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GRAPHIC DESIGN: WWW.CLADE.FR / CREDITS NON CONTRACTUAL AFM 2013 IN POST PRODUCTION COMPLETED COLD IN JULY by Jim Mickle MR. KAPLAN by Alvaro Brechner BACK IN CRIME by Germinal Alvarez BLUE RUIN by Jeremy Saulnier SHORT TERM 12 by Destin Cretton CHASING THE WIND by Rune Denstad Langlo ILO ILO by Anthony Chen THE PAST by Asghar Farhadi CONTACTS IN AFM EMILIE GEORGES (November 4th – 11th) emilie@memento-films.com | +33 6 62 08 83 43 NICHOLAS KAISER (November 5th – 11th) nicholas@memento-films.com | +33 6 43 44 48 99 NICK SHUMAKER (November 4th – 11th )nick@memento-films.com | +1 646 648 09 86 UNIFRANCE STAND THE LOEWS HOTEL - Room 434 (4th floor) 1700 Ocean Ave, Santa Monica, CA 90401

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Page 1: AFM 2013 redits non contractual - Memento Films Internationalinternational.memento-films.com/wp-content/uploads/2013/... · 2013-10-28 · Graphic desi G n: / c AFM 2013 redits non

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lAFM 2013IN POST PRODUCTION COmPleTeD

COLD IN JULYby Jim Mickle

MR. KAPLANby Alvaro Brechner

BACK IN CRIME by Germinal Alvarez

BLUE RUINby Jeremy Saulnier

SHORT TERM 12 by Destin Cretton

CHASING THE WINDby Rune Denstad Langlo

ILO ILOby Anthony Chen

THE PASTby Asghar Farhadi

CONTACTS IN AFMEMIlIE GEORGES (november 4th – 11th) [email protected] | +33 6 62 08 83 43

NIChOlAS KAISER (november 5th – 11th) [email protected] | +33 6 43 44 48 99NICK ShUMAKER (november 4th – 11th )[email protected] | +1 646 648 09 86

UNIFRANCE STANd THE LOEWS HOTEL - Room 434 (4th floor) 1700 Ocean Ave, Santa Monica, CA 90401

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COLD IN JULY A FILM BY JIM MICKLE

By the director of WE ARE WhAT WE ARE (Sundance 2013, directors’ Fortnight Cannes 2013), STAKE lANd

Based on Joe R. lansdale’s cult-classic novel

With Michael C. hall (dexter), Sam Shepard (Mud, The Assassination of Jesse James, days of heaven) and don Johnson (django Unchained, Miami Vice)

Cold in July tells the story of Richard Dane, a small town frame builder from East Texas who is forced to kill a man in self-defense. He then meets Ben Russel, a rough ex-con and the father of the man Dane shot, who is hell-bent on avenging his son’s death. But small town corruption and paranoia turn these bitter ennemies into unlikely allies, as the two guilt-stricken fathers begin a search for truth, aided by Dane’s tough minded wife and a pig-raising detective from the back-woods of Houston. Before it’s all over, they uncover a bigger secret, darker and more dangerous than any of them could have imagined.

BMS STUDIO PRESENTS, IN ASSOCIATION WITH BACKUP MEDIA AND PARADISE CITY / MFI,

A BELLADONA PRODUCTION

dElIVERy SPRING 2014

USA, FRANCE | 2014 BUdGET 3,5 MILLIONS USD

PROmOReel avaIlable

Michael c. hall

Don Johnson

Sam Shepard

IN POST-PRODUCTION

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MR. KAPLAN A FILM BY ALvARO BRECHNER

By the director of BAd dAy TO GO FIShING (Cannes Critics’ Week 2009)

Jacob Kaplan lives an ordinary life in Uruguay. Like many of his other Jewish friends, Jacob fled Europe for South America because of World War II. But now turning 76, he’s become rather grumpy, fed up with his community and his family’s lack of interest in its own heritage. One beach bar may, however, provide him with an unexpected opportunity to achieve greatness and recover his family’s respect in the community: its owner, a quiet, elderly German, raises Mr.Kaplan suspicion of being a runaway nazi. Ignoring his family’s concerns about his health, Jacob secretly recruits Contreras, a more loyal than honest former police officer, to help him investigate. Together, they will try to repeat the historic capture of Adolf Eichmann: by unmasking and kidnapping the Ger-man and secretly taking him to Israel.

WITh HECTOR NOGUERA, NESTOR GUZZINI AND ROLF BECKER

PROdUCEd By BAOBAB FILMS, SALADO, RAZOR FILM PRODUKTION (WADJDA, WALTZ WITH BASHIR)

dElIVERy SPRING 2014

PROmOReel avaIlable

IN POST-PRODUCTION

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BACK IN CRIME A FILM BY GERMINAL ALvAREZ

Inspector Richard Kemp never got around to putting the handcuffs around the Earwig, a dangerous serial killer who began his rampage 20 years before. When Kemp is mysteriously transported back in time, to Earwig’s first murder, he realizes that this could provide a second chance to catch this elusive killer. As he tries to help his youngerself, Kemp will trigger a series of events with unforeseen consequences…

WITh JEAN-HUGUES ANGLADE (BETTY BLUE, LA FEMME NIKITA, QUEEN MARGOT)

AND MéLANIE THIERRY (BABYLON A.D, THE PRINCESS OF MONTPENSIER)

PROdUCEd By HAUT ET COURT (COCO BEFORE CHANEL, LES REvENANTS)

FRANCE | 2013 | 102 MIN

“A film fully mastered, as much in its direction as in its screnplay.” le mONDe

“Anglade carries the film with such enthusiasm and talent. his performance is what makes a real success from this clever first feature, which allows us to discover a young promising director: Germinal Alvarez.”

20 mINUTeS

eNGlISH DUbbeD veRSION avaIlable

PUCHEON FILM FESTIVAL

IN COMPETITION

MOSCOw IN COMPETITION

COmPleTeD

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BLUE RUINA FILM BY JEREMY SAULNIER

Blue Ruin follows a mysterious homeless man whose quiet life is turned upside down by dreadful news regarding a past tragedy. He sets off for his childhood home to carry out an act of vengeance but proves an amateur assassin, finding himself in a brutal fight to protect his estranged family.

WITh MACON BLAIR, DEvIN RATRAY, AMY HARGREAvES (HOMELAND)

PROdUCEd By FILMSCIENCE, NEIGHBORHOOD WATCH AND THE LAB OF MADNESS

USA | 2013 | 92 MIN

“A tense, darkly comic and surprisingly esoteric revenge tale in the tradition of the Coen brothers’ Blood Simple, the new movie displays Jeremy Saulnier’s serious capacity for complex genre cinema.” INDIeWIRe

“Rarely has the relationship between vulnerability and blind violence been this intelligently constructed, producing so much intensity within humor that reaches almost to the point of burlesque,

while also succeeding entirely as a pure thriller...” lIbeRaTION

“The backwoods-gothic terrain may be familiar, but the jolts are doled out with an expert hand in ‘Blue Ruin,’ a lean and suspenseful genre piece.” vaRIeTY

“If the directors Fortnight is intent on championing superior genre fare then they have found an ideal candidate in Blue Ruin.” SCReeN

“Besides the fact that I doubt we’ll see a more deft, thrilling genre film this year, I’m very pleased that Jeremy Saulnier’s Blue Ruin addresses a number of issues that revenge films have been overlooking

for decades.” TWITCH

TOrONTO OffICIal

SElECTION

LOCArNO PIazza GraNdE

DIrECTOrS FOrTNIgHT COMPETITION

CANNESfIPrESCI PrIzE

COmPleTeD

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SHORT TERM 12 A FILM BY DESTIN CRETTON

Short Term 12 follows Grace, a 20-something supervisor at a foster-care facility for at-risk teenagers. Grace is passionate and takes great care of the kids in her charge, and hides her relationship with her boyfriend and co-worker, Mason. When the troubled Jayden is admitted in the center, Grace’s difficult past starts to resurface and puts at risks the delicate balance of her life and future prospects.

WITh BRIE LARSON (THE SPECTACULAR NOW, UNITED STATES OF TARA),

JOHN GALLAGHER JR. (THE NEWSROOM), KAITLYN DEvER (THE SPECTACULAR NOW, J. EDGAR),

RAMI MALEK (NEED FOR SPEED, TWILIGHT, THE MASTER)

PROdUCEd By TRACTION MEDIA / ANIMAL KINGDOM

USA | 2013 | 96 MIN

SOUTH by SOUTHwEST

GraNd Jury PrIzE

LOCArNO SPECIal MENTION

LOCArNO JuNIOr Jury

SECONd PrIzE

LOS ANgELES audIENCE aWard

LOCArNO bEST aCTrESS

LOCArNO ECuMENICal

PrIzE

SOUTH by SOUTHwEST

audIENCE aWard

vIeW TRaIleR HeRe

COmPleTeD

“Genuinely moving and heartfelt, honest and striking, this is a drama that will have audiences simultaneously laughing and crying. larson gives a phenomenal performance!” SCReeN

“The stunning SXSW fest winner puts the recent Park City competition lineup to shame.” vaRIeTY

“Genuinely moving, affecting, engaging. Theatrical appeal is strong. Brie larson gives a breakthrough performance.” THe HOllYWOOD RePORTeR

“Brie larson turns in an Oscar worthy performance as the lead. Not only emotionally engaging, it’s also funny.” aIN’T IT COOl

”Impeccable performances all around. Tremendously involving. Intensely likable protagonists whose penchant for cracking jokes under duress.“ INDIeWIRe

MAOHI audIENCE aWard

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CHASING THE WIND A FILM BY RUNE DENSTAD LANGLO

Anna hasn’t seen her family for a decade. She’s moved to Berlin, where she now works as a fashion designer, happily living with Mathias. When her grandmother dies, she reluctantly returns to her small town in Norway to take care of the arrangements and stays with her grumpy grandfather. But in the week leading up to the funeral, nothing goes as expected and secrets that were kept for too long are soon revealed. Anna is forced to reconsider how she lives her life and learn to care for the ones she really loves. 

WITh MARIE BLOKHUS, TOBIAS SANTELMANN (KON-TIKI),

SvEN-BERTIL TAUBE (MILLENIUM), FREDERIK MELDAL NøRGAARD

PROdUCEd By MOTLYS (OSLO, AUGUST 31ST, NORTH, TURN ME ON DAMMIT !)

NORWAY | 2013 | 93 MIN

vIeW TRaIleR HeRe

COmPleTeD

ArrAS FILM FESTIVAL IN COMPETITION

ZUrICH FILM FESTIVAL IN COMPETITION

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Set in Singapore, ILO ILO chronicles the relationship between the Lim family and their newly arrived maid, Teresa.  Like many other Filipino women, she has come to this city in search of a better life.  Her presence in the family worsens their already strained relationship. Jiale, the young and troublesome son, starts to form a unique bond with Teresa, who soon becomes an unspoken part of the family.But this is 1997 and the Asian Financial Crisis is beginning to be felt in the region…

WITh YEO YANN YANN, CHEN TIAN WEN, ANGELI BAYANI, KOH JIA LER

PROdUCEd By FISHEYE PICTURES PTE LTD | SINGAPORE | 2013 | 99 MIN

vIeW TRaIleR HeRe

“Brimming with love, humor and heartbreak (...) debuting helmer Anthony Chen is remarkably astute in his depiction of the class and racial tensions.” vaRIeTY

“A small gem about how families learn to persevere during the toughest of times. The film could enjoy worldwide theatrical attention when one considers that, although the movie is set in Singapore,

the issues at play are universal.” SCReeN

“An impressive family drama that bypasses the usual Singaporean auteurist tics of arch dialogue and fabricated anomie in favour of well-drawn.” FIlmbIZ aSIa

”Economical in means and in effects, IlO IlO is a film that recounts with infinite justice a family crisis amid a social crisis.” le mONDe

COmPleTeD

ILO ILOA FILM BY ANTHONY CHEN

2013

SINgAPOrIAN ENTry FOr ACADEMy AwArD FOr bEST fIlM IN fOrEIGN

laNGuaGE

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THE PASTA FILM BY ASGHAR FARHADI

By the Academy Award winning director of A SEPARATION (25 million USd in worldwide box-office)

Following a four year separation, Ahmad returns to Paris from Tehran, upon his French wife Marie’s request, in order to finalize their divorce procedure. During his brief stay, Ahmad discovers the conflicting nature of Marie’s relationship with her daughter Lucie. Ahmad’s efforts to improve this relationship soon unveil a secret from their past.

WITh BéRéNICE BEJO (ACADEMY AWARD NOMINEE FOR THE ARTIST),

TAHAR RAHIM (A PROPHET, GRAND CENTRAL) AND ALI MOSAFFA

PROdUCEd By MEMENTO FILMS PRODUCTION CO-PROdUCEd By FRANCE 3 CINEMA AND BIM DISTRIBUTZIONE

BUdGET: 11 MILLION USD | lANGUAGE: FRENCH, ITALIAN, FARSI | FRANCE | 2013 | 129 MIN

COmPleTeD

vIeW TRaIleR HeRe

“The Past confirms Farhadi as a superb director of actors, drawing a strong performance from The Artist’s Berenice Bejo. The Prophet’s Tahar Rahim and Iranian actor-director Ali Mosaffa are equally

impressive, as are the three child actors.”SCReeN

“The Past plays like a low-key adagio in the hands of a masterful pianist, who knows how to give every note its just nuance and how every single phrase affects all the rest.” THe HOllYWOOD RePORTeR

“A fascinating film from the beggining to the end, as exciting as the best thrillers. The actors are wonderful.” le NOUvel ObSeRvaTeUR

2013

IrANIAN ENTry FOr ACADEMy AwArD FOr

bEST fIlM IN fOrEIGN laNGuaGE