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An effective memory method in music learning for primary 5
students
LEE TUNG YIU
Purpose
• To find an effective way to enhance music appreciation
• Students can have an ability to handle the tests.
Hypothesis experimental Approach
Step1
• Finding two independent variables
1)Repeated exercising memory method
2)Pictorial memory method
Step2
• Choosing three types of music appreciation, Composer:1) Bach 2)Beethoven 3)Mozart
• Methodology: 1)Randomly finding 2 class of pupils
2)30 members in each of the class
3)using pre-test post-test control group design
4)Timing : 4 lessons
Step3
• Finding journals, books, references:
as follow……
• Repeated exercising memory method ~ Skinner
• Pictorial memory method ~ Kodaly and Carl Orff
Step4
Setting Hypothesis:1.The null hypothesis is the repeated
memory method is not effective.
2.The null hypothesis is the pictorial memory method is not effective
3.To proof which memory method is better
Pre-test & post-test
Listen the playings carefully and find their suitable orders.
Bach Beethoven Mozart
1.________________ 2.__________________ 3._________________
Lesson
Repeated exercising memory method
CDs playing with explanation~
1) Bach : Air on a G string( Orchestral Suite No.3)
2) Beethoven: Symphony No.9
3) Mozart: Symphony No.40
Lesson
Pictorial memory method
Materials with discussion~
(Bach, Beethoven, Mozart)
Using stories, comic readings, hand drafts
Result
• Repeated method
• 60% increase in marks (Compare post-test and pre-test)
• Pictorial method
• 80% increase in marks( Compare post- test and pre-test)
Conclusion
Pictorial memory method is more effective than repeated exercising memory method
in music appreciation
Control for experimenter bias
• The difficulty between two tests is mostly the same .
The answering sequence :
E.g. Pre –test: 1. Beethoven, 2. Bach
3. Morzart
Post –test: 1. Bach ,2 Morzart
3.Beethoven
Reference• Gray E. McPherson (1994). Literature Review: 3a Memory, C
ognition and Musical Performance, School of Music and Music Education, University of New South Wales
• Dowling, W. J., & Fujitani, D. S. (1971).Contour, interval and pitch recognition in memory for melodies. Journal of Acoustical Society of America 2(2), 524-531
• Fincher, B. (1983), 《 The effects of playing the melody by rote during the prestudy procedure upon sight reading skill development of beginning class piano students》 . Doctoral dissertation , University of Oklahoma
• Froseth, J. & Blaser, A. (1980), 《 Studies in creative musicianship:Ear training for musical improvisation Levels 1&2》 ,Chicago:G.I.A.Publications
• Kraturs, J. K.(1985),《 Rhythm, melody, motive, and phrase characteristics of original songs by children aged five to thirteen.》 ,Doctoral dissertation , Northwestern University.
• Luce, J.R. (1965),Sight-reading and ear playing abilities as related to instrumental music students. Journal of Research in Music Education XI
• McPherson Gary E.(1994),Journal of Literature Review 3a.Memory, Cognition and Musical Performance, 3c.Playing From Memory and By Ear,University of New South Wales
• Paynter.J(1992), 《 Sound & Structure》 , Cambridge: O.U.P
• Pratt, G. (1990), 《 Aural awareness:Principle and practice》 . Milton Keynes:Open University Press
• Priest, P. (1985), 《 Playing by ear》 ,Music Teacher.
• Tillman, J., (1976), 《 Exploring Sound》 ,London: Stainer & Bell Ltd.