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Angela Davis www.angeladavismusic.com www.ange PRESS KIT THE ART OF THE MELODY in stores NOW With the release on May 14, 2013 of her recording debut The Art Of The Melody (Nicholas Records), Australian alto saxophonist Angela Davis adds a fresh new voice to the legacy of illustrious improvising artists on her instrument who influenced and inspired her like Art Pepper, Paul Desmond and Lee Konitz. Her clear phrasing and tone, as well as the title of her selfproduced and selfreleased album, succinctly convey what drives her as an instrumentalist and composer. “I’ve had the privilege of studying privately with Lee since 2012 and he always tells me ‘…respect the melody and always hear where it is no matter where you are in your solo,’” Davis explains. “My sound is definitely influenced by the ‘Cool School’ but that’s how it naturally is and I wouldn't be able to change it if I tried.” Davis is an intuitive melodicist who eloquently displays her artistry as an instrumentalist and improviser in quartet and duo performances of an eclectic suite of music including three of her own compositions and highly original interpretations of songs by Boz Scaggs (“We’re All Alone”), Tom Waits (“Martha”), Charlie Chaplin (“Smile”), the standard “Crazy She Calls Me” and the traditional Scottish ballad “Annie Laurie.” As she states in her liner notes, “…there is nothing like a great melody and the nine songs on this CD all contain beautiful, emotive melodies I enjoy playing and I hope that they resonate with you as a listener.” Davis is joined on the recording by pianist Chris Ziemba and fellow Australians Linda Oh on bass and Rajiv Jayaweera on drums. The music on The Art Of The Melody draws on a variety of sources with two of Davis’s compositions inspired by a sense of place. “’The Road to Montgomery’ is a very melancholy track about missing my home and family that I wrote for my Masters recital. The chromatic wandering of the piano part is influenced by the music of Philip Glass and is meant to be very minimalist,” she explains. “’41 St Nick’ is about what it’s like living in Harlem amidst the hustle and bustle of the neighborhood around 125th Street.” Written over the changes to Victor Young’s “A Weaver Of Dreams,” “41 St. Nick” is one of two contrafacts Davis included on the album, the other being “Conscientia” which she penned over the changes to Arthur Schwartz’s immortal “Alone Together.” The Boz Scaggs tune covered here is a favorite of Davis’s father that the saxophonist often heard, along with the music of Tom Waits, at home growing up. “Both songs are great vehicles for improvisation and ensemble interaction,” Davis says, adding that they are part of the repertoire she currently performs playing in clubs around New York City in duo, trio and quartet settings. The album also features the saxophonist in two duets: on the aforementioned Scaggs ballad “We’re All Alone” with pianist Ziemba and on “Smile” with bassist Oh which concludes the CD. Davis and Oh give each other ample room to breathe on an airy pasdedeux the saxophonist notes was inspired by a version of “Every Time We Say Goodbye” Konitz recorded on his duo outing I Concentrate On You with bassist Red Mitchell. On “We’re All Alone” Davis and Ziemba display a sublime level of empathetic interplay that delicately balances passion and restraint. "This music is lean and trim, well conceived from beginning to end. " ALL ABOUT JAZZ Booking Angela Davis +1 (267) 205 4904 [email protected]

AngelaDavis’ PRESS KIT...Biography! About&Angela&Davis& Based in New York City since January 2010, Angela Davis was born in Toowoomba, Queensland, Australia. She started playing

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    Angela  Davis  www.angeladavismusic.com  

    www.angeladavism  

    PRESS KIT THE ART OF THE MELODY in stores NOW With   the   release   on  May  14,   2013  of   her   recording  debut  The  Art   Of   The   Melody   (Nicholas   Records),   Australian   alto  saxophonist  Angela  Davis  adds  a   fresh  new  voice   to   the   legacy  of   illustrious   improvising   artists   on   her   instrument   who  influenced  and  inspired  her  like  Art  Pepper,  Paul  Desmond  and  Lee  Konitz.  Her   clear  phrasing   and   tone,   as  well   as   the   title   of  her   self-‐produced   and   self-‐released   album,   succinctly   convey  what  drives  her  as  an   instrumentalist   and  composer.   “I’ve  had  the  privilege  of   studying  privately  with  Lee   since  2012  and  he  always  tells  me  ‘…respect  the  melody  and  always  hear  where  it  is   no  matter  where  you  are   in   your   solo,’”  Davis   explains.   “My  sound  is  definitely  influenced  by  the  ‘Cool  School’  but  that’s  how  it  naturally  is  and  I  wouldn't  be  able  to  change  it  if  I  tried.”  

    Davis   is   an   intuitive   melodicist   who   eloquently   displays   her  artistry  as  an  instrumentalist  and  improviser  in  quartet  and  duo  performances  of  an  eclectic  suite  of  music  including  three  of  her  own  compositions  and  highly  original     interpretations  of  songs  by   Boz   Scaggs   (“We’re   All   Alone”),   Tom   Waits   (“Martha”),  Charlie  Chaplin  (“Smile”),  the  standard  “Crazy  She  Calls  Me”  and  the   traditional   Scottish   ballad   “Annie   Laurie.”   As   she   states   in  her   liner  notes,   “…there   is  nothing   like  a  great  melody  and  the  nine  songs  on   this  CD  all   contain  beautiful,  emotive  melodies   I  enjoy   playing   and   I   hope   that   they   resonate   with   you   as   a  listener.”   Davis   is   joined   on   the   recording   by   pianist   Chris  Ziemba   and   fellow   Australians   Linda   Oh   on   bass   and   Rajiv  Jayaweera  on  drums.  

    The   music   on   The   Art   Of   The   Melody   draws   on   a   variety   of  sources  with  two  of  Davis’s  compositions  inspired  by  a  sense  of  place.   “’The   Road   to   Montgomery’   is   a   very   melancholy   track  about  missing  my  home  and  family  that  I  wrote  for  my  Masters  recital.  The  chromatic  wandering  of  the  piano  part  is  influenced  by  the  music  of  Philip  Glass  and  is  meant  to  be  very  minimalist,”  she  explains.  “’41  St  Nick’  is  about  what  it’s  like  living  in  Harlem  amidst  the  hustle  and  bustle  of  the  neighborhood  around  125th  Street.”  Written  over   the  changes   to  Victor  Young’s   “A  Weaver  Of   Dreams,”   “41   St.   Nick”   is   one   of   two   contrafacts   Davis  included  on  the  album,  the  other  being    “Conscientia”  which  she  penned  over  the  changes  to  Arthur  Schwartz’s  immortal  “Alone  Together.”  

    The  Boz  Scaggs  tune  covered  here  is  a  favorite  of  Davis’s  father  that   the  saxophonist  often  heard,  along  with   the  music  of  Tom  Waits,   at   home  growing  up.   “Both   songs   are   great   vehicles   for  improvisation   and   ensemble   interaction,”   Davis   says,   adding  that   they   are   part   of   the   repertoire   she   currently   performs  playing  in  clubs  around  New  York  City   in  duo,  trio  and  quartet  settings.  The  album  also  features  the  saxophonist  in  two  duets:  on   the   aforementioned   Scaggs   ballad   “We’re   All   Alone”   with  pianist  Ziemba  and  on  “Smile”  with  bassist  Oh  which  concludes  the  CD.  Davis  and  Oh  give  each  other  ample  room  to  breathe  on  an   airy   pas-‐de-‐deux   the   saxophonist   notes   was   inspired   by   a  version  of  “Every  Time  We  Say  Goodbye”  Konitz  recorded  on  his  duo  outing  I  Concentrate  On  You  with  bassist  Red  Mitchell.    On  “We’re  All  Alone”  Davis   and  Ziemba  display   a   sublime   level   of  empathetic   interplay   that   delicately   balances   passion   and  restraint.  

     

     

    "This music is lean and trim, well conceived from beginning to end. "

    -‐ALL  ABOUT  JAZZ  

    Booking  

    Angela  Davis  

    +1  (267)  205  4904  

    [email protected]  

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    Biography  About  Angela  Davis  

    Based in New York City since January 2010, Angela Davis was born in Toowoomba, Queensland, Australia. She started playing the saxophone at age nine, performed in her high school’s jazz band and toured Australia with The Jazz Ed Big Band which performed and recorded with saxophonist Don Burrows, one of Australia’s leading jazz artists. While still in high school Davis also earned an Associate of Music diploma in classical saxophone from the Australian Music Examinations Board. Davis received a Bachelor of Music with first class honors in 2006 from the Queensland Conservatorium of Music and while there toured Australia and recorded with The Con Artists, a big band led by trumpeter John Hoffman a veteran of big bands led by Glen Miller, Buddy Rich and Woody Herman. In July 2006 she attended the Manhattan School of Music Summer workshop in Amsterdam where she studied with Dick Oatts, Gary Dial and Michael Abene. In September 2008 she moved to Philadelphia to study at the University of the Arts from which she received her Masters of Music in 2009.

    In May of 2013 Davis released her debut album, The Art Of the Melody, to rave reviews through the USA and Australia in publications such as the New York City Jazz Record and The Weekend Australian. The CD spent 4 weeks on the JazzWeek Top-50 Jazz Album Chart reaching a peak position of #37 and a total of 10 weeks in the JazzWeek Top-100. The CD spent four weeks on the CMJ charts, was the #2 jazz add during its add week and reached a peak position of #9.

    As a band leader, Davis has been featured in the Emerging Artists Series at the Bar Next Door in New York and has also performed at The Kitano, Tomi Jazz, Somethin’ Jazz Club and other venues in the city. She has appeared in Australia and the U.S. at the Melbourne Women’s International Jazz Festival, Noosa Jazz Festival, Villanova Jazz Festival, Mainline Jazz Festival, Sunshine Coast Jazz Festival, Valley Jazz Festival and Bangalow Jazz Festival among other events. Davis has also performed and recorded as a sideman with Kevin Hunt, Jim Pugh, James Morrison, Graeme Lyall, John Hoffman, Kristin Berardi, Steve Newcomb, Joe Chindamo, Chris Ziemba, the Cecilia Coleman Big Band, the Lars Halle Jazz Orchestra and the American Jazz Repertory Orchestra under the direction of Clem Derosa.  

    Booking  

    Angela  Davis  

    +1  (267)  205  4904  

    [email protected]  

     

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    "She does her part to keep the cool school alive." -  THE  NEW  YORK  CITY  JAZZ  RECORD

     

    "An instinctively melodic approach." -  THE  AGE

    "Her sweet tone, her dedication to melody over technical prowess and her interactions with the rhythm section deliver a strong message – for Ms. Davis, the ‘art’ is found in the ‘melody’. !" -  STEP  TEMPEST

    Booking  

    Angela  Davis  

    +1  (267)  205  4904  

    [email protected]