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AFRICANS IN LATIN AMERICA Contribution to Music , Dance, Religion and Universal Freedom

Africans In Latin America

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Page 1: Africans In  Latin  America

AFRICANS IN LATIN AMERICA

Contribution to Music , Dance, Religion and Universal Freedom

Page 2: Africans In  Latin  America

AFRICANS IN LATIN AMERICA

Before Columbus

Page 3: Africans In  Latin  America

THE OLMEC CIVILISATION

Friar Diego de Landa … , wrote that "some old men of Yucatan say that they have heard from their ancestors that this country was peopled by a certain race who came from the East, whom God delivered by opening for them twelve roads through the sea".

This tradition is most interesting because it probably refers to the twelve migrations of the Olmec people.

This view is supported by the stone reliefs from Izapa, Chiapas , Mexico published by the New World Foundation .In Stela 5, from Izapa we see a group of men on a boat riding the

waves.(Wuthenau 1980; Smith 1984 ; Norman 1976)

Clyde Winters

Page 4: Africans In  Latin  America

THE OLMEC CIVILISATION (CONT’D)

According to Clyde Winters, a Stela (No.5), from Izapa confirms the tradition recorded by Friar Diego de Landa that the Olmec people made twelve migrations to the New World.

Winters says that this stela also confirms the tradition recorded by the famous Mayan historian Ixtlixochitl, that the Olmec came to Mexico in "ships of barks " and landed at Pontochan, which they commenced to populate.(Winters 1984: 16)

He adds, “These Blacks are frequently depicted in the

Mayan books/writings carrying trade goods”. ________________________________________ Such journeys suggest that the ancients had

knowledge of the sea routes across the Atlantic from Africa to the Americas

Page 5: Africans In  Latin  America

OLMEC STONE HEADThe Olmecs must have had a high regard for art as many cave paintings & huge stone scullptures have been found, along with jade artefacts & statues. Typical Olmec art featured jaguars, thick-lipped soldiers and goatee-bearded men …

Page 6: Africans In  Latin  America

OLMEC STONE HEADBearing in mind the thick-lipped Africanoid features of these carvings, some researchers postulate that the Olmecs originally came from Africa, and indeed their language is very similar to that spoken today in Mali.

Page 7: Africans In  Latin  America

THE CONTRIBUTION OF AFRICAN ARTISTIC TRADITION IN THE AMERICAS (AND THE CARIBBEAN)

“It is now accepted that it is in music that African culture has shown its greatest degree of persistence in the New World”

J.D. Elder “The New World Negroes Search for Identity”

Page 8: Africans In  Latin  America

THE CONTRIBUTION OF AFRICAN CULTURE TO THE AMERICAS (AND CARIBBEAN)

African Music and Dance, was maintained in a multitude of forms in the Caribbean and the Americas.

African(and African influenced) music & dance has been the most prominent and viable artistic expression in the New World

The dance and music is both Secular (popular Latin American ball- room dances) and religious (various African faiths)

Page 9: Africans In  Latin  America

THE CONTRIBUTION OF AFRICAN ARTISTIC TRADITION IN THE AMERICAS AND CARIBBEAN

Why did the African music survive/evolve to such a high degree in the Caribbean?

Music was associated with all the aspects of life and the rites of passage (birth, naming, adulthood, marriage, death)

Music ( and dance) was also associated with resistance against the sufferings of the Africans

Page 10: Africans In  Latin  America

THE ARTISTIC TRADITION IN THE CARIBBEAN AFRICAN MUSIC AND RESISTANCE

Resistance to slavery and cultural domination came through music.

Africans adapted European music to suit their own needs. Several forms of folk music in South /Central America and the Spahish speaking Caribbean reflect the fusion of Africa and Europe

Page 11: Africans In  Latin  America

SOME AFRICAN RHYTHMS/DANCES IN THE AMERICAS Dominican Republic-Merengue, Bachata Cuba-Rumba Puerto Rican-Salsa, Bomba,Plena Colombia- Cumbia, Brazil- Samba Ecuador- Bomba del Chota River Plate region-Marimba music, candombe , murga Peru -Festejo, Landó, Panalivio, Socabón, Son de los

Diablos, Toro Mata

Page 12: Africans In  Latin  America

ROLE OF AFRICAN/AFRICAN SYNCRETIC RELIGIONS Adaptation , new relations to the divine, changed

world view, creation of social cohesion in changed circumstances

Resistance to the norms and values of the ruling elite.

Support for political and social resistance eg Haiti (Voodoo),Trinidad (the Spiritual baptists)

Page 13: Africans In  Latin  America

AFRICANS AND UNIVERSAL

FREEDOM MEXICO

Page 14: Africans In  Latin  America

JOSÉ VASCONCELOS, “EL NEGRITO POETA” (MID-EIGHTEENTH CENTURY)

Aungue soy de raza congo,Yo no he nacido africano,Soy de nación mejicano,Y nacido en almolonga.

Although I am of the Congo raceI was not born AfricanI am of the Mexican nation and was born in Almolonga

Page 15: Africans In  Latin  America

YANGA (EARLY 17TH CENTURY)

Page 16: Africans In  Latin  America

SLAVE REBELLIONS IN MEXICO Prior to independence from Spain, there were

numerous slave rebellions throughout the Americas, including in Mexico.

The first documented slave rebellion in Mexico occurred in 1537; this was followed by the establishment of various runaway slave settlements called "palenques.“

Some rebellions were in alliance with Indians and mestizos even as far north as Chihuahua.

In 1608, Spaniards negotiated the establishment of a free black community with Yagna, a runaway rebel slave. Today, that community in Veracruz bears its founder's name.

Page 17: Africans In  Latin  America

AN AFRICAN LEADER NAMED ÑANGA

By the year 1609, the large numbers of escaped slaves had reduced much of rural Mexico to desperation, especially in the mountains in the state of Veracruz around the Pico de Orizaba.

One of the largest of these groups was that of an African leader named Ñanga, now called "Yanga" who ruled a village in the mountainous area near Xalapa, Veracruz.

In that year, the Viceroy of New Spain sent troops from Puebla to subjugate Yanga and his band of escaped slaves to Spanish rule.

After eluding the detachment for several months, the Spanish commandante agreed to give Yanga's followers their freedom in exchange for ending the constant raids in the area, and gain their help in tracking down other escaped slaves.

Page 18: Africans In  Latin  America

SLAVE SANCTUARIES IN MEXICO Hidden from history is Mexico's role as a sanctuary to

African American slaves during the 19th century. Unknown to even most historians, descendants of these slaves still live in Mexico.

In the summer of 1850, the Mascogos, composed of runaway slaves and free blacks from Florida, along with Seminoles and Kikapus, fled south from the United States, to the Mexican border state of Coahuila.

Accompanying the Seminoles were also 'Black Seminoles' -- slaves who had been freed by the tribe after battles against white settlers in Florida.

The three groups eventually settled the town of El Nacimiento, Coahuila, where many of their descendants remain, including some of our distant relatives.

Page 19: Africans In  Latin  America

TOWNS WITH AFRICAN NAMES IN MEXICO Many of the African roots in Veracruz

have been forgotten, as well as the stories surrounding other communities with African names in the area, such as Mocambo, Matamba, Mozomboa, Mozambique, and Mandinga.

There may be other little towns where the African names were removed and changed. In some cases, only the African names remain and their history is unknown

Page 20: Africans In  Latin  America

TOWNS WITH AFRICAN NAMES IN MEXICO

Page 21: Africans In  Latin  America

AFRICANS AND UNIVERSAL

FREEDOM BRAZIL

Page 22: Africans In  Latin  America

GANGA ZUMBI

Page 23: Africans In  Latin  America

GANGA ZUMBA, FOUNDER OF THE QUILOMBO DOS PALMARES

He was given the Christian name ,João Angola

When he escaped from slavery, João Angola received another name from the Portuguese, "Ganga Zumba"

Alledgedly a corruption of "Nganga Dzimba we Bahwe":

Page 24: Africans In  Latin  America

QUILOMBO OF PALMARES ,(FORMED BETWEEN 1620 AND 1653)

Originally called “mocambo” Palmares was home to not only escaped

black slaves, but also to mulattos, caboclos, Indians and poor whites, especially Portuguese soldiers trying to escape forced military service!

WIKIPEDIA

Page 25: Africans In  Latin  America

AFRICANS AND UNIVERSAL

FREEDOM VENEZUELA

Page 26: Africans In  Latin  America

PEDRO CAMEJO-EL NEGRO PRIMERO (1790-1821)

Page 27: Africans In  Latin  America

AFRICANS AND UNIVERSAL

FREEDOM COLUMBIA

Page 28: Africans In  Latin  America

SAN BASILIO DE PALENQUE, COLUMBIA

Page 29: Africans In  Latin  America

PALENQUERO, A SPANISH BASED CREOLEIN SAN BASILIO DE PALENQUE, COLUMBIA

•“Our ancestors survived capture in Africa, the passage by ship to Cartagena and were strong enough to escape and live on their own for centuries,”. •“We are the strongest of the strongest. No matter what happens, our language will live on within us.”•“Sebastián Salgado, school teacher.

Page 30: Africans In  Latin  America

PALENQUERO,A SPANISH BASED CREOLEIN SAN BASILIO DE PALENQUE, COLUMBIA

The survival of Palenquero points to the extraordinary resilience of San Basilio de Palenque, part of whose very name — Palenque — is the Spanish word for a fortified village of runaway slaves. Different from dozens of other palenques that were vanquished, this community has successfully fended off threats to its existence to this day.

Page 31: Africans In  Latin  America

PALENQUERO,A SPANISH BASED CREOLEIN SAN BASILIO DE PALENQUE, COLUMBIA

Palenquero is thought to be the only Spanish-based Creole language in Latin America. But its grammar is so different that Spanish speakers can understand almost nothing of it. Its closest relative may be Papiamento, spoken on the Caribbean islands of Aruba, Bonaire and Curaçao, which draws largely from Portuguese, Spanish and Dutch, linguists say. It is spoken only in this village and a handful of neighborhoods in cities where workers have migrated.

Page 32: Africans In  Latin  America

SAN BASILIO DE PALENQUE, COLUMBIA“Palenge a senda tielan ngombe ri nduse i betuaya,”, (Palenque is the land of cattle, sweets and basic staples.)Sebastián Salgado, school teacher