229
Copyright © 1977 Music Of Stage Three, Song & Dance and Vindaloo Productions All Rights Reserved Used by Permission Copyright Renewed 69 X X X X X X X X X X X X 3 X X X X X X 3 (3) 3 X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X ( ) 3 2 X 6 5 X 8 9 8 8 8 5 6 5 X 0 7 pitch: E 0 7 fdbk. 2 2 2 2 2 2 * vol. swell 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 Gtr. 2 (elec.) P.M. w/ fuzz 3 2 X 6 5 X 8 9 8 8 8 5 6 5 X Gtr. 1 (elec.) w/ dist. 0 7 T 12 T 7 Tune Down 1/2 Step: Gtr. 3 (elec.) 2 3 1 = E = B = G Intro Moderate Rock = 116 5 6 4 = D = A = E A5 * w/ dist. + A.H. + Back in the Saddle Words and Music by Tyler/Perry 2 3 Aadd9 23 1 Am 13 2 D 11 A5 Sorgdal

Aerosmith Compilation

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Copyright © 1977 Music Of Stage Three, Song & Dance and Vindaloo Productions

All Rights Reserved Used by PermissionCopyright Renewed

69

XX

XX

XX

XX

XX

XX

3

XX

XX

XX

3 (3) 3

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

( )

3 2 X 6 5 X 89 8 88 56 5 X

07

pitch: E

07

fdbk.

22

22

22

* vol. swell

22

22

22

22

22

22

22

22

22

22

22

22

22

Gtr. 2 (elec.)

P.M.

w/ fuzz

3 2 X 6 5 X89 8 8

8 56 5 X

Gtr. 1 (elec.)

w/ dist.

07

T

12

T

7

Tune Down 1/2 Step:

Gtr. 3 (elec.)

2

3

1 = E

= B

= G

IntroModerate Rock = 116

5

6

4 = D

= A

= E

A5

*

w/ dist.

+

A.H.

+

Back in the SaddleWords and Music by Tyler/Perry

2 3

Aadd9

23 1

Am

13 2

D

11

A5

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70

54

54

54

54

54

54

54

54

54

54

54

54

54

54

54

54

54

54

54

54

3 0 3 0 2 3

P.M.

Gtr. 1Riff A

78 7 78 7 78 7 78 7 78 7 78

05

05

05

05

05

05

05

05

Gtr. 3Riff A2

10   15

full

(15) (15) (15)

Gtr. 2

Riff A1

D

I’m

Chorus

back,

N.C.(E5)

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

P.M.

3 2 X 6 5 X89 8 8

8

07

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74

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

99

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

Gtr. 3

5 75 6 7

44

7 776

7 776

776

76

776

5 75 6 7

44

7 776

Gtr. 1

P.M. P.M. P.M. P.M. P.M.

14   1615 15 15 15 15 15 15 15 15 15 15 15 15 15

Gtr. 2

P.M.

Peal

B

Gtr. 4 tacet

in’ off my boots and chaps

E

I’m sad dle sore, four

B

bits gets you time in the rack  

E

(12)

1213

1213

12 12 14 14 14 1413 13 13 13

14 14 12 14

I’m like a load ed

C

gun.

A D C

(14) 1214 13   12

1/2

12

1/2

(12) 1012 12

C

I’m call

A

in’ all the shots to night,

D

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7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9XX

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

75

7 776

776

76

776

5 75 6 7

44

7 776

7 776

776

76

P.M. P.M. P.M. P.M. P.M. P.M.

15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15

P.M.

the girls are soak in’ wet. No

B

tongue’s dri er than mine,

E

I’ll come when I get

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7

9X

7 776

776

76

776

5 75 6 7

44

7 776

P.M. P.M. P.M. P.M.

15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15

P.M.

I scream for more. Fools

B

gold out of their mine,

E

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4

full

2 4 24 2

3 0 022

0 0 0 0 0 0 0 0

2

81

P.M.

Gtr. 2

Gtr. 4 tacet

A5

(

T

2 7)(0)

217 20 17

1920 17

1920 17

1920 17

1920 17

1920 17

1920

full

(20)

-1 1/2

(20)   20

full

20 20

+

fdbk.

3   6 6    3

hold bendw/ bar

w/ bar

0

-1 1/2

pitch: G

(0)

-1

(0)

-1

(0)

-1

(0)

-1

(0)

-1

(0)

-1 1/2

w/ bar fdbk.

8va

-1

w/ bar

-1 -1 -1 -1

14 1214

12X 14

14 1214 12

1214 12 14

1455   5

+1/2

(5)

w/ bar

16   17 16 14 16 14 16 1415 16

14

0

141313

1212 12

1414 12 X 12

X 1414 12

1412

X

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57

57

57

57

5X 7

7

57

57

57

57

XX 7

7XX

XX

57 7

7XX

X7

47

Gtr. 1

P.M. P.M.

VerseGtr. 2 tacet

D5

girl don’t go for smok in’;

A5

liq uor just make her flinch. Seems

7X 9

999

99

XX

5X 7

7

57

57

XX 7

777

77

77

57

P.M.

5

5 5 65

5

5 5 65

5

5 5 65

555

55 5

3 3 3let ring

A5

4. My

D5

57

57

59

57

510

5X

57

57

57

59

57

510

59

57

57

57

59

57

510

XX X

X79

7X 9

9

XX

79

79

P.M. P.M.

75 6

55

5 5 65

5

5 5 65

D6 D5 D7 D5 A5 A6

3

A5 A7 A6 A5 A6 A5 A7

3

A5 E5

3

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6

57

57

59

57

510

59

57

0 3X0

3X0

3X2

3X0

3X0

3X0

3X2

3X0

3X0

3X0

3X2

3X0

3X0

3X0

2X0

(0)777

0777

00

033

000 0

33

000

33

56

1/2

33

55

33

00

wan na get

D6 D5

next

D7

ta

D6

you.

D5 G5 G6 G5 G6 G5 G6 G5

2. Ya

G5/F

3X0

3X0

3X2

3X2

3X0

3X0

3X2

3X2

3X0

3X0

3X2

3X2

3X0

3X0

3X2

57

57

59

57

510

59

57

57

00

00

00

00

00

33

00

00

033

00

00

033

00

00

05 7

77

79

XX

5   7   5   7 0

G5 G6 G5 G6 G5 G6 G5 G6

Sweet

D5

lit

D6

tle

D5

ma

D7

ma,

D6 D5

I

3 3X0

3X2

3X0

3X0

3X0

3X2

3X0

3X0

3X2

3X0

3X0

3X0

3X2

3X0

3X0

3X2

3 3X0

3X0

3X2

3X0

3X0

3X0

3X2

3X2

3X0

3X0

3X2

3X2

33

0 00

31

00

0

5 00 00 00 0 00 00

0

00

0

00 00

P.M.

G5 G6 G5 G6 G5 G6 G5

Chip a

G6

way,

G5 G6 G5 G6 G5

that’s what

G6

I’m

G5

gon na

G6

do.

77

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12

3X0

3X0

3X2

3X0

3X0

3X0

3X2 5

5

Gtr. 2

78 7

XXX

33

5 5

533

033

0

033

033

03 5

5

55

wan na get

D6 D5

next

D7

ta

D5

you.

N.C. G5 G6 G5 G6 G5

Yes, I

G6

do.

G5

(Yes, I

G6

do.

C

033

55

1/2

55

55

1/2

55

33

5 3 (3) 015

079 7

710 9

78

G6 G5 G6 G5 G6 G5

Sweet

D5

lit

D6

tle

D5

ma

D7 D6

ma

D5

ma, I

033

555

33

55

00

33

00

033

00

00033

00

P.M.

G5 G6 G5 G6 G5 G6 G

Chip

G6

a way,

G5 G6 G5 G6 G5

that’s what

G6

I’m

G5

gon na

G6

do.

G5

N.C.

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13

355

3

56

3

55

022

0

23

0

22

3X

3

01

3

00

* Don’t pick; sound harm. w/ L.H.3

00

0

33

33

33

22

XX

355

555

55 7

56

555

70 2

22

22 4

23

222

XX

X 000

00 2

01

0000

2.6   5 000

00

33

33

33

22

XX

55

P.M.

8va

* Harm.

loco

333

999

141414

121212

555

steady gliss.steady gliss.

F/C C A D/A A G C/G G B 5

Chip

A5

a

C5

way,

355 5

6

3

55

022

02

23

0

22

* Pick harm. while barring strings at 2nd fret.3

0

3

01

3

00

3

0

3

201

3

00

355

Gtr. 2

555

5756

555

70 2

22

22 4

23

222

5 000

0 0201

000

000

00

201

000

XX

XX

555

Gtr. 1

P.M. * Harm.

8va   loco

222

Gtr. 4 (dist.-Perry)

w/ slide and MXR Phase 90

F/C C A D/A A G C/G G C/G G C

)

Interlude

X

XX

0

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14

(3)

000

3X201

3 3X00

3 3X201

3 3X00

3X201

00

3X000

000

000

355

355

355

3556

3556

555

3555

555

00

03

0

03

0

03

03 1

03 1   1

03

03

00

55

55

55

55

55

55

55

55

C/G G C/G G C/G G

I won’t

C

stop.(I won’t

Csus4

stop.I

C

won’t

3

00

3X0

3X00

3X00

3X00

0 0 33 3

53556

3556

3555

3555

XX

X0222

0222

0223

223

0223

0222

0222

3

03 2 0

3

1/4

0

55

55

55

55

55

55

55

55

55

22

22

22

22

22

22

00

Chip a way,

C Csus4

chip a way

A Asus4

at the

A

stone.

G

355

* let ring

* next 18 meas.

555

3556

3556

3555

0XXX

0222

022

0223

223

0223

0222

0XX

3X00

3X0

3X0 0

0

3X00

3X00

3 3X00

55

55

57

55

55

55

022

22

22

22

22

22

00

00

3   4 000

00

3 3 2

Gtr. 4 tacet

C Csus4

chip

C

a way

A Asus4

at the

A

stone.

G

C

Gtr. 2

Gtr. 1

Outro

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15

3

0

3 3X001

3X001

3X000

000

3

0

03555

3555

3556

556

355

555

355

0XX

0222

0222

0223

0223

022

0222

022

3

(0)

let ring

66 6

66

66

0 0 55

55

44

55

55

44

55

55

44

55

55

22

22

22

22

22 2

200

G Gsus4 G

Chip

C

it,

Csus4 C

I’m gon na nip

A

it

Asus4

all night

A

long.

G

3555

355

35

56

355

555

3555

555

0222

0222

022 2

3

022

222

222

0 3X000

3 3X001

000

3 3

00

3X001

001

55

55

57

55

55

55

57

55

22

22

22

2 22

22

22

0

66

66

66

66

0 0

stop.

C

I won’t

Csus4

stop.

C

I won’t stop.

A

I won’t

Asus4

stop.

A

I won’t stop.

G

I won’t

Gsus4 G

stop.)

Gsus4

0222

0222

0223

0223

0223

0222

0222

22

3

000

3X001

001

001

000

32000

000

3X000

001

001

001

001

000

000

0XX

22 2

422

22

22

22

0

66 66 66 66

0 0

66 66 66 66

stop.

A

I won’t

Asus4

stop.I

A

won’t stop.

G

I…

Gsus4 G Gsus4

I

G

won’t

X X

X

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16

3

5

* Depress bar and release bend simultaneously.

00

(11)

1/2

(11)

-1/2

(11)

-1/2 -1/2

(11) (11)

-1/2

(11)

-1/2

(11)

1/2

11 (11)

-2 1/2

Free Time

w/ bar

-1/2 -1/2 -1/2 -1/2 -1/2

fdbk.

w/ bar* depress bar grad.

3

0

3 3

2

3

00

3X00

3X00

3X201

000

3X000

000

3X001

000

3X000

000

3

0

0* Studio fade in.

3555

555

3556

556

355

355

3

55

5 000

0222

0222

0223

0223

0223

XXX

4X6

3X5

Gtr. 2

00

22

00

22

00

22

00

22

00

22

00

22

00

22

00

22

22

00

11

00

Gtr. 1

1011

1011

12 1011

1011

12 1011

1011

1212 11

Gtr. 5 (dist.- Perry)

*

C/G G C/G G C/G G C Csus4 C A Asus4 A A 5 G5

XXX X

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Intro

  Moderate Rock q = 132

Draw the LineWords and Music by Steven Tyler and Joe Perry

Copyright © 1980 Music Of Stage ThreeAll Rights Administered by Stage Three Music (U.S.) Inc.

All Rights Reserved Used by Permission

  

  

  

  

  

    

Verse

Open A tuning:(low to high) E-A-E-A-C#-E

**

A5

 mf 

E5

w/ dist.

*Wear slide on pinky throughout.

  A7

let ring

let ring

Check 1.

2. See additional lyrics

E5

mate- hon ey,- beat you at your own damn game.

A7

  No

E5

dice hon ey,- I’m liv in’- on the as tral- plane.

let ring

 

            

 

 

000

000

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

  

   

   

  

   

   

0 2 3 4 3 2 0

53

0

3

0 2 3 4 3 2 0

53

0

3

                         

       

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0 2 3 4 3 2 0

           

     

53

0

3

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

DigitalConversion ©2011 Sorgdal- For educationaluse only - notfor sale or trade.No warranty of accurac y or useability isimplied or claimed.

1

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1.

  

  

  

  A7

Feet’s

E

on the ground and your

let ring

head’s go in’- down the drain.

A7

Oh, heads

let ring

  D5

I win, tails you lose

E5

to the nev er- mind,

G5

when to draw the line.

   w/ slide

        

          

  A7

The2.

w/o slide let ring let ring

               

             

0 2 3 4 3 2 0

53

0

3

0777

0777

0777

0777

0777

0777

                 

         

   

0777

0777

0777

0777

0777

0777

0777

0777

0 2 3 4 3 2 0

53

0

3

                          

    

    

       

          

555

555

555

555

555

777

777

777

777

777

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

   

   

         

         

0 2 3 4 3 2 0

53

0

3

0 2 3 4 3 2 0

53

0

3

DigitalConversion ©2011 Sorgdal- For educationaluse only - notfor sale or trade.No warranty of accurac y or useability isimplied or claimed.

2

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2.

Verse

  A7

w/o slide let ring

let ring

  “Hi3. -

let ring let ring

  E5

ho- Sil ver,”- we were sing in’- all your cow boy- songs.

A7

Oh you

E5

told Car rie- and prom ised- her you would n’t- be long.

let ring

     

     

 

   

    

 

   

0 2 3 4 3 2 0

53

0

3

0 2 3 4 3 2 0

53

0

3

 

      

 

 

 

      

 

 

 

0 2 3 4 3 2 0

53

0

3

0 2 3 4 3 2 0

53

0

3

                   

       

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0 2 3 4 3 2 0

           

         

     

53

0

3

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

DigitalConversion ©2011 Sorgdal- For educationaluse only - notfor sale or trade.No warranty of accurac y or useability isimplied or claimed.

3

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Heads

D

I win, tails you lose,

let ring

   w/ slide

   

  E5

Lord, it’s such a crime.

G5

              

No

D5

dice hon ey,- you the salt,

E5

you’re the queen of the brine.

G5

            

             

Check 

E5

mate- hon ey,- you’re the on

D5

ly- one who’s got to choose

                          

             

 

   

0 2 3 4 3 2 0

53

0

3

555

555

555

555

555

           

                         

777

777

777

777

777

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

               

 

     

        

 

555

555

555

555

555

777

777

777

777

777

101010

101010

101010

101010

101010

 

                       

    

    

101010

101010

101010

101010

101010

101010

101010

777

777

777

777

777

555

555

555

555

555

DigitalConversion ©2011 Sorgdal- For educationaluse only - notfor sale or trade.No warranty of accurac y or useability isimplied or claimed.

4

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Interlude

  

  

Play 3 times

  

  

  

  

Play 3 times

  

  

E5

when to draw the line.

A7

w/o slide

let ring let ring

let ring

A7

let ring

*

let ring let ring

*3rd time, omit tie

                  

       

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0 2 3 4 3 2 0

             

     

53

0

3

0 2 3 4 3 2 0

53

0

3

         

         

0 2 3 4 3 2 0

53

0

3

0 2 3 4 3 2 0

53

0

3

               

     

3 53

0

3

0 2 3 4 3 2 0

53

0

3

                       

0 2 3 4 3 2 0 0 0 2 3 4 3 2 0 0 0 2 3 4 3 2 0 0

DigitalConversion ©2011 Sorgdal- For educationaluse only - notfor sale or trade.No warranty of accurac y or useability isimplied or claimed.

5

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Bridge

Yeah!

E5

Check mate,- don’t be late, take an oth- er- bow.

8va

That’s right, im pos- si- ble- when you got to be your self.- You’re the boss,

8va

it’s your toss. The dice, the price. Grab your self  - a

8va

slice

loco

and go and draw the line.

         

         

0 2 3 4 3 2 0 00777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

                 

07

77

07

77

07

77

07

77

07

77

07

77

07

77

07

77

07

77

07

77

07

77

07

77

07

77

07

77

07

77

07

77

07

77

07

77

                   

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

0777

DigitalConversion ©2011 Sorgdal- For educationaluse only - notfor sale or trade.No warranty of accurac y or useability isimplied or claimed.

6

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22

1 1 3 3 4 4 6 6

16

full

16 16 16

Gtr. 3

(cont. in slash)

Gtr. 4

Dream on ’n’ dream on, ’n’ dream on, dream your self a dream come true.

CodaChorus

Gtr. 1

B 5 C5 D 5 E 5

Gtrs.1 & 3

F5I

356

53

64

86

3

98

3

63

53

63

53

54

53

54

53

43

53

43

5

6

353

6

25

6

25

2

25

2

25

6 68

6 8   8

1/2

(8)5

4 46

5

46

5

6

5

66

5

86

5

86

5

8 13 13 86

86 6

86 6

Fm Fsus2 Fm(maj7) Fm7add9 B add9 E 7/6 E 7 D.S. al Coda

Well,

† play fingerstyle

3564

53 3

54

53

54

53

43

53

43

5

6

353

6

25

6

25

2

25

25

Gtr. 2†

let ring throughout

5

46

5

46

5

66

5

66

5

66

5

86

5

86

5

8 13 13 86

86 6

86 6

5

Gtr. 1

Interlude

FmGtrs. 3 & 4 tacet

Fm(maj7) Fm7add9 B add9 E 13 E 7

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Dude (Looks Like A Lady)

© Copyright 1987 Demon Of Screamin Music/Juju Rhythms/EMI April Music Incorporated/Universal Polygram International, USA.

Words & Music by Joe Perry, Steven Tyler & Desmond Child

q = 128

  

  

    

  

1.

  

  

  

  

 

2.

7fr

A57fr

G/D7fr

D8fr

G6/D5fr

F/A D* C/D E G7fr

E55fr

D5

 Intro   A5

I... I... I... I... That,

A5 G/D

that,

A5

dude

D

looks like a la

G6/D

dy.

D

-

Gtr. 1 (elec.)(sample)

 mf w/dist.

 

Gtr. 2 (elec.)

w/dist.

 

That,

A5 G/D

that,

A5

dude

D

looks like a la

G6/D

dy.

D

-

D

looks like a la

G6/D

dy.

D

-

 

                                  

                   

     

  

7

9

7

9

7

9

7

9

7

9

7

9

7

9

7

9

0

7

910

0

7

910

0

7

910

0

78

0

78

0

7

910

0

7

910

77

0

98

0

77

          

79

79

79

77

77

79

79

79

           

                       

     

  

 

  

079

10

079

10

079

10

078

078

079

10

079

10

077

0 098

077

0 077

0 098

077

0

           

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9

7

9

7

9

7

7

7

7

7

9

7

9

7

9

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1.

  

  

  

  

  

2.

 A5 G/D A5 D

G6/D D A5

G/D A5 D

G6/D D

   D

G6/D D

Verse

Cruised

A5

in to- a

G/D

bar on

A5

the shore,

D G6/D D

her pic

A5

-ture graced the

G/D

grime on

A5

the doo

  

 

 

 

  

 

 

 

079

10

079

10

079

10

078

078

079

10

079

10

077

0 098

077

079

10

079

10

079

10

078

078

079

10

079

10

077

0 098

077

                                   

79

79

79

77

79 7

777

79

79

79

77

79 7

7

79

79

79

77

79 7

777

79

79

79

77

79 7

7

                      

 

  

   

 

077

0 098

077

079

10

079

10

079

10

078

078

079

10

079

10

077

077

077

098

098

077

077

077

079

10

079

10

079

10

078

078

079

10

079

10

                                       

7

9

7

9

7

9

7

7

7

9 77

7

9

7

9

7

9

7

7

7

7

7

7

7

9

7

9

57

57

59

57

57

57

59

57 7

9

7

9

7

9

7

7

7

7

7

7

7

9

7

9

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   D G6/D D

She a

G/D

long

A5

lost

G/D

love at

A5

first bite,

D G6/D

ba

D

by,- may

G/D

   A5

- beyou’re wrong,

G/D A5

but you know

D

it’s all right,

G6/D

that’s

D

right.

G/D

That,

A5 G/D

that.

A5

                              

   

   

 

077

077

098

098

077

077

078

079

10

079

10

079

10

078

078

079

10

079

10

077

077

098

098

077

077

078

                                             

57

57

59

57

57

57

59

57 7

979

79

77

77

77

79

79

57

57

59

57

57

57

59

57

                           

   

 

 

 

079

10

079

10

079

10

078

078

079

10

079

10

077

077

098

098

098

098

09

10

079

10

079

10

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10

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078

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10

079

10

                          

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9

7

9

7

9

7

7

7

7

7

7

7

9

7

9

57

57

59

57

3 3

7

9

7

9

7

9

7

7

7

9 77

77

7

9

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   D

G6/D D

That,

A5 G/D

that.

A5 D G6/D D

And

 back 

ne

Verse   A5

- ver

- stage

 judge

we’re

a

G/D

hav

book 

ing

by

-

A5

- the

it’s

time

co ver

D

-

G6/D

of 

D

our lives

or who

A5

un

you’re

til

gon

-

na-

G/D

some

love

bo

by

-

A5

dy

your

- say,

lo ver.

D

-

G6/D D

Said,

“Fo

G/

           

 

 

 

     

  

077

0 098

077

079

10

079

10

079

10

078

078

079

10

079

10

077

0 098

077

                                     

79

79

77

79 7

7

79

79

79

77

79 7

777

79

79

79

77

79 7

7

                              

   

   

 

079

10

079

10

079

10

078

078

079

10

079

10

077

077

077

098

098

077

077

077

079

10

079

10

079

10

078

078

079

10

079

10

077

077

098

098

077

077

078

                                     

7

9

7

9

7

9

7

7

7

7

7

7

7

9

7

9

57

57

59

57

57

57

59

57 7

9

7

9

7

9

7

7

7

7

7

7

7

9

7

9

57

57

59

57

57

57

59

57

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 - give

love

A5

- me

put

if 

me

I

wise

G/D

seem out

A5

of 

to

line.”

her love

D

in dis guise,

G6/D

-

Then

she

D

she

had

whipped

the

G/D

bo

A5

out

dy-

her

of 

gun

a

G/D

Ve - nus, Lord,

and

A5

tried to

i

blow

ma

D

- -

me

gine

a

my

way.

sur

G6/D

-

-prise.

   

   

 That,

Chorus

A5 G/D

that,

A5

dude

D

looks like a la

G6/D

dy.

D

- That,

A5 G/D

that,

A5

dud

                      

   

 

   

 

079

10

079

10

079

10

078

078

079

10

079

10

077

077

098

098

077

077

078

079

10

079

10

079

10

078

078

079

10

079

10

077

077

098

098

098

098

09

10

                                  

79

79

79

77

77

77

79

79

57

57

59

57

57

57

59

57 7

979

79

77

77

77

79

79

55

55

755

55

                                       

     

  

 

079

10

079

10

079

10

078

078

079

10

079

10

077

0 098

077

079

10

079

10

079

10

078

078

079

10

079

10

                                    

7

9

7

9

7

9

7

7

7

9 77

77

7

9

7

9

7

9

7

7

7

9 77

7

9

7

9

7

9

7

7

7

9 77

77

7

9

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1.

  

  

  

  

 

2.

   D

looks like a la

G6/D

dy.

D

- That,

A5 G/D

that,

A5

dude

D

looks like a la

G6/D

dy.

D

- That,

A5 G/D

that,

A5

dud

 D

looks like a la

G6/D

dy.-

D

So

D

looks like a la

G6/D

dy.

D

-

Bridge

(Ba

A5

by- let me

G/D

fol-low

A5

you

Let

down.

F/A

me take a peek dear

                        

                          

 

 

 

     

  

 

077

0 098

077

079

10

079

10

079

10

078

078

079

10

079

10

077

0 098

077

079

10

079

10

079

10

078

078

079

10

079

10

                                            

79

79

77

79 7

7

79

79

79

77

79 7

777

79

79

79

77

79 7

7

79

79

79

77

79 7

777

79

                                                     

 

 

   

  

 

077

0 098

077

077

0 098

077

079

10

079

10

079

10

078

078

079

10

079

10

756

                              

7

9

7

9

7

7

7

9 77

7

9

7

9

7

7

7

9 77

7

9

7

9

7

9

7

7

7

7

7

7

7

9

3

5

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Ba

A5

by- let me

G/D

fol low

A5

- you

do

down.

F/A

me, do me, do me all night.

Ba

A5

by- let me

G/D

fol low

A5

- you

Tur

 

down.

F/A

the o ther- cheek dear.

Ba

D*

by- let me

C/D

fol- low you

D*

Do

down.)

E

me, do me, do

G

me, do me.

                     

                         

 

079

10

079

10

079

10

078

078

079

10

079

10

756

079

10

079

10

079

10

078

078

079

10

079

10

                           

79

79

79

77

77

77

79

35

79

79

79

77

77

77

79

                                       

 

756

023

023

023

001

001

001

023

02210

0

32000

3

             

3

5

5

7

5

7

5

9

5

7

5

7

5

7

5

9

79

1012

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Gtr. solo   [A5] [D5] [A5] [D5]

1/4 1/4

cont. si

[A5] [D5] [A5]

full full

 [D5]

[A5]

  1/2 full full

 [D5] [A5] [D5]

full full full full full full f

[A5] [D5]

full full full full ful

                              

        

0 3 0

2 0 2 0 4 2 04

04

4 2 5 2 5 2 5 2 2

0 3 0

2

0 2 3 22 0

2 04

05  

                                      

79

79

79

77

79 7

777

79

79

79

77

79 7

7

79

79

79

77

79 7

777

79

79

79

77

79 7

7

          

     

                            

75

75 7 5

777

55

788

88

7   77

55

55

7 57

55

5 755

55

55

55

5 755

55

55

55

5

                     

       

7

777

55

77

7   55

777

55

8 8

7

8 8 8 8 85

                             

                  

  

7 75 7 5

55

55

7

55

5 7

7

5

5

77

7

5

5

7

75   7

88

88

88

88

7

8 88

88 0

0

19

                                      

1717

1717

19

1720 17

19

1717 20

17

19

1717

17

19

1717 20 17

19

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[A5] [D5]

full full full full full full full

 Bridge

E5 D5

Ooh,

E5

what a fun ky- la dy.-

E5 D5 E5

Ooh, she

     

   

       

       

 like it, like it, like it, like that,

E5 D5 E5

Ooh, he was a la dy.-

1/2

   

 

                                  

1717 20 17

19

1717 20 17 20 17 20 17 20

1720

1720

1720

1720 20

                                             

99

99

99

77

77

99

99

99

99

99

77

77

99

99

                                                    

99

99

99

77

77

99

99

XXX

XXX

XXX

XXX

XXX

XXX

99

99

99

77

77

99

99

99

                                 

               

    

 

X X X X X X X X

99

99

99

77

77

99

99

2   0

                                               

                  

XX

X

XX

X

XX

X

XX

X

XX

X

XX

X

XX

X

9

9

9

9

9

9

7

7

7

7

9

9

9

9

9

9

XX

X

XX

X

XX

X

XX

X

XX

X

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   E5

D5 E5

Yeow,

G

yeah, yeah, yeah, yeah,

 That,

(yeah.)

ChorusA5 G/D

that,

A5

dude

D

looks like a la

G6/D

dy.

D

- That,

A5 G/D

that,

A5

du

   

                 

99

99

99

77

77

99

99

3

                   

99

99

99

77

77

99

99

101212

                                          

     

  

 

079

10

079

10

079

10

078

078

079

10

079

10

077

0 098

077

079

10

079

10

079

10

078

078

079

10

079

10

                                    

7

9

7

9

7

9

7

7

7

9 77

77

7

9

7

9

7

9

7

7

7

9 77

7

9

7

9

7

9

7

7

7

9 77

77

7

9

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1, 2, 3.

  

  

  

  

  

4.

  

  

  

  

  

1.

  

  

  

  

 

   D

looks like a la

G6/D

dy.

D

-

looks like a la dy.-

A5

Dude, dude,

G/D

dude,

A5

dud

   D

looks like a la

G6/D

dy.

D

-

A5

Dude, dude,

G/D

dude,

A5

dude

D

looks like a la

G6/D

dy.

D

-

                             

       

 

 

 

   

  

 

077

0 098

077

077

0 098

077

079

10

079

10

079

10

078

078

079

10

079

10

                                     

79

79

77

79 7

7

79

79

77

79 7

7

79

79

79

77

79 7

777

79

                                         

 

 

 

     

   

077

0 098

077

079

10

079

10

079

10

078

078

079

10

079

10

077

0 098

077

                                     

7

9

7

9

7

7

7

9 77

7

9

7

9

7

9

7

7

7

9 77

77

7

9

7

9

7

9

7

7

7

9 77

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2.

  

looks like a la dy.-

[A5]

Yeah, yeow,

  [D5]

ya, ya, ya, ya, ya, ya, ya, yeow,

[A5]

yeow,

 

yeow,

  

full full full

 [D5]

yeow,

 ya, ya, ya, ya, ya, ya, ya, ya, yeow.

[A5]

    [D5]

full full

                  

                 

 

 

               

   

077

0 098

077

7 7 7 7 7 7 7 7 7 7 7 7 7 7

757 5

7

55

55

7

55

55

55

                                           

79

79

77

79 7

7

79

79

79

77

77

79

79

79

57

57

59

57

57

57

59

57 7

979

79

77

77

79

79

79

   

                         

     

75

5

5

5

5

5

7 75

7

5

5

5

5

8 7 5

5

8

5 12

10

10 12

10

9 10

                               

57

57

59

57

57

57

59

57 7

9

7

9

7

9

7

7

7

7

7

9

7

9

7

9

57

57

59

57

57

57

59

57

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 That,

[A5]

that,

[D5]

That,

[A5]

that,

   [D5]

That,

[A5]

that,

[D5]

 Repeat ad lib. to f

                     

             

                        

9

8

9

8

109

109

109

109

109

109

5 7

7 5

5

50 2 2 0

20

7 755

777

55

55

7

                                     

79

79

79

77

77

79

79

79

57

57

59

57

57

57

59

57 7

979

79

77

77

79

79

79

         

              

  

  

      

5

5

7

7

55

55

77

77

55 0

052

200

7

7

7   9

9

9   11

10

11   12

12

                                  

57

57

59

57

57

57

59

57 7

9

7

9

7

9

7

7

7

7

7

9

7

9

7

9

57

57

59

57

57

57

59

57

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133

 © 1992 SWAG SONG MUSIC, INC., EMI APRIL MUSIC INC., ALMO MUSIC CORP. and TESTATYME MUSICAll Rights for SWAG SONG MUSIC, INC. Controlled and Administered by EMI APRIL MUSIC INC.

All Rights Reserved International Copyright Secured Used by Permission

75

6 5 3 0224

0224

5 75

5 73 5 7

56 5 3 0

224

0224

75

6 6 5 5 3 0 0224 24

00

5 75

5 73 5 7

56 6 5 5 3 0 0

224

0224

E5 N.C. E5 End Rhy. Fig. 2

*2nd time, and when Rhy. Fig. 1 is recalled,note is picked, not hammered.

022400

022400

5 75

5 73 5

Gtr. 2Rhy. Fig. 1A End Rhy. Fig. 1A Rhy. Fig. 2A

5 75

5 73 5 6

56 6 5 5 3 0 0

224

0224

5 75

5 73 5

Rhy. Fig. 1Gtr. 1

*

End Rhy. Fig. 1 Rhy. Fig. 2

N.C.

Rhy. Fig. 1B

N.C. E5

End Rhy. Fig. 1B

Gtr. 3: w/Rhy. Fig. 1B, 2 times

TAB

004220

004220

004220

004220

004220

004220

004220

004220

(Percussion w/vocal ad Libs)

Intro

Gtrs. 1 & 2

Moderate Rock = 123

N.C.

Gtr. 3

E5 E7 9

Words and Music by Tyler, Perry and Vallance

1 14

E5

Eat The Rich

E7 9

2 1 3 4

6fr

11

A5

13 4

B5

13 4

D5

5fr

End Rhy. Fig. 2A

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135

355

577

14

full

15 (15)

Gtr. 1Rhy. Fill 2

00

30

00

30

00

30

00

30

00

30

00

30

let ring throughout

022

244

355

022 2

full

(2)

022

244

sick 

E5

of all your

F 5

bitch in’ ’bout your

Gtr. 1: w/ Rhy. Fill 2, 2nd time

poo

G5

dles and your

A5

pills. And I just

E5

can’t see no

F 5

hu mor a bout

00

30

00

30

00

30

00

30

Riff AGtr. 2

let ring throughout

*During Pre-Chorus, Gtr. 1 is two gtrs. arr. for one.

022

244

355

022 2

full

(2) 02

*Gtr. 1

Pre-Chorus

sick 

E5

of your com

F 5

plain ing a bout

G5

how man y

A5

bills. And I’m

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Intro

  Moderately fast q = 152

 © 2002 EMI APRIL MUSIC INC., DEMON OF SCREAMIN' MUSIC PUBLISHING, JUJU RHTYHMS, SONY/ATV SONGS LLC and WHITE PEARL SONGSAll Rights for DEMON OF SCREAMIN' MUSIC PUBLISHING and JUJU RHYTHMS Controlled and Administered by EMI APRIL MUSIC INC.

All Rights for SONY/ATV SONGS LLC and WHITE PEARL SONGS Administered bySONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203All Rights Reserved International Copyright Secured Used by Permission

from Aerosmith - O, Yeah! 

Half-time feel

Girls of SummerWords and Music by Tyler/Perry/Frederiksen

End half-time feel

Gtr. 6: Drop D tuning:(low to high) D-A-D-G-B-EGtr. 7: Open G tuning:(low to high) D-G-D-G-B-D

*Gtr. 1 (elec.)

(Drums)

**w/ clean tone

D

type2

13 2

D

2 34

G5

23 1

Am

1342

Cm

2 3

G5

1342

Bm

12 4

Em7

1333

Bb

1333

C

11 1

A

Dsus4 Dsus2 D

*Backwards gtr. arr. for gtr. **Vol. swells

Gtr. 3(acous.)

 mp 

Gtr. 1 tacet

Slower q = 122

 mf 

D

1. When

G5

Gtro 2(elec.)

 mf w/ clean tonelet ring throughout 

Riff A End Riff A

Verse

Rhy. Fig. 1

win

G5

ter- hearts turn sum mer- pink in half the time it takes

let ring

               

232

33

230

232

                         

                                             

23

2

03

2

33

2

23

2

23

2

03

2

33

2

23

2

                                             

 

 

   

3X0033

3X0033

33

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1

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Gtr. 3

Gtr. 2 tacet

to blink, but it all

Am

de pends- on what

Cm

you think a bout

G5

-

Gtr. 4 (elec.)

let ring   mf w/ slight dist o

                  

      

                  

      

                           

                     

End Rhy. Fig. 1

Gtr. 3: w/ Rhy. Fig. 1

the girls of sum mer.- When all

G5

you think of all

Gtr. 4                     

let ring                        

*Gtrs. 2 & 5

 mf 

w/ tremolo

*Gtr. 5 (baritone gtr.)

day long is a pret ty- face in side- a song, with a broad

let ring

  (cont. in slashes)

Gtr. 2

Gtr. 3 divisi

**Gtr. 2 to left of slash in tab

**

**As before

**

                                                

33

02210

3554

                         

                 

   

3X003

0033

3

    

3

0

                                         

3

                        

03

0

3

0

03

0

Digital Conversion ©2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

2

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Gtr. 4         

         

Am

like that you

can’t

Cm

go wrong

a bout-

type2G5

the

girls

of sum -

Gtrs. 2 & 5

Gtrs. 2, 4 & 5 tacet

mer.-

µ

I know you know what ev ’ry- bod- y’s- talk ing- ’bout.

  (Oo. Wah.)

   

Gtr. 3

Chorus

Rhy. Fig. 2

**

D

Voc. Fig. 1

Some girls are all

Bm

a bout-

(Ah.

it,

G5

a, some girls they love

Em7

*Gtr. 6

 mf 

Rhy. Fig. 3

w/ dist.

*Two gtrs. arr. for one.

**Pertains to upstemmed notes only.

                                       

                 

02

35

3

0

   

                         

 

     

       

    

3

0

               

       

             

   

00023

2423

5

0X

087

Digital Conversion ©2011 Sorgdal -Foreducational useonly -n ot forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

3

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End Rhy. Fig. 2

Gtr. 3: w/ Rhy. Fig. 2

 

to let it fly.

D

Some girls can’t live

Bm7

with out-

Ah.)

it,

3

(Ah.)

Voc. Fig. 2

Gtr. 3

G

a, some girls

End Voc. Fig. 1

are born

Em7

to make you cry

cry,

G5

yeah,

        

          

        

  

      

          

    

Bb

End Voc. Fig. 2

End Rhy. Fig. 3Gtr. 6

       

                                 

     

   

 

222

222

222

222

222

222

222

000

242

                                 

     

 

5

0X

087

222

222

222

222

222

222

222

222

222

555

Digital Conversion ©2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

4

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C  oT oda  Gtr. 2: w/ Riff A

o ver- and

o ver- a gain.-

D

2. My

G5

 

 

 

fa

VerseGtr. 3: w/ Rhy. Fig. 1Gtr. 6 tacet

G5

v’rite- thing that drives me wild is when a cit y- girl walks a

3

Gtr. 7 (elec.)

w/ flangertremolo off let ring throughout 

coun try- mile for the boy

Am

she loves, God bless

Cm

the child in side

G5

-

3

                             

   

888

00023

                                       

       

               

   

8

7

07

77 5

05

03

03

03 8

78 7

77

     

               

 

   

 

   

                               

50

50

32

30 1 0

4 10

3 80

8 40

4

Digital Conversion ©2011 Sorgdal -Foreducational useonly -n ot forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

5

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 D.S. al Coda

 Coda

  G

the girls of sum mer.-

Gtr. 7 tacet

µ

A, do you know what ev ’ry- bod- y’s- talk ing- ’bout?

 

(Oo. Wah.)

   

Gtr. 3

Bridge

Gtr. 3

D

Yeah, yeah, yeah, yeah.

Bb

They

get you climb ing- the walls,

C

Gtr. 2

Gtr. 6

Gtr. 4

let ring

                                       

     

     

   

                     

98

7

108

7

98

108

789

         

                     

       

11

11

1

00023

888

         

13

3

13

3

13

Digital Conversion ©2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

6

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they get you caught in their spell.

G5

They get you

speak ing- in tongues.

D

Could this be heav en- or hell?

Bb

let ring let ring let ring

To

fall in love twice a day

C

is such a sweet

price to pay.

G5

let ring let ring let ring

                                             

             

              1

33

33 3

33

33 3 3

23

23

 

101010

555

057

   

   

               

   

  3

55

35

5

35

35

5

35

5

35 5

77

57

7

57

                                     

               

             

3 11

11

1 33

33

3 33

33 3

3

   

888

101010

555

                               

13

3

13

3

13

35

5

35

5

35

35

5

35

5

35

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7

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VerseGtrs. 2 & 4 tacet

A

(cont. in notation)

3. The

G5

best

G5

things a

Gmaj7

bout- life

(S’il vous plez.

Gtr. 3

Gtr. 6 p 

let ring

 

Gtr. 6 tacet

G6

are free,

G5

the pus sy- wil

Gmaj7

low- of 

G6

your dreams

G5

to the one

Am

Gtr. 3

   

     

         

           

         

 

 

3 55 3

57

55

57

55

3X0033

3X0032

3X0032

 

777

5

0X

03

                 

57

7

57

9

57

7

7

6

79

                       

           

 

 

 

 

3X0030

3X003

3X0033

3X0033

3X0033

3X0032

3X00

3X00

3X0030

3X003

02210

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Digital Conversion ©2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

8

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Gtr. 3

who climbs

there’ll

al

Cm

ways- be

the girl.

G5 G5

Ah.)

 

(cont. in slashes)

Gtr. 2

Chorus

Bkgd. Voco: w/ Voc. Fig. 1

Gtr. 3: w/ Rhy. Fig. 2 (2 times)Gtr. 6: w/ Rhy. Fig. 3

D

Some girls are all

Bm7

a bout- it,

G5

a, some girls, they love

Bkgd. Voc.: w/ Voc. Fig. 2

Em7

to let it fly.

D

Some girls, no doubt

Bm7

a bout- it,

Gtr. 3

G5

a, some girls are born

Em7

to make you cry.

G5

Some girls can’t live

Em7

with out- it.

   

  Gtr. 6

     

               

         

 

 

 

  

 

 

                             

02210

02210

3554

3554

3554

3554

3X0033

3X0033 7

87

88

7

78

7

88

7

78

7

                                       

                                       

 

                                              

 

5

0X

03

222

222

222

222

222

222

222

222

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9

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Gtr. 2: w/ Riff A (2 times)

G5

Some girls got twen

Bb

ty- rea

sons- why.

D

O ver,- and

(O ver,- and

o ver,-

 

and

o ver,- and

o ver,- and.

o ver,

- and...)

Bb

C

Gtr. 8 (elec.)

  w/ dist. & slide

  f 

 

   

Gtr. 6

                          

           

 

     

   

 

555

888

0002

3

               

     

     

   

 

     

7 7 7 5 35

 

00023

888

101010

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10

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Intro Moderately slow q = 72

Last ChildWords and Music by Steven Tyler and Brad Whitford

from Aerosmith - Rocks 

Copyright © 1977 Stage Three SongsCopyright Renewed

All Rights Administered by Stage Three Music U.S. Inc.All Rights Reserved Used by Permission

Reprinted by Permission of Hal Leonard Corporation

Faster q = 82

Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb

**Dm('9)

(Oo.)

(Oo.)

I’m dream

G6(no3rd)

ing- to night.- I’m

*Gtr. 1 (dist.)

 mf let ring

let ring

*Brad Whitfield. Doubled next 6 meas.

**Chord symbols reflect implied harmony.

leav

E7

ing

- back home.

F7 F#7

Right!

E9

***Gtr. 2

   mf 

P.M. P.M.

***Joe Perry

Gtr. 1

let ring

 Riff A

slight P.H.

End Riff A

                             

                                                 

77

60

67

7 77

60

67

7 57

80

87

5 57

80

87

5

                 

       

   

77

04 5 4 0

77

4 X 5 7

                                           

7   97

90

97

9 97

90

979

10810

11911

02

02 4 5 4 2 4

0 2

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1

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Gtr. 1: w/ Riff A (3 times)

Yeah,

ya, ya, yeah.

Take1.

Gtr. 2

P.M. P.M. P.M. P.M.

VerseGtr. 1: w/ Riff A (6 times)

E9

me

in

back 

the field,

to

put

a

the

South

mule

Tal

in

la

the

- has

sta

- see,

ble.

-

-

P.M. P.M. P.M.

down

Ma,

’cross

she’s

the

a,

bridge

cook in’,-

to

put

my

the

sweet

eats

sas

on

sa

the

- fras

ta

- see.

ble.

-

-

Can’t

Hate’s

P.M. P.M.

stand

in the

up

cit y-

on

and

my

my

feet

love’s

in

in

the

the

cit

mead

y,

ow,

-

-

got

hands

P.M. P.M.

   

       

   

       

   

       

   

77

04 5 4

7

77

4 X 5 7

77

04 5 4 0

77

4 X 5 7

77

04 5 4 0

77

4 0 5 7

                 

       

       

       

   

77

04 5 4 0

77

4 0 5 7

77

04 5 4 0

77

4 X 5 7

                       

       

       

       

   

77

04 5 4

7

77

4 0 5 7

77

04 5 4 0

77

4 X 5 7

           

   

     

 

       

     

       

   

77

04 5 4

7

77

4 X 5 7

77

04 5 4 0

77

4 X 5 7

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to get

on the

back 

plough

to

and

the

my

real

feet’s

nit

in

ty

the

- grit

ghet

ty.

to.

-

-

Gtr. 2

Riff B

P.M. P.M.

End Riff B

Gtr. 1

slight P.H. slight P.H.

Yes

Stand

Pre-Chorus

2nd time, Gtr. 3: w/ Fill 1A5

sir,

up,

no

sit

sir.

down.

Don’t

Don’t

come

do

close

noth

to

in’.-

my

It

home,

ain’t

sweet

no

home.

good

Can’t

when

catch

boss

no

man’s

dose

stuf 

from

fin’-

a

it

hot

down

*Gtr. 3 (dist.)

 mf 

*Joe Perry

Gtr. 2

Gtr. 1

  Rhy. Fig. 1 End Rhy. Fig. 1

Fill 1Gtr. 3

               

       

       

       

     

77

04 5 4 0

77

4 0 5 7

77

04 5 4 0

77

4 0 5 7

                                 

02

02 4 5 4 2 4

0 2

02

02 4 5 4 2 4

0 2 0

                                     

     

   

     

121212

1414

1212

111111

121212

1415

1111 11

11

                     

05

07

04

05

022

04

02 2 4

05

07

04

05

022

04

02 2 4

05

                                 

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

 

     

 

     

121212

1414

111111

111111

111111

121212

1415

111111

111111

111111

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3

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2nd time, Gtr. 3: w/ Fill 2

tail

their

poon

throats

tang

for

- sweet

pap

heart

er

-

-

sweat

notes

who

and

could

their

make

ba

silk 

bies-

purse

cry

from

while

a J.

cit

Paul

ies-

Get

lie

and

at

his

their

ear,

feet,

Gtr. 1: w/ Riff A (2 times)Gtr. 2: w/ Riff B2nd time, Gtrs. 3 & 4 tacet

E9

with

when

her

you’re

face

rock 

in

in’-

her

the

beer.

streets.

Gtr. 3

Gtr. 4 (dist.)

 mf 

Fill 2Gtr. 3

                                     

 

     

 

     

121212

1414

111111

111111

111111

121212

1414

111111

111111

111111

             

05

07

04

05

022

04

02 2 4

05

07

04

05

022

04

02 2

04

                                    02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

0

             

                   

77

77

77

77

77

77

777

               

77

77

77

77

77

777

 

     

 

     

121212

1415

111111

111111

111111

121212

1415

1415

1415

1415

1415

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4

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1.

2.

Home,

ChorusGtrs. 3 & 4 tacet

D

sweet

A

*Gtr. 5 (dist.)

Riff C1

  f 

      End Riff C1

*Doubled throughout

   1/2 1 1/2

Gtrs. 1 & 2   Riff C End Riff C

home.

Gtr. 1: w/ Riff A (2 times)

Gtr. 5 tacetE9

Get2. out

*Gtr. 6

Guitar Solo

  f 

E5

P.M.

  

P.M.

  

*Brad Whitford

15

  1

15

  1

Gtr. 1

slight P.M.

  slight P.M.

  

   

Gtr. 2

  Riff D      End Riff D     

                   

                             

11 11 9 7 7 711 11 9 7 9 5

   

   

0 0

707

07

0 07

02

02

   

       

    

       

    

         

 

 

77

0

4 5 4

7

77

4 0 5 7

77

0

4 5 4

7

77

4 0 5 7

77

0

4 5 4 0

77

77

77

77

                                                      

13 14 13 14 13 14 13 14 13 14 13 14 13 1312

14 13 14 13 14 13 14 13 14 13 14 X

      0 0 0 0 0 0 0 0 0 0 0 0 0 2 0 0 0 0 0 0 0 0 0 0 0 0 0 2

                               

05 4 2

3 0

2

0

0 2

05 4 2

3 0

2

0

0 2

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5

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Gtr. 6

Gtrs. 1 & 2: w/ Riff D (2 times)       1 1

let ring

  8v a

3   1 1

Gtr. 7 (dist.)

Gtrs. 1 & 2: w/ Riff CGtr. 5: w/ Riff C1

  f 

D A

Gtrs. 1 & 2: w/ Riff DGtr. 7 tacet

E5

1

Gtr. 6

loco

   

1

1 1/2

1

*

*Open D sounds when 4th string slips out  from under finger while releasing bend.

  1

Gtr. 6

Gtrs. 2 & 3: 2/ Riff CGtr. 5: w/ Riff C1

D A

 p 

  1  1/4 1

Ma

Gtr. 1: w/ Riff A (2 times)Gtr. 6 tacet

E9

ma,- take me home,

sweet home.

I

was a last

Gtr. 1: w/ Riff A (till fade)Gtr. 2: w/ Riff B (till fade)

Outro

E9

child,

a, just

a punk in the

8v a

streets

Gtr. 2

P.M. P.M.

Gtr. 6

             

                         

15 1512 12 12 12

15 1215

1212 0

12

014 12

12

14 14   414 119 9 9

119 12 9

119 9

119

                                                  

11

17

16

1515

17 1515

17

1517 17 15

1515

17 17 15 17 1516

1516 14 13

14

                    

14 12

14

14 12

14

14 12

14

14 12   12

14

14 12

14

                                            

15 1414

15 1414

15 1414

1514

17

1415 14

1417

0

X 15 1412

12

14 1412 14

12 14 15

                                     

12 14 15 X 14 1212

1212

15

14 1214 12

15   15 15   15

   

 

  

          

        

                

       

    

       

    

77

04 5 4

7

77

4 0 5 7

77

04 5 4 0

77

4 0 50

7

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6

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 Fade out

 

I was a last child,

a, just

a punk in the streets.

I

was a

8v a

Gtr. 6

  f 

  

steady gliss. steady gliss.

 

  1 1/41/4 1/41/4 1/41/4

 

last child,

a, just

a punk in the streets

I was a last

 Begin fade

child,

a, jus t

a punk in the

8v a

streets.

steady gliss.

      

let ring  

  

       11

  I

was a last child,

a, just

a punk in the streets

8v a

 mp mf 

I

was a last child,

a, just

a punk in the streets

8v a

*    

*Played behind the beat.

   1 1 1 1 1 1 1

                                      

   

                                

15   15 1212 12 2 5

51212

0

12 1212 12

12 1212 12

12 1212 12

X 14

                                           

           

      

14 5

15   151512

15 1212

15

                                        

                           

       

   

12X15

12X15

12X15

12X15

12X15

12X15

12X15

12X15

12X15

12X15

12X15

12X15

12X15

12X15

15 2 3 142

          

   

 

               

                         

2 233

2 223 3 3

2 23 3 3   3   10 2 6

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love

Am7

you want,

F

then you

Dm

won’t mind

G

a lit tle-

Am7

ten der- ness

F

- that

Gtr. 1 tacet

some

µ

times- is so hard to find.

(Lay it

3 3

T

down.

Chorus

C

Lay it down,

Fsus2

make it all

Am

right.

G

Lay it down.

C

Lay it

down,

Fsus2

I’ll hold you

Gtr. 3(elec.)

w/ clean tone & heavy tremololet ring throughout 

 mp 

Riff A1

*Gtr. 2(elec.)

w/ clean tonelet ring throughout 

 mp 

Riff A

*Two gtrs. arr. for one.

                                         

     

          

              

108

0

87

0

65

3

53

376

055

0

3X543

543

5

108

0

87

0

65

3

53

3

       

 

       

             

                                         

98

8

108

8

10 910

8

9 1212

1012

98

8

108

8

10

                                           

3

01

03

01

30

2

12

10

10

3

01

03

01

3

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C  oT oda  

so

Am

tight

G

yeah.

Lay it down.)

Dm7

Oh,

Yeah,

be fore

C/E

- the morn ing- light

Fsus2

it’s gon na- be

Bb

all

Am

right.

Gsus4

Oh, lay it

C

down. Come and lay

Fm

itdown

down to night.-

C G/B

P.M.

End Riff A1

End Riff A

                 

               

       

   

         

     

       

       

 

       

910

8

9 1212

1012

76

86

98

108

108

8

10

1311

1210

                                         

02

12

10

10

02

1

0 2

01

03

01

0 33

23

                       

      

 

           

     

    

                                   

1212 13 12

1212 13 12

12

1214

12

10 1213

13 12

10

1213

1012

                               

3

0 013

3

0 013

35 5

53

0 111

3

01

0

3

0

2

0

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3

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Tell2.

Verse

Am

me how you feel

F

when we make

Dm7

love.

G

Tell me

Gtr. 4(nylon str. acous.)

w/ fingerslet ring throughout 

 mf 

Gtr. 2

Riff B End Riff B

is

Gtr. 2: w/ Riff B (2 times)

Am

it real or just

F

make be lieve?

Dm7

-

Gsus4

Gtr. 4

You

Am

will nev er- know

F

what you’re made

Dm

of 

G

till you

3

                     

               

   

 

 

     

0

0

2

10

2 3

1

01

0

3 1

02

3

0

1

0

3

3

00

03

0

                 

22

1

32

1

02

1

00

33

                         

                       

0

0

2

12

0

2 3

1

30

11

0 0

1

23

0 1

0533

533

         

     

   

     

     

                   

 

     

0

0

2

12

0

2

1

0 3

1

01

2

3 1

0

1

23

2

1

0

3

3

00

03

0

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 D.S. al Coda

o

Am

pen- up your heart

F

to re ceive.

Dm7

-

Gsus4

’Cause if the love

Am

you got’s

F

that

3

Gtr. 4

Gtr. 2

same

Dm

old grind,

G

we’re talk ing

Am

- ten der- ness

F

-

that’s so

Dm7

hard to find and I’m here

G

to re mind

(Lay

-

it

you.

3

3

3 3 3

                       

                           

                                                 

        

       

          

      

    

0

12

10

23

1

32

13 1

0

1

23

1

2 533

533

0

0

22

10

23

1

30

13 1

                              

22

1

32

1

02

1

00

33

2

0 1

32

1 3 1

 

 

           

         

     

                

    

    

            

       

0

1

02

31

3

3

3

00

03

0

02210

21

0 3 0

3 30

11

00

1

23

1

0

3X0033

3X0033

                             

02

31

3 3

0033

0033

21

3 3 0

32

10

02

31

3033

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 Coda

C

to night.-

Do you re mem

BridgeGtr. 2 tacetGtr. 3: w/ Riff C (5 times)

Bb

- ber- them times talk  

Am

ing- in your sleep? With a

Gtr. 3 Riff C End Riff C

Gtr. 2

*Gtr. 5 (elec.)

 mf 

 mf *Gtr. 6 (elec.)  divisi

*w/ dist.

**

**Gtr. 5 to left of slash in tab.

pock 

Ab

et- full of prom ise- you nev

C

er- could keep. From your best

Bb

friend’s lov er,- you dreamed

Am

a bout- a bed. When you’re

Gtr. 7 (elec.)

w/ dist. & slide

 mp 

Gtr. 5

Gtr. 6divisi

                             

         

1213

10

1213

10

           

3

01

3

01

6X88

X11

5X77

X10

 

        

    

   

   

 

 

       

           

8 8 8 10 8 8 8

      

4X66

X9

3355

5X8

6X88

X11

5X77

X10

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6

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pull

Ab

ing- up the cov ers,- the voic

C

es

- in your head say, “If you

Bb

want it bad,

Am

don’t

33

 

ev

G

er- let it slip a way.”-

’Cause if it’s love

Gtrs. 3, 5, 6 & 7 tacet

Am7

you want

F

and ten

Dm

der- ness,-

(Lay

µ

it down

3 3

Gtr. 3

Gtr. 7 Gtr. 1

Gtr. 5

Gtr. 6 divisi

                         

 

         

8 8 8 10 8 8

      

4X66

X9

3355

5X8

6X88

X11

5X77

X10

 

   

                

       

     

1213

10

         

       

8 3108

87

7 3X65

3

53

376

055

0

3X55

X8

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7

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ChorusGtr. 1 tacetGtrs. 2 & 3: w/ Riffs A & A1

C

lay it down.

Fsus2

Make it all

Am

right.

G

Lay it down.

C

Lay it down,

Fsus2

I’ll hold you

(Yeah.

Yeah.)

Am

so tight.

G

Lay it down.)

Dm7

Oh,

be fore

C/E

- the morn ing- light

Fsus2

it’s gon na- be

Bb

all

Am

Gtrs. 5 & 6

  f 

right.

Gsus4

Lay it

C

down.

I’m gon na- lay

Fm

it down to

night.-

Gtrs. 2, 5 & 6

Gtr. 3: w/ Riff A1 (last meas., 2 times)

C

You’re gon na- come

Fm

a round- to

C

night.- You got

Fm

to lay down.

Gtr. 2

C

Gtrs. 5 & 6

(Gtr. 2 cont. in slashes)

    

 

              

 

 

       

                           

   

         

                       

   

5577

022

133

688

577

                     

 

355

355

133

                                

   

355

133

355

133

355

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150

AT

B   022

320

Rhy. Fill 1

Gtr. 2

0 0

0 2 03

03

0 23

0

30 2 0

30

30 2

3

let ring

3 3

see ing things in a diff ’rent way and God knows it ain’t his. It

D5

3442

3442

3442

3442

3442

3442

234

234

3442

3442

234

234

3442 0

2220

2220 0

0

let ring let ring

Some thing’s wrong with our eyes.

*Tune Down:   6 =D

We’re

Bm7 * Gtr. 2: w/Rhy. Fill 1 A

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152

577

End Rhy. Fig. 1 A

(Gtr. 2 tacet)

edge.

End Rhy. Fig. 1

2. There’s

D5 D5

133

3300

edge Liv in’ on the

B 5 G5

577

Gtr. 2

edge. Liv in’ on the

Gtr. 1: w/Riff A, 3 times

D5 D5

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44

44

44

44

22

33

44

22

44

22

44

44

44

44

22

33

44

22

44

155

44

44

44

44

44

22

33

44

22

44

22

44

44

44

44

22

33

44

22

44

44

P.M. P.M.

Chick en Lit tle tells you that the sky is fall in, e ven if it was n’t would you still come

(Acous. Gtr. 2 tacet)

crawl ing

99

99

99

99

77

88

99

77

99

77

99

99

99

99

77

88

99

77

99

99

99

99

7   79

77

99

1/2

99

77

99

99

1/2

99 7

799

77

P.M.full

get ting to you. Yeah! If  

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156

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

End Rhy. Fig. 3

88

88

88

6 7

6

7 9

8

9 10

10 12 10

10

12 10

10

12 10

10

12 10

10

10

let ring let ring let ring

gain

B 5

and a gain and a gain and a gain and a

55

55

55

55

55

55

55

55 0

22

022

022

022

022

022

022

022

022

55

55

33

55

55

33

33

55

77

55

55

55

77

77

55

55

55

55

55

77

P.M. P.M. P.M. P.M. P.M.

back 

G5

a gain? I bet you would,

A5

my friend, a

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AT

B  0

190

190

19 19

1/2

019

019

019   19

1/2

19

157

Riff C

Gtr. 3

let ring sim.

07

07

09   9

1/2

07

07

09   9

1/2

9

Gtr. 1

let ringsim.

12 12 12 12 12   12 10 10 2

Gtr. 2

P.M.

full full full full full

Gtr. 3: w/Riff C

12   12 12 12 12 12 11

Gtr. 2

*Doubles an octave lower.

*w/octaver

full

gain.

Gtr. 3: w /Riff B, 1st bar only, (2 times)

Guitar Solo

Gtr. 1: w/Riff A, 1st bar only, (2 times)

Acous.

Gtr. 1

D5

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162

000

End Rhy. Fig. 4A

Gtr. 1: w/Riff A

Gtr. 3: w/Riff B

Liv in’onthe

111

111

111

111

111

111

111

111

000

3

Yeah, yeah, yeah, yeah, yeah. yeah,

End Rhy. Fig. 4

yeah.

E maj7/ 11(no 3rd) D5

222

111

edge.

Em7/11 E maj7/ 11(no 3rd)

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AT

B

1514

19

1415

14

19

14

163

Riff D

Gtr. 4   8va

000

End Rhy. Fig. 5A

edge.(You can’t help your self at all.)

Liv in’ on the

D5End Rhy. Fig. 5

133

555

3

Rhy. Fig. 5A

edge.

(You can’t help your self from fall ing.)

Liv in’ on the

Gtr. 4: w/Riff D, till end

Gtr. 3: w/Riff B, (1st bar only, 9 times)

Gtr. 1: w/Riff A, (1st bar only, 9 times)

B maj7Rhy. Fig. 5 G5

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132

lov in’ it up when I’m go in’ down.

24

24

24

26

24 64

5

44

4

22

 Fade Out

022

022

022

022

 Fade Out

in the air. Love

band tacet

in an el e va tor,

2444

244

24

222

24

24

26

244

222

444

6

5

645

645

444

444

6

5

444

44

44

244

244

244

244

244

222

244

244

022

022

022

022

022

liv

B

in’ it up when I’m go in’ down.

A5/B3

Air.

B/E

In the air, in the air,

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Copyright Renewed

All Rights Reserved Used by PermissionAll Rights Administered by Stage Three Music U.S. Inc.

458

79

79

79

79

24

24

24

24

24

02

02

04 2

05

04

02

02

04 2

05

04

799

799

7 77

799

04

244

24

244

2 22

24 0

0

022

02

00

02

02

00

02

02

XX

02

04

02

05

02

04 X

XX

XXX

E5

P.M.

B5 A5 A6

P.M.

A5 A7 A6 E5 E6 E5 E7 E5 E6

799

244

02

02

02

04 2

05 2

04

Gtr. 2 (slight dist. - Brad Whitford)

799

799

77

799

244

24

244

22

244

00

022

02

00

0 022

00

02

02

02

02

04

02

05

0 04

0

Gtr. 1E5 B5 A5

P.M.

E5

P.M.

E6 E5 E7 E6

799

799

77

799

244

24

244

22

244

00

022

02 0

0

02 2

20

022

02

XX

02

04

0 05

02

04

0

Gtr. 1 (dist. - Joe Perry)

IntroModerately Fast = 156

E5 B5 A5 E5

P.M.

E6 E7 E5 E6

Words and Music by Steven Tyler

Mama Kin

1 3

7 fr

B5

1 3

7 fr

E5

Copyright © 1973, 1977 Music Of Stage Three

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467

799

079

79

79

57

57

57

79

79 7

90

79

79

79

79

XXX

079

079

079

0XX

057

0XX

57

79

79 7

90XX

079

079

079

0XX

E5 A5

Tell her where you

G5

gone ’n’

D5

been.

B5 E5 A5

Liv in’ out your

7998

7998

799

079

79

79

57

57

57

79

79

Gtr. 2Rhy. Fig. 3A

799

79 7

9XXX

079

079

079

0XX

057

0XX

57

79

79

Gtr. 1

smok in’ tea.

B

Mm, hmm.

E5 A5

Keep in touch with

G5

ma ma

D5

kin.

B5

799

799

799

799

E5

Liv in’ out your fan ta sy.

B5 E5

Sleep in’ late an’

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35

35

37

3X

35

35

37

37

35

35

37

3X

35

35

37

3X

24

24

26

26

024

24

26

26

24

24

26

26

24

24

26

468

0

35

35

35

35

35

35

24

24

0 24

24

2 24

C5

Ah.

C6 C5 C6 C5 C6 C5 C6 B5 B6 B5 B6 B5 B6 B5 B6

57

57

57

79

79 7

99

90

79

79

79

57

XX

57

35

End Rhy. Fig. 3A

057

0XX

57

79

79 7

9XXX

079

079

079

0XX

057

57

End Rhy. Fig. 3

G5

fan ta

D5

sy.

B5 E5 A5

Sleep in’ late an’

G5

smok in’

D5

tea.

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72All Rights Administered by Stage Three Music (U.S.) Inc.

All Rights Reserved Used by Permission

Copyright © 1975 Music Of Stage ThreeCopyright Renewed

tel

playfol

lin’

lowin’

me

ingit with

things

theDee,

ways

that

of and

weren’t

nevsome

ex

erone

act

bothelse

ered

ly

no’s

true.

one.dreams?

Look here!Look here!

Verse

lieveone

mem

N.C.(Em7)Gtr. 2 tacetGtr. 1: w/ Rhy. Fig. 1, 4 times

in

ber

for

the

meall,

days

like

when

it

you

I bewas

were

lieveall

sweet

infor

six

one.you,

teen

youAn’

and

now

I

would n’t

was

I’mbe

3 07

0 0 0

let ring

70

** w/ delay

53 0

70 0 0

let ring

7

* Voc. w/ flange throughout.0

5

Rhy. Fig. 1 End Rhy. Fig. 1

* 1. If you be

(Em7)** Gtr. 2 (dist.)

Brad Whitford

P.S.

02

02

02

02

02

02

02

02

24

24

24

24

24

24

24

24

35

35

35

35

35

35

35

35

5 5 5 5 5 6 75

7

Brad WhitfordGtr. 1 (dist.)

P.M.

IntroModerately = 72

(approx. 4 sec.)(voc. w/ heavy flange)

A5 B5 C5 N.C. (Em)

Round and RoundWords and Music by Steven Tyler and Brad Whitford

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76

3 08

0 0 0

let ring

70

53 0

80 0 0

let ring

70

5

Gtr. 1

Gtrs. 3 & 4 tacet

Go in’

13

3 2 3 2

3 07

0 0 0

let ring

70

53 0

70 0 0

let ring

70

5

Gtr. 1

1613

full

Gtr. 3

14

3/4

(14) (14)

Gtr. 4

grad. release

(Fmaj7) (Em7)

14

full

14   (14) (14) 5 5 9

1215 12 15 12

14

12

14121412 14 14

full

14

3/4

(14)

Gtr. 4

Bridge

N.C.(Gmaj7)

Gtr. 1: w/ Rhy. Fig. 2, 1 1/2 timesGtr. 3: w/ Fill 1

grad. release

(Fmaj7) (Em7)

3 6 

(Gmaj7)

Gtr. 3: w/ Fill 1

grad. bend grad. release

(Fmaj7)

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78

17 18 19 20 21 22 23

*

* Hypothetical location above fretboard.

24

8va

(23) 24 25 26 27 28 29 30 31

8va Fade Out

14 15 16 17

13 14

* Hypothetical location above fretboard.

15 16

8va

(15) 16 17 18 19 20 21 22 23*

8va

 Begin Fade

10 11 12 13 14 15 16 17

8va

13 14 15 16 1713 14 15

8va

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Same Old Song and Dancefrom Aerosmith - Greatest Hits 

Copyright © 1977 Music Of Stage ThreeCopyright Renewed

All Rights Administered by Stage Three Music U.S. Inc.All Rights Reserved Used by Permission

Words and Music by Steven Tyler and Joe Perry

Gtr. 3 (dist.)

IntroModerate Rock q = 120

N.C.(E5)

  =   3

13 3

C5

5fr

1 33

D5

  f  rake Gtr. 2 (dist.)

  f 

       

      

Gtr. 1 (dist.)

  f 

 

1/4 1/4 1/4

Ah ha, right!

8v a

    3

3

3

11

   mf 

        Riff A

 

3

      1/4 1/4

         

XX

4

05

4

05 5

   

799

799

799

                        

            

0 02

32

000

2 00

23 0

20 0

23

20

00

2

             

                                 5 3 0

0 30

4 3 2 0   2   2 02

2 02

0   2

         

 

33

2

3

2

3

2

3 00

                                  

02 0

3 07

9

79

0 02

32

000

2 00

23 0

20

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Verse

  1. Get

loco N.C.(E5)

your self  - cool er,-

  w/ wah-wah   steady gliss.

3

(2)   1

 mf 

Rhy. Fig. 1A

 

End Riff A Rhy. Fig. 1 End Rhy. Fig. 1

P.M. 1/4 1/4

lay

Gtr. 1: w/ Rhy. Fig. 1, 6 timesGtr. 3 tacet

your self  - low. Co in- ci- den- tal- mur der- with noth in’- to show. When the judge -

Gtr. 2

                    

                   

’s- con sti- pa- tion- goes to his head, and his wife’s ag gra- va- tion,- you

         

         

           

                                    

2   2   43

0 4 2 0 2 2 02 2 12

121212

1212

         

       

33

23

23

23 0

000

23

23

                      

0 02

32

000

2 00

23 0

20 0 0 0 0 0 0 0

                                  

                           

33

2 45

45 0

0

23

23

33

2 45

45

                               

                       

00

23

23

33

2 45

45 0

0

23

23

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soon end up dead. It’s the same

ChorusG

old sto

A

ry,- same

C5

old song

D5

and dance,

Gtr. 2

     

End Rhy. Fig. 1A Rhy. Fig. 3A

     

Gtr. 1

Rhy. Fig. 2 End Rhy. Fig. 2

P.M.

Rhy. Fig. 3

          

        

N.C.(E5)

my friend.

It’s the same

G

old sto

A

ry,- same

C5

 

End Rhy. Fig. 3A

1/4 1/4

 

End Rhy. Fig. 3

     

    

1/4 1/4

                       

                             

33

2 45

45

433

54 6

55

655

355

355

577

577

0

 

 

 

 

             

0 0 0 0 0 0 0 77

55

77

79 7

755

77

79

0

     

         

                  

         

0 32

000

2 00

23 0

433

54 6

55

655

355

                      

         

0 32

000

2 00

23 0 7

755

77

79 7

7

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old song

D5

and dance,

N.C.(E5)

my friend.

Gtr. 3: w/ Fill 1

2. Shad-

 

1/4 1/4

     

     

1/4 1/4

Verse

N.C.(E5)

Gtr. 1: w/ Rhy. Fig. 1, 3 timesGtr. 2: w/ Rhy. Fig. 1A

y- look down

in’and

- losdirt

er

y

-

-

youfrom walk  

played within’-

mythe

gun.street with

Noyour

smoothold

facehur dy,- gur

lawdy,yer

-

- can

getno

youone

unto

done.meet.

- Say love ain’t the same on the south

Gtr. 1: w/ Rhy. Fig. 1, 2 times

side o’ town. You could look  

Gtr. 1

P.M.

Gtr. 3Fill 1

steady gliss.

                 

   

 

        

 

 

     

355

355

577

577

0 32

000

2 00

23 0

                        

7

7

5

5

7

7

7

9

0 3 2

0

0

0

2 0

0

2 3 0

                             

                               

   

0 0 0 0 0 0 0

033

0 0 0 0 0 0

           

XX

1212

1212

1212

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but you ain’t gon na- find

Gtr. 1: w/ Rhy. Fig. 2

it a round.- It’s the same

ChorusGtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A

G

old sto

A

ry,- same

C5

old song

D5

and dance,

N.C.(E5)Gtr. 3: w/ Fill 4, 2nd timeGtr. 3: w/ Fill 2, 1st time

my friend.

It’s the same

G

old sto

A

ry,- same

C5

old sto

D5

ry,- same

F5

old song

G5

and dance.

A5

Gtr. 2

Gtr. 1

          (cont. in slash)

         

Gtr. 3Fill 2    

3

3   3

1212

1 1 1 1     

Gtr. 3Fill 4      

3 3 3 3

1 1 1      11

                         

                 

                         

 

 

               

 

   

 

433

54 6

55

655

355

355

577

577

81010

81010

101212

101212

121414

                           

77

55

77

79 7

755

77

79 7

755

77

77

79

                   

12 15 17   15 1512 15

1512

15 15

                     

15 15 15 15 15 15 15   15 1214

15 1214 12

15 15 15   15

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C  oT oda  

Gtr. 1

Gtr. 3: w/ Fill 3, 1st timeGtr. 3: w/ Fill 5, 2nd time

C5 D5

Guitar SoloGtrs. 1 & 2: w/ Riff A, 1 3/4 times, simile

N.C.(E5)

Gtr. 2

Gtr. 3

w/ slide

      3   3

   

          

w/ delay

w/o slide

    

          8v a     3   3

3   3  3

3         

           1     1     

1. Fate

2. Saxophone solo

BridgeB5

comes

A5

a knock  

G5

- in’,

A5

- doors

B5

start

A5

lock 

G5

in’.

A5

- Your old

B5

Gtr. 3

3

*

8v a      3   3

1/2 1/2 1/2 1

**

     1

Gtrs. 1 & 2

Gtr. 1

divisiGtr. 2

Rhy. Fig. 4

Rhy. Fig. 4A

  End Rhy. Fig. 4A

End Rhy. Fig. 4

*1st time only**Don't pick 

2/22/2

†Gtr. 2 tabbed to right of slash.

0/00/0

2/22/2 2/2

2/20/00/0 2/2

2/2

1/4

   Gtr. 3Fill 3

w/ slide

                   

Fill 5Gtr. 3

  3

        

        

     

1 1/2 1

   

 

                                                 

121414

355

577

33

00

33

33

00

1212

12 15 1212

14

30

33

00

0 1212

12 15 12

                                     

   

12 1214 14

12 014

1214

12 12

11 1411 14

11 14 1314

12 1312 12 12 15

12   1412 12 15

                       

                       

15   15 15 1512 15 17   17 17 17 17

17

         

     

       

   

       

00

23 0

244

44

44

44

44

                                

15 15 15 1414 13

1415

17   17 15 17 1517 15 17

16   14 12

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1.

2. D.S. al Coda

 Coda

Gtr. 3 tacetGtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A, 2 times

time

A5

con nec

G5

- tion,

A5

- change

B5

your

A5

di rec

G5

- tion.

A5

- You ain’t

B5

gon

A5

na- change

G5

it,

A5

can’t

B5

re

A5

ar- range

G5

- it.

A5

Can’t

B5

stand

A5

the pain

G5

when

A5

it’s all

B5

the

C#5

same

D5

to

D#5

you

  Gtr. 2divisi

Gtr. 1Gtrs. 1 & 2

2/22/2

N.C.(E5)

my friend.

Gtrs. 1 & 2: w/ Riff A, simile

N.C.(E5)

3. When you’re low

 

Gtr. 1

Gtr. 2divisi

         

     

1/4 1/4

Gtr. 3

Gtr. 2: w/ Rhy. Fig. 1A, 1st 4 bars, 2 timesGtr. 1: w/ Riff A, 2 times, simile

N.C.(E5)    3

           

1      1 1 1      1 1      1/4 1/4

3

    

     fdbk.

    3   3 3

3

1 1 1 1 1 hold bend1     

                               

                           

   

     

 

44

44

00

22

244

466

577

688

0

               

                     

 

0 02

32

000

2 00

23 0

244

                                       

1412 15   15   15 12

1415

14 14   12 1214 14 14

12 1214

1414

12 1512

                                               

15 15 15   17   15   8   1010

1010

1010

10   10 8 10 89   9 7

99 9

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7

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Intro  Moderately slow Rock q = 97

Copyright © 1977 Music Of Stage Three and Song & DanceAll Rights Administered by Stage Three Music U.S. Inc.

All Rights Reserved Used by Permission

from Aerosmith - O, Yeah! 

Seasons of WitherWords and Music by Tyler

Gtrs. 4 & 6: Drop D tuning:(low to high) D-A-D-G-B-E

(Crowd noise &sound effects)

34 secs.

*

let ring throughout 

**Gtr. 1  (acous.)

 ppp 

Gm

cresc. poco a poco, next 4 meas.

Am7

13 2

D

2 1

C

13 4

G5

34

A5

13 4

Bb5

13 4

C5

Bb6(no3rd)

 mf 

Riff A

Gm

*Chord symbols reflect implied harmony.

**Doubled throughout

Am7 Bb6(no3rd)

End Riff A

let ring throughout 

w/ slight dist.

Gtr. 1: w/ Riff A (2 1/2 times)

 ppp 

Gtr. 2 (elec.)

Gm

cresc. poco a poco, next 4 meas.

Am7 Bb6(no3rd)

 mf 

Riff B

Gm

Gtr. 2

Am7 Bb6(no3rd)End Riff B

Gm Am7 Bb6(no3rd) C5

(cont. in slashes)

Gtr. 1

                                       

3

00

10

0

3

00

20

13

0

13

3

00

10

0

3

0

                                                   

02

0

13

0

13

3

00

10

0

3

0

02

0

13

0

1

0

3

00

10

0

3

0

                                       

02

0

13

0

1

0

3

00

10

0

3

0

02

0

13

0

3

0

                                         

02

0

13

0

13

3

00

10

0

3

00

20

13

0

3

0

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Gtr. 2

Gtr. 1 tacet

Rhy. Fig. 1 End Rhy. Fig. 1

(cont. innotation)

Gtr. 3(elec.)

w/ slight dist.

Rhy. Fig. 1A

  f 

D C D

End Rhy. Fig. 1A

C

Gtr. 2

D CRhy. Fill 1

D C BbEnd Rhy. Fill 1

F

Gtr. 3Rhy. Fill 1A End Rhy. Fill 1A

Gtr. 2

 mf 

Riff C1

E7sus4 Em7 F6 F6sus2 D/F# G5End Riff C1

*Gtrs.

1 & 3

 mf 

Riff C End Riff C

*Gtr. 3 let ring throughout 

                           

 

      

 

     

0232

0232

0232

0232

2010

00232

0232

0232

0232

2010

0

 

   

 

   

 

   

0232

0232

0232

0232

2010

0232

0232

0232

2010

2 0

1333

133

 

      

 

     

0232

0232

0232

0232

2010

00232

0232

0232

0232

02010

1333

1332

   

   

 

       

 

       

             

0

02

0

00

0

0

1

02

1

00

1

0

2

02

2

02

2

0

3

00

3

00

3

0

   

   

           

           

 

         

0

02

0

00

0

0

1

02

1

00

1

0

2

02

2

02

2

2

3

00

3

00

3

0

Digital Conversion ©2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

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Blues

VerseGtrs. 1 & 3: w/ Riff C (3 3/4 times)Gtr. 2: w/ Riff C1 (3 3/4 times)

E7sus4 Em7

heart ed- la

F6

dy,-

F6sus2

sleep

D/F#

y- was she.

G5

Love

E7sus4 Em7

for the dev

F6

il-

F6sus2

brought

D/F#

her to me.

G5

Seas

E7sus4 Em7

of a thou

F6

sand-

F6sus2

drawn

D/F#

to her sin.

G5

Sea

E7sus4 Em7

sons- of with

F6

er-

F6sus2

hold

D/F#

in’- me in.

  G5

Ooh,

Chorus

Csus2

woe is me.

G/B

I feel so bad -

Gtr. 2Riff D End Riff D Riff E1

Gtr. 4 (12-str. acous.)

 mp let ring throughout 

Gtrs.1 & 3

Riff D1 End Riff D1

Gtrs. 1, 2 & 3

Riff E

                     

                       

     

                  

                        

                             

                                                 

3

00

3

00

3

00

3

00

3

00

03

00

30

0

30

20

00

00

                                                     

3

00

3

00

3

0

3

00

3

00

3

03

00

30

0

30

20

0

20

0

20

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C  oT oda  

E7sus4

-

Em7 F6

ly

F6sus2

for you.

Gtrs. 1 & 3: w/ Riff DGtr. 2: w/ Riff D1

G5

End Riff E1

End Riff E

Ooh,

Gtrs. 1, 2 & 3: w/ Riff EGtr. 4: w/ Riff E1

Csus2

woe is me.

G/B

I feel so sad

E7sus4 Em7 F6

ly

F6sus2

- for you

Gtr. 2

G5

in time. Time to lose

A5

your mind. Live on bor

Bb5

rowed- time. Take the wind

C5

right out of your

Gtr. 3Fill 1 End Fill 1

sail.

BridgeGtr. 2: w/ Rhy. Figo 1 (2 1/2 times)Gtr. 3: w/ Rhy. Fig. 1 (2 times)

D C D

C

             

   

   

       

   

       

   

       

   

  2

02

2

00

2

0

3

02

3

00

3

0

5

00

5

00

5

0

5

00

5

00

5

0

   

   

           

 

0

02

0

00

0

0

1

02

1

00

1

0

                                        

                                               

                                             

3

00

3

00

3

0

3

00

3

00

3

0

3

00

3

00

3

0

3

02

3

00

3

0

                 

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Gtr. 3: w/ Rhy. Fig. 1A (1 1/2 times)

D

Fire flies- dance in the heat of  

C D

hound dogs that bay

at

the moon.

C D

My ship

leaves

Gtr. 5 tacet

in the mid night.

C

-

Gtr. 5 (elec.)

w/ dist. & slide

 mf steady gliss.

  D

Can’t say I’ll be back  

C

too

F

soon.

E7sus4Verse

Em7

2. They a -

Gtr. 2

 mf 

Gtr. 3

Gtr. 1

Gtr. 3divisi

Gtrs. 1 & 3

                       

                   

           

1413 1413 1413 1413 1413 1413

                       

   

   

 

   

 

0232

0232

2010

0232

0232

2010

1332

0

2

0

00

0

0

      

     

 

   

 

0232

0232

2010

00232

2010

133

0

2

0

00

0

0

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 D.S. al Coda

wak 

F6

en-

F6sus2

far

D/F#

far a way.-

G5

Heat

Gtrs. 1 & 3: w/ Riff C (2 3/4 times)Gtr. 2: w/ Riff C1 (2 3/4 times)

E7sus4 Em7

of my can

F6

dle-

F6sus2

show

D/F#

me the way.

G5

Seas

E7sus4 Em7

of a thou

F6

sand-

F6sus2

drawn

D/F#

to her sin.

G5

Sea

E7sus4 Em7

sons- of with

F6

er-

F6sus2

hold

D/F#

in’- me in.

Gtrs. 1 & 3: w/ Riff DGtr. 2: w/ Riff D1

G53

               

   

   

 

   

   

 

     

   

 

1

02

1

00

1

0

2

02

2

02

2

0

3

00

3

00

3

0

       

 

       

             

1

02

1

00

1

0

2

02

2

00

2

0

3

00

3

00

3

0

                      

                           

                         

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 Coda

 

Gtr. 2

Gtr. 3: w/ Fill 1

Interlude

Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1 3/4 times)

C5

right out of your sails.

(Sail.)

D C

Gtr. 6 (12-str. elec.)

w/ slight dist.

 mf let ring throughout 

1/2 1/2

  D C D

1/2 1/2

  C D

 

Gtrs. 2 & 3: w/ Rhy. Fills 1 & 1A

C Bb F

 1/2

                       

     

     

   

   

12 0

2 04

3

00

0

4 2 0

3

20

0

   

                                 

0

5 4 2 4 25

24

04 4

22

3 0

2 04

3

00

0

   

 

    

                       

0

4 2 0

3

2 0

0

55 4 2 7 1110

1110

98

76

56

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 Fade out

*Gtro 7(elec.)

Outro - Guitar SoloGtrs. 2 & 3: w/ Riffs C & C1 (1st 3 meas.)

 mf w/ dist.

E7sus4 Em7  Gtr. 6 tacet

F6 F6sus2

   D/F#

  Gtrs. 1 & 3: w/ Riff A (3 1/2 times)Gtr. 2: w/ Riff B1 ( 3 1/2 times)

Gm

fdbk.

  8v a

*Doubled till endo

      

1   1/2

Gtr. 6

Am7

Bb6(no3rd) Gm

Am7

Bb6(no3rd)

Ooh.

*

Gm

8v a  

*w/ heavy reverb till end.

  

Am7 Bb6(no3rd)

 

Gm Am7 Bb6(no3rd) C5 D

Gtr. 7

8v a  

  

  Gtrs. 1, 2 & 3

                     

15 1514

1714 12 14

1514 12 1214

45

   

12

         

 

12

             

02

0

13

0

3

05 0

232

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Intro

  Moderately q = 96

Sweet EmotionWords and Music by Steven Tyler and Tom Hamilton

Copyright © 1975 Music Of Stage ThreeCopyright Renewed

All Rights Administered by Stage Three Music (U.S.) Inc.All Rights Reserved Used by Permission

Reprinted by Permission of Hal Leonard Corporation

from Aerosmith - Toys in the Attic 

Gtr. 1 (dist.)

*

 mf w/ talk box & heavy reverb

A

**Gtr. 2

 mf 

Riff A End Riff A

slight P.M.

**Bass arr. for gtr.

*Chord symbols reflect overall harmony.

Gtr. 1

Gtr. 2: w/ Riff A (6 times)

D/A A

Harm.let ring

D/A

Sweet e

let ring

mo-

A5tion.

let ring

-

SweetD/A e mo- tion.A-   

    

0

                         

0 05

0 07

0 0 5 0 0 4 0 05

0 07

0 0 5 0 0 4

               

 

4 4

3

4 0

2

4 0

                                

0

0 2 322   4 2

04 2

0

                              

423

23

4 2 4 4 2 4 4 2 4 4 20423   32

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Sweet

ChorusGtr. 2: w/ Riff A (4 times)

A

e mo

D/A

- tion.

A

-

  

talk box off 

  

Sweet e mo

D/A

- tion.

A

-

 

Talk 

pulled

2nd time, Gtr. 1: w/ Fill 1

Verse

A5

a

in

bout

to

-

-

things

town

and

in

no

a po

bod

lice

-

-

y- cares,

car,

D5 A A5

you’re

your

Gtr. 1

dim.

Gtr. 3 (dist.)

 mf 

Riff B End Riff B

Fill 1Gtr. 1

dim.let ring

                   

   

2

                        

 

0 4

               

0

  

    

           

    

       

022

022

3 03

03

02

3

022

2

022

3 03

03

07

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2

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wear

dad

Gtr. 1 tacetGtr. 3: w/ Riff B (6 times)

D5

in’

dy

-

-

out

said

A

I

things

took you

that

 just

no

a lit

bod

tle

-

- too

y- wears.

far.

D5 A

You’re

You’re

call

tell

D5

in’

in’

-

-

my

her

A

name,

things

but

but

I

your

got

girl

ta- make

friend-

clear.

lied.

  D5 A

I

You

can’t

can’t

D5

say,

catch

A

ba

me,

by,- where

’cause

I’ll

some

be

rab

in

bit-

a

done

year.

died.

D5

A

Yes it did!

Gtrs. 1 & 3

Interlude

Riff C

µEnd Riff C

  Some

You

2.

4.

Gtr. 1

  Riff D End Riff D

Gtr. 3  Riff D1 End Riff D1

sweet

stand

VerseGtr. 1 tacetGtr. 3: w/ Riff B (8 times)

D5

hog,

in

A

a,

the

ma

front

ma- with

 just

a

a,

face

shak 

like

in’-

a

yo

gent

ass,

D5 A

said my

I

get

take

D5

up

you

and

back 

A

go

stage,-

must

you

’ve

can

- got

drink 

up

from

and

my

went.

glass.

D5 A

Well, I

I

got

talk 

D5

a

good

bout

A

-

news,

some thin’-

she’s

you

a

can

real

sure

good

un der-

li

stand,-

ar,

-

  D5 A

’cause

’cause

a

a

back 

month

D5

stage

on

A

-

the

boo

road

gie,

and

- set

I’ll

yo’

be

pants

eat in’-

on

from your

fire.

hand.

D5

A

                     

                  

                         

5 35 0 2 2 3 3 3 4 4 5

5 35 0 2 2 3 3 3 4 4 5

   

                           

7 57 4 4 4 5 5 5 6 6 7

7 57 4 4 5 6 7

                                5 3

5 0 2 2 3 3 3 4 4 55 3

5 0 2 3 40

                 

                                

                   

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3

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C To oda  

 D.S. al Coda

  Coda

 

Interlude

Gtrs. 1 & 3: w/ Riff C (2 times)

µ Gtr. 1: w/ Riff D (1st meas., 2 times)Gtr. 3: w/ Riff C

Gtrs. 1 & 3: w/ Riffs D & D1

Sweet

Chorus

A

e -

Gtr. 1

    let ring

Gtr. 3

  Riff E End Riff E

6  6 

mo

Gtr. 3: w/ Riff E (6 times)

D/A

tion.

A

- Sweet e mo

D/A

-

tion.

A

- I3.

Gtr. 1                      

let ring

Gtr. 1: w/ Riff D (1st meas., 3 times)

Gtr. 3: w/ Riff C (1 1/2 times)

  Gtr. 3

Gtr. 1*divisi

Gtr. 1

Gtr. 3 tacet

grad. bendfdbk.

*Gtr. 1 plays downstemmed notes.  Gtr. 3 plays upstemmed notes.

1/2

1

Pitch: F#

1 1/2

 

  

 

       

     

7 6

                                         

5 3 000

022

22

0 4 5 0 3 4 02 0

0

022

22

0 4 5 0 3 4

                

           

                 

       

       

       

       

       

       

07

7 6

07

7 6

07

7 6

07

7 6

07

7 6

07

7 6

     

    

5 35

7 57

0 2 2 2 2 2

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Gtr. 1

Interlude

E

w/ slide

 mp  steady gliss.

3

Gtr. 4 (dist.)

 mp w/ talk box

   

   

Gtr. 3

w/o slide

3

Riff G1 End Riff G1  

 mf 

  

   1   1

  Riff G End Riff G

                    

2   3 2 02

0

4 4 3 4 6 7 2

            

       

05

07

77

0 05

07 7

                           

02 5

07 7

5 3 4 02

02 5

07 7

5 3 4

                

      

 

2   4 4   2   3 2 02 0

2   4

                            

0 05

07 7

0 05

07

10 10 8 10   10

                            

02

02 5

07 7

5 3 4 02

02 5

07 7

5 3 4

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Gtr. 1

Outro-Guitar Solo

 mf 

Gtr. 3: w/ Riff G (till fade)Gtr. 4: w/ Riff G1 (8 times)

E5

steady gliss.1/2

let ring let ring

3

1 1

let ring

3

1 1 1 11/4 1/41 1/4

1/2

     

3

1  

Gtr. 1

 Begin fade

G

let ring 3

3

1/21

1/2

Gtr. 4

             

                           

1415

1516

1415

1516

1415

1516

1415

1516

XX

1415

1516

1516

1516

1516

22 2 0

00

 

             

                     

140

1415

1516

1415

1516

1415

1516

1415

1516

1516 16 12

15   15 1214

12

1412

12

                                               

1215

1412

12   1415 12

14 14 1214

14 12 1415

1412

15

12

15 1212

14   14 12 14  14

                                                     

14 1214

1414

1412   13

1412 13

14

1212 14

141212

1413 11 12

1211

15   1214

12

141414

121212

141414

141414

141414

                                                

2   2 02

0 0 00 0

2

0 3 2 3 20 2 0

3 2 0 2 2 0 0

1 7

                    

5 5 5 0

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Fast q = 180

Theme From Spider ManWritten by Robert J. Harris and Paul Francis Webster

Copyright © 1967 (Renewed 1995) Hillcrest Music and Webster Music Co.All Rights Reserved Used by Permission

8fr

Cm('9)

8fr

Cm

8fr

Fm

10fr

G7

3 11 4 13 4 111 134 21 13 14 1 134 211 133 31 1 3 121

III

1 1 34 2 1

III

6fr

Bb

6fr

Eb

3fr

G7 Cm

Intro

* Gtr. 3

  f 

Cm(add9)   

w/ bar

Gtrs. 1, 2 & 3 tacet

Cm Cº Cm

* Gtr. 1

  f 

3

   Gtr. 5 (clean)

 mf  (cont. in slashes)

   

* Gtr. 2

  f   3

   Gtr. 4 (clean)

 mf P.M.

* Horns arr. for gtr.

   

Gtr. 5

3rd time, Gtrs. 1 & 2: w/ Riff A (2 times)2nd & 3rd times, Gtr. 3 tacetVerse

Cm

1.

2.

3.

Spi

Is

Spi

der

he

der

-

-

Man,

strong?

Man,

-

-

Spi

Lis

Spi

der

ten,

der

-

-

-

Man,

bud,

Man,

-

-

does

he’s

friend

what

got

ly-

ev

ra

neigh

- er

di

bor

-

-

-

a

o

hood

-

-

-

** Gtr. 6

** Melody arr. for gtr.

Gtr. 4

P.M.

Riff AGtrs. 1 & 2

     

                             

1010

1211 11 11

88

88

87

88

88

                         

88

10

8 8 8

10 10 10 8 10 1010 10

10 10 10 8 10 1010 10

  

  

  

  

  

  

       

     

       

                       

108

811 8

10 108

8 9 8

                     

10 10 10 8 10 1010 10

10 10 10 8 10 1010 10

10 10 10 8 10 1010 10

 

8X10

7X9

6X8

5X7

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1

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C  oT oda  

3rd time, Gtrs. 1 & 2: w/ Riff B

Fm

spi

ac

Spi

der

tive

der

-

-

-

can.

blood.

Man.

Spins

Can

Wealth

a

he

and

web,

swing

fame,

an

from

he’s

y

a

ig

- size.

thread?

nored.-

P.M.

3rd time, Gtrs. 1 & 2: w/ Riff A

Cm G7

catch

Take

Ac

es

a

tion

-

-

thieves

look 

is

 just

o

his

like

ver

re

-

flies.

head.

ward.

-

-

Look 

Hey,

To

out,

there,

him

P.M.

Riff BGtrs. 1 & 2

  

  

  

  

  

  

                   

                   

11 810

109

812 9

10

                     

10 10 10 8 10 10 10 10

10 10 10 8 10 10

10 10

10 10 10 8 10 10

10 10

  

     

     

  

                 

                 

108

811 8

10

9 8

                     

10 10 10 8 10 10 10 10 10 10 10 8 10 10 10 10

12 12 12 10 12 12

12 12

   

8X10

7X9

6X8

5X7

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2

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1.

2.

Cm

here

there

comes

goes

the

the

3

spi

spi

der

der

-

-

man.

man.

3

Gtr. 3

Gtr. 6

divisi

   

w/ bar

  

   

P.M.

Gtr. 3 tacet

Bridge

Bb Eb

In the chill of night, at the

  Gtr. 6

  

P.M.

  

  

  

  

  

  

         

             

11 10 8 10 810 10

88

10

1088

10

1088

10

                     

12 12 12 10 12 1212 12 10 10 10 8 10 10

10 1010 10 10 8 10 10

10 10

  

  

  

  

  

  

       

   

             

108

810

8 9 8

10 8

9 11

                     

10 10 10 8 10 1010 10

8 8 6 6 8 88 8 6 6

5 5 6 6 5 5

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3

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 D.S. al Coda

G7 III CmIII Bb

scene of  

a crime, like a streak of light,

P.M.

Eb Ab G7  III

he ar rives- just in time.

Gtr. 3

Gtr. 6

divisi

  

  

P.M.

  

  

  

  

  

  

                 

                 

10 8 7 88 9 11 9 8

             

5 5 8 89 9 9 9 8 8 8 8 7 7 7 7 8 8 6 6 8 8

8 8

  

  

  

  

  

  

               

               

810 8 10 8 10

8

10888

                   

6 65 5 6 6 5 5

5 5 5 5

56 5 5

8 85 5 7 7

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4

244

44

22

22

pitch: A

2 2 4 644

22

244

44

22

2079

End Rhy. Fig. 2A

2 4

4

4

4

2

2

2

2

2 2 4 6 4

4

2

2

2 4

4

4

4

2

2

2079

9

End Rhy. Fig. 2

fdbk.

End Rhy. Fig. 2B

B

7fr

6

Verse

E5 open

577

77

022

XXX

55

355

* See chord frames for Joe Perry fingering.

577

77

022

2 4 644

22

P.M.

577

77

022

3X0033

033

577

77

022

244

4 644

22

*

noth in’ seem real’s the dream.

A5 open G5 D5 A5 open B5 VII

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24

2 4 644

22

244

44

22

22

2 2 4 644

22

244

44

22

2

7

End Rhy. Fig. 3A

(cont. in slash)

2 2 4 644

22

244

44

22

22

24

2 4 644

22

244

44

22

22

End Rhy. Fig. 3

B5 VII End Rhy. Fig. 3B

577

577

77

022

355

577

77

022

577

577

77

022 0

33

3

0X

XX

X 577

77

022

scream; noth in’ seem real’s the dream.

D5 A5 open G5 D5 A5

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1/2

1/4

1010

1010

88

10

88

10 1188

11

full

811 8

11 10 8 10 10

full

(10) 810

88

88

9

3

decresc.

7

full

(7) 5 7

full

5 7 57

7 57

5 7

1/2

(7) 5 7 988

1010

1/4

1/2

1010

88

1010

Gtr. 4

3 3

Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A, 3 times

244

244

XX

2

0

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

Gtr. 2 Rhy. Fig. 4A End Rhy. Fig. 4A

244

44

22

2 810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

Gtr. 1 Rhy. Fig. 4 End Rhy. Fig. 4

7

1/2

6

7

1/2

6

7

1/2

6

7

1/2

6

7

full

88

Gtr. 4 (dist. - Perry)

hold bend

Gtr. 3 tacet

Guitar Solo

C5

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10

81010

81010

1010

88

8 8 10 121010

88

81010

XX

X 81010

1010

81010

1010

1010

88

8 8 10 121010

88

81010

1010

1010

88

101010

8 101010

88

1088

11

1/2

88

8   10

1/2

88

811

1/2

88

8   10

1/2

88

8 11 (11)

1 1/2

grad. bend

810

8 10 121010

88

81010

81010

1010

88

8 8 10 121010

88

Gtr. 2

810

8 10 121010

88

81010

81010

1010

88

8 8 10 121010

88

Gtr. 1

888

1088

88 8

8

1/4

1088

88 8

8

1/4

1088

88 8

8

1/4

1088

88

88

88

77

101010

8 10

N.C.(C5)

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(0)

0

0 12 (2) 9

11

Fill 1Gtr. 1

e ven the things that you love re mind.

Gtr. 1: w/ Fill 1

2. Leav in’ the things that are real be hind, but

Gtr. 2: w/ Riff A1Gtr. 1: w/ Riff A, 1st 6 meas.Gtr. 4 tacet

E5 open

8 8 10 121010

88

81010

1010

1010

88

688

0799

8 8 10 121010

88

81010

1010

1010

88

688

0799

(11)88

11 10 8 10 10

1/2

(10) 0   10

full

1111

1/2

912

1/2

101311

1/2

1412

full

1412

full

33

Verse

Gtr. 3

E

open

6

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train,

Verse

G5

I met a dame. She was rath er- hand some;- we kind a- looked the same.

She was

pret

A5

ty,- from New York Cit y.- I’m walk  

G5

in’- down that old fair lane. I’m in

heat,

A5

I’m

B5

in love,

A5 G5

but

F#5

I just

G5

could n’t- tell her so. I said,

train

Chorus

G5

kept a roll- in’- all night long,

train kept a roll- in’- all night long.

                 

   

     

   

   

35

0 0 35

35

0 35

35

0 0 35

35

0 35

                     

                     57

0 0 57

57

0 57

35

0 0 35

35

0 35

                 

  

         

        

57

79

57

35

24

35

0 0 35

35

0 35

                       

          

        

35

0 0 35

35

0 35

35

0 0 35

35

0 35

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Train

A5

kept a roll- in’- all night long,

train

G5

kept a roll- in’- all night long with a

heave

A5

and

B5

a ho,

A5 G5

but

F#5

I just

G5

could n’t- tell her so. No, no,

no!

Guitar Solo

G5

            3

1        

A5

  G5

  3

3 3

3

1

1

1   1

                       

  

        

        

57

0 0 57

57

0 57

35

0 0 35

35

0 35

                   

  

 

       

        57

79

57

35

24

35

0 0 35

35

0 35

     

                        

15   15 14   14 1214   14 12

14 12 14 1213

12

                                         

14   14 12 14 1214

14 12  1412

1215

12 12   15   15 12 15 1215 12 15 12 15 12

1412

14 1412

1215 12

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  A5

B5 A5 G5 F#5 G5

2. Well, get a -

       3

3

1 1

  1 1

  

long,

Verse

G5

sweet lit tle- wom an,- get a long,- on your way. Get a -

long,

A5

sweet lit tle- wom an,- get a long,

G5

- on your way. I’m in

heat,

A5

I’m

B5

in love,

A5 G5

but

F#5

I just

G5

could n’t- tell her so. No, no,

 

                           

1515

15 15 12 15 12 15 1214

1214

1212

15 12  15

           

                   35

0 0 35

35

0 35

35

0 0 35

35

0 35

             

  

        

        

57

0 0 57

57

0 57

35

0 0 35

35

0 35

                     

         

        

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79

57

35

24

35

0 0 35

35

0 35

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4

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no.

µ(E5)

Guitar Solo

µ(E5)

grad. release

A5          31/2

1       1

   

 

   

   

  

    1 11/4 1/4

  E5           

8va   

  

1 1     1  

E5

  

B5

8va   3

   1 1/2

1 1 1/2

   

 

                  

    

          

00 2

00

2 02 1 0

3 0 0 0 2 3 0 00 2

00

2 02 1 0

3

                                          

0 0

77

77

55

7 5   7

5 755

55

108

10 9 89 8

                                    

6 5 75

57 7 5 7

57

7 57 X 7 5 7

7 98 10 10 10 8 10 8

                                     

10 89

9 129

1212   12 12

129 12 9 9 13

1212

12  15

                                            

12 1212

12   15 15   1215 12 15 12

15 14 12 14 1214

1414

12   1412

1212   15 15   12

1412

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let ring grad. release

 

1512

1 1 1 1

 

  G5

  A5 G5

  A5

  B5

A5 G5 F#5 G5

3. Yeah, on a

train,

Verse

G5

I met a dame. She was rath er- hand some,- we kind a-

                         

14 14   14   14 14   14

     

 

       

 

 

35

0 35

0 0 35

0 35

35

0 35

0 35

0 35

0 0 35

0 35

35

0 35

0

                      

57

0 57

0 0 57

0 57

57

0 57

0 35

0 35

0 0 35

0 35

35

0 35

0

 

  

  

                 

   

57

57

57

57

79

57

35

24

35

0 35

0 0 35

0 35

35

0 35

0

               

     

 

     

35

0 35

0 0 35

0 35

35

0 35

0 35

0 35

0 0 35

0

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7

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looked the same. She was pret

A5

ty,- from New York Cit y.- I’m walk  

G5

in’- down that

old fair lane. I’m in heat,

A5

I’m in love,

B5 A5 G5

but

F#5

I just

G5

could n’t- tell her so.

 

I said,

Chorus

train

G5

kept a roll- in’- all night long,

train kept a roll- in’- all

night long. Train

A5

kept a roll- in’- all night long,

train

G5

kept a roll- in’- all

                     

 

          

 

     

35

35

0 35

0 57

0 57

0 0 57

0 57

57

0 57

0 35

0 35

0 0 35

0

                     

      

  

 

             

35

35

0 35

0 57

57

57

57

79

57

35

24

35

0 35

0 0 35

0

                               

 

       

 

     

35

35

0 35

0 35

0 35

0 0 35

0 35

35

0 35

0 35

0 35

0 0 35

0

                           

 

          

 

     

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35

0 35

0 57

0 57

0 0 57

0 57

57

0 57

0 35

0 35

0 0 35

0

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8

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night long, with a heave,

A5

with a ho,

B5 A5 G5

but

F#5

I just

G5

could n’t- tell her, ah,

g, g, g, g, g, g, ga!

Guitar Solo

G5

hold bend hold bend hold bend hold bend

8va

let ring

1 1 1 1 1 1

hold bend

let ring      hold bend

A5

     8va

  3

1 1 1

    1         

      G5

8va

1    1 3/4 1 3/41

                       

 

    

  

           

 

 

35

35

0 35

0 57

57

57

57

79

57

35

24

35

0 35

0 0 35

0

 

                                

35

35

14   141215

14   141215

14   141215

14   141215

14   14

                                     

1214 14 14

1212

14   1412

14 1214

14

141212

1412

1512

1512

15

                                     

1215

1215

1212

15 15 15   15 12 15 1215

1215   15

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9

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A5

B5

A5 G5 F#5

    G5

8va

3

3 3 3

1

    1 1

Well,4. get a

Verse

long,

G5

- sweet lit tle- wom an,- get a long,-

8va    loco

(15)

1   

on your way. Get a long,

A5

- sweet lit tle- wom an,- get a long,

G5

-

on your way. I’m in heat,

A5

I’m in love,

B5 A5 G5

but

F#5

I just

G5

could n’t- tell her, ’eah,

                                      

15 12 15 1214

1214   14 12 14 12 14 12

1412

1414

1212

15   1512

15 12 15

           

       

       

15

35

0 35

0 0 35

0 35

35

0 35

0 35

0 35

0 0 35

0

                 

                    

35

35

0 35

0 57

0 57

0 0 57

0 57

57

0 57

0 35

0 35

0 0 35

0

                       

 

    

  

               

35

35

0 35

0 57

57

57

57

79

57

35

24

35

0 35

0 0 35

0

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Play 6 times    

  

yeah, yeah!

Bridge

E5 µ(E5) (F#5) (G5)

(E5) (F#5) (G5)

G5

Guitar Solo

G5

let ring let ring let ring   3

1/2 1/2   

A5 G5   

3

1 2 1 1 1/2  

12

1

12

1

A5 B5

hold bend

A5 G5 F#5 G5   1 1

1 1 1

 

           

 

                 

35

35

0 35

0 02

0 2 3 0 2 3

 

 

 

3 3X003

3

3X003

3

3X003

3

3X003

3

                                             

2

0

2   4

0

2   2 02 0 2

2   4

0 0

4

08 7 5 7 7

                                      

 

1412

15 14 12 14 1215   15 12 15 12   15 15   15

1215

1215

12

     

                                       

15 15   15 12

14

15

14   14 1214

12 1412

1215 12

14   14 1214

14 1214

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  13:4 13:4

*

* Raise pitch by bending str. behind nut w/ right hand, next 6 meas.

+1/2+1/4 +1/2

  13:4 13:4

A5

13:4

+1/2+3/4

+1/2 +1/2+3/4

+1/2+1/4

12:4

G5

let ring  

  A5 B5

+1/4

0

1/2

 

  A5 G5 F#5 G5

5. Yeah, we made a

      3

3

33

 1   1

                                           

1214 12

1412 12 14 14

12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12

                                                              

15 12 14 9 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 14 12 15 12 15 9 15 12 15 12 15 12 15 12 15 12 15

                                               

12 15 12 15 12 15 12 15 12 15 12 15   12   12 12 0 10 12 0 10 12 0 12012 8

77

66

55

3

 

                                   

3 0 35 3 0

4 3 03 2 0

15

1215 15   15 12

14   14 1214

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12

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stop

Verse

µ (E5)

in Al bu- quer

G5

- que.- She must a- thought

I was a

   

  

real cool jerk. Got off  

A5

the train and put her hands up, look -

G5

in’- so

µ

good, I could n’t- let her go.

G5 G#5 A5

Oo,

B5

  A5 G5

but

F#5

I just

G5

could n’t- tell her so.

I said,

                       

    

      

 

     

0

1212

1212

35

35

0 35

0 35

0 35

0 0 35

0

           

 

 

        

 

 

35

35

0 35

0 57

0 57

0 0 57

0 57

57

0 57

0

               

            

35

35

46

57

59

79

         

 

     

             

 

 

79

57

35

24

35

0 35

0 0 35

0 35

35

0 35

0

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13

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train

Chorus

G5

kept a roll- in’- all night long,

train kept a roll- in’-

all night long. Train

A5

kept a roll- in’- all night long,

train

G5

kept a roll- in’- all night long. I’m in heat,

A5

I’m in love,

B5

A5 G5

but

F#5

I just

G5

could n’t- tell her, ah, yeh, y yeah!-

                     

     

 

     

35

0 35

0 0 35

0 35

35

0 35

0 35

0 35

0 0 35

0

               

                

35

35

0 35

0 57

0 57

0 0 57

0 57

57

0 57

0

                     

                  

35

0 35

0 0 35

0 35

35

0 35

0 57

57

57

57

79

   

     

 

 

   

             

    

79

57

35

24

35

0 35

0 0 35

0 35

35

0 35

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14

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In time q = 198

Slower q = 192

Free time

Outro

E5

 

  E5

E7#9

E5 G5 A

3

Free time

E5

1 11 1/2

   3 3

1/2 1   

     

35

022

 

 

 

 

0799

0 0 0 0 0799

0 0 0 0 0799

0 0 0 0 0799

0 0 0 0

07678

0 0 0 0 07678

0 0 0 0 07678

0 0 0 0

 

               

 

02

3X003

0222

0

141515 12 15 12

16

14 12

                                      

1615

12 15 12 15 12 1215 12

14   14 12 14 1214

12   1214 14

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15

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Intro

  Moderately q = 108

Walk This WayWords and Music by Steven Tyler and Joe Perry

from Aerosmith - Toys in the Attic 

Copyright © 1977 Music Of Stage ThreeCopyright Renewed

All Rights Administered by Stage Three Music U.S. Inc.All Rights Reserved Used by Permission

Reprinted by Permission of Hal Leonard Corporation

(Drums) **Gtr. 1 (dist.)

*

  f 

E5

**Joe Perry

*Chord symbols reflect basic harmony.

***Gtr. 2 (dist.)

  f 

A5

***Brad Whitford

Gtr. 1

Back 1.

Verse

C5

stroke- lov er- al ways- hid in’- ’neath the cov ers- till I talked to you, my dad dy- say.

He said, “You

3

Riff A1 End Riff A1

P.M.

Riff A End Riff A

P.M.

                             

0 1 22

0 1 22

0 X X0 1 2

20 1 2

2

3 0

2

 

 

577

577

688

799

           

     

       

0 1 22

0 1 22

00 1 2

20 1 2

2022

                             

                                           

81010

81010

10 12 108

1010 10 13 10 12 10

8 8 810 10 12 10

8

1010 10 13 10 12 10

                                         

8 8 810 10 12 10

8

1010 10 13 10 12 10

8 8 810 10 12 10

8

1010 10 13 10 12 10

Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o

1

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ain’t

Gtrs. 1 & 2: w/ Riff A (2 times)

seen noth in’- till you’re down on a muf fin,- then you’re sure to be, a, chang in’- your ways.” I met a

cheer lead- er,- was a real young bleed er,- oh, the times I could rem i- nisce,- ’cause the

best things in lov in’- with a sis ter- and a cou sin- on ly- start ed- with a lit tle- kiss, a, like this!

A5

Gtrs. 1 & 2

Riff B

P.M.

End Riff B

Gtr. 2

Interlude

Riff D

E5

Gtr. 1

  Riff C End Riff C

A5

End Riff D

 

                                     

                           

                                               

                                   

8 8 810 10 12 10

810 10 10 13 10 12 10

8 8 810 10 12 10

810 10 02

2

           

     

     

0 1 22

0 1 22

00 1 2

20 1 2

2

0

                   

           

0 1 22

0 1 22

0 X X X0 1 2

20 1 2

2

0 3 0

2

         

 

     

     

 

0 1 22

0 1 22

00 1 2

20 1 2

2

577

577

688

799

                   

       

0 1 22

0 1 22

0 X X X0 1 2

20 1 2

2022

Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

2

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C  oT oda  

See2., 4.

Gtr. 1: w/ Riff A (4 times)Gtr. 2: w/ Riff A1

Verse

C5

saw- swing in’- with the boys in the school and your feet fly in’- up in the air, a, sing,

“Hey

Gtr. 2: w/ Riff A (2 times)

did dle- did dle”- with your kit ty- in the mid dle- of the

a swing like you did n’t- care. So I

took a big chance

at the high school dance

with a mis sy- who was read y- to

*

*Sing harmony 1st time only.

play.

Was n’t-

me she was fool in’- ’cause she knew what she was do in’-

and

when I

she

know’d

taught me

love

how

was

to

here

walk 

to

this

stay

way.

when

She

she

told

told me

me

to...

to...

Gtr. 2

P.M.

(Walk 

ChorusC5

this

C6

way,

C7

talk 

F5

this

F6

way.

F7

Walk 

C5

this

C6

way,

C7

**Gtr. 3 (dist.)

  f 

Rhy. Fill 1

    End Rhy. Fill 1

 

**Joe Perry

 

Gtr. 2

Rhy. Fig. 1A End Rhy. Fig. 1A

Gtr. 1

Rhy. Fig. 1 End Rhy. Fig. 1

               

                     

       

   

                                           

                                       

                                     

8 8 810 10 12 10

8

1010 10 13 10 12 10

8 8 810 10 12 10

8

1010

1010 10

10

           

             

810

810

810

810

810

810

810

810

810

                   

810

812

813 8

10812

813

810

812

813

                                     

810

812

813

812

810

812 8

10812

813

812

813

812

810

812

813

812

813

812

XX

XX

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walk 

F5

this

F6

way.)

F7

Uh, just

gim me- a kiss.

Gtrs. 1 & 2: w/ Riff AGuitar Solo

C5

   

   1

1

 

 

  Gtrs. 1 & 2: w/ Riff B

A, like this!

A5

Gtr. 3         1 1/2 1

InterludeGtr. 1: w/ Riff CGtr. 2: w/ Riff DGtr. 3 tacet

E5

Oo.

Uh.

A5

Gtr. 1

             

       

         

810

810

10

810

810

8 11 811   11

8

   

810

812

813

         

810

812

813

812

813

812

    

                     

 

 

                      

     

11 11

811 8

11 10 8   101010

10 810

10

10 810

811 10 8 10 8 10 8 11 10

11

8 1 0 811

7

 

 

                   

       

0 1 22

0 1 22

X X X X X X0 1 2

20 1 2

2022

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 D.S. al Coda

 Coda

School3.

VerseGtr. 1: w/ Riff A (3 times)Gtr. 2: w/ Riff A1

C5

girl sweet ie- with your class y,- kind a- sass y- lit tle- skirt’s climb in’- way up the knee.

There was

three

Gtr. 2: w/ Riff A

young la dies- in the school gym lock er- when I no ticed- they was look in’- at me. I was a

high school los er,- nev er- made it with a la dy- ’til the boys told me some thin’- I missed, a, then my

Gtr. 2

P.M.

next

Gtrs. 1 & 2: w/ Riff B

door neigh bor- with a daugh ter- had a fa vor- so I gave her just a lit tle- kiss, a, like this!

A5

Gtr. 1

InterludeGtr. 2: w/ Riff D

E5

 

Walk 

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (3 t imes)Gtr. 3: w/ Rhy. Fill 1 (3 times)

C5

this

C6

way,

C7

walk 

F5

this

F6

way.

F7

Walk 

C5

this

C6

way,

C7

walk 

F5

this

F6

way.

F7

Walk 

C5

this

C6

way,

C7

talk 

F5

this

F6

way.)

F7

Uh, just gim me- a kiss.

Gtr. 3         

                       

                           

                         

                                   

8 8 810 10 12 10

8

1010 10 13 10 12 10

8 8 810 10 12 10

8

88

8

88

88

                                       

                   

      0 1 2

20 1 2

2

0 X X0 1 2

20 1 2

2

0 X X X

                           

0 1 22

0 1 22

0 X X X X0 1 2

20 1 2

2022

         

             

               

810

810

810

810

810

810

810

8 810

810

810

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Outro-Guitar SoloGtrs. 1 & 2: w/ Riff A

C5

3

1/2 1/2

Gtrs. 1 & 2: w/ Riff B

Like this!

A5

  3 3 3

3 3

1/2 1/2

Gtr. 3E5

w/ slapback delay

A5   Gtr. 1: w/ Riff E (3 times)Gtr. 2: w/ Riff E1 (till fade)

E5   

1    11 1 1/2

Gtr. 2

  Riff E1 End Riff E1

Gtr. 1

  Riff E End Riff E

                                           

10 109 8

108 7 7 5 7 5 7 7 7 5

5 8

855

8

55

5 7 7 7

   

                                           

3 3 37 8

5 8 58

8 58

5 88 5

85

8   77 5 7   77 5 5

8

0

       

     

 

       2   2   4 4 2

           

          

 

0 3 4

20 1 2

2

0 0 3 4

20 1 2

2022

                      

 

0 3 4

20 1 2

2

0 X X 0 3 4

20 1 2

2022

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Gtr. 3

A5

    E5

    A5 E5  

steady gliss.

A5   

   1  16 )16(

  16 (16)

  1 1 1/2 1 1 1/2 1 1 1/2

Gtr. 3

E5 E9 E5 A9

15 15

1 1 1 1/2

Gtr. 1

E5      E9 E5 A9

3

15   1 1/2 1/2

Riff F End Riff F

Gtr. 3

Gtr. 1: w/ Riff F (till fade)

E5 E9 E5     A9

  8v a

15 15

    15

  1 1 1/2 1 1

                              

     

4 4 14   16 16 15 11 6

              

                      

1215 12   15   15 12 15

1412

15 14 12 14 1214 14

1414

           

               

0 3 4

20 1 2

2

0

6777

0 3 4

20 1 2

2 111212

                                       

12 1412

12 16 1215 12

12 13

1215 14

14 1412 12

14 1214

1414

121414

           

         

   

0 3 4

20 1 2

2

0

677

0 3 4

20 1 2

2 111212

111212

                             

12 14

12 15 1215 17

14   17 1717 17 17 15 15

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 Fade out

loco

E5 E9 E5 A9

6

1 1

E5 E9 E5 A9

3

1 1 1 1

 Begin fade

E5 E9 E5 A9

1/2 1 1/2 1/2 1/2 1/2 1

E5 E9

    E5

A9

3

  1 1 1/4

E5

    E9 E5

let ring

A9 E5     E9

  15 15

1  15

1 1 1 1

                                                 

 

13

1215 12

1415 14 12 14 1214

1214 12

14 13 12 11 12 1112

12 11 12

12

1112

12

                                        

2   2 02

2   2   2 0   2

2 22 0

220 2 2 0

022

                                        

3 30

0 0 3 0   3 30 0   30 0   30 0 0   30 3 02 0

022

                                             

2   2 02

2   2 02 2 0 2 0

2 1 03 0

2 0 2022 2

                             

             

1212

1212

1212

1212

1212

1212   14

12 1212

1514

12

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Intro

  Fast Rock q = 168

Copyright © 1951 by Bienstock Publishing Company, Jerry Leiber Music, Mike Stoller Music, Fort Knox Music Inc. and Trio Music Company, Inc.Copyright Renewed

International Copyright Secured All Rights ReservedUsed by Permission

from Johnny Burnette Trio - Rockabilly Boogie 

Train Kept a-Rollin’Words and Music by Tiny Bradshaw, Lois Mann and Howie Kay

Gtr. 1 (clean)

  f 

* B A

*Chord symbols reflect o verall harmony.

  E

1. I caught a

Verse

train.

E

I met a

w/ fingers

dame. She was a hep ster- and a real gone dame. She was

pret

A

ty- from New York Cit y.- And we trucked

E

on down that

   

                               

7

7

7

7

07

7

97

7

7

7

7

7

7

7

7

7

5

5

5

5

5

5

5

5

3

3

3

3

3

3

3

3

0

0

3

3

0

0

     

       

 

3 00

3 2 02

0

0

0

0

3

3

3

3

0

0

3

3

0

0

0

0

2

2

0

0

3

3

0

0

0

0

0

0

0

0

0

0

2

2

0

0

         

 

 

 

 

3

3

3

3

0

0

0

0

0

0

3

3

0

0

0

0

3

3

0

0

3

3

3

3

0

0

3

3

0

0

0

0

7

7

6

6

7

7

5

5

3

3

0

0

3

3

3

3

                         

 

 

   

3

3

0

0

3

3

3

3

0

0

3

3

0

0

0

0

3

3

0

0

3

3

3

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0

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old fair lane with a heave

B

and a ho. Well, I just

  E

could n’t- let her go. Get a -

long.

Pre-Chorus

E

Sweet a lit tle- wo man,- get a long- and be

on your a way. A get a long.

A7

- Sweet a lit tle- wo man,- get a -

           

 

 

 

3

3

0

0

3

3

0

0

0

0

3

3

0

0

3

3

3

3

0

0

3

3

2

2

0

0

3

3

3

3

2

2

0

0

3

3

2

2

0

0

0

0

         

 

 

0

0

3

3

3

3

0

0

0

7

0

0

0

0

0

0

0

0

3

3

3

3

0

0

0

0

                     

 

   

 

   

 

0

0

0

0

0

0

0

0

3

3

0

0

3

3

0

0

0

0

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3

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3

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3

0

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0

0

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3

0

0

3

3

3

3

0

0

0

0

0

0

7

7

5

5

0

0

0

0

3

3

0

0

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3

3

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3

3

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3

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long

E

and be on your a way a with a heave

B7

and a ho.

 

1/4

Well, I just

E

could n’t- let her go. Well, the

train

Chorus

E

kept a roll in’- all night long the train kept a roll in’- all

night long. the train kept a

mov

roll

in’

in’

-

-

  all night, long, the

                 

 

 

 

   

           

0

0

3

3

0

0

3

3

3

3

0

0

3

3

0

0

3

3

0

0

0

0 3 03 0

3 2

                 

 

 

 

 

02

0

0

0

0

3

3

3

3

0

0

3

3

0

0

3

3

0

0

3

3

3

3

0

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3

3

0

0

0

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0

0

3

3

3

3

0

0

0

0

3

3

0

0

3

3

3

3

0

0

0

0

0

0

0

0

0

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0

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3

3

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0

0

0

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3

3

0

0

                   

 

 

 

0

0

3

3

0

0

3

3

0

0

0

0

3

3

0

0

7

7

5

5

7

7

5

5

3

3

0

0

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0

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3

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C  oT oda  

train

E

kept a roll in’- all night long with a heave

B7

and a ho.

Well, I just could n’t- let her go. Ow!

8v a

8v a   Guitar Solo

Yeah,

E

cat! Hey!

Ow!

steady gliss.

A

Get it!

                   

 

 

                       

0

0

3

3

0

0

3

3

3

3

0

0

3

3

0

0

0

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3

0

0

7

7

0

0

3

3

0

0

2 2 2

3X

X

XX

X

XX

X

XX 0

               

 

 

3

3

2

2

0

0

3

3

2

2

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3

2

2

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0

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0

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0

0

0

0

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0

0

0

0

0

0

0

0

   

 

 

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12

12

12

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12

12

12

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12

12

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12

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12

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12

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12

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10

7

7

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E

Giddap! Ow!

B7

    E

We2. made a

stop

Verse

E

in Al bu- quer- que.- She must have thought that I was a

real gone Joe. We got off the

A

train at El Pas- o.- Her

 

 

 

 

 

3

3

2

2

0

0

3

3

2

2

0

0

3

3

2

2

0

0

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3

2

2

2

2

0

0

3

3

0

0

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2

2

2

2

3

3

 

 

 

 

 

3

3

3

3

3

3

3

3

2

2

0

0

3

3

0

0

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3

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5

5

3

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3

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7

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 D.S. al Coda

 Coda

looks

E

a were so

µ

good, Jack. I could n’t- let her go. Get a long.

B

- Well, I just

3 3

3

steady gliss.

could n’t- let her go.

E

Get a -

E

could n’t- let her go.

  E%

                   

 

 

0

0 0

3

3

7

7

5

5

5

5

0

0

         

 

 

 

 

 

 

3

3

3

3

0

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2

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0

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3

2

2

0

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287

87

87

87

87

87

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75

75

54

54

32

32

   

00

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022122

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Intro

  Moderately q = 108

Copyright © 1977 Music Of Stage ThreeCopyright Renewed

All Rights Reserved Used by Permission

from Aerosmith - O, Yeah! 

Walk This WayWords and Music by Tyler/Perry

Gtr. 1(dist.)

(Drums)    µ

  f *

Riff A

** E5

type2

11

E5

11

A5

2

G5

11 1

A E5

  

*Sampled gtr. **Chord symbols reflect implied harmony.

  1/4

  1. Your

A5

girl’s a

Gtr. 1End Riff A

Gtr. 2 (dist.)

  Rhy. Fill 1

 mf 

        

            

1 1 1 0 1 22

0 1 22

00 1 2

20 1 2

2

3

2

         

     

       

0 1 22

0 1 22

00 1 2

20 1 2

2022

 

577

577

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1

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back 

Verse

C7

seat-

lov er-

that’s al ways- un der --

cov er- and,

and,

“I

“I talk  

talk 

Gtr. 2 tacet

to,”

to,”

my

my

dad

dad

dy

dy

-

-

say. Said, “You

  Riff B

P.M.

     End Rhy. Fill 1

   

ain’t seen

noth ing-

till you’re down on a

muf fin- and

and

you’re

you’re

sure

sure

to

to

be

be

a

a

chang

chang

-

- ing

ing-

-

way.

I met a

Gtr. 1

P.M.

cheer

lead

lead-

er

er,

-

- that’s a real big

bleed er.-

The times I could rem i --

nisce.

’Cause the

(Cheer lead- er.-

Times.

P.M.

         

                   

                                     

8 810 10 12 10

8

1010 13 12 10

8 810 12 10

8

1010 13 12 10

 

81010

                                   

                                     

8 810 10 12 10

810 10 13 10 12 10

8 8 810 10 12 10

810 10 13 12

                                   

 

   

 

 

                                     

8 810 10 12 10

8

1010 13 12 10

8 810 10 12 10

8

1010 13 12 10

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2

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best thing

lov ing-

was your sis ter- and your

cou sin,- and

and

it

it

start

start

ed

ed

-

-

with

with

a

a

lit

lit

tle

tle

-

-

kiss

kiss

like

like

this.

this.

A5

 

Start ed- with a lit tle- kiss like this.)

End Riff B

P.M.

Interlude

Gtr. 1: w/ Riff A

E5

Gtr. 2: w/ Rhy. Fill 1

A5

See

VerseGtr. 1: w/ Riff B (1st 6 meas.)

2.

C7

saw-

swing ing-

with the boys in

school

and your feet

feet

was

was

fly

fly

ing

ing

-

-

up

up

in

in

the

the

air,

air

sing ing,-

(Swing ing.- Feet fly ing- up in the air.

“Hey, did dle,-

did dle- with the kit ty- in the mid dle-

and you’re swing

ing- like you just don’t care.

So I

Kit ty- in the mid dle,- swing ing- like you just don’t care.

Gtr. 2

 mf 

                               

 

                               

8 810 10 12 10

8

1010 13 12 12 10

8 810 10 12 10

8

1010 0

22

                           

 

     

                       

     

     

1011

1112

13 1011

1112

13

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took a big

chance

at the high school

dance

with a la

Gtr. 2 tacet

dy- who was read y- to play. But was it

 

Miss y- who was read y- to play.)

 

me she was

fool ing-

’cause she knew what she was

do ing-

when

when

she

she

told

told

me

me

how

how

to

to

walk 

walk 

this

this

way?

way?

She

She

told

told

me

me

to

to

Gtr. 1

P.M.

walk 

Chorus

C7

this way, and talk  

F7

this way. Walk  

C7

this way, and

Gtr. 2 Riff C            

   

Gtr. 1 Rhy. Fig. 1

                     

 

 

1213

         

                     

                                   

8 810 10 12 10

8

1010 13 12 12 10

8 810 10 12

1010 13 10 12

                                 

         

10

11 1011

10

11

                                   

810

812

813

812 10

810

812 8

108 8

128

13812

810

812 10

810

812

813

812

810

812 10

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talk 

F7

this way.

She told me to

walk 

C7

this way, and talk  

F7

this way.

          

   

Walk 

C7

this way, and talk  

F7

this way.

Well, just give me a

Guitar Solo

kiss.

Gtr. 1: w/ Riff B (last 4 meas.)Gtr. 2 tacet

C7

      

   

     End Riff C   Gtr. 3 (dist.)

  f 

    1 1 1 1

End Rhy. Fig. 1

 

       

                         

     

 

1011

1011 10

11

                               

810

812

813

812

810

810

812

813

812

810

812 10 8

108 8

128 8

138

12 108

10812

                     

   

  

     

                         

1011 10

1111 1111   1111   1111 11

                   

810

812

813

812

810

812 10 8

108 8

128 8

13812

810

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  Oo, like this.

A5

  

3

3

  1 1 1 2 1 1/2

Interlude

Gtr. 1: w/ Riff AGtr. 3 tacet

E5

Mm.

A5

Verse

3.

School

µ (C7)

girlslea zy,-

with aclass y,- kind of sass y,-

lit tle-

skirt

hang ing- way up her knee. There was three young

la dies-

in the school gym

lock er- and I find they were look ing- at

at

D.

D. I was a

 

(Three young girls.

high school

los er,-

nev er- made i t with a

la dy-

till the boys

told

told

me some thing- I missed.

Then my next door

neigh bor-

with a daugh ter- had a

fav

fav

or

or

-

- and I

Los er,- with a, till the, told me, missed. Door, had a daugh ter,- fav or,-

Gtr. 1

     

                                                  

11 11 1111 11   1111   11   11 8 11 11 810

810 8

1010 8

108 10   108

108 9 10

8 9 108 10 10

                    

                               

                           

                    

 

   

   

 

0 1 2 0 1

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6

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gave

Gtr. 1 tacet

the girl a lit tle- kiss

like

like

this.

this.

InterludeGtr. 1: w/ Riff A

  E5

A5

 just a lit tle- kiss, like this, break.)

   

 

VerseGtr. 1: w/ Riff B

C7

 Both: Swing ing,- school, air,

See4. saw- swing ing- with the boys in school with your feet fly ing- up in the

air, sing ing,-

Gtr. 2

grad. bend1/4

did dle,- mid dle,- care.

“Hey

did dle,- did dle,”- with your kit ty- in the mid dle- and swing

ing- like you did n’t- care. So I

P.M.

1/2

               

               

                                           

 

1011

                

                                                   

                

1011

88

1010

108

10 810

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7

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Chance, dance,

Gtr. 2 tacet

play,

took a big chance at the high school dance with a miss y- who was read y- to play.

Was it

 

fool ing,- do ing,- told me how to walk. She told me to

me

she was fool ing- ’cause she knew what she was do ing- when she told me how to walk this

way? She told me to

walk 

ChorusGtr. 1: w/ Rhy. Fig. 1

Gtr. 2: w/ Riff C

C7

this way and talk  

F7

this way. Walk  

C7

this way and

talk 

F7

this way.

She told me to

walk 

C7

this way and talk  

F7

this way.

Walk 

C7

this way and talk  

F7

this way.

(Ah,

Well, just

ah,

give

ah,

me some

ah,

  

           

                         

  

8

                      

                                           

                                   

 

                     

           

                             

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8

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Gtr. 1

Interlude

8fr

P.M.

head.

ah,

C

ah, ah, ah, ah, ah, ow,

ga, ga, ga, ga, ga, ga, ga, ga,

Gtr. 3

w/ bar

-1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1 -1 -1 -1-1/2 -1/2 -1/2

P.M. (cont. in notation)

go,

go, go, go, go, go, go, go, go, go, go, go,

Like

go.)

this.

  1 1 1 1 1 1 1 1 1

Gtr. 2

Outro - Guitar Solo

Rhy. Fig 2A   End Rhy. Fig 2A

Gtr. 1: w/ Rhy. Fig. 2 (11 times)Gtr. 2: w/ Rhy. Fig. 2A (4 1/2 times)

Gtr. 3

E5

  

A5 E5

11 1/2   1

1

Gtr. 1 Rhy. Fig 2 End Rhy. Fig 2

1/2

 

               

                                             

11 11 11 11 11 11 11 11 8 8 8 8 89 9 9 9

         

 

     

                                               

1088

88

1111

10 1088

88

8   10 1088

88

10 810

8

XX

8 10   10 101111 11

10

8

022

                       

20

0

4   4   20

0

        

            

0 1 22

0 1 22

0 022X00

0 1 22

0 1 23

2022

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  A E5 A

1

Gtr. 2

open

Gtr. 1

E

let ring

A5 type2E5

let ring

A5 type2E5 A5

1 1

Gtr. 3

Gtr. 2: w/ Rhy. Fig. 3 (3 times)

E5 A

8v a

Gtr. 1

                     

             

0 1 22

0 1 22

0 022

0 1 22

0 1 22

0 022X00

0 1 22

0 1 22

3022

         

                                     

0 1 22

0 1 22

0

20 1 2

20 1 2

2022

022

022

0 1 22

0 1 22

022

                                               

0 1 22

0 1 23

2022

0 1 22

0 1 22

0 022

0 1 22

0 1 23

2022

022

                                                     

1514 1615 1615 1615 1514 1615 1615 15 1514 1615 1615 1514 1615 1615 1615 1514 1615 1615 1615 1615 1615 1615 1414 1414 1414 1414 1414 1414

                       

0 1 22

0 1 22

0 022

0 1 22

0 1 22

022

022

022

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Gtr. 3

Gtr. 1 tacet

E5 A

8v a

E5 A

                                                         

1615

1615

1615

1615

1514

1615

1615

1615

1514

1615

1615

1615

1514

1615

1615

1514

1615

1615

X 1514

1615

1615

1615

1414

1414

1414

141417

141417

1414

1414