.
cont. sim.
C5 G5 D5 E5 C5
G5
3
full full full
full
D5
C5 G5 D5 E5
3
C5 G5 D5
full full
12 14
7 9 7 5 47 5
7 5 7 7 5 7
12
9 10 9 7
13 12 10 88 7 8 10
55 47
7
810 12 10
57 9 7
10 12
7 9
15
15 14 15 14 12 12 14
15
12
15 1214 14
15 12 121 4 1 2 1 4
1712 14 15 17 15 17
17 17 12 14 15 14 15 14 12 14 15 14 15 14 12 14 15 14 12 14 1215
1 2 1 0 12 1 012
10 12 14
15 14 15 14 1215
1712 14 15 17 17 1517 17 17
9
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Ø Coda
rall.
A5 Asus4
[E]Gtr. 1
mf let ring...
w/slight dist.
Gtr. 2
mf w/dist.+flanging cont. sim.P.M.
022
022
3
022
3
022
3
0
9 7 9 9 107
7 710
0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
9 7 97
97
10 779
0
9 7 97
97
107
710
0
9 7 97
97
107
7 77 9
0
9
10
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© Copyright 2006 Iron Maiden Publishing (Overseas) Limited.BMG Music Publishing Limited.
All Rights Reserved. International Copyright Secured.
Out Of The Shadows
Intro
q = 85
Words & Music by Bruce Dickinson & Steve Harris
1.
2.
q = 73
Asus2
Am
5fr
A5
E
Em
C
D
G
A
5fr
Dm
Bm
F
F#
3fr
C5
5fr
D*
5fr
D5
5fr
A*
Em7
7fr
Em*
3fr
Csus2
7fr
Bm*
Dsus2
7fr
E5
Am
Gtr. 3
(acous.)
E C
rhythm cont. sim.
G Dm Am
Gtrs. 1+2
ff w/dist.
F C5 D5 F C5 D5
Em7
mf w/slight dist.
Gtr. 3 tacet
Csus2 Em7 Csus2
Fig. 1
022
022
022
022
022
022
355
355
355
355
355
355
5776
5776
5776
5776
577
577
133
133
133
133
355
577
133
133
133
133
355
577
02
20
03
02
35
53
33
55
02
20
03
02
35
53
33
55
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Verse
Em7
Gtr. 4
f w/dist.
Csus2 Dsus2 Asus2
full 1/2 full
Hold
Dust
1.
2.
Em7
Gtrs. 1+2 play Fig. 1
a
y
ha
dreams
lo
in
- round
fad
Csus2
the
ing-
world,
daylight,
gold
flick
Em7
er
en- is
on
the
the
day.
walls.
Csus2
Princ
No
Em7
thing
es-
new,
of the
your
un
life’s
Csus2
i
a
- verse,
drift,
-
-
your
what
bur
pur
Dsus2
den
pose
-
-
is
to it
the
all?
way.
Asus2
So
Eyes
Em7
are
there
closed
is no
and
bet
death
Csus2
ter
is
- time,
call ing,-
who
Gtr. 4 (2° only)
1/2
will
reach
Em7
ing
be
out
born
his
to day?
hand.
Csus2
- A gyp
Call
Em7
sy
up
- child
on-
at
the
day
star
Csus2
break,
light,
-
- to
a
sur-
Gtr. 4 (2° only)
rake
1/2
15
14
1212 15
14
1215 14 12 14 12 14 14 12
1 4 1 214 12 12
02
20
03
02
35
53
33
55 0
23
2
03
20
02
20
00
22
7 7 57 5 7 5 4
X
X
77
7 57 7 9
2
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Chorus
$
To Coda ØØTo Coda Ø
Dsus2 A5Gtrs 1+2
king
round- you.
for a day.
Gtr. 4 (1°)
2° Gtr. 4 plays ad lib.
full 1/4
Em
Gtr. 3
(acous.)
C
rhythm cont. sim.
D A
Out of the sha dow,- and in to the sun.
2°+3° Gtr. 4 plays ad lib. fills
Gtrs. 1+2
Fig. 2
Dreams
EmGtrs. 1+2 play Fig. 2
of the past,
C
as the old
D
ways are done.
A
Oh,
Em
there is beau
C
ty, and sure
D
ly- there is pain.
A
But we
Em
must en dure
C
- it to
912
14
12 1412 14
12 14 1215
1412
15 14 12
12
022
022
XXX
XXX
355
355
XXX
XXX
577
577
XXX
XXX
577
577
XXX
XXX
3
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Gtr. Solo
Gtr. Solo
D.S. al Coda
D A
live a gain.-
Gtr. 4
f w/dist.+echo
Gtr. 5
full
Gtrs. 1+2
Em7
Gtrs. 1+2 play Fig. 1
Gtrs. 3+4 tacet
Csus2
Em7
Csus2
Em7 Csus2
3 3
Dsus2 Asus2
rake
Em7 Csus2 Em7
P.M.
Csus2 3
Em7
P.M.
Csus2 Dsus2
Asus2
3 6 6
14
1514 12 14 14
7 9
577
577
XXX
XXX
577
9
10
9 11 12
12
7 99
97
7 57
7 99
10
11 12
12 12 12 10 8
10
XX
8 77 9 9 9
7 8 710
710
78
710
78
7
9 7
9 79
7 5 7 5 7 57 7 17
74 5
74 5 7
4 5 75 7 8
5 7 8 8 7 58 8
510 10 8 8 5 12
0 15 1215
1215 12 15 12
1412
1412
4
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Ø Coda
Interlude
q = 93
D A
livea gain.-
Gtr 4
P.M.
1/4 full full
Gtrs 1+2
Bm
Gtr. 3 (acous.)
Gtr 6 (elec.) dbls. w/dist.
Gtrs. 1+2+4 tacet
F# D* A*
Fig. 3
Em* Bm* G D5 E5
BmGtrs. 1+2
Gtr. 3 plays Fig. 3
F# D* A*
Fig. 4
121412
14 13 12 1 01210
12
14 14
1412
15 15
5
77
5
77
X
XX
X
XX
57
7
24432
24432
24432
24432
XXXXX
XXXXX
244322
244322
244322
XXXXXX
XXXXXX
5777
5777
5777
5777
XXXX
XXXX
577655
577655
577655
XXXXXX
XXXXXX
79987
79987
79987
79987
XXXXX
XXXXX
799777
799777
799777
XXXXXX
XXXXXX
355433
355433
355433
355433
355433
XXXXXX
XXXXXX
577
XXX
XXX
799
XXX
XXX
2443
2443
2443
2443
XXXX
XXXX
244
244
244
XXX
XXX
577
577
577
577
XXX
XXX
577
577
577
XXX
XXX
5
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Interlude
D.S. al Coda ØØ
ØØ Coda
Em* Bm* G D5 E5
Gtr. 4
Gtrs. 1+2 play Fig. 4
Bm F# D* A* Em* Bm*
G D5 E5
Gtrs. 1+2+3
C5 D5
P.M.
live
D
a gain.-
A
Out
Em
Gtrs. 1+2 play Fig. 2Gtr. 4 plays ad lib.
of the sha
C
dow,- and in
D
to the sun.
A
Dreams
Em
of the past,
C
as the old
D
waysare done.
A
Oh,
Em
there is beau
C
ty,- and
sure
D
ly- there is pain.
A
But we
Em
must en dure
C
- it to
7998
7998
7998
7998
XXXX
XXXX
799
799
799
XXX
XXX
101212
101212
101212
101212
XXX
XXX
577
XXX
XXX
799
XXX
XXX
12 12 12 129
1111 11 11 9
12 11 911 9 9
12 12 12 1012 11 9 11
12 12
12 10
12
10
12 12 11 9 11 12 11 9
7 9
7
107 9 10 9 11 12
10 12 13 1512
6
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Outro
q = 75
rall.
D
live a gain.-
Gtrs. 1+2
Em7
Csus2 Em7 Csus2
The
Gtr. 4
3
1/2
mf let ring...
w/slight dist.
man
Em7
who casts no sha
Csus2
dow,- has no
Dsus2
soul.
Asus2
577
15 1214 1 4 1 2 1 4
14
02
20
03
02
35
53
33
55
02
20
03
02
35
53
33
55
12 12 7 98 10
9 79 7
02
20
03
02
35
53
33
55 0
23
2
03
20
02
20
0
7
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q = 110
Verse
Em Csus2 Esus2
1. Let me
rake
3
tell
Em7
you ’bout my life, let me tell you ’bout my dreams.
[E5]
Let me
Gtr. 3
mf Gtr. 3 let ring w/clean tone
Gtrs 1+2 tacet
tell you ’bout the things that hap pen,- al ways- real to me. Let me
tell you of my hope,
D6/F#
of my need
Gadd9
to reach the sky.
F'#11
Let me
7 9 7 45 5 7 7 9 4 5
X
X
4 5 5 4
07
97
7
78
797
70
797
7
78
797
70
797
7
78
797
70
79
710
77
7
07
97
107
77
07
97
107
77
07
97
107
77
07
97
107
77
07
97
107
77
2
02
0
0
02
0
3
02
0
0
02
0
1
32
3
0
32
3
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take
[E5]
you on an awk ward- jour ney,- let me tell you why.
D6/F#
Gadd9
F'#11
Let
[E5]
me tell you why.
Gtrs. 3+4
Gtr. 4
Harm.
Gtr. 3 plays Fig. 1
07
97
107
77
07
97
107
77
07
97
107
77
07
97
107
77
2
02
0
0
02
0
3
02
0
0
02
0
1
32
3
0
32
3
07
97
107
77
0
79
710
77
70
79
710
77
70
79
710
77
7
1212
12 1212
12 1212
12 1212
12
07
97
107
77
07
97
107
77
07
97
7
79
70
79
7
7
79
7
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Verse
Verse
Harm.
ff w/dist.
Gtrs. 5+6
E5
Gtrs. 3+4 tacetP.M.
B5 C5 F#5 G5 F#5 E5 E5
P.M.
B5 C5 F#5 G5 F#5
cont. in slashes
E5
E5
Gtrs.5+6
D/F# Gsus2 A5
Why should these
3
cur ses be
3
laid up on
3
- me? I won’t be for
3
giv- en- ’til
3
I can break
3
E5
free.
B5 C5 F#5 G5 F#5 E5 E5
B5 C5 F#5 G5 F#5 E5
Gtr. 7
f w/dist.
full
Gtrs. 5+6
P.M. P.M. cont. in slashes
1212
12 1212
12
07
97
7
79
70
79
7
7
79
15
0 0244
355
X 244
355
244
022
0 0244
355
X 244
355
244
022
1512
1512 12
0 0244
355
X 244
355
244
022
0 0244
355
X 244
355
244
022
4
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Verse
E5
Gtrs. 5+6
D/F# Gsus2 A5
2.
3.
What
I
did
know
I
they’re
3
do
cry
to
ing
de
for
3
serve
help,
all
reach
this
ing
3
out.
guilt?
The
Paid
bur
for
den
my
of
3
sins
them will
with the
take
sale
me
of
down
my
as
3
soul.
well.
E5 B5 C5 F#5 G5 F#5 E5 E5
B5 C5 F#5 G5 F#5 E5
Gtr. 7 (1° only)
full
Gtrs. 5+6
P.M. P.M. cont. in slashes
E5Gtrs.
5+6
D/F# Gsus2 A5
The
De
sin
mons
of
- are
a
3
thou
trapped all
sand
in
souls,
3
side
not
- of
died
my
in
3
head,
vain.
my
re
hopes
in-
of
carn
3
- -
God,
ates
reach
to
for
let
3
hea
me,
ven
live
from
a
3
-
Gtr. 7
full
15
0 0244
355
X 244
355
244
022
0 0244
355
X 244
355
244
022
15
12
5
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Chorus
$
hell.
gain.-
E5
-
B5 C5 F#5 G5 F#5 E5 E5 B5 C5 F#5 G5 F#5 E5
Gtrs. 5+6
P.M.
P.M.
cont. in slashes
E5
1.
2.
3.
My
Some
Some
sins
one
one
F#5
are
to
to
G53
ma
save
save
C5
ny,
me,
me,
D/F#
-
E5
My guilt
some
some
B5
is
thing
thing
A5
too
to
to
B53
hea
save
save
C5
me
me
from
from
vy.
G5*
-
my
my
self.
hell.
-
Gtr. 7
full
3
P.M. P.M.
3
Fig. 2
1215
0 0244
355
X 244
355
244
022
0 0244
355
X 244
355
244
022
1215
079
022
25
35 3
55
0 2X02
0 022
244
022
244
355
3X0033
6
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To Coda Ø
1.
E5
The pres
To
a
bring
des
sure
F#5
of
sal
ti
G53
-
know
va
na
C5
-
-
ing,
tion,
tion
D/F#
-
-
-
of
to
a
how
ex
way
E5
-
or
from
-
then
cise
this
-
what
B5
I
this
night
A5
know.
hell.
mare.
B5
-
C5 D5
3
P.M. P.M.
3
Fig. 2
E5
2. 3.
1. I’m a
Some
ble
one
F#5
- to
to
G53
see
save
C5
me,
things,
D/F# E5
things
some
B5
I
thing
A5
-
don’t
to
B53
want
save
C5
to
me
see.
from
G5*
my self.-
3
Gtr. 7
Gtrs. 5+6 play Fig. 2
full
E5
The lives
Tobring
F#5
of
sal
a
G5
thou
va
C5
-
sand- souls
tion,
D/F#
- to
weigh
ex
E5
or-
hea vy
3
-
cise-
down
this
on
B5
hell.
A5B5
me.
C5 D5
E5
Gtrs. 5+6
P.M.
B5 C5 F#5 G5 F#5 E5 E5
P.M.
B5 C5 F#5 G5 F#5 E5
E5
P.M.
B5 C5 F#5 G5 F#5 E5 E5
P.M.
B5 C5 F#5 G5 F#5 E5
079
022
022
25
35 3
55
0 2X02
0 022
244
022
244
355
577
1215
0 024
4
35
5
X 244
355
244
022
0 024
4
35
5
X 244
355
244
022
0 0244
355
X 244
355
244
022
0 0244
355
X 244
355
244
022
7
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2. Interlude
C5 D5 E51° only
C5
B5 E5 D5 E5 C5 B5 E5 G5 F#5 E5
P.M.
P.M.
P.M.
P.M.
P.M.
C5 B5 E5
P.M.
C5 B5 E5
P.M.
D5 E5
P.M.
C5 B5 E5
P.M.
G5F#5Play 3 times
E5
P.M.
C5 B5E5Gtrs. 5+6
E5 C5 A5 F5
cont. in slashesP.M.
Gtr. 7
E5
Gtr. 8
Gtr. 9
C5 A5
F5 Play 3 times
355
577
02
02
02
02
02
02
02
02
02
02
02
02 3
524
0 057
0 035
24
0 0 35
24
0 0
35
24
02
02
02
02
02
02
02
02
02
02
02 3
524
0 057
0 035
24
0 0 35
24
0 0
35
24
02
02
02
02
02
02
02
02
02
02
02
2 4 5 74 5 7 5 4 2
32
10
97 9 10
7 8 107 9
7 8
10 9
10 8 7 56
5
7 57
5
2 4 5 74 5 7 5 4 2
32
8
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Gtr. Solo
E5Gtr. 8
C5 A5 F5
Gtr. 7
E5
Gtr. 8
Gtr. 9
C5 A5
F5
E5
Gtrs. 5+6
Gtrs. 7+8+9 tacetP.M.
F5* E5* E5
P.M.
A5* G#5 E5
P.M.
C5* B5* E5
P.M.
A5* G#5
E5
Gtrs.5+6
P.M. G/B C5
Gtr. 9
f w/dist. 3
97 8 10
7 8 10 8 7 56
5
2 4 5 7
4 5 7 5 4 23
2
10
97 9 10
7 8 107 9
7 8
10 9
10 8 7 56
5
7 57
5
2 4 5 74 5 7 5 4 2
32
0 0 0 0
356
245
0 0 0 0
79
10
689
0 0 0 0
101213
91112
0 0 0 0
79
10
689
79 10
7 9 7 7 5 7 5 4 5
9
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D/F# Gsus2 rhythm cont. sim.
3 3 3
E5 G/B C5
3 3 6
full full
D/F#
D5
6 3 3
3
full 1/2 full full
E5
G/B C5
D/F# Gsus2
3
fullfull full full full 1/2
5 7 85 7 8 7 8 7 5 7 5 7 5
85
8 7 57 5 7 5
47 8 7 8 7
97 8 7
9 7 5 7 5 7 5 4 1212 13
14
12 13 1214
1214
12 15 12 12
14 14
15 12 121 4 1 2
1412 14
121 4 1 2
1412
14 121214 1 4 12 10
14
14
12 1412 14 12
14 15
17 15 14 15 14 15 1417 17
1419 15 12
14 12 11 1217 19
2017 19 20 19 20 19 2017 19 20 20 20 20 20 14
10
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D.S. al Coda
E5 G/B C5
3 3
full
D/F# D5
3 3 3 3 3
full fullfull
E5 B5 C5 F#5 G5 F#5 E5 E5
B5 C5 F#5 G5 F#5 E5
Gtrs. 5+6
P.M. P.M.
E5
P.M.
B5 C5 F#5 G5 F#5 E5 E5
P.M.
B5 C5 F#5 G5 F#5 E5
1412 15 15 13 15 13 12 17 15 17 15
17 15 17 15 1415
14 12
15
14 15 1417
1 4 1 2 14 1 215
121 5 13 12 13 1 2
1 4 14 1 2 1 2 14 1 2 1411 12 1412
1414 12 12
12
0 0244
355
X 244
355
244
022
0 0244
355
X 244
355
244
022
0 0244
355
X 244
355
244
022
0 0244
355
X 244
355
244
022
11
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Ø Coda
Outro
rall.
E5 B5 C5 F#5 G5F#5 E5 E5 B5 C5 F#5 G5F#5 E5 E5 B5 C5 F#5 G5F#5 E5
Gtrs. 5+6
P.M. P.M. P.M.
E5 B5 C5 F#5 G5F#5 E5 E5 F5*E5* E5 A5* G#5 E5
C5*B5* E5 A5* G#5
P.M. P.M. P.M. P.M. P.M.
E5
P.M.
F5*E5* E5
P.M.
A5*G#5 E5
P.M.
C5*B5* E5
P.M.
A5*G#5
Gtrs. 5+6 tacet
[E5]Gtr. 4
mf let ring...w/clean tone + chorus
Harm.
Gtr. 3
mf
let ring...
w/clean tone
0 0244
355
X 244
355
244
022
0 0244
355
X 244
355
244
022
0 0244
355
X 244
355
244
022
0 0244
355
X 244
355
244
022
0 0 0 0
356
245
0 0 0 0
79
10
689
0 0 0 0
101213
91112
0 0 0 0
79
10
689
0 0 0 0
356
245
0 0 0 0
79
10
689
0 0 0 0
101213
91112
0 0 0 0
79
10
689
1212
12 1212
12 1212
12 1212
12
07
97
107
77
07
97
107
77
07
97
7
79
70
79
7
7
79
7
12
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© Copyright 2006 Iron Maiden Publishing (Overseas) Limited.
BMG Music Publishing Limited.
All Rights Reserved. International Copyright Secured.
Words & Music by Steve Harris
For The Greater Good Of God
Introq = 58
q. = 43
q. = 43
2fr
D/F#
Em
5fr
D5
5fr
C
A5
3fr
G
G5*
7fr
D
D5*
7fr
E5
G5/A
3fr
C5
B5
3fr
G5
3fr
C5
[E]Gtr. 2
mp w/clean tone + chorus + echo
Gtr. 1
mp w/clean tone + chorus + echo
Bass arr. for Gtr.
let ring...
[E]
Gtrs. 1+2+3
7 9 5 7 7 9
5 7 3 5 5 7
5 7
00 2
25 7
00 2
23 5
00 2
25 7
00 2
2 5 7
0
5 47
0
5 47
0
5 47
7 4 5
0
5 47
0
5 47
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1.
2.
Verse
q = 164
Em
Gtr. 3
Crhythm cont. sim.
1.
2.
Are
A
you
life
a
that’s
man
made
of
to
peace,
breathe,
or a
de -
man
struc
G
of
- tion
ho
or
ly
de
-
-
war?
fence.
D
Gtrs. 1+2
let ring...Fig. 1
EmGtrs. 1+2 play Fig. 1
Too
A
ma
mind
ny-
that’s
sides
vain
C
to
cor
you,
rup- tion,-
don’t know
bad
G
which
or
an
good
y
in
- more.
tent.
D
-
-
Em
So
A
ma
wolf
ny
in
- full
sheep’s
C
of
cloth
life,
ing,- a
but al
saint
G
so
ly
-
-
filled
or
with
sin
pain.
ner.
D
-
Em
Or
Don’t know
some that
just how
would
C
ma
be
ny
lieve,
-
-
will
a
live
ho
G
to
ly-
breathe
war win
a gain.
ner.
D
-
-
0
5 47
55 7
0
5 47
55 7
79
99
9
35
55
5
35
55
55
77
77
2
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Verse
q = 164
E5
4.
3. They
More
fire
pain
off
and
ma
mi
C5
ny
se-
shots
ry-
and
in the
ma
hist
G5
ny
’ry-
part
of
ing
man
-
-
blows.
kind.
D5
Gtr. 3 (2° only)
mf w/dist.+chorus
Gtrs. 1+2
ff w/dist.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.Fig. 2
E5
Their
some
ac
times-
tions-
it
be yond
seems
C5
- a
more
reas
like
’ning,-
the
on
blind
G5
ly
lead
- God
ing-
would
the
Gtrs. 1+2 play Fig. 2
know.
blind.
D5 E5
And
It
as
brings up
he lies
on
C5
- us
in hea
more
ven,
of
or
Gtr. 3 (1°+2°)
Gtr. 1 (2° only)
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
8
910
89
10
87
9
77
7
079
0 079
0 079
0355
3 3 355
3 3 355
3355
3 3 355
3 3 355
3577
5 5 577
5 5 577
5
8
910
89
10
87
9
77
7
89
10
89
10
25
2 2 25
2 2 25
2 079
0 079
0 079
0355
3 3 355
3 3 355
3
3
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Pre-Chorus
Pre-Chorus
it
fam
G5
could
ine,-
be
death
in
and
hell.
war.
D5 E5
I
You
feel
know
he’s
re -
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
some
li
C5
-
where
gion-
here,
has
or
a
look
lot
G5
ing
to
from
ans
be
wer-
low,-
for.
D5
but I don’t
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
know.
A5
Play 1° only
I don’t know.
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
8
7 9
7
7 7
8
9 10
25
2 2 25
2 2 25
225
2 2 25
2 2 25
2 079
0 079
0 079
0
89
10
1212
1214
355
3 3 355
3 3 355
3 25
2 2 25
2 2 25
2 577
5 5 577
577
577
577
577
022
0 0 022
0 0 022
0 0 022
0 0 022
0 022
0 355
3 3 355
3 3 355
3 577
5 5 577
577
577
577
577
4
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Chorus
q = 105
Verse
q = 164
*E5
Please tell me now what life is.
C5
Please tell me now what love
G5
is.
D5
Gtr. 3 cont. sim.
P.M.
P.M.
P.M.
Fig. 4
cont. sim.
P.M. P.M. P.M. Fig. 3
*chords implied by bass
E5
Gtrs. 1+2 play Fig. 3Gtr. 4 plays Fig. 4
Well, tell me now what war is.
A5
A gain- tell me what life
C5
is.
D5
E5
5. And
6. And
as
all
they
be - cause
searched
C5
of
to find
it,
the
you’d
bo
think
G5
dies
that
in
we’d
the
have
sand.
learned.
D5
Gtr. 3 (2° only)
Gtrs 1+2 play Fig. 2
Gtr. 1 (2° only)
P.M. P.M. P.M. P.M. P.M. P.M.
75 7 4 5 2 4 0 0 0 2 2 2 0
2 75 7 4 5 2 2 2 4 4 4 0 0 0 2 2 2 0
2
79 10 7 9 5 7 4 4 4 5 5 5 4
5 79 10 7 9 5 5 5 7 7 7 4 4 4 5 5 5 4
5
8
910
89
10
87
9
77
7
25
2 2 25
2 2 25
225
2 2 25
2 2 25
2
5
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1.
E5
They
But
find
still
it’s
the
ash
bo
C5
es
dy-
that
count,
are
the
scat
ci
G5
tered
ty-
a cross
fi
- the
res-
land.
burned.
D5
Gtr. 1 (2° only)
P.M. P.M. P.M.
E5
And
Some
as
where
their
there’s
spi
some
C5
rits
one
- seemed
dy ing-
to whist
in
G5
le
a
- on
for
the
eign-
wind,
land,
D/F#
Gtr. 3 (1°+2°)
Gtr. 1 (1°+2°)
P.M. P.M. P.M.
E5
a
mean
shot
while
is
the
fired
world
C5
some
is
where,
cry ing,-
an
stu
oth
pi
G5
-
-
er
di
-
-
war
ty-
be
of
gins.
D5
-
(Gtr. 3)
Gtr. 1 plays Fig. 2
8
9 10
8
9 10
8
7 9
7
7 7
25
2 2 25
2 2 25
2
8
910
89
10
87
9
77
7
25
2 2 25
2 2 25
2
89
10
89
10
1212
12
6
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2. Pre-Chorus
Chorus
$
q = 105
man,
D5
tell me why,
A5
tell me
Gtr. 3
Gtrs. 1+2
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
why?
C5 D5
P.M. P.M. P.M. P.M.
*E5
*chords implied by bass
Gtrs. 1+2 play Fig. 3Gtr. 3 plays Fig. 4
Please tell me nowwhat life is.
C5
Please tell me now what love
G5
is.
D5
E5
Well, tell me now what war is.
A5
A gain- tell me what life
C5
is.
D5
14
57
7
5 5 57
7
57
7
57
7
57
7
57
7
02
2
0 0 02
2
0 0 02
2
0 0 02
2
0 0 02
2
0 02
2
0
355
3 3 355
3 3 355
3 577
5 5 577
577
577
577
577
7
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Bridge
4° To CodaØ
Interlude
q. = 64
E5
Gtr. 2 rhythm cont. sim.
For the great er- good of God.
Gtr. 3
Fig. 6
Gtr. 1
Fig. 5
For
C5
Gtr. 1 plays Fig. 5Gtr. 3 plays Fig. 6
the great er- good of God.
G5 B5 D5
For
E5
the great er- good of
God. For
A5
the great er- good of God.
C5 D5
[E]Gtr. 3
cont. sim.
Gtrs. 1+2
9
710 8 7
9 9 7 97 8 7 8 10
7 8 710
710 8 7
7
47 5 4
7 7 5 74 5 4 5 7
4 5 47
47 5 4
8 79
8 79
8 79
10 7 8 8 79
8 79
8 79
87 9
0
5 47
0
5 47
0
5 47
7 4 5
0
5 47
0
5 47
0
5 47
55 7
8
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*E5 C5 G5 D5
*chords implied by bass
E5 A5 C5 D5
Gtr. 3
Gtr. 2
G5* D5*
[E]
Gtr. 2 cont. in slashes
Gtr. 1
Fig. 7
let ring...
A5 G5* G5/A D5
Fig. 8
0
5 47
0
5 47
0
5 47
7 4 5
0
5 47
0
5 47
0
5 47
55 7
0
5 47
0
5 47
0
5 47
7 4 5
0
5 47
0
5 47
0
5 47
55 7
7 9 9 9 7 9 9 9 7 9 9 9 7 9 9 9 9 9 7 9 9 9 7 9 9 98 10 8 7
9 78 10 8 7
9 7
05 7 7 7
05 7 7 7
05 7 7 7
05 7 7 7
05 7 7 7
05 7 7 7
5 7 5 47 5
5 7 5 47 5
7 9 9 9 7 9 9 9 7 9 9 9 7 9 9 9 7 9 9 9 7 9 9 98 10 8 7
9 78 10 8 7
9 7
05 7 7 7
05 7 7 7
05 7 7 7
05 7 7 7
05 7 7 7
05 7 7 7
5 7 5 47 5
5 7 5 47 5
9
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Gtr. Solo
Interlude
[E]
Gtr. 4
ff Gtr. 4 w/dist.Gtr. 1 plays Fig. 7
Gtr. 3 plays Fig. 8
rake
full
G5* D5* A5
full
G5* G5/A D5
fullfull
[E]1° only
Gtr. 3 tacet Gtr. 4 tacet
Gtrs. 1+2
P.M. Fig. 9
X
X 17 12
1314 11 12 11
14 1214 13 12 10 12
1210 11
12
10 14 1515 14 10 9 7 610 7
15 14 10 915 10
12
14
12 15
14
1 2 1 5
14
1 2 1 7
14
1 2 1 5
14
1 2 1 4 15
14
12 15 14 121 2 1 1 1 2 11
14
151212
1212 14 15
1215 14 12
1412
14 12 14 12 1012
12
7 8 7 0 0 0 7 5 3 0 0 0 5 3 2 0 0 0 3 2 0 0 0 0
10
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[E]
Gtr. 5
ff Gtr. 5 w/dist.+wah-wahGtrs. 1+2 play Fig. 9
rake
full full
full
rake
full full
full
Gtr. 3
B5 C5 G5 A5
rhythm cont. sim.
Gtr. 1
full full
Gtr. 6
Gtr. 2
B5 C5 G5 A5
B5 C5
12
X
X
15
1215
14
15 12 12 12 15 12 X
12
X
X
15
1215 15
15 12 12 12 15 12 12
10 10
7 8 7 11 710 8 7
8
77
107
447
4
88 7 8
55 4 5 7 5 4
10 8 710 8 10
7 5 7
1 2 1 4 1 2 1 0 1 2 1 01 3 1 2 1 3 1 2 1 0 1 2 1 0
12 11 12 1114
1114 12
14 14
11
44
5 47
47 5 7
7710
7
447
4
88 7 8
55 4 5 7 5 4
10 8 7
7 5 7
10 8 10
7710
7
447
4
8 7 8
5 4 5
11
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G5
A5 B5
C5 G5 A5
Gtr. 5
full
[E]
Gtrs. 1+2 play Fig. 9
Gtrs. 3+6 tacet
3
full 1/2
0 0 0 0 0 0 0 0
5 2 4 52 4
5 9 9 108 9 11 12 14
8
5 7 5 4
10 8 7
7 5 7
10 8 10
7710
7
447
4
88 7 8
55 4 5 7 5 4 2
10 8 710
17 0 0 0 0 0 14 0 0 0 0 0 15 0 0 0 0 0 12 0 0 0 0 0 14 0 0 0 0 0 10 0 0 0 0 0 12 0 0 0 0 0 8 0 0 0 0 0
10 0 0 0 0 0 7 0 0 0 0 0 8 0 0 0 0 0 5 0 0 0 0 0 7 0 0 0 0 0 3 0 0 0 0 0 3
XXX
XXX
1514
1215 12
14 12 15 14 12 1514
15 14 15 14 12 1214 1214
1314
12
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Interlude
1.
2.
full
Gtrs. 1+3
B5 C5 G5 A5
rhythm cont. sim.
B5 C5
Gtr. 2
Gtr. 6
G5 A5 B5 C5 G5 A5
Gtr. 3
Gtrs. 1+2
Gtr. 2 cont. in slashes
16 1716 17
14 15 17 15 1417
14 15 17
17 15
17
77
107
447
4
88 7 8
55 4 5 7 5 4
10 8 7
7 5 7
10 8 10
7710
7
447
4
8 7 8
5 4 5
8 10
5 7
8
5 7 5 4
10 8 7
7 5 7
10 8 10
7710
7
447
4
88 7 8
55 4 5 7 5 47
10 8 710
13
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1, 2, 3.
D.S. al Coda
4.
Ø Coda
rall.
q = 164
E5
Gtr. 4
C5
rhythm cont. sim.(with repeats)
G5 D5 D5
God.
C5 D5
Outro
Em
Gtr. 3
C
rhythm cont. sim.
G D
He gave his life for us, he fell up on- the cross.
Gtrs. 1+2
mf let ring...w/clean tone + chorus
(Fig. 1)
7
9 9 7 98 10
7
9 9 7 98 10
7
9 9 7 98 7
98 10
9
4
7 7 5 75 7
4
7 7 5 75 7
4
7 7 5 75 7
75 7
7
9 7 97 8 7 8 10
7 8 710
710 8 7
7 5 74 5 4 5 7
4 5 47
47 5 4
79
99
9
35
55
5
35
55
55
77
77
14
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rit.
q. = 43
q. = 43
rall.
EmGtrs 1+2 play Fig. 1
To die for all
C
of those who nev
G
er- mourn his loss.
D
Em
It was n’t- meant
C
for us to feel
G
the pain a gain.
D
- Tell me
why,
A
tell me why?
C
Gtrs. 1+2
D
[E]
Gtrs.1+2+3
02
22
2
02
22
2
35
55
5
57
77
7
0
5 47
0
5 47
0
5 47
55 7
15
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© Copyright 2006 Iron Maiden Publishing (Overseas) Limited.BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%).
All Rights Reserved. International Copyright Secured.
Lord Of Light
q = 127
Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith
2fr
D/F#
Emb6
Cmaj7#11
D13
3fr
G5
Cmaj7
B5
Am9
5fr
Am9*
Em9
10fr
G5*
7fr
E5
9fr
F#5
5fr
D
6fr
Eb5
A5
4fr
C#5
E5*
Bb5
Intro
Emb6Gtrs. 1+2
mf let ring...
w/clean tone
There
Verse
1. are se crets- that you keep.
D13
There
I
Don’t
Emb6
are
can’t
de
se
reach
ny-
crets
things
me
- that
I
what
you
can’t
I
keep,
see,
am,
D13
24
10
14
24
10
14
24
10
14
24
10
14
24
10
14
24
10
14
24
10
04
10
14
04
10
14
04
10
24
10
14
24
10
14
24
10
04
10
14
04
10
14
04
10
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1, 2.
3.
There
you
no
Cmaj7
are
don’t
thing-
se
see
hid
crets
this
den
-
-
that
strange
still
you
world
you
tell
quite
fail
Am9
to
the
to
me
same
see
a
as
the
lone.
me.
truth.
-
D13
D13
These
Emb6
are things you can’t re veal.-
Interlude
Emb6Gtr. 1
P.M. Fig. 1
Gtr. 2
Fig. 2
3
41
01
4
3
41
01
4
32
3 2 0
41
01
40
41
01
40
41
0
10
14
04
10
24
10
14
24
10
14
24
10
24
10
14
24
9 9 7 9 5 5 7 4 5 47 5
10
14
24
10
24
10
14
24
10
14
24
14
2
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q = 160
Gtr. 3
mf Gtr. 3 w/dist.Gtr. 1 plays Fig. 1Gtr. 2 plays Fig. 2
Em9Gtr. 1
Gtr. 3 tacet
These are things you can’t re veal.-
Em9
Em9
Gtr. 2
E5Gtr. 1
ff w/dist.P.M. P.M. P.M. P.M.
12 12 10 12 8 10 7 8 79 7
241
799
0 0 0799
0 0 0799
0 0799
07
07 5
05 7
55
74
5
3
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P.M. P.M. P.M.
We
VerseE5
are part of some strange plan.
D5
Gtrs. 1, 2+3
P.M. P.M. P.M.
P.M. P.M. P.M.
Why
E5
the slaugh ter- of the
P.M.
P.M. P.M. P.M.
Fig. 3…
bro
D5
ther- hood- of man? In fern
C5
- al- sac -
P.M. P.M. P.M.
P.M. P.M. P.M.
799
0 0799
0 0799
0
7799
0 09
79
57
799
0 0 0799
0 0 0799
0 0 0799
5 75
74
5 577
5 5 5 577
5 5 5 577
5 5
5 577
7 97
95
7 799
0 0 0799
0 0 0799
0 0 0799
5 75
74
5
577
5 5 5 577
5 5 5 577
5 5 5 577
7 97
95
7 355
3 3 3 355
3 3 3 355
3 3
4
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1.
2.
ri- fice- of hell.
A5 D5
P.M. P.M. P.M. P.M.
… Fig. 3 ends
Fire
-venge
E5
Gtrs. 1+2+3 play Fig. 3
is
breath
liv
ing,
ing
-
-
lead
in
the
the
way,
past,
D5
melts
time
C5
our
to
bod
look
-
iesin
- asto-
theya
allnew
A5
burnmil
inle-
toni
--
one.um.
D5
-Re -
Interlude
E5Gtr. 2
Gtr. 1
D5
Gtr. 3
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
3 355
3 3 355
355
355
022
022
0 0 0 022
0 0 577
577
577
577
577
577
577
9 9 7 9
12 12 10 12
5
8
7
10
4
7
5
8
4
7
7 5
9 79 9 7 9
12 12 10 12
10
13
7
10
9
12
5
8
7
10 7 8
4 5
799
0 0 0799
0 0 0799
0 0 0799
0 0 0799
799
799
577
577
5 5 5 577
5 5 5 577
5 5 5 577
5 5 5 577
577
577
577
5
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1.
2.
q = 80
E5 C5 D5
P.M. P.M. P.M. P.M.
Spi
Fire
Verse E5Gtrs. 1+2+3 play Fig. 3
ral- path
breath-
leads
ing,-
through
lead
the
the
maze,
way,
D5
down
Lu
C5
in
ci-
to
fer
-
-
the
was
fie
just
ry
an
- un
an
A5
der
gel
-
-
world
led
- be
a
low.
stray.
D5
-
-
Chorus E5*
Free
D/F#
your
G5
soul and
D/F# E5*
let
C5
it
E5
fly,
D5
Fig. 4…
Gtrs. 1+2+3
P.M.
P.M.
9 9 7 9
12 12 10 12
5
8
7
10
4
7
5
8
4
7
7 5
9 79 9 7 9
12 12 10 12
10
13
7
10
9
12
5
8
7
10 7 8
4 5
799
0 0 0799
0 0 0799
0 0 0799
0 0 0799
799
799
799
355
355
355
355
355
355
577
577
577
577
577
577
577
577
02
02
25
35
35
35
25
02 5
7
35
0 079
57
57
0 0
6
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q = 76
give
B5
your
D5
life
C5
to the Lord of
D5
Light.
E5 D5
P.M.
P.M.
P.M.
P.M.
P.M.
…Fig. 4 ends
P.M.
E5*
Gtrs. 1+2+3 play Fig. 4
Keep
D/F#
your
G5
se crets and
D/F#E5*
rain
C5
on
E5
me,
D5
all
B5
I
D5
see
C5
are mys te
D5
- ries.-
E5 D5
E5*
Gtrs. 1+2+3
Interlude
Gtrs. 1+2
Gtr 3 tacet
mf
Em9
w/clean tone
Cmaj7#11
Fig. 5
Bridge
Em9Gtrs. 1+2 play Fig. 5
Am I
Oth
not
ers-
wor
wait
thy
their
- in
turn,
your
their
black
lives
Cmaj7#11
and
were meant
blaz
to
ing
last,
- eyes?
Em9
We gathuse yours er- wise de monsly-- inas thethe mirlight
Cmaj7#11
roris- evfad ’rying-- day.fast. Free your
3
5
24
0 057
35
35
35
0 035
0 057
0 079
0 057
0 0
022
02
40
00
4
02
40
00
43
40
00
00
34
00
00
04
7
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1.
2.
soul
Am9*
The
and
bridge
let it
of
fly,
dark ness- casts
mine
a
was
sha
caught,
Fmaj7#11
I
dow-
could
on
n’t
us all,
try. Time re -
Gtrs. 1+2
turns
Am9
and
a
all
gain-
our
to
sins
pun ish
to you
all
we
of
give
Fmaj7#11
this day.
us.
E5
We
We
are
were
the
cast
sha
out
dows of
by
G5*
our
the
F#5
blood
one
E5
y
un
fath
ho-
er’s
ly-
hand.
ghost.
C5 Eb5
ff w/dist.
P.M. P.M. P.M. P.M. P.M. P.M.
E5
We
In
are
our
strang
night mare
ers- in
world,
G5*
this
F#5
the
lone
on
E5
ly
ly
-
- one
prom
we
ised land.
trust.
C5 Eb5
P.M. P.M. P.M. P.M. P.M. P.M.
07
50 0 0
5
07
50 0 0
57
13
32
0 02
13
32
0 02
3
0
75
00
05
07
50
00
57
13
32
00
2
13
32
00
23
13
32
00
2
13
32
00
799
0 0 0799
0 0799
799
0 0101212
81010
799
0 0 0799
0 0355
355
0688
799
0 0 0799
0 0799
799
0 0101212
81010
799
0 0 0799
0 0355
355
0688
8
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Gtr. solo B5Gtr. 4
f w/dist.+ pitch shift pedal set one 8vb.
D5 C#5 B5
G5 Bb5
full
full
Gtrs. 1+2
P.M. P.M. P.M. P.M. P.M. Fig. 6
B5
Gtrs. 1+2 play Fig. 6
D5 C#5 B5 G5 Bb5
3 6 6 6 6
6
B5 D5 C#5 B5 G5
P.H.
Bb5
cancel pitchshift pedal
B5 D5 C#5 B5 G5 Bb5
6
6 6
3
full full
10
97
7 9
97 9 9 9
9
77 5 57 7 5
244
2 2 2 244
2 2 244
244
2 577
466
244
2 2 2 244
2 2355
355
3133
14 1012
1112 11
12 1114
12 1114 12
1114 12 11 14 12 11
1412 11
14 1211
1 4 1 2 1 0 1 4 1 2 1 0 9 1 0
9 11 14 14 11 14
12 11 10 7 67 6 10 7 6
9 7 7 9 77
9 79 7 9
7 9 7 97
97 9 7
9 7 97
10
9 79
7
10 10 7 7 7 7 109
77
9
9
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q = 194
B5
w/pitch shift set 8va.
D5 C#5 B5 G5 w/slide
Bb5
Gtrs. 1+2
Fig. 7
Gtrs. 1+2 play Fig. 7
B5 D5 C#5 B5 G5 Bb5
B5
slow gliss
D5 C#5
B5
G5 Bb5
Gtr. 5
Gtr. solo
*E5
f w/dist.
C5
w/bar full full full full
Fig. 8…
*chords implied by bass
5 7 10 10 9 9 10 12
224
224
224
224
224
224
224
224
224
224
224
224
557
446
002
224
224
224
224
224
224
224
224
224
224
224
224
355
133
12 12 5 17 175 14 19
19 12 15 15
14
15 14 1214
12 12 15 12
075
97
109
1210
109
97
0
10
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B53 3
3 3 3
full full full full full fullfull full full fullfull
A5
D5 E5
…Fig. 8 ends
Gtrs. 1+2 play Fig. 8
C5
w/bar
w/bar
14 14
1 2 1 5 1 214
121 4 1 2
1412 14 14 12
1412
12
17
12
1412
17 17 17 17 17 17
75
97
109
1210
109
97
075
97
109
1714 15
1714 15 17 14 15
1714 15 14
1714
1715
16
12 7 8
97
75
64
075
97
109
1210
109
97
0
7 8 78 7 8 7
97 8 7
9 7 5 7 7 5 3 5 75 6 5
75 6 5
7 5 4 5 47 7 5 7 5 4 9
7 9
11
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1.
2.
B5
3 3 A5
full
D5 E5
full full
Gtrs. 1+2
Interlude
1° only
Gtr. 4 tacet
C5
B5
A5 D5
E5
9 1412 14
12 14 14 16 12 1414
1215 14
14
1215
12
1414 1215 12
15 14 1214
12 1412
1412
14
0
75 97 109 1210 109 97
075 97 109 1210 109 97
0
75
97
109
97
75
64
075
97
109
1210
109
97
01210
109
97
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q = 92
1, 2.
3.
Chorus
E5*
Gtrs. 1+2+3 play Fig. 4
Free
D/F#
your
G5
soul and
D/F# E5*
let
C5
it
E5
fly,
D5
give
B5
your
D5
life
C5
to the Lord of
D5
Light.
E5 D5
E5*
Keep
D/F#
your
G5
se crets and
D/F#E5*
rain
C5
on
E5
me,
D5
all
B5
I
D5
see
C5
are mys te
D5
- ries.-
E5 D5
mys te
D5
- ries.-
E5 D5 E5*
Gtrs. 1+2+3
(Hi-hat)
E5
D5 E5
022
799
799
799
799
799
577
799
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The Legacy
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited.BMG Music Publishing Limited.
All Rights Reserved. International Copyright Secured.
12fr
Dsus4
3fr
C5
10fr
Dm9fr
Dsus2
F5
10fr
D7 8fr
D9'b6
E5
7fr
D5*
7fr
E5*
4fr
Dsus2*
5fr
D7/A[omit3]
7fr
D5
E5**
Gtr 1 (acoustic);
Gtr 2 (acoustic 12 str.);
Chord boxes:
6 = D 3 = G
5 = A 2 = A4 = D 1 = D
5fr
D7[omit3]
5fr
D7sus4
D5**
5fr
G5
3fr
D6
7fr
G/D
A5
F5
9fr
D9
9fr
Dsus2/4
Dsus2
5fr
G5*
All other Gtrs.
6 = D 3 = G5 = A 2 = B4 = D 1 = E
12fr
Dm*
7fr
Dm*
Dm7/A
9fr
D/F#
D5/A*
12fr
Dsus2/4*
5fr
D5***
12fr
Dsus4
7fr
C/E
11fr
D
Intro
Dsus4Gtr. 1
(acous.)
finger picked; let ring... mf
D7 D9'b6 D5cont. sim.
D7sus4 D6 D7sus4 Dsus2
D6 Dsus2 Dm7/A Dsus2 D6 D6 Dm7/A
0 0
120
12
12
0
100
11
10
0
80
9
8
0
70
7
7
0
50
5
5
0
30
4
3
0
50
5
5 20
2
2
0 0
20
2
2
0
30
4
3
0
20
2
2
0
32
3
3
0
20
2
2
0
30
4
3
0
20
2
23
23
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Verse
1.
2.
rall.
Tell
Off 2.
1.
Dsus4
you
to
a thing
war
D7
that
to
you
play
D9'b6
ought
lit
to
tle-
know.
games,
D5
Two
and
min
on
D7sus4
utes of
their
your
re
time,
turn,
D6
-
then
can’t
on
name
D7sus4
you
no
go.
names.
Dsus2
Tell
Some
Fig. 1
tale
strange
Dsus4Gtr. 1 plays Fig. 1
of
yel
the
low
men
gas
D7
all
has
dressed
played
D9'b6
in
with their
black,
minds,
D5
that
has
most
red
D7sus4
dened
of
their
them,
eyes,
D6
not
re -
com
D7sus4
ing- back.
Dsus2
2. Sent - moved
D7sus4
all the lies.
Dsus2
As strange
Dsus4
as it sounds,
D7
death
knows
D9'b6
no bounds.
D5
How ma
D7sus4
ny- get well,
D6
on ly- time
D7sus4
will tell.
Dsus2
Dsus4 D7 D9'b6 D5 D7sus4 D6 D7sus4 Dsus2
Dsus2 D6 Dsus2 Dm7/A Dsus2 D6
On ly time
Dsus2
will tell.
D5*
0 0
120
12
12
0
100
11
10
0
80
9
8
0
70
7
7
0
50
5
5
0
30
4
3
0
50
5
5 20
2
2
0 0
120
12
12
0
100
11
10
0
80
9
8
0
70
7
7
0
50
5
5
0
30
4
3
0
50
5
5 20
2
2
0 0
20
2
2
0
30
4
3
0
20
2
2
0
32
3
3
0
20
2
2
0
30
4
3 20
2
2
000
02
0
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Interludeq = 73
Dsus4*
Dm
Dsus4
Dm
cont. sim.
Dsus4 Dm Dsus2*
Fig. 2
D5*Gtr. 2 (acous. 12 str.)
D5*
Gtr. 3 (elec.)
(fade in w/vol. control)
Gtr. 2 w/clean tone + chorus
mf cont. sim.
Fig. 3
D7[omit3]
D5*
Gtr. 3 plays Fig. 2
Gtrs. 4+5 (elec.)
f
D5** A5 D5** A5
Gtr. 6 (elec.)
f Gtrs. 4+5+6 w/dist
Gtr 1 plays Fig. 2
Gtrs. 2+3 tacet
0
00
120
00
100
00
120
00
100
00
120
00
100
00
100
00
9
10 11 10 10 11 10 11 10 1110 10 10
12
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
8
7
8
7
8
7
8
7
7
7
5 0
7 7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
8
7
8
7
8
7
8
7
7
7
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
7
5
7
5
7
5
7
5
5
5
3
5
0
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
8
7
8
7
8
7
8
7
7
7
5 0
7
12 10 12 10 12 10 10 9 9 12 10 12 10 12 10 10 9 9
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D5*Gtr. 2 (acous. 12 str.)
D5*
Gtr. 3 plays Fig. 3
Gtrs. 4+5 tacet
D7[omit3]
D5*
Dsus2/4
Gtr. 2 (acous. 12 str.)
Gtr. 3 tacet
Dm*
D5**
Gtrs. 4+5 (elec.)
f Gtrs. 4+5 w/dist.Gtr. 1 plays Fig. 2
Gtrs. 2+3 tacet
A5 D5**
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
8
7
8
7
8
7
8
7
7
7
5 0
7 7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
8
7
8
7
8
7
8
7
7
7
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
7
5
7
5
7
5
7
5
5
5
3
5
0
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
8
7
8
7
8
7
8
7
7
7
5 0
7
0
0
910
0
0
0
0
910
78
78
0
0
78
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
910
78
78
78
78
78
78
78
78
78
78
78
78
78
78
78
000
000
000
000
000
000
000
022
022
000
000
000
000
000
000
4
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q = 90
Verse
A5 D5***
P.M.
C/E C5 D5*** F5
P.M.
E5
D5***
P.M.
C/E C5 D5*** F5
P.M.
E5
Fig. 4
D5***
2.
1.
Gtrs. 4+5 play Fig. 4
You
Tang led-
lie
up
in
in
your
a web
death
C/E
bed
of
C5
now,
lies,
D5***
could
but
have
what
been
did
a
you
F5
bring
way
to
to
the ta
pro
ble?
phe
E5
-
- sise.-
D5***
Brought
Un
us
a-
on
ware-
ly
of
-
the
ho
con
C/E
ly
se
-
-
C5
sin,
quence,-
D5***
ut
not
ter
a
- trust
ware-
is
of
F5
a
the
dead
se
ly
crets
-
-
thing.
that
E5
you kept.
D5***
To
No
the
thing- that
prayer of
we
ho
can’t
C/E
ly
be
-
C5
peace,
lieve,-
D5***
we did
to
n’t
re
know
veal-
what
the
was
fa
F5
ly
cade-
ing
of
- un
face
der
less
E5
-
-
neath.-
men.
D5***
So
Not a
how
thing
could
that
we
we
be
could
C/E
such
for
C5
fools?
see,-
D5***
and
not
to
a
think
sign
that
that
we
would
F5
tell
thought you
us
the
the
an
out
swer.
come.
E5
-
-
0
00
022
022
0
57
57
57
0 0
710
0
35
57
57
57
57
0 0 3
3
2
2
3
3
2
2
00 5
757
57
0 07
10
035
57
57
57
57
0 0 33
22
33
22
5
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Pre-Chorus
D5**
I
You
can’t
had
be
us
Dsus2*
gin
all
- to
strung
un
out
der
with
- stand-
pro mis
ing- all
es- of
the lies,
Gtrs. 4+5
P.M.
P.M.
P.M.
P.M.
P.M.
Fig. 5
Gtrs. 1+2 (acous.)
peace,
D7[omit3]*
but
but
on
all
your
a
death
long
G/D
-
bed
your
- I
cov er-
can
plan
see it
was
in
to
your
de
eyes.
ceive.-
Gtrs. 4+5 play Fig. 5
D9
Just
Can it
as clear
put
Dm*
as
to
all
rights now,
the
on
sweat up
ly-
on
time
- your
will
brow,
tell,
Dsus2/4*
it
your
real
pro
ly
phe
makes
cies
00
000
000
05
05
05
05
05
05
05
05
05
05
05
05
05
05
000
02
0
005
04
0
54
55
57
55
54
00
0
75
0
75
77
79
77
75
00
0
9
0
797
99
910
99
97
00
0
10
0
9109
1010
1012
1010
109
00
00
1210
1210
1212
1214
1212
1210
00
00
1412
1412
1414
1415
1414
1412
6
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1.
2, 3.
Pre-Chorus
D
sense, I can see it clear ly- now.
D
will send us all to hell as well.
D5***
Left to all our
C5D5***
gold
E5
en- sons,
D5***
left to pick up
[D]
on the peace.
D5**
Gtr. 4
Gtr. 5
P.M. Fig. 6
D5***
You could h ave giv en
C5
-
D5***
all
E5
of them
D5***
a lit tle- chance,
[D]
at least.
D5**
Gtr. 5 plays Fig. 6
00
00
1211
00
00
1211
7 7 7 5 7 9 5
5 5 5 4 5 7 5 47 5
057
57
57
35
57
79
57
57
57
57
57
4 5 7 5 4 2 00
7 7 7 5 7 9 55 5 5 4 5 7 5 4
74
7
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Interlude q = 73
q. = 144
D5***
Take the world to
C5
a
D5***
bet
E5
ter- place,
D5***
giv en- them all
[D]
just a lit tle- hope.
D5**
D5**Gtr. 5
D5***
Just think, what
C5
a
D5***
le
E5
ga- cy,
D5***
- you now…
[D]
will leave.
D5**
Gtr. 6 (elec.)A5 D5** A5
Gtrs. 4+5 (elec.)
f w/dist.
[D]
Gtr. 7 (elec.)
Gtrs. 4+5+6 tacet
P.M. P.M.
Fig. 7…
7 7 7 5 7 9 5 5 5 5 4 5 7 5 47 5
7 7 7 5 7 9 55 5 5 4 5 7 5 4
74
12 10 12 10 12 10 10 9 9 12 10 12 10 12 10 10 9 9
000
000
000
000
000
000
000
022
022
000
000
000
000
000
000
000
022
022
5 7 85
85 6 5
85
8 7 5 7 85
85 7 5
85
8
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P.M.
…Fig. 7 ends
P.M.
[D]Gtr. 4
Gtr. 5 plays Fig. 7Gtr. 7 tacet
P.M. P.M.
P.M. P.M.
D5**
Gtrs. 4+5E5*
P.M.
C5
P.M.
D5***
P.M.
A5
P.M.
Fig. 8…
D5**
E5* C5 D5*** G5
Gtr. 8
ff w/dist.
P.M. P.M. P.M. P.M. …Fig. 8 ends
5 7 85
85 7 5
85
8 78 7 5 7 5
85
8 7 8
12 14 1512
1512 13 12
1512
15 14 12 14 1512
1512 14 12
1512
12 14 1512
1512 14 12
1512
15 1415 14 12 14 12
1512
15 14 15
00
22
22
222
222
3 3 3 355
355
5 5 5 577
577
0 0 0 022
022
14
00
22
22
222
222
3 3 3 355
355
5 5 5 577
577
5 5 5 555
555
9
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Gtr. Solo
D5**E5* C5 D5*** A5 D5**E5* C5
Gtrs. 4+5 play Fig. 8 full full
fullfull fullfull
D5*** G5
D5**E5* C5 D5*** A5
fullfull
D5**E5* C5
P.H.
D5*** G5
P.H. full full
D5** E5* C5 D5*** A5
4 5 5
D5**E5* C5 D5*** G5
full full 1/2
fullfull
12
1416
14
12 14
15 15 1215
1215 14
15
1214
12
1 5 1 4 1 21512
1212 15 15
15 1 5 1 212 1414
1214 12 12
17 17 15 14 15 1415
1415 17
14 151417
1 4 1 5 1 7 1 5 1 417
1417 15
17 1512 12 14 15 14 12
151212
12 15 1512
15 1215
1215
12 15 1215
1215
12 15 1215
1215
12 16 1215 12 15
12 15 1215
12 17 1215
12 15 1215
12 15 17 19
20 20 19 1717 20
1717 20 20 20 20 19
10
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Interlude
[D]Gtr. 4
P.M. P.M.
Gtr. 8 tacet
Gtr. 5
P.M. P.M.
P.M.
P.M.
P.M. P.M.
E5* C5
Gtr. 6
Gtr. 4
Fig. 9
4
4
2
2
4
4
2
2
4
4
2
2
4
4
A5 F5
4
4
2
2
4
4
2
2
4
4
2
2
4
4
14 16 1714
1714 15 14
1714
17 16 14 16 1714
1714 16 14
1714
7 9 107
107 8 7
107
10 9 7 9 107
107 9 7
107
14 16 1714
1714 16 14
1714
17 1617 16 14 16 14
1714
17 16 17
7 9 107
107 9 7
107
10 910 9 7 9 7
107
10 9 10
7 9 7 510 12 10 8
7 510 8
5 7 5 48 1 0 8 7
5 48 7
7 9 7 510 12 10 8
7 510 8
5 7 5 4 58 10 8 7 8
7 9 7 510 12 10 8
7 510 8
5 7 5 48 10 8 7
5 48 7
7 9 7 510 12 10 8
7 510 8
5 7 57
55 6 5
75
11
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Chorus
Fig. 10…
E5*
P.M. P.M.
C5
P.M. P.M.
Gtrs. 4+6 play Fig. 9
A5
P.M. P.M.
F5
P.M. P.M.
…Fig. 10 ends
E5*
Gtrs. 4+6 play Fig. 9Gtr. 5 plays Fig. 10
We seem dest ined- to
C5
live in fear, and some
A5
that would say ar ma- -
ged
F5
- don- is near.
E5*
But where there’s a life,
C5
well there’s hope, that
A5 F5Gtrs. 4+5
E5*
Gtr. 6 tacet2° Gtr. 5 plays Fig. 11
C5
man won’t self de- struct.-
2.
1. Why
But
can’t
some
we
are
treat
just
our
not
fel
want
low
ing
- men
peace, their
D5** G5* D/F# D5*** E5*
with
whole
more res pect
lives
- and a shake
death
of their
and
hands?
mi se- ry.-
But
The
an
on
ger- and
ly-
C5 D5** G5* D/F# D5***
loaththing
ingthat
- isthey
rife,learn,
thefight
deathfire
on allwith
sidesfire,
islife
beis
comcheap.
- ing- a way of
799
799
7 7 7 799
799
7 7 7 355
355
3 3 3 355
355
3 3 3
022
022
0 0 0 022
022
0 0 0333
333
3 3 3 333
333
0 0 0
12
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Interlude
life.
E5
We live
But
in
if they
an un
do
C5
cer
stop
- tain
to
- world,
think, that
Gtr. 5
Gtr. 4 cont. sim.Fig. 11…
P.M. P.M. P.M. P.M.
fear
man
D5***
un - der
is
stand
teet
- ing
er
-
-
and
ing-
ig
right
G5*
nor- ance
on
- is
the
lead
brink.
D/F#
ing-
D5***
to
P.M. P.M.
…Fig. 11 ends
death.
E5
Gtr. 5 plays Fig. 11
On
But
ly
do
- the
you
culp
think
C5
sters
that
- are
they
left,
care?
for
They
vult
be
D5***
ures
ne
-
-
that
fit-
prey
from
on
death
their
and
bones.
pain
G5*
and des pair.
D/F#D5***
E5
Gtr. 7
Gtr. 8Gtrs. 4+6 play Fig. 9
Gtr. 5 plays Fig. 10
C5
799
799
7 7 7 799
799
7 7 7 355
355
3 3 3 355
355
3 3 3
5
77
5
77
5 5 5 5
77
5
77
5 5 5 10
12
10
12
9
12
5
7
412
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Gtr. 8
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1.
2.
rall.
Outro
q = 63
[D]Gtr. 4
P.M. P.M. P.M. P.M.
Gtrs. 6, 7+8 tacet
Gtr. 5
P.M. P.M. P.M. P.M.
P.M.
P.M.
Dsus4*Gtr. 2 (acous. 12 str.)
Dm Dsus4 Dm Dsus4 Dm Dsus2*
1 2 1 4 1 512
151 2 1 3 12
1512
15 14 12 14 1512
151 2 1 4 1 2
1512
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