WORK EXPERIENCE _ Designer at Brook Landscape // New York, NY — Current

Adesignbuildfirmthatspecializesindesigningoutdoorspaces.

_ Extern at Young & Ayata // New York, NY — Spring 2016

Experimentationwithaccelerationinarchitecturerepresentation.‘Futuristic’montages.

_ Extern at SHoP Architects // New York, NY — Spring 2015

Schematicdesign,sitedocumentation,digitalmodeling,renderings,diagramming,digital

montages.

_ ProjectManageratWoods Contractors // Louisville, KY — 2014 - 2016

Construction,projectmanager,drawingsets,materialcosts,jobbidding,residentialand

commercialrenovations,residentialandcommercialroofing.

_ Extern at Brooks + Scarpa // Los Angeles, CA — Spring 2014

Schematicdesign,constructiondocuments,digitalmodeling,grasshopper,animations,

renderings,digitalmontages.

_ Directorof Beaux Arts Ball Foundation // Lexington, KY — 2013 - 2014

Teamleader,organizedmeetings,eventplanning,recruitedsponsors,responsibleforthe

coordinationandconstructionofthedesigninstallations,andsetupfortheevent.

EDUCATION _ Undergraduate : University of Kentucky // Lexington, KY — 2011 - 2014

BachelorofArtsinArchitecturefromtheCollegeofDesign.

_ Graduate : University of Kentucky // Lexington, KY — 2014 - 2016

MastersofArchitectureinArchitecturefromtheCollegeofDesign.

SKILLS _ Fabrication : Modelbuilding,3Dprinting,CNCmill,Lasercutter,andDesignInstallations.

_ Computersystems : Apple,Microsoft,Google,andLinux. _ Selectedprograms : AdobeSuite,Rhinoceros,Maxwell,V-Ray,andGrasshopper.

_ Web design : Webandgraphicdesignexperience.

TYLER ABELLcontact@tylerabell.com

tylerabell.com

// Work 001 _ cosmic + tipper art

002 _ lava + painting

003 _ lava new york

003 _ rusty new york

001 _ selected cosmic

002 _ selected lava 002 _ montage lava + painting002 _ paintingcredit: Mark O’Bryan

001 _ tipper art 001 _ montage cosmic + tipper

001 _ site outline 002 _ surface family 003 _ surface part a 004 _ surface part b 005 _ surface part c 006 _ surface part d 007 _ surface part e 008 _ vector family 009 _ vector selected operation 010 _ vector selected operation 011 _ vector plan 012 _ vector selected 013 _ vector selected operation

014 _ object family 017 _ object-04 operation016 _ object-02 operation 025 _ object-11 operation024 _ object-10 operation021 _ object-08 operation020 _ object-07 operation 015 _ object-01-03 operation 026 _ object-12-13 operation 019 _ object-06 operation018 _ object-05 operation 023 _ object-09 operation022 _ object-08 operation

001 _ first surface deletes site 002 _ remaining site 003 _ second surface deletes site 004_ remaining site 005 _ introduction of object 006 _ development 007 _ 008 _ 009_ 010 _

011 _ 012 _ 013 _ introduction of vector 014 _ development 015 _ 016 _ 017 _ 018 _ 019 _ 020 _ paused

systems_ surface, object, vector

material__ texture mapping, photo-glitch, montage

process _ evolution

001 _ cosmic + tipper art

002 _ lava + painting

003 _ lava new york

003 _ rusty new york

001 _ selected cosmic

002 _ selected lava 002 _ montage lava + painting002 _ paintingcredit: Mark O’Bryan

001 _ tipper art 001 _ montage cosmic + tipper

001 _ site outline 002 _ surface family 003 _ surface part a 004 _ surface part b 005 _ surface part c 006 _ surface part d 007 _ surface part e 008 _ vector family 009 _ vector selected operation 010 _ vector selected operation 011 _ vector plan 012 _ vector selected 013 _ vector selected operation

014 _ object family 017 _ object-04 operation016 _ object-02 operation 025 _ object-11 operation024 _ object-10 operation021 _ object-08 operation020 _ object-07 operation 015 _ object-01-03 operation 026 _ object-12-13 operation 019 _ object-06 operation018 _ object-05 operation 023 _ object-09 operation022 _ object-08 operation

001 _ first surface deletes site 002 _ remaining site 003 _ second surface deletes site 004_ remaining site 005 _ introduction of object 006 _ development 007 _ 008 _ 009_ 010 _

011 _ 012 _ 013 _ introduction of vector 014 _ development 015 _ 016 _ 017 _ 018 _ 019 _ 020 _ paused

systems_ surface, object, vector

material__ texture mapping, photo-glitch, montage

process _ evolution

SPRING 2016 / INSTRUCTOR: MARTIN SUMMERS

GLITCH HOUSE : DISRUPTIVE CONTINUITY

SPRING 2016 / INSTRUCTOR: MARTIN SUMMERS

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PLAN 001 _ objects [01, 05, 06, 07, 08, 09, 10] PLAN 002 _ objects [01, 05, 07, 08, 09, 10] PLAN 003 _ objects [01, 05, 07, 08, 09, 10] PLAN 004 _ objects [01, 05, 07, 08, 09, 10]

PLAN 001 _ objects [02, 11, 12] PLAN 002 _ objects [02, 03, 04, 11, 12] PLAN 003 _ objects [02, 03, 04, 11, 12, 13] PLAN 004 _ objects [02, 03, 04, 11, 12, 13]

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SITE PLAN _ 1/`16” = 1’ - 0”N

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SPRING 2016 / INSTRUCTOR: MARTIN SUMMERS

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BB _ objects [01, 06, 07] CC _ objects [01, 05, 06, 08, 11] DD _ objects [01, 04, 06, 08, 11,12 ,13] EE _ objects [01, 02, 03, 04, 08, 11, 12, 13] FF _ objects [01, 02, 03, 04, 08, 11, 12, 13] GG _ objects [01, 02, 04, 09, 11, 12, 13] HH _ objects [01, 02, 04, 09, 10, 11, 12, 13] II _ objects [01, 02, 04, 11, 12, 13]

BB _ objects [01, 06, 07] CC _ objects [01, 05, 06, 08, 11] DD _ objects [01, 04, 06, 08, 11,12 ,13] EE _ objects [01, 02, 03, 04, 08, 11, 12, 13] FF _ objects [01, 02, 03, 04, 08, 11, 12, 13] GG _ objects [01, 02, 04, 09, 11, 12, 13] HH _ objects [01, 02, 04, 09, 10, 11, 12, 13] II _ objects [01, 02, 04, 10, 12, 13]

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SECTION AA _ 1/`16” = 1’ - 0”N

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SPRING 2016 / INSTRUCTOR: MARTIN SUMMERS

SPRING 2014 / INSTRUCTOR: MIKE MCKAY

FIELD DRAWING _ ELASTIC VARIATION ROOF PLAN

GROUND PLAN

LINK : PEDESTRIAN BRIDGE

SPRING 2014 / INSTRUCTOR: MIKE MCKAY

SPECULATIVE, SPECTACULAR! CENTER FOR DANCE AND MUSICKeywords: abstraction, pixelation, distortion, representation shiftThe purpose of a dance and music center allows for one to understand how to dance and express yourself to the world. The concept for this center is to express its interior activities through distortion and pixelation. The actions occurring within the building are partially communicated to the outside, while the occupants views of the world are distorted. This was pursued by using my mask as a form generator and study model. The linear shifting movement and perpendicular rotation of the units were influenced by the site context, and characteristics found in Manhattan. Specifically, the street grids, variations in buildings, commingled traffic systems, and constant variance of activity. The high level of density, continuous livelinesses, and growth in the city provided an appropriate setting for a building of distortion. The intent is to intrigue interest and pull viewers into the dance center. Within the center, they are able to focus and understand dance because the surrounding area is partially controlled and transmitted through the building form and spacial qualities.

FALL 2013 / INSTRUCTOR: AKARI TAKEBAYASHI

FALL 2013 / INSTRUCTOR: AKARI TAKEBAYASHI Above: South ElevationRight: Section A

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FLOWER BED

COURTYARD

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ENTRY LOBBY

WORK SPACE

BATH HOUSE

POOL SPACE

LOUNGE + CAFE

GYMNASIUM

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COMMUNE RETREAT : AGGREGATIONS HOUSING + LANDSCAPE Keywords: cluster, gradient, density, continuity, and integration.

The goal of this studio was to understand the implications of designing an aggregated architectural construct; we developed new architectural “design models” that inherently dealt with form, landscape, housing program, interior spaces, structural typologies and circulation; and we investigated new dynamic relationships between building and landscape and how they formulated a plausible architectural result for our building program and site. I became interested with integrating various systems into a single language, which I applied to the relationship between building, site, retaining walls, and the surrounding trees.

Above: Ground Plane Manipulations — Field Conditions “Cluster”Right: Atmospheric Montage Of A Morning Sunrise

SPRING 2013 / INSTRUCTOR: KYLE MILLER

SECTION A

SECTION B

ELEVATION SOUTH ELEVATION WEST

Above: Atmospheric Montage — Evening Sunset

SPRING 2013 / INSTRUCTOR: KYLE MILLER

Work //