Alfred Sisley - Wikipedia, The Free Encyclopedia

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Alfred Sisley

Alfred Sisley: 1882

Born 30 October 1839

Paris,France

Died 29 January 1899 (aged 59)Moret-sur-Loing, France

Nationality British

Education Marc-Charles-Gabriel Gleyre

Known for Painting

Movement Impressionism

Pierre-Auguste Renoir,Alfred Sisley and his wife

Molesey Weir Morning, one of thepaintings executed by Sisley on his visit to

Britain in 1874

Alfred SisleyFrom Wikipedia, the free encyclopedia

Alfred Sisley(/ssli/ French: [sisl] 30 October 1839 29January 1899) was an Impressionist landscape painter whowasborn and spent most of his life in France, but retainedBritish citizenship. He was the most consistent of the

Impressionists in his dedication to painting landscape enleinair(i.e., outdoors). He deviated into figure painting

only rarely and, unlike Renoir and Pissarro, found thatImpressionism fulfilled his artistic needs.

Among his important works are a series of paintings of theRiver Thames, mostly around Hampton Court, executed in1874, and landscapes depicting places in or near Moret-sur-Loing. The notable paintings of the Seine and its bridges inthe former suburbs of Paris are like many of his landscapes,

characterized by tranquillity, in pale shades of green, pink,purple, dusty blue and cream. Over the years Sisley's power

of expression andcolor intensity increased.[1]

Contents

1 Biography2 Work3 Selected works

4 Gallery5 Notes6 References7 External links

Biography

Sisley was born in Paris toaffluentBritishparents. His father, William

Sisley, was in the silk business, andhis mother Felicia Sell was acultivated music connoisseur.

In 1857 at the age of 18, Sisley wassent to London to study for a careerin business, but he abandoned itafter four years and returned toParis in 1861. From 1862, hestudied at the Paris cole desBeaux-Arts within the atelierofSwiss artist Marc-Charles-GabrielGleyre, where he becameacquainted with Frdric Bazille, Claude Monet, and Pierre-Auguste Renoir.Together they would paint landscapes en plein airrather than in the studio, in

order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in
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Rest along the Stream. Edge of the Wood,1878, Muse d'Orsay

paintings more colorful and more broadly painted than the publicwas accustomed to seeing. Consequently, Sisley and his friendsinitially had few opportunities to exhibit or sell their work. Theirworks were usually rejected by the jury of the most important artexhibition in France, the annual Salon. During the 1860s, though,Sisley was in a better financial position than some of his fellowartists, as he received an allowance from his father.

In 1866, Sisley began a relationship with Eugnie Lesouezec(18341898 also known as Marie Lescouezec), a Breton living inParis. The couple had two children: son Pierre (born 1867) and

daughter Jeanne (1869).[2]At the time, Sisley lived not far fromAvenue de Clichy and the Caf Guerbois, the gathering-place ofmany Parisian painters.

In 1868, his paintings were accepted at the Salon, but the exhibitiondid not bring him financial or critical success nor did subsequent

exhibitions.[1]

In 1870 the Franco-Prussian War began, and as a result Sisley's father's business failed and the painter's solemeans of support became the sale of his works. For the remainder of his life he would live in poverty, as his

paintings did not rise significantly in monetary value until after his death.[3]Occasionally, however, Sisleywould be backed by patrons and this allowed him, among other things, to make a few brief trips to Britain.

The first of these occurred in 1874 after the first independent Impressionist exhibition. The result of a fewmonths spent near London was a series of nearly twenty paintings of the Upper Thames near Molesey, whichwas later described by art historian Kenneth Clark as "a perfect moment of Impressionism."

Until 1880, Sisley lived and worked in the country west of Paris then he and his family moved to a small

village near Moret-sur-Loing, close to the forest of Fontainebleau, where the painters of the Barbizon schoolhad worked earlier in the century. Here, as art historian Anne Poulet has said, "the gentle landscapes with theirconstantly changing atmosphere were perfectly attuned to his talents. Unlike Monet, he never sought the drama

of the rampaging ocean or the brilliantly colored scenery of the Cte d'Azur."[4]

In 1881 Sisley made a second brief voyage to Britain.

In 1897 Sisley and his partner visited Britain again, and were finally married in Cardiff Register Office on 5

August.[5]They stayed at Penarth, where Sisley painted at least six oils of the sea and the cliffs. In mid-Augustthey moved to the Osborne Hotel at Langland Bay on the Gower Peninsula, where he produced at least eleven

oil paintings in and around Langland Bay and Rotherslade Bay (then called Lady's Cove). They returned toFrance in October. This was Sisley's last voyage to his ancestral homeland. The National Museum Cardiffpossesses two of his oil paintings of Penarth and Langland.

The following year Sisley applied for French citizenship, but was refused. A second application was made and

supported by a police report, but illness intervened,[6]and Sisley remained British till his death.

The painter died on 29 January 1899 in Moret-sur-Loing at the age of 59, a few months after the death of hiswife.

WorkSisley's student works are lost. His first landscape paintings are sombre, coloured with dark browns, greens, and

pale blues. They were often executed at Marly and Saint-Cloud. Little is known about Sisley's relationship withthe paintings of J. M. W. Turner and John Constable, which he may have seen in London, but some have
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Avenue of Chestnut Trees near La Celle-

Saint-Cloud, 1865

La Seine au point du jour, 1877, MuseMalraux, Le Havre

The Terrace at Saint-Germain, Spring,1875. The Walters Art Museum

suggested that these artists may have influenced his development as

an Impressionist painter,[7]as may have Gustave Courbet and Jean-Baptiste-Camille Corot.

Among the Impressionists, Sisley has been overshadowed byMonet, whose work his resembles in style and subject matter,

although Sisley's effects are more subdued.[8]Described by arthistorian Robert Rosenblum as having "almost a generic character,

an impersonal textbook idea of a perfect Impressionist painting",[9]

his work strongly invokes atmosphere, and his skies are alwaysimpressive. He concentrated on landscape more consistently thanany other Impressionist painter.

Among Sisley's best-known works are Street in Moretand SandHeaps, both owned by the Art Institute of Chicago, and The Bridgeat Moret-sur-Loing, shown at Muse d'Orsay, Paris.Alle des

eupliers de Moret(The Lane of Poplars at Moret) has been stolenthree times from the Muse des Beaux-Arts in Nice once in 1978

when on loan in Marseilles (recovered a few days later in the city'ssewers), again in 1998 (when the museum's curator was convictedof the theft and jailed for five years with two accomplices) andfinally in August 2007 (on 4 June 2008 French police recovered it

and three other stolen paintings from a van in Marseilles).[10]

A large number of fake Sisleys have been discovered. Sisleyproduced some 900 oil paintings, some 100 pastels and many other

drawings, although he only lived to be 59 years old.[11]

Selected works

Avenue of Chestnut Trees near La Celle-Saint-Cloud(c.1865)Village Street in Marlotte(1866)

Avenue of Chestnut Trees near La Celle-Saint-Cloud(1867)Still Life with Heron(1867)The Seine at St. Mammes(186769)View of Montmartre from the cite des Fleurs(1869)

Early Snow at Louveciennes(c. 187172)Boulevard Heloise, Argenteuil(1872)Bridge at Villeneuve-la-Garenne(1872)Ferry to the Ile-de-la-Loge Flood(1872)Footbridge at Argenteuil(1872)La Grande-Rue, Argenteuil(c. 1872)Square in Argenteuil (Rue de la Chaussee)(1872)Chemin de la Machine Louveciennes(1873)

Factory in the Flood, Bougival(1873)Rue de la Princesse, Louveciennes(1873)Sentier de la Mi-cote, Louveciennes(1873)

Among the Vines Louveciennes(1874)Bridge at Hampton Court(1874)The Lesson(1874)

Molesey Weir Morning(1874)Regatta at Hampton Court(1874)Regatta at Molesey(1874)Snow on the Road Louveciennes(1874)
https://en.wikipedia.org/wiki/File:Sisley-Snow_on_the_Road_Louveciennes.jpghttps://en.wikipedia.org/wiki/Molesey_Regattahttps://en.wikipedia.org/wiki/Hampton_Courthttps://en.wikipedia.org/wiki/Molesey_Lockhttps://en.wikipedia.org/wiki/Hampton_Court_Bridgehttps://en.wikipedia.org/wiki/File:Sisley-Among_the_Vines_Louveciennes.jpghttps://en.wikipedia.org/wiki/File:Sisley-Sentier_de_la_Mi-cote_Louveciennes.jpghttps://en.wikipedia.org/wiki/File:Sisley-Chemin_de_la_Machine_Louveciennes.jpghttps://en.wikipedia.org/w/index.php?title=Rue_de_la_Chaussee&action=edit&redlink=1https://en.wikipedia.org/wiki/File:Sisley-Footbridge_at_Argenteuil.jpghttps://en.wikipedia.org/wiki/File:Sisley-Bridge_at_Villeneuve-la-Garenne.jpghttps://en.wikipedia.org/wiki/File:Sisley-Early_Snow_at_Louveciennes.jpghttps://en.wikipedia.org/wiki/File:Alfred_Sisley_036.jpghttps://en.wikipedia.org/wiki/Mus%C3%A9e_des_Beaux-Arts_de_Nicehttps://en.wikipedia.org/wiki/Mus%C3%A9e_d%27Orsayhttps://en.wikipedia.org/wiki/Art_Institute_of_Chicagohttps://en.wikipedia.org/wiki/Robert_Rosenblumhttps://en.wikipedia.org/wiki/Jean-Baptiste-Camille_Corothttps://en.wikipedia.org/wiki/Gustave_Courbethttps://en.wikipedia.org/wiki/The_Walters_Art_Museumhttps://en.wikipedia.org/wiki/File:Alfred_Sisley_-_The_Terrace_at_Saint-Germain,_Spring_-_Google_Art_Project.jpghttps://en.wikipedia.org/wiki/Le_Havrehttps://en.wikipedia.org/wiki/Mus%C3%A9e_Malrauxhttps://en.wikipedia.org/wiki/File:Sisley_la_seine_au_point_du_jour_1877.jpghttps://en.wikipedia.org/wiki/File:Alfred_Sisley_036.jpg


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Flood at Port-Marly, 1876. Muse d'Orsay

Under the Bridge at Hampton Court(1874)Street in Louveciennes (Rue de la Princesse)(1875)The Terrace at Saint-Germain, Spring(1875)"The Terrace at Saint-Germain, Spring" (1875)Small Meadows in Spring(c. 1881)

Le Port de Moret-sur-Loing: Le soir(1884)The Loing at Saint-Mamms(1885), Muse Malraux, LeHavre

Storr Rock, Lady's Cove, le soir(1897)On the cliffs, Langland Bay(1897)

Gallery

St. Martin Canal, 1870

Early Snow at

Louveciennes, c. 1871-1872

Bridge at Villeneuve-la-

Garenne1872

Sentier de la Mi-cote,

Louveciennes, 1873

Fog, Voisins, 1874

Among the Vines

Louveciennes, 1874

Bridge at Hampton Court,1874

Regatta at Hampton

Court, 1874
https://en.wikipedia.org/wiki/File:Sisley-Regatta_at_Hampton_Court.jpghttps://en.wikipedia.org/wiki/File:Alfred_Sisley_009.jpghttps://en.wikipedia.org/wiki/File:Sisley-Among_the_Vines_Louveciennes.jpghttps://en.wikipedia.org/wiki/File:Alfred_Sisley_-_Fog,_Voisins_-_Google_Art_Project.jpghttps://en.wikipedia.org/wiki/File:Sisley-Sentier_de_la_Mi-cote_Louveciennes.jpghttps://en.wikipedia.org/wiki/File:Alfred_Sisley_008.jpghttps://en.wikipedia.org/wiki/Louvecienneshttps://en.wikipedia.org/wiki/File:Sisley-Early_Snow_at_Louveciennes.jpghttps://en.wikipedia.org/wiki/St._Martin_Canalhttps://en.wikipedia.org/wiki/File:Sisley,_St_Martin_Canal_1870.jpghttps://en.wikipedia.org/wiki/Le_Havrehttps://en.wikipedia.org/wiki/Mus%C3%A9e_Malrauxhttps://en.wikipedia.org/wiki/File:Alfred_Sisley,_The_Port_of_Moret-sur-Loing_-_At_night,_1884.jpghttps://en.wikipedia.org/wiki/File:Sisley-Small_Meadows_in_Spring.jpghttps://en.wikipedia.org/wiki/File:Alfred_Sisley_-_The_Terrace_at_Saint-Germain,_Spring_-_Walters_37992.jpghttps://en.wikipedia.org/wiki/The_Terrace_at_Saint-Germain,_Spring_(painting)https://en.wikipedia.org/w/index.php?title=Rue_de_la_Princesse&action=edit&redlink=1https://en.wikipedia.org/wiki/File:Sisley-Under_the_Bridge_at_Hampton_Court.jpghttps://en.wikipedia.org/wiki/Mus%C3%A9e_d%27Orsayhttps://en.wikipedia.org/wiki/File:Alfred_Sisley_-_Boat_in_the_Flood_at_Port_Marly_-_Google_Art_Project.jpg


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Regatta at Molesey, 1874

Snow on the Road

Louveciennes, 1874

Under the Bridge at

Hampton Court, 1874

Meadow, 1875

Le Pont de Moret, effet

d'orage, 1887, MuseMalraux, Le Havre

Small Meadows in Spring,c. 1881

View of Saint-Mamms,(circa 1880). The Walters

Art Museum.

A path at Les Sablons,1883

Women Going to theWoods, 1886

Seaside, Langland, 1887

Church in Moret, 1889

Saint-Mamms am

Morgen, 1890
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Notes

References

Bomford, David, Jo Kirby, John Leighton, Ashok Roy, and Raymond White (1990).Impressionism.London: National Gallery. ISBN 0-300-05035-6Daulte, F. (1959).Alfred Sisley Catalogue raisonnee de l'oeuvre peintDenvir, B. (2000). The Chronicle of Impressionism: An Intimate DIary of the Lives and World of theGreat Artists. London: Thames & Hudson. OCLC 43339405Poulet, A. L., & Murphy, A. R. (1979). Corot to Braque: French Paintings from the Museum of Fine

Arts, Boston. Boston: The Museum. ISBN 0-87846-134-5Reed, Nicholas, (2008). Sisley on the Thames and the Welsh Coast. Lilburne Press. ISBN 978-1-901167-20-7Rosenblum, Robert (1989).Paintings in the Muse d'Orsay. New York: Stewart, Tabori & Chang. ISBN1-55670-099-7Turner, J. (2000).From Monet to Czanne: late 19th-century French artists. Grove Art. New York: StMartin's Press. ISBN 0-312-22971-2

External links

Alfred Sisley.org (http://www.alfredsisley.org/)Paintings by Sisley (http://www.museumsyndicate.com/artist.php?artist=147)Sisley images and biography at CGFA (http://cgfa.sunsite.dk/sisley/index.html)The Impressionistsat Biography (https://web.archive.org/web/200

50306060503/http://www.biography.com/impressionists/artists_sisley.html) at the Wayback Machine(archived 6 March 2005)

Impressionism : a centenary exhibition, the Metropolitan Museum of Art, December 12, 1974 February10, 1975(http://libmma.contentdm.oclc.org/cdm/ref/collection/p15324coll10/id/78705), fully digitizedtext from The Metropolitan Museum of Art libraries

Retrieved from "https://en.wikipedia.org/w/index.php?title=Alfred_Sisley&oldid=708171318"

Categories: Alfred Sisley 1839 births 1899 deaths Artists from Paris 19th-century English painters19th-century French painters British Impressionist painters French Impressionist paintersBritish alumni of the cole des Beaux-Arts

This page was last modified on 4 March 2016, at 01:40.Text is available under the Creative Commons Attribution-ShareAlike License additional terms mayapply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia is a registeredtrademark of the Wikimedia Foundation, Inc., a non-profit organization.

1. [Richard Shone: Sisley.London: Phaidon Press 1999.ISBN 0-7148-3892-6]

2. Turner 2000, pp. 400401.3. Denvir 2000, p. 265.4. Poulet 1979, p. 77.5. A Sisley painting of the south Wales coast (http://ww

w.museumwales.ac.uk/en/rhagor/article/?article_id=138)6. BBC Radio 4 6 November 2008, Misfits in France

7. Turner 2000, p. 401.8. Bomford et al. 1990, p. 203.9. Rosenblum 1989, p. 306.

10. "French National Pleads Guilty to International StolenArt Conspiracy". earthtimes.com. 10 July 2008.Retrieved 8 August 2007.

11. Alfred Sisley, page 82, Franois Daulte, AlfredSisley, Cassell, 1988. ISBN 978-0-304-32222-0
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