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8/2/2019 Adrieen Rich
1/2
As said, the variance of register present makes the poetry of Adrienne Rich unique and hence cannot
but be appreciated (as said links this paragraph to the introduction; appreciated answers qs).
Many poets stick with the use of I throughout their poetry or refrain from using it all. Adrienne
Rich switches from focusing poems on herself to others and then including herself with others.
I believe doing this gives her poetry as a whole a universal feel, being of worth not just for her but
many others besides, and hence holds resonance for all; this must be appreciated (Elaboration).
We see this beginning in STORM WARNINGS. Rich places herself at the centre of the poem and
declares that I leave the book upon a pillowed chair. It is she who responds to the mastery of
elements as she declares that I draw the curtains as the sky goes black. We see the variance of
register beginning to present itself in another poem, AUNT JENNIFERS TIGERS (another
cohesion). Here Rich leaves herself out of the poem and allows the poem to focus on Aunt Jennifer,
the Uncle and her tigers, who go on prancing, proud and unafraid even after the death of Aunt
Jennifer.
Again Rich varies her register in another poem, OUR WHOLE LIFE (Again cohesion). She here
chooses not to focus on solely herself or on another but includes both as she declares Our whole
life a translation. Throughout her poetry Rich grants poems to others, to herself and to others
they are for all, each in an original way through her varying of register. Producing her poetry in this
manner to suit all cannot but be appreciated.
OUR WHOLE LIFE contains another feature of Richs poetry which equally makes it impossible not to
appreciate, her variance of themes (use of poem + another are suitable cohesive links;
appreciate answers qs). I think that like variance of register, through covering many different
themes in different poems Rich allows her poetry to appeal to many and thus makes her poetry
unique.
Again, this universal quality of her poetry cannot but be appreciated (appreciated qs answered;
Elaboration). Here she covers the theme of relationships. The relationship here is strained and such
is the state that Rich compares it to a knot lies/ eating at itself to get undone. She compares the
irreparable state of this relationship to Trying to tell the doctor where it hurts. Elsewhere, Rich
covers another theme for another audience, in LIVING IN SIN (Elsewhere cohesion). Here she
speaks of the need for battle against male power. The woman in the poem is jeered by the minor
demons. She often wakes to feel the daylight coming/ like a relentless milkman up the stairs.
Yet again Rich talks to another group, her fellow artists and poets and budding artists, in THEROOFWALKER (Yet again cohesion). Here she speaks to them with the covering of the theme of
art as she looks upon her career as a poet. She speaks of how A life I didnt choose chose me. Later
she laments that even/ my tools are the wrong ones/ for what I have to do.
The tools Rich speaks of are inspired by the tools of the roofwalker (use of quote, tools to link
this paragraph to the last). The image of the roofwalker is another quality of Richs poetry which I
think allows it to be easy to appreciate; her descriptive power (appreciate answer).
Each Rich poem is unique; it is described in depth, with no detail excluded. It is easy to appreciate
each poem that is detailed to the extent that it is in a world of its own (Elaboration). Here the
roofwalker is surrounded by hammers. He is standing at a time when the pulleys hang slack and
8/2/2019 Adrieen Rich
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The sky/ is a torn sail where figures/ pass magnified, shadows/ on a burning deck. More of the
same is seen in LIVING IN SIN (More of the same cohesion). Rich does not forget to mention the
panes relived of grime or last nights cheese and three sepulchral bottles.
The trend is continued in DIVING INTO THE WRECK (continued cohesion). Rich compares
travelling back through time to the past to journeying into the ocean with the blue light while the
oxygen immerses me. Rich tells the reader that First the air is blue and then/ it is bluer and then
green and then/ black.
A final quality which I feel makes Richs poetry easy to appreciate is the seriousness of her poems
(final links this paragraph to rest of answer/ other paragraphs; appreciate is answering of
question again). Her poems are serious and focused. They cover many themes which hold resonance
for many people and Rich, uniquely, realizes her task. Thus she keeps her poetry serious,
representing her strong focus on the task at hand (Elaboration).
In STORM WARNINGS Rich speaks of attempting to break away from the past. Such a complex and,for many, an important theme such as for when dealing with the death of a loved one or a traumatic
incident, is not to be treated laxly. Rich is serious as she compares this breaking free to sheltering
herself from the storm Which clocks and weatherglasses cannot alter. She confirms These are the
things that we have learned to do/ Who live in troubled regions. This seriousness progresses into
AUNT JENNIFERS TIGERS (progresses cohesion). Here Rich again deals with another theme of
relevance to many, the refusal of life to stop for anyone. Rich may talk of tigers which prance in a
world of green but she does not forget that even in a world of green there is still death present
and life stopping for no one. The tigers prance for the entirety of the poem, but the extent to
which they do so is seen with their prancing When Aunt is dead. Life stops for no one; the tigers
that she made do not even stop for Aunt Jennifer.
It is impossible not to appreciate the poetry of Adrienne Rich (first line repeated gives answer full
circle quality and feeling of completion as well as answering qs again). Her poetry is unique, with its
variance of register and theme fused with a seriousness and descriptive power which inhabits her
poetry. All these qualities combine to make each poem, and her poetry unique for every reader. This
quality makes it impossible not to appreciate the poetry of Adrienne Rich (answering the question
again).