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A Moment of Happiness November 10, 8pm November 11, 3pm Christ Lutheran Church 10707 Soquel Drive, Aptos
Santa Cruz Chamber Players
Jennifer Cass, artistic director and harp Lars Johannesson, flute = Peter Lemberg, oboe Susan Brown, viola = Judy Roberts, cello
The Santa Cruz Chamber Players 2012-2013 Season
Please join us for our thirty-fourth year, as we offer fine chamber music, beautifully performed by pro-fessional musicians who live and work in our own community. This year our music spans the globe and the centuries. We’ll hear from some of Russia’s greatest composers and take a trip on the Orient Express; we’ll experience mystical meditations and moments of happiness; we’ll be entertained and surprised – all of this presented in a comfortable and intimate setting, where the music is so close you can almost touch it.
Music from around the world = Musicians from around the corner
Board of Directors & StaffCatherine Pickerrell, President = Hila Michaelsen, Vice President = Paul M. Seever, TreasurerJeff Gallagher, Musician Liaison & Secretary = Patti Julin = Lavinia Livingston = Merilyn NeherNick Royal = Rick Zinman
Michael Stamp, General ManagerIvan Rosenblum, Celebrating Youth DirectorCarol Panofsky, Graphic Design & Advisory Board
For more information call (831) 425-3149 or visit our web site: www.scchamberplayers.org
For advance tickets call (831) 420-5260 or visit www.santacruztickets.com
Santa Cruz Chamber Players is a nonprofit organization. Our goals are to provide a forum for local musicians and to promote live chamber music. Our season is supported in part by the Cultural Council of Santa Cruz County and with donations from many individuals. Thank you!
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Saturday, November 10th & Sunday, November 11th, 2012
A Moment of Happiness
“I’d do everything I could to give everyone a moment of happiness.That’s what’s at the heart of my music.” – Nino Rota
Quartet for flute, oboe, cello and harp, HC802a (1962) Henry Cowell (1897-1965) Vivace - Allegro Lento Allegro Moderato Allegretto
Petite Suite (1947) André Jolivet (1905-1974) Prelude Modéré sans trainer Vivement Allant Finale
Columbus Triptych (2004) Stephen Main (1963- ) Cheerfully Unhurried; with profound calm Fugato, with energy
Intermission
Danses Ravissants (2006) Margi Griebling-Haigh (1960- )
The Celestial Harmony (1992) Dennis Davenport (1953- )
Quintetto (1935) Nino Rota (1911-1979) Allegro ben moderato Adagio Allegro vivace
Lars Johannesson, flute • Peter Lemberg, oboe • Susan Brown, viola • Judy Roberts, celloJennifer Cass, artistic director and harp
This concert is sponsored by Gordon and Teresa Pusser.Susan Brown is sponsored by Rowland and Pat Rebele.
Thank you for your support.
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Santa Cruz Chamber Players 2012-2013: A Moment of Happiness
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THAnk You !
• 2 012-2013 ConCERT SPonSoRS •This concert is sponsored by Gordon and Teresa Pusser.Susan Brown is sponsored by Rowland and Pat Rebele.
Thank you for your support.
• 2012-2013 ConCERT SPonSoRS •Anonymous Paul JohnsonRowland and Pat Rebele Gordon and Teresa Pusser
• BuSinESS, FounDATion, and CoRPoRATE SPonSoRS •Community Printers Monterey Peninsula Foundation Complete Mailing Services KUSP 88.9 Cultural Council of Santa Cruz County
Donations and season ticket orders received as of October 25th, 2012
AnonymousRichard & Evie AlloyMary Fran ArcherRolf AugustineSheila & Murray Baumgarten Alan & Gwen BrownCharmion BurnsBarbara E. Carey Pat & Paul CarrickAude CastagnaMary James & George CookMaribeth CraigBarbara Cronise Jane DawsonRobert & Esther DonovanCatherine DonovanNatalia DuarteJohn & Janet Duncan
Jim EmdyRobert E. Finke Jeff GallagherMargaret GordonPaul & Audie HenryGalen & Henry HilgardPaul JohnsonPatti JulinRobert KaswenRobert & Michele KibrickEliza Linley Lavinia LivingstonSteven MenzelHila & Jacob MichaelsenMerilyn NeherJoan OsborneIrene Osterbrock
Catherine PickerrellMartha Powell Gordon & Teresa Pusser Rowland & Pat RebeleBruce & Phyllis RosenblumNick Royal Paul SeeverGabrielle StockerLee & Lincoln TaizRobert Taylor Rae & Robert TobeyRichard & Phyllis WasserstromStephanie WellsMarni & Larry WilliamsStanley Williamson Georgina WongRick Zinman
• FRiEnDS and DonoRS •
2012-2013 Concert 1 Saturday, October 13, 2012 Sunday, October 14, 2012 Rebroadcast:Friday,November2,2012,8PM:Rachmaninoff,Prokofiev,Arensky,Shostakovich2012-2013 Concert 2 Saturday, November 10, 2012 Sunday, November 11, 2012 Rebroadcast: Friday, December 7, 2012, 8PM: Rota, Jolivet, Cowell, Main, Greibling-Haigh, Davenport2012-2013 Concert 3 Saturday, January 19, 2013 Sunday, January 20, 2013 Rebroadcast: Friday, February 1, 2013, 8PM: Purcell, Mozart, Schubert, Brahms, Turina, Jacob, Ives2012-2013 Concert 4 Saturday, February 16, 2013 Sunday, February 17, 2013 Rebroadcast: Friday, March 1, 2013, 8PM: Bach, Schöenberg, Messiaen2012-2013 Concert 5 Saturday, March 2, 2013 Sunday, March 3, 2013 Rebroadcast: Friday, March 29, 2013, 8PM: Pierné, Waldteufel, Mahler, Schubert, Doppler2012-2013Concert6Saturday,April20,2013Sunday,March21,2013 Rebroadcast: Friday, May 17, 2013, 8PM: Mozart, Herzogenberg, Ibert, and others
Santa Cruz Chamber Players are co-sponsored by KUSP, 88.9 FM. For more information visit kusp.org
Santa Cruz Chamber Players concerts are taped live and will be rebroadcast on…
Central Coast Public Radio KUSP, 88.9 FM
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Santa Cruz Chamber Players 2012-2013: A Moment of Happiness
Henry Cowell was one of the remarkable figures in American music. A startlingly innovative com-poser, an inimitable piano virtuoso, the founder of institutions that propelled American composition to world stature, a brilliant writer, teacher and lecturer, Cowell almost singlehandedly laid the foundations for American compositional life. Yet while Cowell’s piano works revealed new vistas of sound, his advanced ideas always coexisted with a traditional melodiousness, stemming from his love of folklore, that renders even his most “experimen-tal” music immediately accessible. Cowell, guided by an unfailing faith in his instincts about sound, cultivated a multiplicity of compositional ap-proaches. Many piano pieces, for example, are con-ventionally played but make other novel demands. While Cowell’s later works seem more conserva-tive, his undying instinct for fresh thinking can be heard in the Quartet for Flute, Oboe, Cello, and Harpsichord, written for the harpsichordist Sylvia Marlowe in 1954. As in the much earlier Suite for Violin and Piano, Cowell availed himself of a ba-roque aesthetic, approaching it with his quiet wit and melodious heart. – Joel Sachs, Cowell biographer
Harpist Mrs. Fabien Sevitzky asked Cowell for a chamber work employing her instrument. Cowell adapted his harpsichord quartet which apparently had never been played in public.
André Jolivet has been called French music’s most sophisticated primitivist. Interested in drama, painting and literature in his youth, he eventually settled on music, studying cello and composition. His early works tended to be dense and atonal. However, during his service in the French Army in World War II, he grew interested in primitive religion and magic, and this intellectual quest soon informed his style.
He stated his intention as “restoring music’s original ancient sense, as the magical and incantatory ex-pression of the religiosity of human communities. Music should be a sonorous manifestation directly related to the universal cosmic system.” The Petite Suite, with its exotic melodies, rich harmonies and powerful rhythmic impulses, is part of this magi-cal style.
Jolivet’s body of works reflects his wide range of interests: he wrote ballets, symphonies, concertos, incidental music, choral works, songs, and chamber music. He wrote for traditional instruments, but he also delighted in unusual sonic combinations, writ-ing frequently for the ondes martinet and for such unusual ensembles as voice, organ and tambourine.
Jolivet was musical director of the Comédie Fran-çaise (1943-59), president of the Concerts Lamou-
PRoGRAM noTES
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Santa Cruz Chamber Players 2012-2013: A Moment of Happiness
reux (1963-68) and professor of composition at the Paris Conservatory (1965-70). At his death he was regarded, with Messiaen, as one of the leading figures in contemporary French music.
– http://www.blancoperformingarts.com
Born and raised in New York City, Stephen Main has music in his blood: his mother taught piano and his father, Tom Main, was a professional jazz trombonist with Si Zentner’s band in the 60s. As a choirboy Steve sang at St. Thomas Church Fifth Avenue under Gerre Hancock. He went on to study violin, piano, organ, theory and composition at the Choate School and then at Oberlin Conservatory. At the same time, he earned his B.A., M.A., and even-tually his Ph.D. in Religious Philosophy from the University of Chicago. He is currently the Music Director at Piedmont Community Church, in the Bay Area, where he composes and conducts regular choral and orchestral performances. Stephen is active as an organist, harpist and conductor, with recent appearances in San Francisco and through-out Northern California, New York, Cincinnati and Los Angeles. He lives in San Francisco and LA.
As a composer, Steve’s work has included the recent publication of new choral and symphonic works, multiple commissions, and the completion of the scores for several films. He is a First Prize Winner of the John Ness Beck award for a new American choral work, and a 2007 winner of the American Composers Forum carol contest. The Minneapolis Star-Tribune hailed Stephen’s work as “evocative” music that “captures mystery.”
Commissioned by COSMOS, a professional trio ensemble, Columbus Triptych encompasses three integrated movements. The first movement sets the tone with a cheerful introduction to the three instrument voices while foreshadowing the third movement’s theme. The middle section is marked with profound calm and creates the spiritual cen-
ter of the piece. The mood brightens again in the final movement, a vigorous fugue where the quiet melody of the middle section is finally allowed to soar. – notes by the composer
The music of Margi Griebling-Haigh has been characterized as haunting, charismatic, yearning, wistful, lyrical, colorful, and insoucient! She is concerned with conveying emotions and moods, but firmly believes in the powers of memorable melodies and rhythms and strong formal structure. While her music is sometimes technically chal-lenging and rhythmically tricky, consideration for the comfort and enjoyment of performers and audience members alike is of great importance. Her catalogue includes numerous songs and chamber music compositions, piano solo pieces, and orchestral works.
Griebling-Haigh is proud to be a member of a fam-ily which includes three generations of composers. Born in Akron, Ohio in 1960, she began her early musical training with her parents. Before graduat-ing from high school, she had already won many awards in composition on the local, state, and national levels. She studied piano with Margaret Baxtresser and oboe with Harvey McGuire and John Mack of the Cleveland Orchestra, and became principal oboist of the Akron Youth Symphony and the University Circle Youth Orchestra. Major-ing in oboe performance, she earned a Bachelor of Music degree from the Eastman School of Music with Robert Sprenkle, and a Master’s degree from the San Francisco Conservatory with Marc Lif-schey. – notes by the composer
About the Danses, Margi writes: “I was very excited when friends asked me to compose a quartet for this particularly gorgeous but strangely uncommon grouping of instruments. Even though a pairing of flute and harp might conjure thoughts of demure lavender floral wallpaper and mind-numblingly
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Santa Cruz Chamber Players 2012-2013: A Moment of Happiness
polite social events, I decided to accept the chal-lenge thrown down with the daintily perfumed kidskin glove and write something which would take advantage of the full palette of colors. The spicy, witty impertinence of the oboe and the soulful, rich vibrancy of the cello, when added to the luster and agility of the flute and the startling explosive zing of the harp, provided me with ev-erything an artist could wish for. I have used these “pigments” to create a set of images of dances. While not being dances in the traditional sense, I hope this music will make the listener feel like leaping about the room with wild abandon rather than sitting with hands folded in her lap.”
Dennis Davenport is Chairperson of the Depart-ment of Music at Otterbein University. He has also served as Music Director for the BFA Musical The-
atre program. He has taught in the area of musical theatre at Rockford College, Clarion University of Pennsylvania, and Northern Kentucky University. Davenport’s degrees include an A.B. in Music from Princeton University, a Masters (Ph.D.) in Choral Conducting from Austin Peay State University in Tennessee, and a D.M.A. in Composition from the University of Oregon. In addition to serving as Otterbein liaison for the Westerville Symphony, Dennis plays keyboard in the orchestra. Dr. Dav-enport also serves as organist/pianist at Church of the Master United Methodist in Westerville.
The Celestial Harmony has a cosmic scenario somewhat in the manner of (and in homage to) Charles Ives’ composition The Unanswered Ques-tion. The harp represents the vastness and serenity of a night sky bright with stars. The dynamic level varies from note to note as stars vary in magnitude,
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• 10 •
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though there are occasional accented phrase group-ings, as if to suggest constellations.
The viola portrays an elderly “parishioner” who sits rocking on the porch of a cabin on a hillside, gazing at the sky and softly singing an old hymn, King-wood. The text associated with this early American tune contrasts and yet reconciles the transience of individual human life with the great cycles of the ageless heavens. The parishioner contemplates the sky and softly sings the hymn with a sense of peaceful resignation:
My days, my weeks, my months, my yearsFly rapid as the whirling spheresAround the steady pole;
Time, like the tide, its motion keepsAnd I must launch thro’ endless deepsWhere endless ages roll.
The flute is a watchful spirit who interprets and comments on the hymn, mediating between the earthly tune and the celestial harmony. The flute begins with a sympathetic obligato, then grows impatient with the plodding earnestness of the tune. After a mercurial flight culminating in a tart outburst, the flute decides once more to join and encourage the hymn singer, descending with a serene bell-pealing to earth, communing with and strengthening the singer in the final phrase of the hymn. – notes by the composer
nino Rota was an Italian composer and academic, best known for his film scores, notably for the films of Federico Fellini and Luchino Visconti. He also composed the music for the first two films of Fran-cis Ford Coppola’s Godfather Trilogy, receiving the Academy Award for Best Original Score for The Godfather Part II (1974).
Fellini remembers Rota: “The most precious col-laborator I have ever had – I say it straightaway and don’t even have to hesitate – was Nino Rota. Between us, immediately, there was a complete, total, harmony ... He had a geometric imagination, a musical approach worthy of celestial spheres. He thus had no need to see images from my movies. When I asked him about the melodies he had in mind to comment one sequence or another, I clearly realized he was not concerned with images at all. His world was inner, inside himself, and reality had no way to enter it … He was someone who had a rare quality belonging to the world of intuition. Just like children, simple men, sensitive people, innocent people, he would suddenly say dazzling things. As soon as he arrived, stress disappeared, and everything turned into a festive atmosphere; the movie entered a joyful, serene, fantastic period: a new life.”
Quintet for Flute, Oboe, Viola, Cello and Harp is a restrained but graceful welding together of the five instruments.
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• From Russia with Love: Sat/Sun, Oct 13/14• A Moment of Happiness: Sat/Sun, Nov 10/11• Transcriptions & Transgressions: Sat/Sun, Jan 19/20• Mystical Sojourns: Sat/Sun, Feb 16/17• Orient Express: Sat/Sun Mar 2/3• Divertimento: Apr 20/21• Celebrating Youth: Sat, May 4www.scchamberplayers.org(831) 425-3149
• Fall Benefit - 40 for 40: Dec 2• Mandolino Barocco: Sat, Feb 9• Bach for Strings: Feb 23• Music of Scotland: Sat, Mar 16• Hasten to the Sea: Sat, Apr 13• Popular Baroque Revival: Sat, May 11• A Tropical Affair: Sun, May 26• Boomeria Extravaganza: Sat, Jul 13www.scbaroque.org(831) 457-9693
Subscribers receive Hi 5 BONUS TICKETS!
• 2012-13 •
• Daniel Greenbush: Sat, Sept 22• James D'Leon: Sat, Oct 21• Benjamin Verdery: Sun, Nov 4• Cellist Amit Peled: Sun, Mar 17• Yevgeny Sudbin: Fri, Apr 5• Pianist Ang Li: Sat, Apr 27www.distinguishedartists.org(831) 539-0000
• The Cabinet of Dr. Caligari: Fri, Oct 26• Koreamerica III: Sat, Feb 2• Ellis Island or Bust: Sat, Apr 27• Avant Garden Party: Jun 9www.newmusicworks.org(831) 425-3526
• Christmas with the Chorale: Sat/Sun/Sat, Dec 15/16/22• San Jose Choraliers: Sun, Mar 17• Vaughn-Williams: Sat/Sun, Jun 8/9www.santacruzchorale.org(831) 427-8023
These 5 longstanding local music organizations offer the following concerts to our community this season:
Santa Cruz Chamber Players 2012-2013: A Moment of Happiness
THE MuSiCiAnS
Susan C. Brown, violinist, has performed as a so-loist, chamber musician, and concertmaster. She is presently director of strings at Cabrillo College and has served as director of chamber ensem-bles at UC Santa Cruz and the City University of New York. Mrs. Brown has performed on violin and viola as soloist and concertmaster with the Santa Cruz and Monterey Bay symphonies, En-semble Monterey, Santa Cruz Chamber Players, Parallele Ensemble, and The Cabrillo Music Fes-tival, among others. Brown is a recipient of the A.S.C.A.P. award for her compositions for strings and author of a new Orchestral Performance for Strings series. She received her MFA from Sarah Lawrence College.
Jennifer Cass, artistic director and harp, has de-grees in music from the Eastman School of Music and in mathematics from UCSC. Ms. Cass has performed frequently with UCSC and Cabrillo ensembles, Santa Cruz New Music Works, and has been a featured soloist with Ensemble Monterey. She has been an occasional harpist for the San Jose, Santa Cruz County and Monterey County Symphonies, San Jose Chamber Orchestra and for the Cabrillo Music Festival. She appears on recordings celebrating the works of Germaine Tailleferre and Lou Harrison. Jennifer is current-ly chair of the mathematics program at Cabrillo College.
Lars Johannesson, flute, is an active performer and teacher in the San Francisco and Monterey Bay areas. Lars studied modern flute with Lloyd Gowen and Tim Day at the San Francisco Conser-vatory of Music, where he also began playing ba-roque flute. He pursued postgraduate studies in baroque flute with Wilbert Hazelet at the Royal Conservatory in the Hague, Holland. Recent en-
gagements include Philharmonia Baroque Or-chestra, Santa Cruz Baroque Festival, Ensemble Monterey Chamber Orchestra, Jubilate!, and Santa Cruz Chamber Players. Lars also performs Celtic, Swedish and other traditional music. As a studio musician, Lars has recorded for numerous CD re-leases, including many on the Gourd Music label.
Peter Lemberg plays oboe and english horn with the San Francisco Chamber Orchestra, West Bay Opera Orchestra, San Francisco Opera Center, Merola Opera and Ensemble Monterey Chamber Orchestra. Peter plays with many other orches-tras in the Bay Area as well, most notably with the San Francisco Opera, and has also appeared on a number of their radio, internet and television broadcasts He also plays many chamber music concerts in the Bay Area and has been a guest art-ist with the Stanford University Woodwind Quin-tet and the Left Coast Chamber Ensemble. He received his Bachelor of Music degree from San Francisco State University.
Judy Roberts, cello, received scholarships to study at Northwestern University, University of Texas at Austin, and Indiana University School of Music. She was assistant principal cellist in the National Opera in Teatro de Bellas Artes, Mexi-co City. Her travels took her to Germany where she was principal cellist In the Stadttheater Lu-eneburg and also played in the Stadttheater Kiel and Luebeck. Her piano trio, “Trio Taillefaire” performed the Beethoven Triple Concerto with Stadttheater Lueneburg in 2000. She plays with the Symphony Silicon Valley, Monterey and Santa Cruz Symphonies, and is the principal cellist with New Music Works Ensemble and Cadenza Cham-ber Orchestra.
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Ivan Rosenblumpianist, teacher &chamber music coach
428 Capitola Road Extension, Santa Cruz831 479-1968email: [email protected]: www.ivanpianolessons.com • www.wrduo.com
408.298.8168
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Santa Cruz Chamber Players2012-2013
◊ 34rd Season ◊
From Russia With Love October 13: 8 PM & October 14: 3 PMMusic by Rachmaninoff, Prokofiev, Arensky, and ShostakovichRebroadcast on KUSP: Friday, November 2, 2012, 8pm Ian Scharfe, artistic director and piano ◊ Paul Brezina, violin ◊ Roy Malan, violin ◊ Polly Malan, viola
Stephen Harrison, cello
A Moment of Happiness: November 10: 8 PM & November 11: 3 PMMusic by Rota, Jolivet, Cowell, Main, Griebling-Haigh, and DavenportRebroadcast on KUSP: Friday, December 7, 2012, 8pm
Jennifer Cass, artistic director and harp ◊ Lars Johannesson, flute ◊ Peter Lemberg, oboe ◊ Susan Brown, violaJudith Roberts, cello
Transcriptions and Trangressions: January 19: 8 PM & January 20: 3 PMMusic by Purcell, Mozart, Schubert, Brahms, Turina, Jaacob, and IvesRebroadcast on KUSP: Friday, February 1, 2013, 8pm
Ivan Rosenblum, artistic director and piano ◊ Jeremy Flanagan, clarinet ◊ Brian Thorset, tenor
Mystical Sojourns: February 16: 8 PM & February 17: 3 PMRebroadcast on KUSP: Friday, March 1, 2013, 8pm Music by Bach, Schöenberg, and Messiaen
Daniel Lewin, artistic director and violin ◊ Michelle Djokic, cello ◊ Michael Corner, clarinetHelene Wickett, piano
Orient Express: March 2: 8 PM & March 3: 3 PMMusic by Pierné, Waldteufel, Mahler, Schubert, Doppler, and EnescuRebroadcast on KUSP: Friday, March 29, 2013, 8pm
Lars Johannesson, artistic director and flute ◊ Alissa Roedig, flute ◊ Amy Brodo, celloSusan Bruckner, piano ◊ Sheila Willey, soprano
Divertimento: March 20: 8 PM & March 21: 3 PMMusic by Mozart, Herzogenberg, Ibert, and othersRebroadcast on KUSP: Friday, May 17, 2013, 8pm
Carol Panofsky, artistic director and oboe ◊ Jeff Gallagher, clarinet ◊ Jane orzel. bassoon ◊ John Orzel, hornElizabeth Lee, piano
Celebrating Youth 2013: Saturday, May 4, 3:00 PMBringing the Joys of Chamber Music to the Next Generation…
All Santa Cruz Chamber Players concerts take place atChrist Lutheran Church, 10707 Soquel Drive, Aptos
HELPinG kEEP FinE MuSiCFinELY PLAYED
in ouR FinE CoMMuniTY
PAT AND ROWLAND REBELE
