magazinea selection of architectural projects by Atelier Vierkant from around the globe

Royal Residence Abu Dhabi | The Butterfly Garden San Francisco | Amagansett Garden Long Island | Mag-gies Cancer Care Center Swansea | The Jane Antwerp | O&H Properties London | Design Week Milan | Campus SFR Paris | Private Residence Barcelona | Isla Sa Ferradura Ibiza | D-Shopping Deinze | Mer-cer Hotel Barcelona | New Collection Atelier Vierkant | Private Residence Hoge Veluwe | Les Ateliers

ateliervierkant.com

2 3

4

THE JANEANTWERP

12

DESIGN WEEKMILAN

24

MAGGIES CANCER CARE CENTER

16

ROYAL RESIDENCEABU DHABI

42

BUTTERFLY GARDENSAN FRANCISCO

48

HOTEL MARIGNANPARIS

56

PRIVATE RESIDENCEHOGE VELUWE

52

PRIVATE RESIDENCEBARCELONA

58

HOTEL MERCERBARCELONA

28

CAMPUS SFRPARIS

30

D-SHOPPINGDEINZE

70

ISLA SA FERRADURA IBIZA

4

O&H PROPERTIESLONDON

62

NEW COLLECTIONATELIER VIERKANT

18 / 38 / 54 / 76

LES ATELIERS

66

AMAGANSETT GARDENLONG ISLAND

84

6

PRIVATE ISLANDISLA SA FERRADURA IBIZA

Sa Ferradura Island is -in fact- a peninsula connected to Ibiza Island by the small beach of Pas de s’Illa. It is a promontory that protects the Port of San Miguel from the wild north winds. The project consisted in the total refurbish-ing of the existing house and its garden. We were charged of both the architecture project, the interior design, and the landscape concept. The volume and the footprint of the construction was to be strictly respected due to the specific restriction of the area -Coastline, landscape protection, wild-

life preservation. We undertook a severe landscape process to recuperate the original skyline of the island reintroducing the endemic Mediterranean vegetation in the perimeter and eradicating the invasive species of the rockery. The east side is milder with wide meadows opened to the stunning views of the surrounding cliffs while the core of the garden keeps its original subtropical vegetation around the lagoon pool.

7

8 9

Jaime RomanoRomano Arquitectos is an Architecture and Interior design atelier founded in Barce-lona in 1992. The Ibiza office opened in 2002 and is –now- our main office. The team is composed by twelve architects and interior designers under the direction of Jaime Romano.Our main goal is excellency. We try to reach it in an open mind process through an intense dialogue with the client and a deep awareness of the place. We work hand by hand with all the actors of the construction process: builders, carpenters, engineers, landscape designers. We draw and redraw the details until we get a nat-ural balance between all factors –design | flow | ergonomics | cost | weight | timing.We live the construction experience as a multi-disciplinary and collaborative design journey.

The purity of forms -cubic white volumes as a modern interpretation of the ver-nacular architecture of Ibiza-, the range of natural materials and textures -chosen from soft to rough- and the neutral colour palette propose an open dialogue with the wild nature around.

The design of the grey wood porches around the house mitigates the intense light of the summer and creates a privacy filter to the bedrooms without obstructing the views.

The interior is mild and harmonious. Oak floors -with an oyster finish- combine with white clean walls and a brass panelling that is the leitmotiv throughout the house. The main patio -a refer-ence to roman architecture- allows the brise to cool the house along the hot hours of the day and leads to the main terrace on the roof.

Atelier VierkantThe entrance to the house is from the north and more exposed spot on the island. The ar-chitecture here is essential and bare -two white pure volumes-. We wanted to create a strong element that would recuperate the essentials of the house and lead the guest to the main door.

The oversized clay pieces that Atelier Vierkant is able to produce, with their nuanced variation in texture and colour were just perfect! The base greyish tone was melting easily in the landscape with direct references to the grey of the rockery. Atelier Vierkant provided us with their “savoir faire” and their creativity. We were able to build together a teamwork that would resolve the whole challenge in its complexity: Developing the concept together, adapting our ideas to the specific technique of the ceramic, finding the right textures and tonalities, studying together the composition of the wall, resolving the tech-nical issues –exposures to intense 160 km/h winds - organizing the coordination with local teams, arranging the transport logistic to bring the 36 units of 2,30m through the narrow and bumpy dirt road.

A private island for RentThe property offers accommodation for up to 16 guests in a sumptuous Master Suite and 7 additional, luxuriously appointed bedrooms with en-suite facilities, some of them with semi-open bathrooms to underline the beautiful Mediterra-nean setting of the island. The retrieval of cool culminates in the 750 square meters rooftop terrace with 270 degrees of spectacular sea views. It is the heart of Isla sa Ferradura, an important Ibizencan element and the quintes-sential social center. Equipped with 2 bars, shady pergolas, a DJ mixing deck and a stage for private concerts, there is not the slightest doubt that Isla sa Ferradura has discovered the pole position among the world’s most luxurious private islands.A large swimming pool at terrace level as well as a free shaped laguna pool set amidst tropical vegetation, and in future, a gym, wellness and spa facilities will complete the range of ameni-ties of this truly stunning escape.Photography Bart Van Leuven.

10 11

1312

1514

THE JANE ANTWERP

Deze lente opende driesterrenkok Sergio Herman zijn nieuwste restaurant, The Jane in een volledig gestaureerde kapel, te mid-den van het Groen Kwartier en het voormalig Militair Hospitaal te Antwerpen. Voor The Jane werd er samengewerkt met verschil-lende kunstenaars, ontwerpers en deejays. Piet Boon tekende voor het interieur en René Nijboer voerde het uit. Het personeel draagt speciaal ontworpen kleding. Andere blikvangers zijn de speciaal voor The Jane geprinte ramen, een neon skull en een 800 kilo wegende kroonluchter met 150 lichtpunten. Langs beide kanten van de entrée staan twee AUB130 wit met ruwe structuur, beplant met grassen. Op de terrassen werden tussen het stoere zitmeubilair van Piet Boon de elegante AUSX80 gebruikt.

Sergio Herman (1970) kookte vijfentwintig jaar lang in het fami-lierestaurant Oud Sluis in het Zeeuwse Sluis. Herman was sinds 2005 in bezit van drie Michelinsterren en stond acht jaar in de Top 50 van The World’s 50 Best Restaurants. Ondanks dit succes besloot hij in december 2013 de deuren van Oud Sluis te sluiten zodat hij zich kon toeleggen op nieuwe projecten. Naast The Jane in Antwerpen heeft Herman sinds 2010 het met een Michelinster bekroonde restaurant Pure C in de badplaats Cadzand. Ook is hij mede-eigenaar van de culinaire uitgeverij Minestrone. Herman staat bekend om zijn lichte bereidingen, fijne zuren en grote gevoel voor schoonheid.

16 17

Three-star chef Sergio Herman opened his newest restaurant, The Jane, this past spring in a completely restored chapel in the middle of the Groen Kwartier (Green Quarter) and the former military hospital in Antwerp. A team of various artists, designers, and deejays worked together to bring The Jane into being. René Nijboer implemented the interior design drawn up by Piet Boon. The staff wear specially designed clothing. Other eye-catchers are windows printed especially for The Jane, a neon skull and a 800-kg chandelier sporting 150 lights. There are two AUB130 planters, in white with a rough struc-ture and planted with grasses, along both sides of the entrance. The elegant AUSX80 planters were incorporated on the terraces, between the rugged seating designed by Piet Boon.

Sergio Herman (b. 1970) cooked for 25 years in the family res-taurant “Oud Sluis” in Sluis in Zeeuws-Vlaanderen. Herman had had three Michelin stars since 2005 and was in the Top 50 of the World’s 50 Best Restaurants for eight years. Despite his success, he decided to close the doors of the Oud Sluis in December 2013 so that he could concentrate on new projects. In addition to The Jane in Antwerp, Herman has been running the one-star Michelin restaurant Pure C, in the bathing resort Cadzand, since 2010. He is also joint owner of the culinary publishing house Minestrone. Herman is renown for his delicate preparations, subtle sauces and his tremendous feel for beauty.Photography Bart Van Leuven.

1918

MAGGIES CANCER CARE CENTER

SWANSEA

Peace and serenity combine in the wonderful, swirling structure of Maggie’s Swansea. Built in 2011 and designed and conceived by the world renowned Japanese architect Kisho Kurokowa, the build-ing joins the East with the West, and brings a sense of calm and tranquility to all who visit it. The garden, designed by Kim Wilkie, attracts wildlife, heightening the natural and tranquil feel, and there is also a fully functional allotment. The Centre sits among a small wooded area, and the wings of the design also help to shelter the outside seating areas, meaning that visitors can enjoy sitting out for as much of the year as possible. Along the façade, Kim used a repetition of 3 black anthracite UF100 vases planted with trees.

20 21

KA

This autumn, Atelier Vierkant introduces a refined interpretation of its K-Series or river pebbles, adding sharper edges, combined with the soft round shape of a rock. The new stone series come in 3 types: the lower KA, the higher KB and in be-tween the KC.

22 23

KB KC

24 25

26 27

DESIGN WEEKMILAN

Atelier Vierkant presented during the Milan Design Week in April 2014 Bauhaus inspired juxtapositions of clay forms at the inner court of Duccio Grassi Studio, in the very heart of the Brera Design District. The installation was conceived as a journey from simple clay forms to ceramic furniture, and invited the visitor to confront its ideas with the material and an infinity of textures, finishes, shapes and lines. Photography Bart Van Leuven.

28 29

HOTEL MERCERBARCELONA

30

Located in the heart of the Gothic Quarter and with just 28 rooms, the Mercer Hotel Barcelona is a unique establishment that has restored a heritage building of historical value to the city. The architectural restoration project was headed up by Rafael Moneo who managed to achieve a balance between the original recovered features and a new construction. The interior design of the bedrooms and the public areas, the work of Gastón & Daniela and the Mercer Hotels team, sought to set off the building’s historical features with the use of refined furniture in a contemporary design and modern materials.The top terrace is designed with a vast selection of Atelier Vierkant planters and furniture. During the day, guests can take advantage of the pool or enjoy an aperitif in the sun. As evening falls, it opens to the public to offer a unique vantage point for enjoying a drink with views over the dome of the Santa María del Mar church and the Basilica of Sant Just y Pastor. Photography Xabier Mendiola.

32

CAMPUS SFRPARIS

The new 130,000 square meter SFR headquarters in the Landy-Pleyel boasts nearly 8,500 employee workstations. The building, designed by Jean-Paul Viguier, “adopts the metaphor of the tree, which experiences continual growth and rebirth, adapting constantly to external conditions. The project takes the form of a campus, atop a trunk with protruding branches leading to terraces and large multi-level gardens.” The principle is based on the idea of unity and union, with four main buildings presented both as a unified whole and as discrete spaces, in other words several buildings which must form a visual whole and reflect the corporate culture in detail: strong roots (the trunk) and various business units characterised by their diversity (the branches).

33

34 35

Each element is linked horizontally for journeys promoting contact and communication. The emphasis is placed on building the rela-tionship with the environment: the employees’ workspace environ-ment and the site’s specific environment for genuine contextuality in an industrial landscape; and, with a light, breathing building, the relationship with the gardens that surround the building. Daylight is a key project component fostering pleasant working conditions and optimal energy efficiency, achieved partly by using alternate glass and metal components, with varying openings, reflection levels and densities to suit the space. The facades act like an item of clothing which changes in nature to suit the degree of exposure. Providing protection on the northern side against sound pressure from the main roads, cold and shade, the garment changes to the west

and east with external blinds, glass containing aluminium for extra flexibility, and openings. To the south, facing the gardens, large horizontal overlaps protect against the sun and the partition walls directly adjoin the outer walls. Which is where the stairwells are located, facing the gardens, for permanent visual contact with the redesigned landscape. Shared services are grouped together on the ground floor for a smooth and active relationship with resource-rich common areas: several restaurants, fitness suite, squash courts, relaxation space, etc. For the outdoor spaces, landscape architect Benjamin Doré, opted for large series of Atelier Vierkant UF, MF, BRF and A planters. In different perspectives, the use of these vessels, rhythms the space of the terraces, and creates intimate spaces with still a view to enjoy.

36 37

38 39

Près de 8 500 postes de travail permettront de réunir les collaborateurs SFR dans le nouveau siège social de 130 000 m², situé sur la ZAC Landy-Pleyel à Saint-Denis, dessiné par Jean-Paul Viguier. Le bâtiment suit la métaphore de l’arbre, élément en perpétuelle croissance et renaissance, s’adaptant perpétuellement aux éléments extérieurs. Le projet se présente sous la forme d’un campus, adossé à un tronc dont s’échappe des ramifications qui ouvrent sur des terrasses et un vaste jardin étagé.Le principe repose sur l’idée d’unité et d’union, à travers quatre corps de bâtiments qui se présentent à la fois en un seul tenant et en espaces dis-tincts, soit plusieurs bâtiments qui doivent apparaître comme un tout et qui reflètent la culture d’entreprise de façon circonstanciée : un ancrage fort (le tronc) et différentes activités qui s’expriment dans leur di-versité (les branches). L’ensemble est relié dans un axe horizontal pour des déplacements qui favorisent les contacts et la communication. L’accent est porté sur la mise en relation avec l’environnement, celui des collaborateurs avec leur espace de travail, mais aussi celui propre au site pour une réelle contextu-alité sur un territoire industriel, enfin, avec un im-meuble lumineux et respirant, en relation avec les jardins qui enveloppent le bâtiment.

La lumière est une composante essentielle du pro-jet pour des conditions de travail agréables et une conception énergétique d’efficacité optimale (Label-lisation BBC, RT 2012, confort d’été règle Th-E, éligibilité à la certification HQE Exploitation), notam-ment par les jeux d’alternance entre verre et métal qui offrent ouverture, reflets et densités variés selon les espaces. Les façades se comportent comme un vêtement qui change de nature en fonction des expositions. Protecteur au nord, contre la pression acoustique des axes routiers, le froid et l’ombre, l’habit se modifie à l’ouest et à l’est avec des stores extérieurs, un verre suppléé d’aluminium et des surfaces ouvrantes. Au sud, côté jardin, de grands débordements horizontaux protègent du soleil haut et les parois sont en accès direct sur les extérieurs. C’est là qu’ont été placés les escaliers, en façade-jardin, pour un contact visuel permanent avec le paysage redessiné. Les services partagés sont regroupés au rez-de-chaussée pour une rela-tion fluide et active aux espaces communs riches en ressources : plusieurs restaurants, salle de fitness, terrains de squash, salle de relaxation… Pour les espaces extérieurs, le paysagiste Benjamin Doré a opté pour une large série de pots Atelier Vierkant UF, MF, BRF et A. A plusieures perspectives, l’usage de ces contenants, structure les terrasses, et en même temps, créé des espaces intimes avec de longues vues. Photography: Bart Van Leuven & SPIK Studio Eric Sempé.

40 41

OD

This U–shaped vase with round edges comes in two variations : with and without colored rim. Other than these, we introduced high version of the O- Series (OF) and and the extended organic shaped HK model, OE.

42 43

OE OF

44

ROYAL RESIDENCE ABU DHABI

45

46 47

In the Al Bateen quarter, close to the centre of Abu Dhabi, last year a private residence was con-structed from a desert like plot. Architect Deborah Trombetta spent a couple of years, together with her father, living literally on the project site, to realize the ideas and wishes of her client. Result is a contemporary villa, a fascinating water play and a minimalistic interior where objet d’art are spread around the house. Two large UF vessels planted with grasses decorate the front terraces, creating a focus and reference point in the open space, while a series of 3 UK with red interior engobe stand along the garden pavilion, tilted each in another direction. On the top terraces, the architects chose for a the same constellation of UF vases, with an additional series of horizontally striped BRF planters. For the interior, the client opted for round MF-vases with decorative branches. Photography Bart Van Leuven.

48 49

50 51

THE BUTTERFLY GARDENSAN FRANCISCO

No house in San Francisco’s fabled Russian Hill better reflects the magical promise of California living better than the Butterfly House. Tucked between the historic townhomes and Deco towers that cling to the crooked streets that ascend to the top of the hill, the house’s mannered modernist façade belies the verdant courtyards and spiraling living spaces that lead to a rooftop aerie with panoramic connections the City and the San Francisco Bay. In a city known more for its exuberant, inward-looking painted ladies, this Butterfly House represents the road not taken, offering its occupants inside-outside living.

The courtyard garden offers the residents of the But-terfly House a respite from city life, extending the scale and materiality of the house to the outside. Eschewing popular references to mid-century Cali-fornia homes, the garden design owes much to the Japanese tradition of Tsuboniwa (courtyard garden), the use of a small courtyard spaces to create an idealized view of nature. Rooted in tea garden design, Tsuboniwa emphasizes garden composition, planting selections, and the scale and detail of built garden elements provide its occupants with privacy, tranquility and inspiration through nature. A robust composition of cream-colored limestone paving, poured in place concrete walls, and supersized ceramic planters is balanced with the delicate chartreuse and silver pal-ette of hellebores, maidenhair ferns, euphorbias and succulents.

Invoking the elements, the sunken garden relies on both shadow and wind to define a connection to the outdoors. The abstract geometry of sculptural concrete walls, deep benches around the fireplace and the vertical stripes of cedar fencing invoke the patterns of nature through shadow. These forms are softened by stands of ferns and Japanese Anemones that grow from the base of the fireplace and dance with the afternoon wind. The centerpiece of the courtyard is the great hearth of an outdoor fireplace, fabricated from white concrete. A ripple of water slips across a granite wall located behind the flame of the fire. Adjacent to the courtyard and beneath the spiraling catwalk leading to the upper floors and roof deck, strands of forged metal cranes are bathed in light and water from a suspended mist fountain above.

For this project, Surfacedesign used CV, SY an OV vessels in white/beige finish.

source surfacedesignphotography Marion Brenner

52 53

54 55

In the living area we created a warm atmos-phere by using a marble stone cladding on the custom-built fireplace. Above the dining table there are three handmade L size Em-brace lamps, produced in southeast Asia of gold colored copper, which gives the room a perfect soft and luxurious atmosphere.In the corner, Osiris used an own designed UO black anthracite vessel, planted with a palm tree.

Osiris Hertman is an all-round designer who travels all across the world to find unique and beautiful materials. The major part of all design pieces are made by hand and encap-sulate his ideology for elegance, beauty and craftsmanship. Often together with those same craftsmen he creates the customized furniture that makes an Osiris Hertman interior unique.

photography Kasia Gatkowska

PRIVATE RESIDENCE HOGE VELUWE

56 57

AUS180 AHS220

These rough textured vases continue the de-signs launched last year. AHS220 comes with a specific colored pattern, while AUB180 comes with a rough structure.

58 59

Hotel Marignan Paris five star is ide-ally located at 12 Rue de Marignan, a quiet street in the 8th Arrondissement, which connects the Champs-Elysees and the Avenue Montaigne, Mecca of Parisian shopping, in the center of the famous “Triangle d’Or of Paris”.As the hotel sits only steps from the Grand Palais as well as from many pres-tigious art galleries, its address has a natural association with both art and cul-ture. The interior architect Pierre Yovano-vitch, icon of New French Style, trans-formed the Hotel Marignan Paris into an island of contemporary luxury, a serene and confidential stop in the heart of the capital. For the entrance, the owners of the hotel have opted for black anthracite AHS and CBH vases, and some smaller ZB seats along the façade.

L’Hôtel Marignan cinq étoiles Paris vous accueille dans une demeure historique, entièrement revisitée par Pierre Yovano-vitch. A quelques pas de l’Avenue Mon-taigne et des Champs Elysées, derrière l’impressionnante façade Art Déco, le raffinement parisien s’exprime pleinement. Pour l’entrée, le propriétaire a choisi pour des pots AHS et CBH, et quelques éléments d’assise ZB tout au long de la façade.

Photography Bart Van Leuven.

HOTEL MARIGNANPARIS

60 61

Pour un bureau en architecture paysagère, l’intervention dans un climat différent de celui auquel il est habitué est toujours une expérience fascinante. Ce projet situé dans une zone résidentielle de Barcelone est représentatif d’éléments qui nous tiennent à cœur dans la pratique de notre métier. Il y a d’abord ce désir d’appréhender le jardin comme un espace à vivre dans le prolongement de l’habitat. Dans le monde d’aujourd’hui, on a plus que jamais besoin d’un chez soi dégageant une impression de sérénité et de bien-être. Espace de transition entre l’environnement et le bâti, le jardin s’intègre ici entre la garrigue et la

PRIVATE RESIDENCEBARCELONA

ville, avec un bel horizon où se découpent la Sagrada Familia et la tour Agbar, le ciel et la mer.Il y a ce jeu entre la rigueur architecturale et la matière végétale. Les lignes des terrasses deviennent les étages de l’espace extérieur. L’élément botanique joue avec la structure minérale. Des tableaux saisissants naissent du contraste entre les volumes verts et con-struits. A petite échelle, c’est d’ailleurs des effets que l’on retrouve entre les pots Vierkant, à la géométrie et au matériau purs, et leurs contenus changeants.

62 63

Il y a ce mystère, cette configuration en labyrinthe qui fait que l’œil ne peut appréhender le jardin en une fois. De haut en bas, on passe d’une évocation d’un milieu désertique à des espaces inspirés de la garrigue toute proche, pour découvrir ensuite des coins ombragés avec une végétation luxuriante. Il en résulte l’illusion que l’espace est plus grand que nature. Il y a enfin ce plaisir de composer des atmosphères avec une palette de végétaux sélectionnée avec soin, en explorant la connaissance d’une vaste flore. OXALIS architectes paysagistes associés est une agence fondée à Genève, en 1997, par H. KIKUCHI (J), B. Bourgeois (CH) et N. Ferraud (F). Elle compte des projets privés et publics de qualité en Suisse et à l’étranger qu’il s’agisse de parcs et jardins, de patios-terrasses ou d’espaces paysagers rattachés à des sociétés ou à des organisations internationales. www.oxalis-landscape.ch Photography Oxalis & Bart Van Leuven.

64 65

O&H PROPERTIESLONDON

Recently, landscape designer Daniel Mc Carthy, finished a garden project of a residential property, located in Hampstead, London. Built in traditional red bricks, this villa, managed by O&H properties, has a large back garden where a series of white /beige vessels create accents and repetition in the design : AH130 planted with clipped box wood stand next to a side wall, while rough structured DMB and AUB vases planted with cloud

shaped Ilex trees stand next to the entrance and along the façade. Daniel Mc Carthy has worked at the top of the land-scape and garden design market for over 10 years, designing some of the most prestigious gardens in the UK and around the world. With a reputation for design excellence and a commitment to the highest quality results, Daniel’s style is modern classic. Photography Allan Pollok-Morris.

66 67

68

LES ATELIERS

69

70 71

Left above: Show-terrace in Beernem, Belgium where ar-chitects and private customers are welcome to discuss their designs and projects.

Right above: The new atelier in Ostend, Belgium where pro-duction started in March 2014.

Right middle: The atelier in Beernem, Belgium where we pro-duce since 2006.

Right under: The Atelier Vierkant showroom in San Francisco, USA where architects can take their clients to see and touch the material.

72 73

Recentelijk werd in hartje centrum van Deinze een nieuw shopping center geo-pend, waar zo’n tien winkels in geves-tigd zijn. Initatief nemer is Patrick Piens, eigenaar van de gelijknamige muziek-zaak. Met dit project volgt Piens het kernversterkend beleid van de Vlaamse regering, waarbij de retailhandel ter-ug naar de kern van steden en ge-meente gebracht wordt. Voor openbare ruimten koos de projectontwikkelaar voor de zitelementen ZSL en BL, afgewis-seld met de UF reeks van verschil-lende afmetingen. Photography Bart Van Leuven.

D-SHOPPINGDEINZE

74 75

LC

76 77

LW

78 79

AMAGANSETT GARDEN LONG ISLAND

“I was captivated by this site’s location – between a historic cemetery and the Atlantic Ocean - in Amagansett’s Lanes. Equally inspiring were James D’Auria’s ‘contemporary country’ architecture and the interior’s clean lines, a product of Eric Rymshaw of Fury Design. These elements, combined with the client’s contemporary art collection, result in a family retreat that is a blend of high design, art, and nature.” Eric Groft, FASLA, OvS Principal.

This one-acre coastal getaway is located in Amagansett, New York, on the East End of Long Island. The cedar shake house is situated on the ocean block of the Lanes, a group of quiet streets that lead to the Atlantic Ocean. The front garden is serene and is layered with Astilbe, Actea and Lysmachia, as well as Carex and Ilex among others. The clustered white blooms of the subdued palette guide a guest from the Bernard Venet steel sculpture at the garden’s gate,

to the home’s front door. Exiting the home into the rear garden, a guest steps down limestone stairs into a landscape reminiscent of the nearby dunes that features ornamental grasses and a profusion of seasonal color. The rear garden begins with a gravel courtyard which features a trough water feature. The guest is lead from the water feature, towards a swimming pool and cedar arbor which reflects the home’s architecture.

80 81

Beyond the swimming pool, a fire bowl is complimented by salvaged heart pine benches, which are repeated throughout the gardens. Notable plantings throughout the project include native and adaptive species such as Osmanthus, Magnolia ‘Butterflies’ and Corylis, as well as a preserved 100-year-old Beech tree, which remains from when the property was a nursery many years prior. The project was developed with Architect James D’Auria and Interior Designer Fury Design. The collaborative

design resulted in a modern garden with clean lines and tradi-tional, rustic materials. OvS, located in Washington, DC for 40 years, designs world-renowned gardens that meld art, design and environmental sensitivity. OvS’ body of work ranges from urban corridors, monumental civic spaces and public gardens, to estates and urban residences. www.ovsla.com. Phography Marion Brenner.

83

Catalog references

cover: various new prbblestones KA, KB and KC

4-11: various custom sized pedestals 200cm - 220cm high

12: AUB130 in white

14: AUSX80 in black with red engobe

16-17: UF100 in grey

18: new pebble form KA

19: various new pebble forms KA, KB and KC

20: new pebble form KB

21: new pebble form KC

22-23: various new pebble forms KA, KB and KC

24-27: various models during the Milan Design Week

28: HVF80 in grey

29: MR80 in various colors

30-31: UF100 in black

32: UF100 in black

34-35: UF100 in white

37: top: custom sized BRF in white. Bottom: UF100 in white

38-39: new model OD

40: new model OE

41: new model OF

42-43: UF160 in white

45: UK60 in white with red inside finish

46-47: UF160 in white

49: SY90, OV90 and OV60 in white

52-53: UO80 in black

54: new model AUS180 in black with green finish

55: new model AHS220 in black with green and red finish

56-57: CBH180 and AHS220 in black

58: B40100 in white

59: M100 in white

60: AUB130, U60, DMB80 and AH130 in white

63: U60 in white

64-65: AH130 in white

70-71: UF120 and BL180 in black

72-73: U100 in black

74-75: U100 in red and MR80 in various colors

76-78: new model LC

78-79: new model LW

81-83: U100 in various colors

85: UF100 in grey

87: UF100 in grey

Office - Production - ShowroomSint-Jorisstraat 88a, B-8730 Beernem BELGIUM +32 50 37 00 56

ProductionSolvaylaan 18, B-8400 Oostende BELGIUM +32 50 37 00 56

Showroom111 Rhode Island Street #15, San Francisco, CA 94103 USA +1 877 7960 647

info@ateliervierkant.com - www.ateliervierkant.com

ateliervierkant.com