51
CUVPHI04B Apply photoimaging lighting techniques Acknowledgement to the teacher Ibrahim Mehmet 2011

Apply Photoimaging Techniques

  • Upload
    mchats

  • View
    220

  • Download
    1

Embed Size (px)

DESCRIPTION

Apply Photoimaging Techniques

Citation preview

Page 1: Apply Photoimaging Techniques

CUVPHI04B Apply photoimaging lighting techniques

Acknowledgement

to the teacher

Ibrahim Mehmet 2011

Page 2: Apply Photoimaging Techniques

Page 2CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Completion of this unit should enable you to employ lighting techniques to a range of subjects in different work spaces and to select equipment for different lighting techniques.

CUVPHI04B Apply photoimaging lighting techniques

Transmission through "Polaroid" plastic (for light), this is used commonly for calculator and laptop displays. Materials that show selective absorption are said to display dichroism. Metal gratings for micro-waves. (Note that the grating direction is exactly opposite to the rope gratings in the animation below. For

microwaves at least, horizontal gratings transmit VERTICALLY polarized e/m radiation and vice versa.)http://www.launc.tased.edu.au/online/sciences/physics/tutes1.html

Week 1 - we learned that light travels in straight lines and that we needed to learn the electromagnetic spectrumLight travels in waves and the wider the frequency is in this dia-gram is equal to low frequency, whereas the closer together equals high frequency. Red is longer and blue is shorter and frequency

is the cycles per second. in our notes it referred to “light is a form of energy. Energy is capable of being transformed from one form to another. If we put another log on the fire, it burns, and gives off heat and light. The chemical energy of burning is being transformed into heat and light. If we turn a light on elec-trical energy is being transformed into light and that

Three examples of energy being transformed from one form to another in photography are:

1. Latent image formation = Light to chemical or electrical.2. Taking a lightmeter reading = Light to electrical.3. Digital image capture. = Light to electrical / digital.

The electromagnetic spectrum covers a wide range of wavelengths and photon energies, the thing that separates the components of the EMS is their unique wavelengths

Newton made the discovery that light was compounded of different rays, this was published in 1704, he allowed a small beam of sunlight to pass through a prism and noticed that refraction was slightly different for each of the colours he saw. He noted that instead of the light remaining as a small beam it was broken into different colours and they continued to diverge, he measured the different angles and noticed that red was bent least and violet the most. All of these rays of different colour were in the sunlight from the begin-ning. All colour and vision research was based on this theories, light could be compound or simple.

Page 3: Apply Photoimaging Techniques

Page 3CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

The electromagnetic spectrum includes

• visible radiation, more commonly called light, • ultraviolet radiation, • and infrared radiation.Bands of electromagnetic radiation may be described by wavelength and frequency, (or energy level.)

We learned that "Speed of light is constant in a vacuum, E = mc2" and that light is a form of energy made of particles (photons) and travels in waveform from one point to the next.

Light (photons) - Periodic waves

The most common measurement used by photographers is wavelength.The highest energy is associated with bands that have short wavelengths and high frequencies.

Direction of vibration Amplitude

Direction of travel

Wavelength

Frequency is in cycles per second are in hertz, 1 cycle is all the way up and all the way down from zero to zero.

Osc

illat

ion

Cyc

le a

ll th

e w

ay u

p

Direction - AmplitudeAmplitude is the magnitude of change in the os-cillating variable with each oscil-lation within an oscillating system

Page 4: Apply Photoimaging Techniques

Page 4CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

In a beam of un-polarised light all possible directions of vibration are present.

In a beam of polarised light there is only one direction of vibration present.

Radiant energy travels in straight lines.

If you increase the photons you increase the intensity, too much intensity all the subject become white

or blown out.

Wavelength is the distance between any two identical points on a wave, for instance crest to crest or

trough to trough. We see different wavelengths of light as different colours.

Amplitude is the height or depth of a wave. We see different amplitudes of light as different intensi-

ties or different levels of brightness.

Frequency is the number of cycles per second; think of this as the number of crests or troughs passing

by a narrow slit in one second. The unit for frequency is the hertz.

Short wavelengths are associated with high frequencies and high energy- long wavelengths with low

frequencies and low energy.

Members of the electro-magnetic spectrum which can affect photographic emulsions are:

Cosmic rays used for X-rays - Gamma rays = ultraviolet radiation - Ultraviolet radiation = visible

radiation

Visible radiation, or light - Near infrared radiation

The visible spectrum is that portion of the electromagnetic spectrum which we perceive as light.

For photographic purposes the visible spectrum can be thought of as three wavebands consisting of

blue green and red

The slower the wavelength the higher the number

Above 400= U.V. and above 700 = near infrared

1 nanometer = 1 billionth of a metre

Orthochromatic film - 350-500 so red light wont affect it. It is good

for copy work. A latent image is one which is exposed but not yet

developed.

The seven colours of the spectrum, red, orange, yellow, green, blue,

indigo and violet

White light is dispersed by a prism into the colors of the optical spectrum

400 to 500 nm blue 500 to 600 nm green 600 to 700 nm red

Page 5: Apply Photoimaging Techniques

Page 5CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

EMS Member Wavelength Frequency Energy

Cosmic rays Short High High

Gamma rays

X-rays

Ultraviolet radiation

Visible radiation

Infrared radiation

Microwave Radiation

Radio and TVwaves Long Low Low

Wavelength, frequency and energy relationships between members of the electromagnetic spectrum.

The sun is behaves as a point source of light. A point source of

light radiates energy equally and uniformly in all directions.

The diagram illustrates that light waves are not uni-direc-tional, think of 3D movement!

Page 6: Apply Photoimaging Techniques

Page 6CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Periodic vibrations generate waves (photons travelling) how long it takes to reach peaks and troughs and

back to zero point

Cycle: Periodic, how long it takes to go up down and back again to zero (green section)

Direction of vibration Amplitude

Direction of travel

Wavelength

Direction of vibration Amplitude

Direction of travel

Wavelength

Amplitude: is the height or depth of a wave. We see different amplitudes of light as different intensities

or different levels of brightness.

Wavelength is the distance between any two identical points on a wave, for instance crest to crest or

trough to trough. We see different wavelengths of light as different colours.

 

Page 7: Apply Photoimaging Techniques

Page 7CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Light energy particles (photons), affect light sensitive materials such as film or triggers an electrical pulse

in a digital camera sensor. Increase in photon quantity =

increase light intensity. a photon is an elementary particle,

the quantum of the electromagnetic interaction and the

basic unit of light and all other forms of electromagnetic

radiation. It is also the force carrier for the electromagnetic

force.

Luminous (brightness and darkness) effects

saturation of an object

Here is a video on Creating and Lighting a Scene on a Budget

http://www.slrlounge.com/lighting-on-a-budget-behind-the-

scenes-lighting-tutorial

diagrams of how the equipment has been set up and the resultant image

http://cyclamenclose2.blogspot.com/2011/02/assignment-205-photo-imag-

http://www.youtube.com/watch?v=mAwTFLi7Tmo&feature=player_embed-

ded

Page 8: Apply Photoimaging Techniques

Page 8CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Determining where to place your subject in relation to the light source, try this exercise to help

you see where the light is falling. Position your subject in the area where you want to photograph them.

Stand as far away from them as you plan to be when you take the picture. Now walk completely around your

subject noticing the light from all angles. Once you’ve walked around them once, walk a circle around them

again slowly. This time have your subject turn with you so they are facing you the entire time. Look at their

face closely and notice the changes in light as they face different directions. Notice how the light touches

their features and where the shadows land. Notice how the light catches their eyes in each position. Once

you find the best direction for your subject to face, take your pictures.

Read more: http://www.digital-photography-school.com/understanding-natural-light-portrait-photogra-

phy-a-guide-to-learning-to-see-light#ixzz1WARUOClG

Photography Lighting Tips for Positioning the Lights

If you're using a 1 light setup, you can position the light about 6 feet from your subject. The light should be

at a 45 degree angle from them and pointing down on them. This light is called the key light and is meant

to mimic natural light or sunlight. Positioning the light like this will give you strong shadows on the side of

the subject that the light isn't on. In order to minimize these shadows you can use a reflector. Postition the

reflector on the other side of your model

to bounce the light from the key light on

the opposite side of the models face. This

won't get rid of the shadow completely

but it will make it less harsh.

Read more: http://www.digital-photog-

raphy-advisor.com/photography-light-

ing-tips.html#ixzz1WATyDm6m

If you have a 2 light setup you can replace

the reflector with a fill light. The fill light

should be dimmer then the key light. Studio

lights usually have a switch on the back that

you can use to control the power of a light.

If your light doesn't have that you can contol

the brightness of it by putting it farther away

from the subject than the key light.

Page 9: Apply Photoimaging Techniques

Page 9CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Diffraction refers to various phenomena which occur

when a wave encounters an obstacle. In classical physics,

the diffraction phenomenon is described as the apparent

bending of waves around small obstacles and the spread-

ing out of waves past small openings. Similar effects occur

when light waves travel through a medium with a varying

refractive index . Diffraction occurs with all waves, includ-

ing sound waves, water waves, and electromagnetic waves

such as visible light, x-rays and radio waves.

Every photographer wants both maximum resolution and maximum depth of field. unfortunately these

two demands can be mutually exclusive. As you stop down the aperture on a lens the light passing through tends to

diffract, reducing sharpness, though DOF is increased. The

reason for this is that the edges of the diaphragm blades

in the lens tend to disperse the light. At larger apertures

this diffracted light is only a small percentage of the to-

tal amount of light hitting the sensor or film, but as the

aperture is stopped down the amount of diffracted light

becomes a larger percentage of the total amount of light

being recorded. Optical theory says that a perfect lens will

be perfect wide open, and that diffraction will start to take its toll as the lens is stopped down.

A soft box far enough away, becomes a point source of light.

Moving the lights even 50cm requires changes to the stops

on the camera. The Inverse Square Law in simple terms say

twice the distance receives a ¼ of the light. As the fraction

gets smaller, it means less light. For the test learn the Rectil-

linear + Transverse learn the names + their meanings. In

photography, a rectilinear lens is a photographic lens that

yields images where straight features, such as the walls of buildings, appear with straight lines, as op-

posed to being curved. In other words, it is a lens with little or no barrel or pincushion distortion.

Defracted f/45

Defracted f5.6

Page 10: Apply Photoimaging Techniques

Page 10CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Above is a picture of a transverse wave. The amplitude of the wave is measured from the peak (or trough) to the mid-point. Amplitude can be defined as "the maximum displacement from the average position". Amplitude is a measure of how much energy the wave has. The wavelength is the distance between two peaks or the distance between two troughs. Wavelength can be defined as "the distance the wave has traveled during one complete cycle". Wavelength is given the symbol l (Greek lambda, pronounced lam-der), and is measured in metres because it is a distance.

Frequency is defined as "the number of complete cycles (complete waves) in one second". Hertz is the unit of frequency (symbol Hz). 1 Hertz = 1 cycle per second.

The period of a wave is defined as "the time taken for one complete cycle". The period = 1 ÷ frequency.

This can be rearranged to give Frequency = 1 ÷ period. Learn for the test that Wavelength is the colour

or colour sensitivity + actual colour.

Learn that Orthochromatic is Blue Green sensitive, but not sensitive to red, + the film speed is 80Orthochromatic photography refers to a photographic emulsion that is sensitive to only blue and green light, and thus can be processed with a red safelight. The increased blue sensitivity causes blue objects to appear lighter and red ones darker. A cyan lens filter—which removes red light—can be used with standard panchromatic film to produce a similar effect.[1]Orthochromatic films were first produced by Hermann Wilhelm Vogel in 1873 by adding small amounts of certain aniline-based dyes to photographic emulsions.

Page 11: Apply Photoimaging Techniques

Page 11CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

The reason why the power of the light diminishes so rapidly is not because it 'runs out of energy' or any-thing like that, but because it spreads and so a smaller and smaller proportion of the light hits the object. Here's a little diagram to illustrate the point.

As you can see from the diagram the beam of light fans out quite quickly and the object furthest from the light receives only a small proportion of the light, most of the beam misses the target. The more the beam is focused the higher proportion of the light will fall on the object. With a theatrical spotlight for instance which has a very narrow beam, much more light will fall on the object.In photography though we don't tend to use highly focused beams as they produce a very harsh light, too contrasty for our purposes. So the inverse square law, as a rule of thumb, works very well for us.

For the test learn

Absorption - Light doesn’t go through the objectTransmission – Goes through – e.g. clear glassReflection – Mirror

Modern lens transmit 99.5% of light striking it.

Learn Direct transmission, mixed transmission, and diffuse, which are different from the transmission talked about above.

Learn the red + green balls in the powerpoint notes, which colour absorbs which.

We used the red head light in class, which is about 1000 watts, we also have the blondie which is about 2000 watts.

It was said in class that the closer to the centre of of light source the more erratic it becomes.

1 x unit

2 x units

P A B

Surface B is at twice the distance as surface A is from point source P and receives ¼ the amount of illumination

(a) (b) (c)

Page 12: Apply Photoimaging Techniques

Page 12CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 13: Apply Photoimaging Techniques

Page 13CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 14: Apply Photoimaging Techniques

Page 14CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 15: Apply Photoimaging Techniques

Page 15CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 16: Apply Photoimaging Techniques

Page 16CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 17: Apply Photoimaging Techniques

Page 17CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 18: Apply Photoimaging Techniques

Page 18CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 19: Apply Photoimaging Techniques

Page 19CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 20: Apply Photoimaging Techniques

Page 20CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 21: Apply Photoimaging Techniques

Page 21CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 22: Apply Photoimaging Techniques

Page 22CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 23: Apply Photoimaging Techniques

Page 23CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 24: Apply Photoimaging Techniques

Page 24CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 25: Apply Photoimaging Techniques

Page 25CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 26: Apply Photoimaging Techniques

Page 26CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 27: Apply Photoimaging Techniques

Page 27CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 28: Apply Photoimaging Techniques

Page 28CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 29: Apply Photoimaging Techniques

Page 29CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 30: Apply Photoimaging Techniques

Page 30CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 31: Apply Photoimaging Techniques

Page 31CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 32: Apply Photoimaging Techniques

Page 32CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 33: Apply Photoimaging Techniques

Page 33CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 34: Apply Photoimaging Techniques

Page 34CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 35: Apply Photoimaging Techniques

Page 35CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 36: Apply Photoimaging Techniques

Page 36CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 37: Apply Photoimaging Techniques

Page 37CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 38: Apply Photoimaging Techniques

Page 38CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 39: Apply Photoimaging Techniques

Page 39CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 40: Apply Photoimaging Techniques

Page 40CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 41: Apply Photoimaging Techniques

Page 41CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 42: Apply Photoimaging Techniques

Page 42CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 43: Apply Photoimaging Techniques

Page 43CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 44: Apply Photoimaging Techniques

Page 44CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 45: Apply Photoimaging Techniques

Page 45CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 46: Apply Photoimaging Techniques

Page 46CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 47: Apply Photoimaging Techniques

Page 47CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 48: Apply Photoimaging Techniques

Page 48CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 49: Apply Photoimaging Techniques

Page 49CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 50: Apply Photoimaging Techniques

Page 50CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur

Page 51: Apply Photoimaging Techniques

Page 51CUVPHI04B Apply photoimaging lighting techniques (UM11) Sue McArthur