Aeolian Meditation User Manual 

 

  

“All that we see or seem is but a dream within a dream.” - Edgar Allan Poe 

The ultimate soundscape generator. Pure and meditative or an alien landscape. Ocean waves or an industrial complex. Bells. The Borg. Hypnotic tones. Underwater. Outer space. Inner peace  Raw synthesis. Additive, FM, noise, effects. Everything is modulated, everything is syncable. Unique drone mode or MIDI control. Tons of presets.  Aeolian Meditation is a unique digital take with a twist on the ancient greek instrument of nature. At the core are two signal chains - harmonic overtones and noise colors.   The harmonics section consists of the first twelve harmonics at the set frequency. These twelve sine partials are each amplitude modulated at different speeds and depth providing for an ever changing and ever evolving tone. The base frequency itself can be frequency modulated, and the frequency of the modulation source itself can be modulation, and the depth of the frequency modulation can be modulated.    The noise section consists of four noise colors. The base noise type can be set to white or pink noise and then each is passed through a band pass filter with a modulated cutoff point. The noise colors are then mixed in a similar fashion as the harmonics with individual amplitude modulation on each color.  Audio from both sections together is passed on to the effects section where cutoff modulated filtering, reduction modulated decimation, delay, chorus and reverb can be applied. The device features a unique mode of operation. It can be operated as a pure drone and soundscape device without MIDI at all by bypassing the amplitude envelope and setting the base frequency internally via a choice of a note selector or a frequency knob. Alternatively, the amplitude envelope can be turned on and the base frequency set to MIDI mode and then the device will function like a regular synth. The FM source has the same options as the base frequency and can be set by MIDI or internally. These modes can be combined freely - for example setting the frequency internally but enabling the amplitude envelope. Along with the standalone and VSTi versions of the device, an Android app joins the ecosystem as a dedicated controller that allows access to all of the parameters of the device from an Android phone or tablet in a uni or bidirectional configuration. The app also expands the functionality by providing randomizers, xy controls, a keyboard and more!  

Controls  

 

Harmonic Source Source: Sets the frequency source for the harmonics section. The options are internal note selection, an internal frequency knob/field or via incoming MIDI notes. To use with the device’s built in virtual keyboard set to MIDI mode. To use with the Aeolian Meditation Control app’s play page keyboard set to freq mode.  Notes: When the harmonic source is set to notes mode the frequency source for the harmonics section will be derived from the note selected in the menu. Freq: When the harmonic source is set to freq mode the frequency source for the harmonics section will be derived from the knob and/or the value set in the text field. MIDI Octave: When the harmonic source is set to MIDI mode, the frequency of the incoming midi notes can be transposed in octave by setting this parameter. 

 

 

Glide Glide: Turns pitch glide on and off. The glide is applied in all source modes - midi, notes, frequency. Time: When glide is turned on, sets the time it takes the for the pitch to glide from the previous note or frequency to the new note or frequency. Bend Range: The range of modulation applied to the pitch from an external MIDI controller pitch bend wheel or over OSC. Note that you do not have to be in MIDI mode for the device to respond to pitch bend. 

  

 

 

Frequency Modulation Source: Sets the frequency source for the frequency modulation. The options are internal note selection, an internal frequency knob/field or via incoming MIDI notes. Notes: When the FM source is set to notes mode the FM frequency will be derived from the note selected in the menu. Freq: When the FM source is set to freq mode the FM frequency will be derived from the knob and/or the value set in the text field. MIDI Octave: When the FM source is set to MIDI mode, the frequency of the incoming midi notes can be transposed in octave by setting this parameter.  FM Depth: Sets the initial depth of the frequency modulation. Notice that even with this knob set to zero you will still hear frequency modulation if the fm depth modulation is modulating this parameter.  Rate Range: Sets the maximum range of the rate knobs on the fm depth and freq modulators. FM Modulation Source / Depth Switch: Switches representation on the GUI from the FM depth modulation control and the FM source modulation controls. FM Depth Mod Rate: When not in sync mode this knobs sets the rate of modulation applied to the FM depth. 

FM Depth Mod Mod: Sets the depth of modulation applied to the FM depth. FM Depth Mod Sync: Sets the FM depth mod modulator rate to sync or free mode. When in free mode the rate of the modulator is derived from the rate knob. When in sync mode the rate of the modulator is derived from the global BPM and the modulator’s divider. FM Depth Mod Div: When in sync mode the divider sets the rate of modulation by measures derived from the global BPM for the FM depth modulator. FM Depth Mod Retrig: Turns on and off retriggering of the modulator’s cycle on incoming midi notes. Notice that the rest of the synth (amplitude envelope, incoming frequency) does not need to be set to MIDI mode for the retriger to function. FM Source Mod Rate: When not in sync mode this knobs sets the rate of modulation applied to the FM base frequency. FM Source Mod Mod: Sets the depth of modulation applied to the FM base frequency. FM Source Mod Sync: Sets the FM rate mod modulator rate to sync or free mode. When in free mode the rate of the modulator is derived from the rate knob. When in sync mode the rate of the modulator is derived from the global BPM and the modulator’s divider. FM Source Mod Div: When in sync mode the divider sets the rate of modulation by measures derived from the global BPM for the FM frequency modulator. FM Source Mod Retrig: Turns on and off retriggering of the modulator’s cycle on incoming midi notes. Notice that the rest of the synth (amplitude envelope, incoming frequency) does not need to be set to MIDI mode for the retriger to function. 

 

   

Harmonics Mix Mix Slider: Controls the overall volume of all of the harmonics mixed together. Volume Slider: Sets the base volume for each harmonic. Volume Triggers: Each slider has small triggers next to it for quickly setting the slider to minimum, middle or maximum. There is also the option to set all sliders at once to minimum or middle. Rate Range: Sets the maximum range of the rate knobs of all the harmonics. Mod: Sets the depth of amplitude modulation applied to each harmonic. Rate: When not in sync mode this knobs sets the rate of the amplitude modulation applied to each harmonic. Sync: Sets each amplitude modulator to sync or free mode, and flips the GUI to show the appropriate control. When in free mode the rate of the modulator is derived from the rate knob. When in sync mode the rate of the modulator is derived from the global BPM and the modulator’s divider. Div: When in sync mode the divider sets the rate of modulation by measures derived from the global BPM for each amplitude modulator.  Retrig: Turns on and off retriggering of the modulator’s cycle on incoming midi notes. Notice that the rest of the synth (amplitude envelope, incoming frequency) does not need to be set to MIDI mode for the retriger to function. Sync All: Quick trigger to conveniently flip the sync switches on all the harmonics Retrig All: Quick trigger to conveniently flip the retrig switches on all the harmonics 

   

     

Noise Colors Mix Slider: Controls the overall volume of all of the the noise colors mixed together. Volume Slider: Sets the base volume for each noise color. Volume Triggers: Each slider has small triggers next to it for quickly setting the slider to minimum, middle or maximum. There is also the option to set all sliders at once to minimum or middle. Color: Switches between white and pink noise as the source for the noise colors. Rate Range Filters: Sets the maximum range of the rate knobs on the noise color filter cutoff modulators. Rate Range Volume: Sets the maximum range of the rate knobs on the noise color volume  Modulators. Sync All Filters: Quick trigger to conveniently flip the sync switches on the filter modulators on all the noise colors. Retrig All Filters: Quick trigger to conveniently flip the retrig switches on the filter modulators on all the noise colors. Sync All Volume: Quick trigger to conveniently flip the sync switches on the volume modulators on all the noise colors. Retrig All Volume: Quick trigger to conveniently flip the retrig switches on the volume modulators on all the noise colors. Noise Page Switch: Flips the interface to show the appropriate controls for volume modulation, filter and filter modulation for each noise color.  

 

Noise - Volume Mod Mod: Sets the depth of amplitude modulation applied to each noise color. Rate: When not in sync mode this knobs sets the rate of the amplitude modulation applied to each noise color. Sync: Sets each amplitude modulator to sync or free mode, and flips the GUI to show the appropriate control. When in free mode the rate of the modulator is derived from the rate knob. When in sync mode the rate of the modulator is derived from the global BPM and the modulator’s divider. Div: When in sync mode the divider sets the rate of modulation by measures derived from the global BPM for each amplitude modulator.  

Retrig: Turns on and off retriggering of the modulator’s cycle on incoming midi notes. Notice that the rest of the synth (amplitude envelope, incoming frequency) does not need to be set to MIDI mode for the retriger to function.  

Noise - Filter Cut: Sets the filter cutoff point for each noise color. Res: Sets the resonance on the filters of each noise color.  

Noise - Filter Mod Rate: When not in sync mode this knobs sets the rate of the filter cutoff modulation applied to each noise color. Mod: Sets the depth of filter cutoff modulation applied to each noise color. Sync: Sets each cutoff modulator to sync or free mode, and flips the GUI to show the appropriate control.. When in free mode the rate of the modulator is derived from the rate knob. When in sync mode the rate of the modulator is derived from the global BPM and the modulator’s divider. Div: When in sync mode the divider sets the rate of modulation by measures derived from the global BPM for each cutoff modulator.  Retrig: Turns on and off retriggering of the modulator’s cycle on incoming midi notes. Notice that the rest of the synth (amplitude envelope, incoming frequency) does not need to be set to MIDI mode for the retriger to function. 

 

  

 

Amplitude Envelope A: Sets the length of the attack portion of the envelope. D: Sets the length of the decay portion of the envelope. S: Sets the level of the sustaining portion of the envelope. R: Sets the length of the release portion of the envelope. On: Turns the envelope on and off, allowing the device to operate in either drone or MIDI gated mode. Volume: Sets the overall volume output of the device. 

  

 Effects and Settings Screen 

 

 Tab Selector: Flips the interface to show the appropriate controls for the selected tab. When an Effect is turned on, it will be highlighted in white in the selector.  

 Effects - Reducer On: Turns the decimator effect on and off. Amount: Sets the depth of the sample reduction. Rate: When not in sync mode this knob sets the rate of modulation applied to the sample reduction.. Mod: Sets the depth of modulation applied to the sample reduction. Sync: Sets the sample reduction modulator to sync or free mode. When in free mode the rate of the modulator is derived from the rate knob. When in sync mode the rate of the modulator is derived from the global BPM and the modulator’s divider. Div: When in sync mode the divider sets the rate of modulation by measures derived from the global BPM for the sample reduction modulator.  Retrig: Turns on and off retriggering of the modulator’s cycle on incoming midi notes. Notice that the rest of the synth (amplitude envelope, incoming frequency) does not need to be set to MIDI mode for the retriger to function. 8bit: Turns on 8 bit mode reducing the audio to 8 bits. 

 

Effects - Low Pass Filter On: Turns the filter effect on and off. Cut: Sets the filter cutoff point. Res: Sets the resonance peak of the filter. Env: Sets the depth of envelope modulation applied to the filter cutoff when the synth envelope is turned on.  Rate: When not in sync mode this knob sets the rate of modulation applied to the filter cutoff. Mod: Sets the depth of modulation applied to the filter cutoff. Sync: Sets the filter cutoff modulator to sync or free mode. When in free mode the rate of the modulator is derived from the rate knob. When in sync mode the rate of the modulator is derived from the global BPM and the modulator’s divider. Div: When in sync mode the divider sets the rate of modulation by measures derived from the global BPM for the filter cutoff modulator.  Retrig: Turns on and off retriggering of the modulator’s cycle on incoming midi notes. Notice that the rest of the synth (amplitude envelope, incoming frequency) does not need to be set to MIDI mode for the retriger to function. Inv: Inverts the modulation for the right channel for a stereo filtering effect. 

 

Effects - Delay On: Turns the delay effect on and off. Delay->Chorus: Switches the order in which the signal is passed to the delay and chorus signal. When turned off the signal passes from the filter into the delay and from the delay to the chorus. When turned on the signal passes from the filter into the chorus and from the chorus to the delay.  Time L: When not in sync mode this knob sets the delay time for the left side of the stereo signal. Time R: When not in sync mode this knob sets the delay time for the left side of the stereo signal. Sync: Sets the delay time to sync or free mode. When in free mode the delay time is derived from the delay knob. When in sync mode the delay time is derived from the global BPM and the divider. Div L: When in sync mode the divider sets the delay time for the left side of the stereo signal by measures derived from the global BPM.  Div R: When in sync mode the divider sets the delay time for the right side of the stereo signal by measures derived from the global BPM.  Cross: Enables cross feedback between the left and right channels. 

Feed: Amplitude of feedback from the delay circuit output applied back to the delay input. Wet: Crossfade mix between the original signal and the delay effect processed signal 

 

Effects - Chorus On: Turns the chorus effect on and off. Delay->Chorus: Switches the order in which the signal is passed to the delay and chorus signal. When turned off the signal passes from the filter into the delay and from the delay to the chorus. When turned on the signal passes from the filter into the chorus and from the chorus to the delay.  Rate: Rate of modulation applied to the chorus delay line. Depth: Depth of modulation applied to the chorus delay line. Delay: Pre-delay between the original signal and the chorus signal. Feed L : Amplitude of feedback from the chorus circuit output applied back to the left input. Feed R: Amplitude of feedback from the chorus circuit output applied back to the right input. Cross: Enables cross feedback between the left and right channels. Wet: Crossfade mix between the original signal and the chorus effect processed signal 

   

Effects - Reverb On: Turns the reverb effect on and off. Type: Sets the type and size of the reverb simulation. Delay: Applies pre-delay to the reverb signal. HP: Applies a high pass filter to the delay signal. LP: Damps high frequency content from the reverb signal. Wide: Sets the stereo width of the reverb effect. Wet: Crossfade mix between the original signal and the chorus effect processed signal 

 

 

      

OSC App Receive: Turns on the OSC server allowing the device to receive control changes from the Aeolian Meditation Control app or other OSC capable applications. In IP: The IP address of the local computer running Aeolian Meditation. In Port: The port number on which the device will listen on for incoming OSC control messages. In Max: Scales the incoming OSC control messages to the value set in this field when the tag is set to int. When the input tag is set to int32, this field is overridden by the int32 maximum value. When the tag is set to app this field is overridden internally. In Tag: The type of incoming OSC messages. For working with the Aeolian Meditation Control app the default setting of app should be used. Transmit: Turns on the OSC client allowing the device to transmit control changes to the Aeolian Meditation Control app or other OSC capable applications. 

To IP: The IP to which to transmit OSC control messages to. When using the Aeolian Meditation Control app set this to the IP address shown on the app. To Port: The port to which to transmit OSC control messages to. When using the Aeolian Meditation Control app set this to the default port of 9000. App Sync: When a preset is changed and transmitted to the Aeolian Meditation Control app this led will blink as long  as the preset is updated and will stop blinking when the preset has finished loading on the app. Settings Save: Allows you to save your OSC settings into a file. Settings Load: Allows you to load your saved OSC settings from a file.   Info: Loads the device information window with clickable links to the  Aeolian Meditation Control app on the Google Play Store and to the Ocean Swift Synthesis website.                 

 

Virtual Keyboard Octave: Sets the base octave of the built in virtual keyboard.   

 

Audio and MIDI IO, BPM *Standalone version only MIDI Input: Sets the MIDI input device driver from a selection of installed drivers on the computer. MIDI Channel: Sets the MIDI channel the device will respond to via the selected input device. Audio Output: Sets the audio output of the device from a selection of available output drivers on your computer. BPM (Standalone): The BPM setting is available only on the standalone version of the device. On the VSTi version the BPM matches the host and is set internally. On the standalone version the BPM knob and/or input field set the base tempo of the device, 

from which all lfos and the delay effect will calculate their dividers from when in sync mode.  

Presets Save Preset: Save a preset to a file. Load Preset: Load a preset from a file. Save Preset Bank: Save all the currently stored presets into a file. Load Preset Bank: Load a collection of presets from a file. Preset selection menu: Selects a preset from the current collection of presets. Scroll preset buttons: Allows quick preset selection from the current  collection of presets by scrolling back and forth through the presets in the collection. 

     

     

     

Aeolian Meditation Control Android App

  

“Tell me and I forget, teach me and I may remember, involve me and I learn.” - Benjamin Franklin  

Aeolian Meditation Control allows for either bi or uni directional control of the device from any Android phone or tablet. Grab the Aeolian Meditation Control app for your Android phone or tablet 

here https://play.google.com/store/apps/details?id=c.oceanswift.aeolia

nmeditationcontrol              

  

 

Setting Up The Aeolian Meditation Control Android App  

- Network ports must be forwarded correctly between the computer device and the Android device. By default the computer device uses port 8000 and the Android app uses port 9000. A general port forwarding example on Windows 7 is shown here: http://faxinadu.net/purechords/app/Network%20Setup%20For%20OSC%20Control.pdf 

- The local IP address of the Android device needs to be inserted in the To IP field on the computer device. Once connect is clicked on the app, the app will show the IP address of the Android device.  

- The public IP address of the computer needs to be inserted in the IP field on the app in the Android device. You can easily find your computer’s IP by browsing to a website such as https://whatsmyip.com/ 

- Click both the receive and transmit buttons on the computer device. The first time you do this, the computer is likely going to ask permission for the program to pass through the Windows Firewall. If you have a custom firewall installed, you will need to configure it to let the app through. 

- On the computer device you can save/load OSC IP and port settings by clicking File->Save in the OSC area. These settings are saved here and are not saved in regular presets to allow full flexibility in exchanging presets between users. 

- For usage of the device with the Aeolian Meditation Control app make sure that the tag in the device OSC section is set to app (default value). 

- For the app controls to respond to your touch you MUST first press the connect button on the app. Allow a second or so for the connection to establish and the button to turn bright. 

- Notice when switching presets in bi-directional mode, give the device and app between 5-8 seconds in order to finish the process of updating the preset on the app. When switching presets, the presets led in the OSC section on the device will blink until the preset loading process is complete. 

 

Working with other OSC capable programs Apart from the dedicated Aeolian Meditation Control app the device can communicate with any OSC capable program or app from any source. The device recognizes OSC messages with Integer type tags. Every parameter on the device has a dedicated OSC address as listed below. The device can scale the ranges sent to it using the max field in the OSC section. If sending a full int32 range, the in tag field can be conveniently set to int32 (and thus override the max field settings)   

App Controls The controls on the app are bound to the control by the same name on the device. Information for important and app specific controls is included here.  Navigator Buttons: Allows navigation between the app sections.  

Main Section IP: The IP address to transmit control changes to. This should be set to the public IP of the computer where the Aeolian Meditation device. Port: The port to transmit control changes to. This should be set to the same port as in the in port field on the Aeolian Meditation device. This IP: The IP address of the Android device running the app. For bi-directional control this address should be set in the to ip field on the Aeolian Meditation device. Connect: Connects and turns on the server and client on the app. For the app controls to respond to touch the connection needs to be turned on. Allow a second or so for the connection to establish and the button to turn bright. 

Presets: Changes presets on the device and syncs the app controls with the selected preset. Allow between 5-8 seconds for the app to finish updating all the controls before you change to another preset or tweak the controls. Env On: Turns the envelope on and off. The Same button as in the main section and xy section. Trigger: Quick shortcut that triggers the envelope (when the envelope is turned on). Play Keys Oct: Selects the octave for the keys on the app’s play section. The same selector as in the play section.  

Harmonics and Noise Sections Sync All: Quick shortcut that turns all the sync switches in the section on and off. Note that you can still manually turn individual sync switches on and off. Retrig All: Quick shortcut that turns all the retrigger switches in the section on and off. Note that you can still manually turn individual retrigger switches on and off. Innit: Initializes all the controls in the section. Might require a couple of clicks to completely sync with the device. Random: Randomizes all the controls in the section except the sync and retrigger switches.  Freq Section Innit: Initializes all the controls in the section. Might require a couple of clicks to completely sync with the device. Random: Randomizes all the controls in the section except the sync, retrigger and MIDI octave parameters.  Effects Section Power All: Quick shortcut that turns on all the effects. Note that you can still manually turn individual effects on and off. Innit: Initializes all the controls in the section. Might require a couple of clicks to completely sync with the device. Random: Randomizes all the controls in the section except the sync, retrigger and power parameters.  XY Section XY Pads: Two XY pads with selectable parameters for the X and Y controls. Every continuous knob and slider from the device is available for selection. FX Power: Quick shortcut that turns on all the effects. Note that you can still manually turn individual effects on and off. Env On: Turns the envelope on and off. The Same button as in the main section and xy section. XY1 Trig: Determines whether clicking on the XY1 pad also triggers the envelope. XY2 Trig: Determines whether clicking on the XY2 pad also triggers the envelope.  

Play Section Keys: Triggers the device envelope and plays notes based on the octave setting. The keys will play notes regardless of the envelope on/off setting, but for the keys to function like a normal keyboard the envelope needs to be turned on. Octave: Sets the octave for the keyboard in the play section. Source: The same source selector available in the freq section for convenience. FX Power: Quick shortcut that turns on all the effects. Note that you can still manually turn individual effects on and off. Env On: Turns the envelope on and off. The Same button as in the main section and xy section.                       

MIDI CC and Open Sound Control (OSC) Chart  Receive Addresses - MIDI CC numbers are shown for all parameters that have a hard-wired MIDI CC number. OSC addresses are shown for every parameter.  Harmonic Volume 1: OSC /1/2525/1/1 , MIDI CC 2  Harmonic Volume 2: OSC /1/2525/1/2 , MIDI CC 3  Harmonic Volume 3: OSC /1/2525/1/3 , MIDI CC 4  Harmonic Volume 4: OSC /1/2525/1/4 , MIDI CC 5  Harmonic Volume 5: OSC /1/2525/1/5 , MIDI CC 6  Harmonic Volume 6: OSC /1/2525/1/6 , MIDI CC 7  Harmonic Volume 7: OSC /1/2525/1/7 , MIDI CC 8  Harmonic Volume 8: OSC /1/2525/1/8 , MIDI CC 9  Harmonic Volume 9: OSC /1/2525/1/9 , MIDI CC 10  Harmonic Volume 10: OSC /1/2525/1/10 , MIDI CC 11 Harmonic Volume 11: OSC /1/2525/1/11 , MIDI CC 12  Harmonic Volume 12: OSC /1/2525/1/12 , MIDI CC 13   Harmonic Volume Mod Depth 1: OSC /1/2525/1/13 , MIDI CC 14  Harmonic Volume Mod Depth 2: OSC /1/2525/1/14, MIDI CC 15  Harmonic Volume Mod Depth 3: OSC /1/2525/1/15 , MIDI CC 16  Harmonic Volume Mod Depth 4: OSC /1/2525/1/16 , MIDI CC 17  Harmonic Volume Mod Depth 5: OSC /1/2525/1/17 , MIDI CC 18  Harmonic Volume Mod Depth 6: OSC /1/2525/1/18 , MIDI CC 19  Harmonic Volume Mod Depth 7: OSC /1/2525/1/19 , MIDI CC 20  Harmonic Volume Mod Depth 8: OSC /1/2525/1/20 , MIDI CC 21  Harmonic Volume Mod Depth 9: OSC /1/2525/1/21 , MIDI CC 22  Harmonic Volume Mod Depth 10: OSC /1/2525/1/22 , MIDI CC 23  Harmonic Volume Mod Depth 11: OSC /1/2525/1/23 , MIDI CC 24  Harmonic Volume Mod Depth 12: OSC /1/2525/1/24 , MIDI CC 25   Harmonic Volume Mod Rate 1: OSC /1/2525/1/25 , MIDI CC 26  Harmonic Volume Mod Rate 2: OSC /1/2525/1/26 , MIDI CC 27  Harmonic Volume Mod Rate 3: OSC /1/2525/1/27 , MIDI CC 28  Harmonic Volume Mod Rate 4: OSC /1/2525/1/28 , MIDI CC 29  Harmonic Volume Mod Rate 5: OSC /1/2525/1/29 , MIDI CC 30  Harmonic Volume Mod Rate 6: OSC /1/2525/1/30 , MIDI CC 31  

Harmonic Volume Mod Rate 7: OSC /1/2525/1/31 , MIDI CC 32  Harmonic Volume Mod Rate 8: OSC /1/2525/1/32 , MIDI CC 33  Harmonic Volume Mod Rate 9: OSC /1/2525/1/33 , MIDI CC 34  Harmonic Volume Mod Rate 10: OSC /1/2525/1/34 , MIDI CC 35  Harmonic Volume Mod Rate 11: OSC /1/2525/1/35 , MIDI CC 36  Harmonic Volume Mod Rate 12: OSC /1/2525/1/36 , MIDI CC 37   Harmonic Volume Mod Rate Range: OSC /1/2525/1/37, MIDI CC 38  Harmonic Volume Mod Sync 1: OSC /1/2525/1/38 MIDI CC 39  Harmonic Volume Mod Sync 2: OSC /1/2525/1/39 MIDI CC 40  Harmonic Volume Mod Sync 3: OSC /1/2525/1/40 MIDI CC 41  Harmonic Volume Mod Sync 4: OSC /1/2525/1/41 MIDI CC 42  Harmonic Volume Mod Sync 5: OSC /1/2525/1/42 MIDI CC 43  Harmonic Volume Mod Sync 6: OSC /1/2525/1/43 MIDI CC 44  Harmonic Volume Mod Sync 7: OSC /1/2525/1/44 MIDI CC 45  Harmonic Volume Mod Sync 8: OSC /1/2525/1/45 MIDI CC 46  Harmonic Volume Mod Sync 9: OSC /1/2525/1/46 MIDI CC 47  Harmonic Volume Mod Sync 10: OSC /1/2525/1/47 MIDI CC 48  Harmonic Volume Mod Sync 11: OSC /1/2525/1/48 MIDI CC 49  Harmonic Volume Mod Sync 12: OSC /1/2525/1/49 MIDI CC 50   Harmonic Volume Mod Div 1: OSC /1/2525/1/50 MIDI CC 51  Harmonic Volume Mod Div 2: OSC /1/2525/1/51 MIDI CC 52  Harmonic Volume Mod Div 3: OSC /1/2525/1/52 MIDI CC 53  Harmonic Volume Mod Div 4: OSC /1/2525/1/53 MIDI CC 54  Harmonic Volume Mod Div 5: OSC /1/2525/1/54 MIDI CC 55  Harmonic Volume Mod Div 6: OSC /1/2525/1/55 MIDI CC 56  Harmonic Volume Mod Div 7: OSC /1/2525/1/56 MIDI CC 57  Harmonic Volume Mod Div 8: OSC /1/2525/1/57 MIDI CC 58  Harmonic Volume Mod Div 9: OSC /1/2525/1/58 MIDI CC 59  Harmonic Volume Mod Div 10: OSC /1/2525/1/59 MIDI CC 60  Harmonic Volume Mod Div 11: OSC /1/2525/1/60 MIDI CC 61  Harmonic Volume Mod Div 12: OSC /1/2525/1/61 MIDI CC 62   Harmonic Volume Mod Retrig 1: OSC /1/2525/1/62 Harmonic Volume Mod Retrig 2: OSC /1/2525/1/63 Harmonic Volume Mod Retrig 3: OSC /1/2525/1/64 Harmonic Volume Mod Retrig 4: OSC /1/2525/1/65 Harmonic Volume Mod Retrig 5: OSC /1/2525/1/66 

Harmonic Volume Mod Retrig 6: OSC /1/2525/1/67 Harmonic Volume Mod Retrig 7: OSC /1/2525/1/68 Harmonic Volume Mod Retrig 8: OSC /1/2525/1/69 Harmonic Volume Mod Retrig 9: OSC /1/2525/1/70 Harmonic Volume Mod Retrig 10: OSC /1/2525/1/71 Harmonic Volume Mod Retrig 11: OSC /1/2525/1/72 Harmonic Volume Mod Retrig 12: OSC /1/2525/1/73  Noise Color Volume 1: OSC /1/2525/1/74 , MIDI CC 63  Noise Color Volume 2: OSC /1/2525/1/75 , MIDI CC 64  Noise Color Volume 3: OSC /1/2525/1/76 , MIDI CC 65  Noise Color Volume 4: OSC /1/2525/1/77 , MIDI CC 66   Noise Color Volume Mod Depth 1: OSC /1/2525/1/78 , MIDI CC 67  Noise Color Volume Mod Depth 2: OSC /1/2525/1/79 , MIDI CC 68  Noise Color Volume Mod Depth 3: OSC /1/2525/1/80 , MIDI CC 69  Noise Color Volume Mod Depth 4: OSC /1/2525/1/81 , MIDI CC 70   Noise Color Volume Mod Rate 1: OSC /1/2525/1/82 , MIDI CC 71  Noise Color Volume Mod Rate 2: OSC /1/2525/1/83 , MIDI CC 72  Noise Color Volume Mod Rate 3: OSC /1/2525/1/84 , MIDI CC 73  Noise Color Volume Mod Rate 4: OSC /1/2525/1/85 , MIDI CC 74   Noise Color Volume Mod Rate Range: OSC /1/2525/1/86, MIDI CC 75  Noise Color Volume Mod Sync 1: OSC /1/2525/1/87 , MIDI CC 76  Noise Color Volume Mod Sync 2: OSC /1/2525/1/88 , MIDI CC 77  Noise Color Volume Mod Sync 3: OSC /1/2525/1/89 , MIDI CC 78  Noise Color Volume Mod Sync 4: OSC /1/2525/1/90 , MIDI CC 79   Noise Color Volume Mod Retrig 1: OSC /1/2525/1/91 Noise Color Volume Mod Retrig 2: OSC /1/2525/1/92 Noise Color Volume Mod Retrig 3: OSC /1/2525/1/93 Noise Color Volume Mod Retrig 4: OSC /1/2525/1/94  Noise Color Volume Mod Div 1: OSC /1/2525/1/95 , MIDI CC 80  Noise Color Volume Mod Div 2: OSC /1/2525/1/96 , MIDI CC 81  Noise Color Volume Mod Div 3: OSC /1/2525/1/97 , MIDI CC 82  Noise Color Volume Mod Div 4: OSC /1/2525/1/98 , MIDI CC 83   

Noise Color Cut 1: OSC /1/2525/1/99 , MIDI CC 84  Noise Color Cut 2: OSC /1/2525/1/100 , MIDI CC 85  Noise Color Cut 3: OSC /1/2525/1/101 , MIDI CC 86  Noise Color Cut 4: OSC /1/2525/1/102 , MIDI CC 87   Noise Type: OSC /1/2525/1/103  Noise Color Res 1: OSC /1/2525/1/104 , MIDI CC 88  Noise Color Res 2: OSC /1/2525/1/105 , MIDI CC 89  Noise Color Res 3: OSC /1/2525/1/106 , MIDI CC 90  Noise Color Res 4: OSC /1/2525/1/107 , MIDI CC 91   Noise Color Cut Mod Depth 1: OSC /1/2525/1/108 , MIDI CC 92  Noise Color Cut Mod Depth 2: OSC /1/2525/1/109 , MIDI CC 93  Noise Color Cut Mod Depth 3: OSC /1/2525/1/110, MIDI CC 94  Noise Color Cut Mod Depth 4: OSC /1/2525/1/111 , MIDI CC 95   Noise Color Cut Mod Rate 1: OSC /1/2525/1/112 , MIDI CC 96  Noise Color Cut Mod Rate 2: OSC /1/2525/1/113 , MIDI CC 97  Noise Color Cut Mod Rate 3: OSC /1/2525/1/114 , MIDI CC 98  Noise Color Cut Mod Rate 4: OSC /1/2525/1/115 , MIDI CC 99  Noise Color Cut Mod Rate Range: OSC /1/2525/1/116 MIDI CC 100  Noise Color Cut Mod Sync 1: OSC /1/2525/1/117 MIDI CC 101  Noise Color Cut Mod Sync 2: OSC /1/2525/1/118 MIDI CC 102  Noise Color Cut Mod Sync 3: OSC /1/2525/1/119 MIDI CC 103  Noise Color Cut Mod Sync 4: OSC /1/2525/1/120 MIDI CC 104   Noise Color Cut Mod Div 1: OSC /1/2525/1/121 MIDI CC 105  Noise Color Cut Mod Div 2: OSC /1/2525/1/122 MIDI CC 106  Noise Color Cut Mod Div 3: OSC /1/2525/1/123 MIDI CC 107  Noise Color Cut Mod Div 4: OSC /1/2525/1/124 MIDI CC 108   Noise Color Cut Mod Retrig 1: OSC /1/2525/1/125 Noise Color Cut Mod Retrig 2: OSC /1/2525/1/126 Noise Color Cut Mod Retrig 3: OSC /1/2525/1/127 Noise Color Cut Mod Retrig 4: OSC /1/2525/1/128  Harmonics Mix: OSC /1/2525/1/129 , MIDI CC 109  Noise Mix: OSC /1/2525/1/130 , MIDI CC 110  

 Freq Source Source Select: OSC /1/2525/1/131 Freq Source Note Select: OSC /1/2525/1/132 , MIDI CC 111 Freq Source Freq Knob: OSC /1/2525/1/133 Freq Source MIDI Octave: OSC /1/2525/1/134  FM Source Source Select: OSC /1/2525/1/135 FM Source Note Select: OSC /1/2525/1/136 , MIDI CC 112 FM Source Freq Knob: OSC /1/2525/1/137 FM Source MIDI Octave: OSC /1/2525/1/138 FM Depth: OSC /1/2525/1/139 , MIDI CC 113 FM Depth Mod Depth: OSC /1/2525/1/140 , MIDI CC 114 FM Depth Mod Rate: OSC /1/2525/1/141 , MIDI CC 115 FM Depth Mod Sync: OSC /1/2525/1/142 FM Depth Mod Div: OSC /1/2525/1/143 FM Depth Mod Retrig: OSC /1/2525/1/144 FM Rate Mod Depth: OSC /1/2525/1/145 , MIDI CC 116 FM Rate Mod Rate: OSC /1/2525/1/146 , MIDI CC 117 FM Rate Mod Sync: OSC /1/2525/1/147 FM Rate Mod Div: OSC /1/2525/1/148 FM Rate Mod Retrig: OSC /1/2525/1/149  Filter Power: OSC /1/2525/1/150 Filter Cut: OSC /1/2525/1/151 , MIDI CC 118  Filter Res: OSC /1/2525/1/152 Filter Mod Depth: OSC /1/2525/1/153 Filter Mod Rate: OSC /1/2525/1/154 Filter Mod Sync: OSC /1/2525/1/155 Filter Mod Div: OSC /1/2525/1/156 Filter Mod Retrig: OSC /1/2525/1/157  Decimate Power: OSC /1/2525/1/158 Reduce: OSC /1/2525/1/159 , MIDI CC 119  Reduce Mod Depth: OSC /1/2525/1/160 Reduce Mod Rate: OSC /1/2525/1/161 Reduce Mod Sync: OSC /1/2525/1/162 Reduce Mod Div: OSC /1/2525/1/163 Reduce Mod Retrig: OSC /1/2525/1/164  Delay Power: OSC /1/2525/1/165 

Delay Time L: OSC /1/2525/1/166 Delay Sync: OSC /1/2525/1/167 Delay Div L: OSC /1/2525/1/168 Delay Feed: OSC /1/2525/1/169 Delay Wet: OSC /1/2525/1/170 , MIDI CC 120   Chorus Power: OSC /1/2525/1/171 Chorus Rate: OSC /1/2525/1/172 Chorus Depth: OSC /1/2525/1/173 Chorus Delay: OSC /1/2525/1/174 Chorus Feed: OSC /1/2525/1/175 Chorus Wet: OSC /1/2525/1/176 , MIDI CC 121   Reverb Power: OSC /1/2525/1/177 Reverb Size: OSC /1/2525/1/178 Reverb Damp: OSC /1/2525/1/179 Reverb Stereo: OSC /1/2525/1/180 Reverb Wet: OSC /1/2525/1/181 , MIDI CC 122   Drone: OSC /1/2525/1/183 , MIDI CC 123 Envelope Attack: OSC /1/2525/1/184 MIDI CC 124  Envelope Decay: OSC /1/2525/1/185 MIDI CC 125  Envelope Sustain: OSC /1/2525/1/186 MIDI CC 126  Envelope Release: OSC /1/2525/1/187 MIDI CC 127   BPM: OSC /1/2525/1/188 Volume: OSC /1/2525/1/189 Device Power: OSC /1/2525/1/190 MIDI Chan: OSC /1/2525/1/191 Preset Up: OSC /1/2525/1/192 Preset Up: OSC /1/2525/1/193 Envelope Trigger: OSC /1/2525/1/194 Virtual Keyboard Octave: /1/2525/1/195  Delay Time R: OSC /1/2525/1/196 Delay Div R: OSC /1/2525/1/197 Filter Env: OSC /1/2525/2/198  Filter Inv R: OSC /1/2525/1/199  

8 Bit: OSC /1/2525/1/200  Delay Cross: OSC /1/2525/1/201  Chorus Feed R: OSC /1/2525/1/202 Chorus Cross: OSC /1/2525/1/203  Reverb Delay: OSC /1/2525/1/204 Reverb HP: OSC /1/2525/1/205  FM Rate Range: OSC /1/2525/1/206 App Play: OSC /1/2525/1/207 App Play Oct: OSC /1/2525/1/208  Glide On: OSC /1/2525/1/209 Glide Time: OSC /1/2525/1/2010  Pitch Bend App: OSC /1/2525/1/211 Pitch Bend Range: OSC /1/2525/1/212 Delay-Chorus Order: OSC /1/2525/1/213   OSC Transmit Addresses  Harmonic Volume 1: OSC /1/2525/2/1  Harmonic Volume 2: OSC /1/2525/2/2  Harmonic Volume 3: OSC /1/2525/2/3 Harmonic Volume 4: OSC /1/2525/2/4  Harmonic Volume 5: OSC /1/2525/2/5 Harmonic Volume 6: OSC /1/2525/2/6 Harmonic Volume 7: OSC /1/2525/2/7 Harmonic Volume 8: OSC /1/2525/2/8 Harmonic Volume 9: OSC /1/2525/2/9 Harmonic Volume 10: OSC /1/2525/2/10 Harmonic Volume 11: OSC /1/2525/2/11 Harmonic Volume 12: OSC /1/2525/2/12  Harmonic Volume Mod Depth 1: OSC /1/2525/2/13 Harmonic Volume Mod Depth 2: OSC /1/2525/2/14 Harmonic Volume Mod Depth 3: OSC /1/2525/2/15 

Harmonic Volume Mod Depth 4: OSC /1/2525/2/16  Harmonic Volume Mod Depth 5: OSC /1/2525/2/17 Harmonic Volume Mod Depth 6: OSC /1/2525/2/18 Harmonic Volume Mod Depth 7: OSC /1/2525/2/19 Harmonic Volume Mod Depth 8: OSC /1/2525/2/20 Harmonic Volume Mod Depth 9: OSC /1/2525/2/21  Harmonic Volume Mod Depth 10: OSC /1/2525/2/22 Harmonic Volume Mod Depth 11: OSC /1/2525/2/23 Harmonic Volume Mod Depth 12: OSC /1/2525/2/24  Harmonic Volume Mod Rate 1: OSC /1/2525/2/25 Harmonic Volume Mod Rate 2: OSC /1/2525/2/26 Harmonic Volume Mod Rate 3: OSC /1/2525/2/27  Harmonic Volume Mod Rate 4: OSC /1/2525/2/28 Harmonic Volume Mod Rate 5: OSC /1/2525/2/29 Harmonic Volume Mod Rate 6: OSC /1/2525/2/30 Harmonic Volume Mod Rate 7: OSC /1/2525/2/31 Harmonic Volume Mod Rate 8: OSC /1/2525/2/32 Harmonic Volume Mod Rate 9: OSC /1/2525/2/33 Harmonic Volume Mod Rate 10: OSC /1/2525/2/34 Harmonic Volume Mod Rate 11: OSC /1/2525/2/35 Harmonic Volume Mod Rate 12: OSC /1/2525/2/36 

 Harmonic Volume Mod Rate Range: OSC /1/2525/2/37 Harmonic Volume Mod Sync 1: OSC /1/2525/2/38 Harmonic Volume Mod Sync 2: OSC /1/2525/2/39 Harmonic Volume Mod Sync 3: OSC /1/2525/2/40 Harmonic Volume Mod Sync 4: OSC /1/2525/2/41 Harmonic Volume Mod Sync 5: OSC /1/2525/2/42 Harmonic Volume Mod Sync 6: OSC /1/2525/2/43 Harmonic Volume Mod Sync 7: OSC /1/2525/2/44 Harmonic Volume Mod Sync 8: OSC /1/2525/2/45 Harmonic Volume Mod Sync 9: OSC /1/2525/2/46 Harmonic Volume Mod Sync 10: OSC /1/2525/2/47 Harmonic Volume Mod Sync 11: OSC /1/2525/2/48 Harmonic Volume Mod Sync 12: OSC /1/2525/2/49  Harmonic Volume Mod Div 1: OSC /1/2525/2/50 Harmonic Volume Mod Div 2: OSC /1/2525/2/51 

Harmonic Volume Mod Div 3: OSC /1/2525/2/52 Harmonic Volume Mod Div 4: OSC /1/2525/2/53  Harmonic Volume Mod Div 5: OSC /1/2525/2/54 Harmonic Volume Mod Div 6: OSC /1/2525/2/55 Harmonic Volume Mod Div 7: OSC /1/2525/2/56 Harmonic Volume Mod Div 8: OSC /1/2525/2/57 Harmonic Volume Mod Div 9: OSC /1/2525/2/58 Harmonic Volume Mod Div 10: OSC /1/2525/2/59 Harmonic Volume Mod Div 11: OSC /1/2525/2/60 Harmonic Volume Mod Div 12: OSC /1/2525/2/61  Harmonic Volume Mod Retrig 1: OSC /1/2525/2/62 Harmonic Volume Mod Retrig 2: OSC /1/2525/2/63 Harmonic Volume Mod Retrig 3: OSC /1/2525/2/64 Harmonic Volume Mod Retrig 4: OSC /1/2525/2/65 Harmonic Volume Mod Retrig 5: OSC /1/2525/2/66 Harmonic Volume Mod Retrig 6: OSC /1/2525/2/67 Harmonic Volume Mod Retrig 7: OSC /1/2525/2/68 Harmonic Volume Mod Retrig 8: OSC /1/2525/2/69 Harmonic Volume Mod Retrig 9: OSC /1/2525/2/70 Harmonic Volume Mod Retrig 10: OSC /1/2525/2/71 Harmonic Volume Mod Retrig 11: OSC /1/2525/2/72 Harmonic Volume Mod Retrig 12: OSC /1/2525/2/73  Noise Color Volume 1: OSC /1/2525/2/74 Noise Color Volume 2: OSC /1/2525/2/75 Noise Color Volume 3: OSC /1/2525/2/76 Noise Color Volume 4: OSC /1/2525/2/77  Noise Color Volume Mod Depth 1: OSC /1/2525/2/78 Noise Color Volume Mod Depth 2: OSC /1/2525/2/79 Noise Color Volume Mod Depth 3: OSC /1/2525/2/80 Noise Color Volume Mod Depth 4: OSC /1/2525/2/81  Noise Color Volume Mod Rate 1: OSC /1/2525/2/82 Noise Color Volume Mod Rate 2: OSC /1/2525/2/83 Noise Color Volume Mod Rate 3: OSC /1/2525/2/84 Noise Color Volume Mod Rate 4: OSC /1/2525/2/85  Noise Color Volume Mod Rate Range: OSC /1/2525/2/86 

 Noise Color Volume Mod Sync 1: OSC /1/2525/2/87 Noise Color Volume Mod Sync 2: OSC /1/2525/2/88 Noise Color Volume Mod Sync 3: OSC /1/2525/2/89 Noise Color Volume Mod Sync 4: OSC /1/2525/2/90  Noise Color Volume Mod Retrig 1: OSC /1/2525/2/91 Noise Color Volume Mod Retrig 2: OSC /1/2525/2/92 Noise Color Volume Mod Retrig 3: OSC /1/2525/2/93 Noise Color Volume Mod Retrig 4: OSC /1/2525/2/94  Noise Color Volume Mod Div 1: OSC /1/2525/2/95 Noise Color Volume Mod Div 2: OSC /1/2525/2/96 Noise Color Volume Mod Div 3: OSC /1/2525/2/97 Noise Color Volume Mod Div 4: OSC /1/2525/2/98  Noise Color Cut 1: OSC /1/2525/2/99 Noise Color Cut 2: OSC /1/2525/2/100 Noise Color Cut 3: OSC /1/2525/2/101 Noise Color Cut 4: OSC /1/2525/2/102  Noise Type: OSC /1/2525/2/103  Noise Color Res 1: OSC /1/2525/2/104 Noise Color Res 2: OSC /1/2525/2/105 Noise Color Res 3: OSC /1/2525/2/106  Noise Color Res 4: OSC /1/2525/2/107  Noise Color Cut Mod Depth 1: OSC /1/2525/2/108 Noise Color Cut Mod Depth 2: OSC /1/2525/2/109 Noise Color Cut Mod Depth 3: OSC /1/2525/2/110 Noise Color Cut Mod Depth 4: OSC /1/2525/2/111  Noise Color Cut Mod Rate 1: OSC /1/2525/2/112 Noise Color Cut Mod Rate 2: OSC /1/2525/2/113 Noise Color Cut Mod Rate 3: OSC /1/2525/2/114 Noise Color Cut Mod Rate 4: OSC /1/2525/2/115 Noise Color Cut Mod Rate Range: OSC /1/2525/2/116  Noise Color Cut Mod Sync 1: OSC /1/2525/2/117 

Noise Color Cut Mod Sync 2: OSC /1/2525/2/118 Noise Color Cut Mod Sync 3: OSC /1/2525/2/119 Noise Color Cut Mod Sync 4: OSC /1/2525/2/120  Noise Color Cut Mod Div 1: OSC /1/2525/2/121 Noise Color Cut Mod Div 2: OSC /1/2525/2/122 Noise Color Cut Mod Div 3: OSC /1/2525/2/123 Noise Color Cut Mod Div 4: OSC /1/2525/2/124  Noise Color Cut Mod Retrig 1: OSC /1/2525/2/125 Noise Color Cut Mod Retrig 2: OSC /1/2525/2/126 Noise Color Cut Mod Retrig 3: OSC /1/2525/2/127 Noise Color Cut Mod Retrig 4: OSC /1/2525/2/128  Harmonics Mix: OSC /1/2525/2/129 Noise Mix: OSC /1/2525/2/130  Freq Source Source Select: OSC /1/2525/2/131 Freq Source Note Select: OSC /1/2525/2/132 Freq Source Freq Knob: OSC /1/2525/2/133 Freq Source MIDI Octave: OSC /1/2525/2/134  FM Source Source Select: OSC /1/2525/2/135 FM Source Note Select: OSC /1/2525/2/136 FM Source Freq Knob: OSC /1/2525/2/137 FM Source MIDI Octave: OSC /1/2525/2/138  FM Depth: OSC /1/2525/2/139  FM Depth Mod Depth: OSC /1/2525/2/140 FM Depth Mod Rate: OSC /1/2525/2/141 FM Depth Mod Sync: OSC /1/2525/2/142 FM Depth Mod Div: OSC /1/2525/2/143 FM Depth Mod Retrig: OSC /1/2525/2/144  FM Rate Mod Depth: OSC /1/2525/2/145 FM Rate Mod Rate: OSC /1/2525/2/146 FM Rate Mod Sync: OSC /1/2525/2/147 FM Rate Mod Div: OSC /1/2525/2/148 FM Rate Mod Retrig: OSC /1/2525/2/149 

 Filter Power: OSC /1/2525/2/150 Filter Cut: OSC /1/2525/2/151 Filter Res: OSC /1/2525/2/152 Filter Mod Depth: OSC /1/2525/2/153 Filter Mod Rate: OSC /1/2525/2/154 Filter Mod Sync: OSC /1/2525/2/155 Filter Mod Div: OSC /1/2525/2/156 Filter Mod Retrig: OSC /1/2525/2/157  Decimate Power: OSC /1/2525/2/158 Reduce: OSC /1/2525/2/159 Reduce Mod Depth: OSC /1/2525/2/160 Reduce Mod Rate: OSC /1/2525/2/161 Reduce Mod Sync: OSC /1/2525/2/162 Reduce Mod Div: OSC /1/2525/2/163 Reduce Mod Retrig: OSC /1/2525/2/164  Delay Power: OSC /1/2525/2/165 Delay Time: OSC /1/2525/2/166 Delay Sync: OSC /1/2525/2/167 Delay Div: OSC /1/2525/2/168 Delay Feed: OSC /1/2525/2/169 Delay Wet: OSC /1/2525/2/170  Chorus Power: OSC /1/2525/2/171 Chorus Rate: OSC /1/2525/2/172 Chorus Depth: OSC /1/2525/2/173 Chorus Delay: OSC /1/2525/2/174 Chorus Feed: OSC /1/2525/2/175 Chorus Wet: OSC /1/2525/2/176  Reverb Power: OSC /1/2525/2/177 Reverb Size: OSC /1/2525/2/178 Reverb Damp: OSC /1/2525/2/179 Reverb Width: OSC /1/2525/2/180 Reverb Wet: OSC /1/2525/2/181    

Drone: OSC /1/2525/2/183 Envelope Attack: OSC /1/2525/2/184 Envelope Decay: OSC /1/2525/2/185 Envelope Sustain: OSC /1/2525/2/186 Envelope Release: OSC /1/2525/2/187  BPM: OSC /1/2525/2/188 Volume: OSC /1/2525/2/189 Device Power: OSC /1/2525/2/190 MIDI Chan: OSC /1/2525/2/191 Preset Up: OSC /1/2525/2/192 Preset Up: OSC /1/2525/2/193 Envelope Trigger: OSC /1/2525/2/194 Virtual Keyboard Octave: /1/2525/2/195  Delay Time R: OSC /1/2525/2/196 Delay Div R: OSC /1/2525/2/197 Filter Env: OSC /1/2525/2/198  Filter Inv R: OSC /1/2525/2/199  8 Bit: OSC /1/2525/2/200  Delay Cross: OSC /1/2525/2/201  Chorus Feed R: OSC /1/2525/2/202 Chorus Cross: OSC /1/2525/2/203  Reverb Delay: OSC /1/2525/2/204 Reverb HP: OSC /1/2525/2/205  FM Rate Range: OSC /1/2525/2/206 App Play: OSC /1/2525/2/207 App Play Oct: OSC /1/2525/2/208  Glide On: OSC /1/2525/2/209 Glide Time: OSC /1/2525/2/210 Pitch Bend App: OSC /1/2525/2/211 Pitch Bend Range: OSC /1/2525/2/212 Delay-Chorus Order: OSC /1/2525/2/213 

Credits Circuit Design: Yaron Eshkar Gui Design: Fernando Abreu  Web: http://www.oceanswift.net https://www.facebook.com/oceanswiftsynthesis/  Software Attribution Credits (controller): The development of this software was made possible using the following components: Material by Rey Licensed Under: Apache License 2.0 oscp5 by sojamo Licensed Under: LGPL-2.1