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\^ytm tMu^fMif'^-
Ht^«1
THE GLEN COLLECTIONOF SCOTTISH MUSIC
Presented by Lady Dorothea Ruggles-
Brise to the National Library of Scotland,
in memory of her brother. Major Lord
George Stewart Murray, Black Watch,
killed in action in France in 1914.
mth Jninifirii 1927.
Digitized by the Internet'Archive
in 2011 with funding from
National Library of Scotland
http://www.archive.org/details/apollosbanquetco01rugg
CONTAINING3JttfttttCtion5 , and Variety of New %nmSj I^W^:
3iggjS, and feveral New Scotch TunesF O R. T H F '^
TREBLE-VIOLIN.JTO WHICH IS ^'D'DE'D,
The Tunes of the new"""^"^ nch Dances, now ufed at Court and in D/tnci»g'Schools.
%\jt 5th cnition,
LON'DON, PrJover af
^ OF SCOTLAND ^^
tDitlj netB ^m\=tion0.
»•
jufcb, andathisHoufe
1 687.
I
4^^
•f»
To all Ingenious Lovers and TraSittoners of MUSICK*^ HE CnbU=(Siolitt «f <j^ thu prefect the only Inftruntent infafhiofty ani
Ithe delight of mojl Toung PraSitiofters m Mufick for its cheerful and
ffrightly Sound , in fetting forth the new Airy Tunes of thefe Times ;
which induced me both to the fains and charge of fetting forth this Choice
Banquet, rtplenijhed rvith variety of new and delightful Tunes proper to
this Inflrumentj and alfo the Flute or Recorder, being moft of the neveefk
Tunes, Ayres, and Jiggs, ufed at Court, and at the public Theaters : Towhich is added, the Tunes of the French Dances ufed at Court and Dancing-Schoolsy as a Workvery neceffary to all that play to Dancingy either in City or Country.
And alfofor the benefit of fuch Learners as live remotefrom anyprofejfed Teachers, I havein the following Pages ftt down ( in the plainefi Method Icould invent ) fame Practical Rulesand InflruBionsfor Beginners ; whichyfneemy firfi Publication hereofyJhave met withfeveralPerJons that have only by the Injlruciions attained to play indifferently weU. And now the
Jmprefjjon being fold off, and called upon for morey I have in this Edition left outfome oftheold TuneSy but in their place addedfour times as many new oneSy with divers new Scotch Tunes :
All which Tunts may properly be played alfo on the V\a.ge\et,byfuch as are skiTd in the knowledge
ofpricking Tunes by Notes. The whole, as it is now corrected andpublifhedy Iquefiion not butwill be kindly accepted by all Ingenious Lovers and PraClitioners of MU S I C K, which is the
hearty deftre of
A 2 r^/^r Fr/W John Playford,
3l«ftttteti0nS for "Beginners on the %tth\t-W^\iXi.
"" Have, for the benefit of fuch as delire to learn on the Fiolin^zn^ may li'sje in the CountryI far from any profefled Teachers, fet downthefe brief Inftrudions.
M Firft, It is ufual for the Praditioners to learn on the Trebk-p^iolin by Ear; ( but few there arc
Ml that do fo, that ever attain totriie Stopping in Tune at firft: Therefore, for a raorfc true andipeedy way of learning to ftop all Notes in Tune , I have here fet down a Rule by Letters on four
JLines aifigned to the four feveral Strings, by Frets and Stops on the Neck of the Fiolin^ which is away I have known ufcd by the beft Teachers in and about London^ as a moft fure and ealle way for thefirft entring their Scholars j and after, to ciit them off when they became perfed in the knowledge ofall the feveral Notes, and their true flopping in Tune. Note, That from the firft Fret to thefecond,is a Semitone or Half-Note ; but from the firft to the third, is a whole Tone or perfed Note ; and fois the third to the fifth.
For accomplifhing of which, procure him of whom yoy buy your Fiolin, or forae other Artift, to tie
five Frets on the Neck of your FioZ/V?, as is on the Neck of a l^iol or Lpite, at a true diftance. YourViaRii being thus fretted, it will be proper next to underftand the way of Tuning it, which is by Fif:hs,
that is, five Ndtes, each String higher than the other. For the better underftanding of which, this
Exartiple hath the Letters upon the four Lines, alluding to the four Strings of the Vklin, viz., That J^;is the firft Fret, _£. the fecond,^ the third, &c. .^ is the String open, that is, the String unftopp'd.
The four Strings,C7"rfWsi i j^.
their Names, <-^"'^^^'^'*'' 2 ^andtheFrets.Z^'r'^'''^''''^ -^
Thus in the following E}cample,which is a Tune,as the Letters are varioudy placed on the four Lines,
foBie upon one Line,and f9rae upon another ;, fo they are to be ftopt on the feveral S trin^s,according to
their
their places when lingle : It begins with three X's alone on the feeond Fret of the Treble or higheft
String, and i^ to be ftopt with the feeond Finger, and ftruck with the Bow three times , the fourth
Letter is .d.> w hich is the String ftruck open ; the fifth is JL again, as before ; the fixth is _£. upon the
feeond String, ftopt on the fifth Fret ,and fo forward. The fame Tunc being placed under it in Notes,
according to the Gam-ut.
Zxttt>Jfle,{l'"^nzzlzi =1^TW^HJX, JL.M.JL^. . ^^J
Maiden Fair,—3S-r-
The fame Tme by Notes.
Of Tuning the F10 LIN.Next, for the Tuning your Violin^ there be two ways ; firft, by Fifths, which is moft ufual, and is
Tuned, the Strings open j feeond by Eighths, which is, by ftopping the fifth Fret, which is
F, viz.. Firft, to wind up the Treble as high as it will bear without breaking, found it with yourBow to the feeond, and you will hear it an Eighth to the Treble \ which done, ftop your feeond in
like manner in i., and tunc your Third to that i and laft, ftop your Third in JL-, and tune yourFourth to that : When thus tuned, if you ftrike your Treble and Second together without. ftopping,
you will find it a Fifth, and fo the reft to be Fifths to each other. By this Rule, your four Strings will
be in Tune, and you may proceed to play thofe Tunes foregoing. /
(iAnother Example of Tuning the Violin.
By Fifts in Letters. By Fifts in Notes. By Eights in Letters.
2 3 3 4 -i 2
f ,.
2 3 3 4
. .«L_^±. X- .^L. -i ±
t\ L
By Eights in Notes.
12 23 34
g^ 3E5J
A» Example of the ftvtrxl Notes as they afcend o» the four feverd Strings, from the
l&wefi to the highef; , by Letters and Notes.
"Sy Letters.
SLS^AJL..^_£.:kJLj.
^Xja.x:^-L±^jE.:^i_*!
±—j-^
-J-
^-„ L-.- _LFourth String. Third String. Second String. Firlt String.
"By Notes. "^zyZT.
Fourth String. Third String. Second String. Firft or Treble. .
The Scale o/Mufic caird the G^m-ut^being fo mucit^ contains the compafs ofNotes nfed on r^eTreble-Violin.
en the middlefivelines and their Ifaces
krt pricked illLeffons,
and if there be Notes
above or below thefe,
^hey are fupplied by
adding a Leaget line
for them above the
five lines, or elfe be-
low the five lines, as
secuflon dues require.
cc fol fabb fa b mi
aa la mi re
ggfolreutF fa ut
£ la
V la fol
C fol faB fa b mi <j
A la mi re
G fol re ut
F fa ut
E la mi
D la fol re
CfelfautB fa b mi
•A la mi re
G folreut
This Scale orGam-ut doth diredi
you to know the
places of the Notesboth in Lines andSpaces, above andunder your affigned
Cliff, which is com-monly placed onthe fecond Line, atthe beginning of
all Leflbns or Tunesfor the Treble-fiolin,
and is called. TheGfol re ut or Treble
Cliff.
As
As for diftinguifliing the Flats and Sharps, which exprefs Semitones or half Sounds, the following
Table doth dired : |j is marked for Flat, and makes the Note half a Tone or Sound lower, or as wefay) flatter ; and the Sharp is marked thus ^, which is half a Tone or Sound higher, as you will find in
the ufe by Frets or Stops j for the diftance of two Frets is a whole Note, and from one Fret to the
other is but an half Note.
An Example by Letters or Notes,Afceiading from the loweft Note of the foprth String,tothe higheft
on the Treble, wherein the ufual Half-Notes {Flats and Sharps) arc cxpreflcd.
Tbefounh String, or Bofs, Thethird,OT Great Mean. The fecond, orSmBMeant The frfl, or Treble.
, L>--—— _,J_-a.JiX32.^±JlJ . /.x^jb.^:5,^i-«a.x . I f
.a!e:z:£laj-25
By obferving of this Rule, you may prick any Tune out of Notes into Letters, or but of LettefS
into Notes.
. Laftly, it will be neccflary to know the Names and Meafure of every Note, as to their due pro-
portion of keeping the true Time of Mufick^-^ for which, this following Example will direct you.
i/f Table of the Notes and their Nantes^ with the Characters for Refis or Paufes^ oi they art nfually marh^d.
ifeve. Senibreve.Mmms.Crotchets ^ivers.Smiquavers. Sreve ^eji. 'Semibreve K^. Minim Rtfi. crotchet I{efi. jQuavtr ^ft.
-B= :i- lllllllglll III;III
In Miiftck have been in ule four or mor©'Proportions of Tim^ but at prcfcnt two is only ufual,
viz.. Firft, the Common or Semihreve Time ^ fecond, the Trifla Time : The Common Time is multiplied
from the Semihreve or whole Meafurc by Two's, whofe Mark or Signature is thus ^
.
The Trifla Time is molt ufcd for ^alliards, Corants, Sarabands^ and Jig£^, whofe Meafure is by three
Minims, or by three Crotchets, and the Signature is thus ^
Common ^ Time.
t t
r\A,/^ r>Jv^ rVCo f>/^r\
rsA^ <NA.^ t\Ay. (\Ayi fV^yifV/^i fVAr^4\A^
Trifla Time by 5 Minims.
t t t
tt trtt/^N ^^ <'-\ r^ r^ /"^
innnnni
71f?p/^ TiJOTf hy 3 Crotchets.
t t T
n 11 nfnlfifififi
Thefc fcvcral Notes have ufually a Prick adjoyned to them. Example.
which augments that Note to which it is fet to be half fo much more ft^^^Syin proportion: For Example ; if a Prick be joyned to a Minim,
g:_.:J^Jj^then that ^/«jw which was but two Crotchets, is by that made three,
for prolongation of the found ; and fo the like with other Notes of greater or lefler Meafure.
Note , That when thefe Tyes --n are put over two or three Quavers or Semiquavers, it fignifie3,That
tbofe Notes fo tyed are to be flurr'd, or to be played with once drawing the Bow \ and fometiraes a
^ye over two Minims or Crotchets both on the fame Line or Space, is to joyn the fame to make the Timeperfect. This mark V is a Direci put at the end of the Line, to direct the firft Note on the next.
To conclude; If thefe few and neceflary Rules are well obferved and put in pradice, I doubt not
but Ingenious Praditioaers will reap benefitby them . Which is the hearty defirc and wifli of
J. P.
choice new XttlltS, J'SSS, and SDatlCeS, for the XtCl)le=tliOlitt.
^ ^T^ssiiiiaiiiliiiiiiiiiii^JL. He Old Canaries.
"^•^-3-r*-
lilMiiii^lll^
rJL, He New Canaries,
:i!^iE:|llii*B
3 A ^'^iiSiilliliiiiiiiiiaiiiigljL-k. Jigg divided 12 ways. ' *
ilpiijiiiliiiiiiiliipiiiiiiiiii^' ^"^ ''^s ''"^
I/""^ /—
N
^-N 6.
j;:?«;i§i|^l|^^l|ffpi
I Nner Temple Jigg.
mm
M Iddk Temple ^-^Jigg.
7 T ^^ii^iiiligiiiSiiiiiiiiiiiiiii.SumJ Jncolns-Inn Jigg.
'-' ^
^MiiiiiMliiiiii8 /^:i^;te|^te|l^flipliii
V--I RayS'Jnn jigg.
+nt
i;si¥B i
9 A ^iiPiiiiiiiliSiiiiiiiiiii^iiJLJL Newjigg-
^iifciiiliiiliiiiiiii
W^iiiiiiiiiiiiiiiiiiiii^iiiijt\ jigg.
^
iliiiiiililiittiili
I A ^liliilliiliiiiiiiiiiiipilii* S7\. Northern Jigg.
^ ^ ^
iiillliiiliiiiiiriiilli^lll^^
12 MiiliipliliiiiiiipiiliiiliiiiArygold. * - *
:^
3 TiiMteiiiiittiiiSiiiiiiiili&JL He Dance in the Play of Macheth.
i^iiiliiiiiiiiii
4 A i5Si||pp|i;piiiijgajipgpiJglj|jpill|gX A. Theater Tune. ^-^
5 A giiililiiiiiiliiiiiiiiiliiSilijL JV. 1 heater Tune.
iliiiiiiililliiiiiiliillliiliiili
^ He Grange. ;-'
sliiilliliiiiiilliiiii
—v.:--^—#--H
E:tt=:^:
7 C^^^^3f^|Siili^iigl3|iligpi^Ir Marims Jigg.
^
jL He Geffips Frolick
.
iiiiiiiiiiiipiiiii
20 Qiiiigiliiiiiiiiiliiiiiiii^iii ^
Ivu^Omcthing hath fome iavour.
' ' I " ''H **
'' A isiiiiiiiiiiiiisiiiiiiliiiiiiX 3u Tlieater Tunc. T ^ .
^_,
SIMliiliiiiifciiiiiiiiiii
A SiiiSlMiisijr\. Theater Jigg.
iiliili
usii gfegi
^Siiiiieiisis_ L-J l J ->.- '
3T^^PMWii^i^ssiiiSSJL He King's Delight.
J. jinhenia. ^^ "^^
\-
^ :_ ^<l^^'-
2 5TSiiiiipiiiS^iihiiSiJL he 5«w!£ro«i Jigg.
"^ v_/ s_^ ^->
liiiiii;]
» JLV JlArdike.''^
f-
liiiiiiiiiiiiiiiiiiiiiiiiiiiSi*f-
pirtfcfcME
Tiiiiliiliiillllilfipliiiiiiiisiliili
1^ A P^%%j^^lff$l'-llp|jffg-^lj4^^XXNAntkk Dance.
'^ ^ ^'^"Z^ ' 'tf ^" -^— ^ - --
iSH'rtiiiiiilBiiiiillifi
29 Ti^i||giipiiiiii|^^||iiiiii«A HcOpera. ^ ^ ^ ^ w
JL OmScarlet. ' " ' ' O ' " " "^ ^ ""
iltelilgilllliiilliilliiliiiil^
XjL Theater Jigg. ' " ^ " " " -^" ^
3^ A igliiiliiiiiiliiilSiiiiiliiiX A. Theater Tune.
i'iltoSiiliilllMiiiiiilliiiiill;
^iiiSii
33 Ti^iiliSiifiliilillililliililigJL. He Mermaid.
^
mipmttigi34- A iiiiiiiigliilililiiiiilliliigliX JL Theater Tune.
^^
ilMiiiiiiiiiiiiiiSMlii
35 Tii^ttliiiiiiili-iiiiiSii^^-JL He Earl of .i'<zw<5^uw/j's FareweJ.
liEEliiiiagiiiiiiiiSiiiliiiS
^iiiiiiilii
3«nm^m^mmfn^^^^^^^^^Aptain Digby\ Farewel. —
^
^E^tiiaiiliiilii
37 A i^5i^i!!iSigiiS{ii|ipi#ggiilliipi^
JL \. 1 heater Dance.^^
iiilliiiiiliiiliiiigiiiiiiigiil
^^^Aptain Holliss Farewell. ^^ -^ ^
^iS^iiiiiSliiiiiii^gi
::i
Q-"?S-T——jr-ft+t -jl"!
39:T^siiliiiiiiiiiiiiiiiiii^l|p|pX He Hobby-horfe Dance. * ^ * ^ ^^
^liWIli4.0 i^iii: te«i!l8ii;^i;i;i
Rince George's Delight.
l^lilliiiiliilliiiiiiSiiiiil;
41 Xii^SiliftiiillliiiiiEiliilftttiiii• JL he Prince ct Ora72gt% Delight.
SSIi^Siii
42 TSiiSSIlliSiilliliiiiiiililiiiii
i^iiifeiiilii—iiliiiila '— .^aa.^
43 A iSliiiiliiiiiiiiSiigi^XTjL Theater Dance.
^
iiiiiiiliftiillliiiiiiiiiiiiiiiiiii
.R. Faifnc. s Magot.iiiiiipiiiiiliiiiiiiili;^!
igiipiilliipiliiiiiiigi|lilii
giiiliiiiliiii!il:^p||itlliite
+5 A ^gjjlitejp^l^gpgflpgg^jggfi^^^,7 \. Theater Dance.
^^
s^ililliillliiiillMiiiiiiiliiiii
iililiiiiilMJllii
\6 ri^iiii^iiifciiiSiiiiiiiiiii'
... V^^Omc Boys fill us, &c.
'' giiliP^l^ili|lPPllll=l=H=^
n Ciiliiiiiiiiiiiiiiliiiijiiiiilii
lil^iiiiMiiiiiliiiiiliiiiii
:* :st
Hi:s
jl]\. Dance in the Play ot Julius Cafar.
' iliiliiiiiiiliiiiiiiiiiiiiiiliiiiii
iiiiiiiiliiliiliillliiiiiiiiiliiil
iiiiSiiiliiliiiiiiiiiiiliiiiiili
iillliiiliiiigiiliiiiii
4-9 pilipiiilliiPililiiiiiliiii^i
iiliililiiSliSliiiiiiiiliiiii
50 A ip5iiii|iiliiiiiiiiiiiiiiiiiii;Siij[. A. New ^lagot.
iiiiliiisiiiiiiiiiilliiiiiipiii
.t:> X -A. Mock Tunc.
iiiiigiiiiiiiiiiiliiiiiiiiiSi3=K-¥=J=,
>«.w %mii»m
52 A ^^jigliiljIpiJlXX Jigg.
S5|||^^^?Q32:}3^55^£{S
XX Jigg-
"""" ' "^ ' ^ " ^* ^ -^i.*-*^'''
-
s_ ~._ ^.^ »w
56 A i^m^^mmm^^m^Mm^
fzzzl±zmiiiii
57 ]\ i^iiiliiiiiisiMfeiiiiiii#i;piJLJL Minuet. "^ ^ '^
, s>
Sliiiiiilgiiiiliiii
58 A l^iifiliiiBMiiiliiiJLJl. Theater Tune-
^MiiSISiiiiiiSiiiililiiliiiil
Snxz:!: M ipipi^li|fp$pjlj£iiiiiM
l^ils
9 A ^MSii^iiiiiiigiiiiiiiiiiiJLjL Theater I'une. ^ --^ s^ ^
iitHiiiiilip
)0
UlJL '1 heater Tu.jC.
isliiililiiiiilD 2
J^ \, Theater Tune.s^Jj^Ja
<o '-^
iiSI;gpgl^|lii^if|i;i;li|;fl^;^fi|
^liiii^fi
o 3 A ^iliil^iiiiiiSii^tMii,/
'
\ Theater Tunc.w ^^ w w
JL -- A neater i une.
eitai?5 A i^^^pl^^ip^^^^gii
jLX. Theater Tune. ^ ^ ^
^jcir ii^^^66
Horn-pipe,ig^^^Mii
iliipllhiatei^iii^
61\l^^^^^^^^^^̂ ^ = \]
<^8 A iiiapigjPpEpppiiiiiiliiilPiifcgXX 5co«/3 Tune. -^ -^ v> ^ ^ ^ ^ ^
iiiiiiillS^ifiiiiiiiiiiiiiiiiil^ :
^iliiSiiliiilglSiii
JL He Tune of ro««f 'jemmy. ^ ^ ^ ^ - ^ ^ -^
liiSiil^lliiiiisiiiMiiSiiiii
-pife-
[/^ V^^Ould Man his w'iih obtain.
SiiSSigigEil
• X..^^ Ld Simon the King.
iiiiiillli^iiililiiiiiigii^s
27T ES53|:|:
He Tune of Farrinel's Ground, to the Song of (eyiUjoy to Great Cacfar.)
m
M "^ *' f II
5-
^^i|ll^li|^|Pl^iiP|^|8iii|i^
^i{!i|iipipappp^^^^
il
a
:ig|
73J^Jk. New Scotch Horn-pipe.
w^v^-^wf ^^ ^^ -^ -^ ^-y ^ ^^
gililiiliiiili
7+ A iiiiiiliiiSiiiliiiiSliliiiiiii/ XJl Thea-ter Tune. ^ -3 '^ -^ ^
. iiiliililillliii
75 A ^Sl|gg-^lg-Sg||gppi|Pfil^l^XTL Theater J igg.
^i^^1^ A ^spj|iiii|lp^f|plpggiajmpi
J^JL Theater new Tune.
*£
-« ^mcSi
77New 5fofc/7New 5fofc/7 Tune.
gi^siiiSiiiiiiiiii
ililill^illiiaiiiiiii
78 TiiSiffliii^iiiii^iI^V" JL He Granddeers March.
mM g:f;±3t?
79.:riiiM^iiiiMiiiiiiiSiiliil_.4,f-t:|:---.
u4ngier March.
w Here would coy <iAmint(i run ?
StSJ=
iiiililliill
E 2
9yrrf!l-
8^ ]sjSliiifellfi#illiiliiiiiiiB^iiiJL. ^ Ow ii,cTj.,cs.,&c. ovi^oycLijami. ^
I
=t-it
liiliiliiliiiiiiiiiiiiii
itiiiifei^iiHiliiiiiiii i
55 iS3 Ti|iPiii&i^i^iSii-»li-iiliiJL He Gol'fain^ , iheluuc ot a "lew 1 heater bong.I'Tain^
N-/ v^ v^
ml -ti iip|iilif=
4T^^iiiiiiiliiiliipiiiiigiSili
JL He 29th 01 May. T3^
^iHiliSlliiiiiii
?Tnrl""
He Knot
iliiililiiiiiliiliiieiiiiii^
« TsrflttiitiiilMillililiiiSiJL HeGrcen-raan.
iiiiliiligSiiiiliii^iiliiiiii
87H'Oly-rood day.
~~
y^ik
?8 T i^^ltt^^. JLrfAdy oi' Plealure.
*Ady
e
rx-in. gra ^ WS.JEnfjy come tye my L-iavac
iililiili^ *t—*-
9° pfeip^-piSgpggg|gS^g|pii^-^A Amted Charauer.
.Sh-wednfeday.
iSjijiiiil|ijiii3gigi^^i'̂—
'
N^ \^ >.•
*S^:5z:i^33J$33:r:=3$i :sS;
3Hr._.^
Am- Houfe, or Cherry-Garden
^t~^ljEizir±:|:t3^zT^E$^§3^
'^am -t<—W^—l - ' ^ff^
54- ivT^iilisiiiiiipi
JLxEvonOiire Houfc.
JL^AdyC^f/:'t-nffeOg-/e,anewDince. -^ ^-^ ^-^ v^ ^-^
"^^ JL He Blue-Boar
g|ii;rjipfeii|8gipi#iig|pr#ifllip
'i^ JL He King ol i'o/<?W.
'.T ZJS-MiliiliiiHeMug-houie.
-5J-
il3iiiliiifiPli|iiillilMiBi
"ppiiliiiliii^iiiiiigiiiiiiiMl. Riiice Geone's March. ^
—
;iiliiiiiiiiiif|iiiliiiiiiiiii|li
)iDaiiiilliiiiililiiiiiiiiililike of Graflions M<irch.
ISliiililiiiiiiSiiPllll
'"l?iSliliiiliiiliiii^^^^^^jI'Lpd'i Uarden.
gifii^giiiiiiiiiiiiigiiiiiiisft
5 np£riijiii^ii||iiiiili:%^f JL He Scofclz-man's Dance, in i he Northern Lafs.
gigiMiSiiiiiiiiliiiiiiil^i
,.—K--J.—
^a^
04
r^_^*^<l A*A ,«.—t-*-'*'Tr-T!''^.T.t^?.^.-J.P.|-!!^r.J.- -4 - A - A- -I 1
-- - . f i..^ rT.l.J-.. ^i-.A.-r T* A-A'lA - I 1 *.^ ~ A" A - I ^'''^
:iigiiM^liii^iiiiiliiii^*^"^-^^-^
Ni^lliiiJiiiM^liliiilliliaiEw Saranade.
i
=?MiiiiiSSiiiiiiiiiiiSMiirfi!JL JL PalTingalia.
letf
JLJL Minuet.^
;o7 A ^iliiltMiiilill^iiiiiiliiJjJL Minuet-
XVingfail: A new Tune.'^ "^
iiliiiiiiiipiiiSliiiiii
}05
JL^Vblin Caitle."^
iijii|i|ip|pii|iipgppgiiiipii#iii8^
i'XXTheace'rTunc> " "^ "^ - ' ' ^ " ' TITw ^ >j:
itiilli^JiSlliiiiiiillllllliii
^ Jl. New Tune.
ii^Hlliililiil iisgli
EE&=i:i|llMEii
iliiiiiiliiilppiiiiSiiiii^
^i^iilpi
"31 -i^^^liilillliiiililii^lll^^^^+*«•
1
O bed we i ^o : A new Song- 1 un:.
g^iilliiiiiiiiiiiiii:iili
114
lune.Tde Dake of Bneciptah's i une
wii 7t
'^^-¥^-^^
"^^^^^S^^^^S^^^^^^^^^Wt7~^?^ I
wXScorr/j Tune. ^-^- ^ T^ '^
iiiiiSiiiiiiiiiiiiiiiSlliittli
- ^y/--iigiiiiiiip;S^=!:
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^ Jk. "Sco/cw Tn)ie. ^^
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FINIS.
The Second Tart of :Xp0ll0*s 3att()Uet> containing the ufual Tunes of
the French Dances, perfo'rrhecf at tourt, and in 'Duiicmg-Schools.
, A jgfiiiijiipiaiiiljiiilipgiggliiiiiXjLn Entry.
-- --"
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'
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I* I.K-1-'.|JW , j
FINIS,'-'
iiuiiii.Miii' 'iif 1 I II II 'rii r iii[-'
I
--
'-^
MV S IC f^ Books Printed for John Playford, At hu Shop near the Temple Church.
CAnticum SiCTi: Divine Hymns and Anthems, fome in Latin, and fome in Englifh , fbr two Voices to the' Organ; compofed by feveral late eminent £r^/?yZ!Maflers. Priceftitch'dg j.
The PfalmsofPiW/ii.and other Sacred//>ww,according to the common Tunes fung in ParifljGhurches.com- ,
pofed in 4 Parts by fohn Fliyford,znd printed in Folio, proper both for publick and private urd' Price 2s.6i»
The whole Book of P/d/wj in Metre, as they are fung in all Parifh Churches, with the proper Tune to every Pfaliti
,
corapofed in Three Parts, T}iz. Cdntus, Mediiu, znd Bijlut, hyfobii Phyfori, in a fmall Volume to carry in the Pocket to
Church , and may be bound up with the Book of Common-Prayers in oUavo. Price 3 s.
A brief IntroduBion to the Skill of Mujicli.hoth Vocal and Inftrumental, by .f . Phyford, newly Reprinted with Additionsof a Thii'd Part, containing the Art of Compofing Mu/tc, of two, three, and four Parts ; in OBavo. Price bound 2 s.
The ATw/Tm/ Compenm. containing variety of cawfewof three and four Parts-, andalfo above loo Choke Songs, Ayres,
and Diiloguis, of two, three, and four Parts, in one Voluff-e in Quarto. Price bound 3 y. 6L
The Second Book of the Mujlctl Comftnion, containing a new Collection of Merry and Loyal Catches, and a!fo divers
sew Songs, Glees, and BaUaJs, for two Voices, never printed before. Price 2 s. :
MufclCs J{ecreitien on the Lyn-Fiol, containing variety of new Lefrons,newly Reprinted with Additions. Price flitcht 2 s.
Choice>()r«, J««gi, and 2?w/o,?tt«, being mod of the neweft Songs fung at Court, and at the publick Theaters ; com-pofed by levcral Gentlemen of His Majefty's Mufick , in Five feveral Volumes in Folio.
The DlviJton-yioUn, containing a choice Colleftion of Divil^ons for the Treble-Fiolin to a Ground- Bafs, all fairly engra-
ven on Copper Plates, being of great benefit and delight for all PriU iiioners on thtyiolin, and are the firfl that ever were_printedof this kind
Jnewly Reprinted with large Additions. Price 2 f. 6 i.
Mufd^stiindmnid, containing choice LefTons for the f^irginaJs and Rarp/icbord, newly Reprinted with Additions of plainRules to underltand the Gam-ut, and the Notes, thereby to play from the Book, all engraven on Copper Plates. Price 2s. 6d.
The FUaf/tnt comptnion, containing felcft new^r« and Tunes (ox thtThgelety with Inftruftions for Learners, newlyReprinted with Additions. Price i f.
The Danciftg-Mafier, or plain and eafie Rules to dance Country Dances, with the proper Tunes to each Dance, is newprinted; with 45 new Dances never printed before. Price bound 2 x. 6d.
Thereisnewlyprinted a new Edition of the /^/Ww Book, Entituled, ApoUo'sBmcjitet (firftPart), containing nt-m Ayres,
TheatevTunts, Hgrn-pipes. J-iggs, and ScotchTunes. The fccond Part ot this Book contains a Golleftion of French-dMchgTunes, ufed atCourt, and in Dancing-Schools ; as, feveral new Branls.rorams, Bore's, Minuets, Gavots, Sarabands, CTf. Moltef which are proper to play on the i{fCOT</er or f/«K, as well ason the^w/i«. Price is. 6d.
Alfo all fort! of Rut i Paper , aad I^Vd Bgo^s fos MV S I C ef feveral fees, are to be fold at the fame Shop.
" «j 111. II I mill
1 W ''•
"*" •'
The Third Tart ^/ A P O L L OV BAN Q^U E T,containing new Tunes of Dances jor the T r e B L E-Vi O L I
N
and Flute> performed at Court, and /« Dancing-Schools.
A giiiiiiiiiigpA. \. NcwAyic. '^ ^-^ -^ ^^ ^^
iiHiiililiiililiBi^"^
Ampton-Court. ^^ -^^^-^ ^-^ —^
^N /~\ ^^f^
i ; / L^*- <-•/.
Ong cold Nights,
E^jiiiiftiiiS^iiim^ililiii
^iiiiliili^il
He Second Part of Bread of God.
Si:issj;
f5»i » »-
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5A^ii^^liiilsliiiiiiigpiiScotch lune in faftiion, >-^
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m
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--TS
N a Dcfcrt in Greenland.in Greenland.
' 5NiiiiiSiiii^iigiiliiiiiliEw Entry.
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^ 8 MiiLilll^iiii|iii:ifeiiiil|ir3tl|Injec.
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2 6Miiifllillill^iillllillSillMiiliiiiiIllaet.
i 7AgiiliiSiiiSiSilliiiiillililiiNew French Dance-
—t^w» I >m >w i»
^ 8 Niigp|plipPlppl|pipgpi|p=fSpl3{ii|^^
Ew French Dance.
giiiiiliiiiiiiiiiiliiilifii^
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"^—
'
^^
4-iANew Italian Ground
PJiiilii^^^iSii
^l^iiiii^^iiiMiiiiiliiiiThe Ground Bafs.
^llEliEliEliiMiliiii
f I N 1 S.
, K^VVERTISEMENT.
The Divifton-Violin, and Dancing-tMajler:,are lately printed with new Additions:
and fold by Henry pUyford^ at his Shop near the Temple Church.
