APRIL 10 > 14 2018 - sainttropeztourisme.com · related activity, the Festival’s organisers intend to contribute to the dynamism of the region and the town of Saint-Tropez by screening

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APRIL

10 > 142018

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1, traverse de la Gendarmerie, Saint-Tropez • T. : 04 83 09 60 00 • hoteldeparis-sainttropez.com

OSEZ UN AUTRE SAINT-TROPEZEXPER IENCE ANOTHER SAINT-TROPEZ

VISUEL2.indd 1 15/06/2017 14:05:29

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SAINT-TROPEZ INTERNATIONAL FESTIVAL

/ Editorial of the Mayor of Saint-Tropez/ From the president/ A “talent-revealing” event/ Saint-Tropez, a legendary setting for a first-rate Festival/ The leading film personalities supporting the festival/ The places of “Do you Do you Saint-Tropez ?”/ Place des Lices, the heart of the Festival

01

THE COMPÉTITION

/ Films/ Guests/ Trophy awards/ Selection committee/ Festival Jury/ 5 special days/ Programme

02

COMMUNICATION

/ The festival in numbers/ 360° publicity campaign/ Festival magazine

03CONTACTS

/ A team of professionals and enthusiasts/ Contact 04

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ORGANIZED IN PARTNERSHIP

WITH

INTERNATIONAL FILM FESTIVAL

01THE

SAINT-TROPEZ“NEW STARS OF CINEMA”

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When, in 1956, a film shot in Saint-Tropez

by the young director Roger Vadim made

it to American cinemas after a lukewarm

reception in France, nobody imagined the media

sensation it would go on to create. The American

public and press were bowled over by Brigitte

Bardot, a rising film star who had begun drawing

attention at the previous Cannes festival. The “BB”

legend was born, and the film Et Dieu créa la femme

(And God Created Woman) was re-released in

French cinemas, where it was a blazing success.

Within a few months, the entire world had heard

about our pretty little village on the Mediterranean

coast, and then another sensation, the “Gendarme”

series, came along and firmly established its

reputation.

Saint-Tropez owes a great deal not only to its rich

maritime history, but also to cinema. Since the

cameras first started rolling here in the 30s, over

70 films have been shot in this cinematic hotspot.

We have also created a museum space for films in

the historical gendarmerie building that was so dear

to Louis de Funès and Michel Galabru. Inaugurated

in late June 2016, the Museum of the Gendarmerie

and the Cinema has been a huge success with over

240,000 visitors in fifteen months, making it the

first profitable museum in the Var.

Today, we’re happy to welcome the initiative of a

festival dedicated to the new stars of cinema as a

nod to our history and a homage to all the artistic

careers that have been born in the shade of our

terraces and palm trees.

I’d like to thank the president, Eric Michel, the artistic

director Vincent Perrot, and the whole Ciné France

Festival team for their decision two years ago to

organise this new event in Saint-Tropez, to which

we are lending our full support.

I hope this first year of the festival will reveal some

of the new stars who are set to become top names

in cinema, or as we call it in French, ‘the seventh art’.

EDITORIAL BY THE MAYOR OF SAINT-TROPEZJEAN-PIERRE TUVERI

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L ulled by the music of Ennio Morricone, Francis

Lai, Vladimir Cosma, Claude Bolling, Georges

Delerue, Philippe Sarde, Michel Magne and

many others, together with the ‘music of words’ of

Michel Audiard and other talented screenwriters,

my love for the cinema has blossomed since 2004

when I joined the team of the Gruissan festival,

and later the Hyères festival until 2014.

As Artistic Director and then General Secretary

in charge of VIPs, these years spent working with

marvellous people, most of whom were just as

passionate as me, and working on the creation of

these festivals, were a pure delight.

I’ve been a film lover since I was tiny, and have

always dreamed of making one. That dream is still

a little way off, but another one has come true:

organising a magnificent festival in a magical

setting - and in the region where I was born! Saint-

Tropez, the home of more than 70 films, including

And God Created Woman, The Swimming Pool,

The Troops of Saint-Tropez, and more recently

Priceless and It Happened in Saint-Tropez. A

famous village, but one which has been able to

maintain its authenticity. It’s the ideal place to

create an international festival on a human scale,

with an open outlook on the world.

In particular I’d like to thank Jean-Pierre Tuveri,

the Mayor of Saint-Tropez, for trusting us and

providing us with the village’s human and material

resources. I’d also like to say a big thank you to

Sylvie Siri, Deputy Mayor, in charge of event

management, and Claude Maniscalco, Director of

Saint-Tropez Tourism, for their close collaboration.

FROM THEPRESIDENT ERIC MICHEL

President of Ciné France Festival

Organiser of the Saint-Tropez “New Stars

of Cinema” International Film Festival

See you at the curtain-raiser

for the Saint-Tropez “New Stars of Cinema”

International Film Festival on 10th April 2018.

-Closing ceremony on 14th April 2018.

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Anew arrival in the film world,

the Saint-Tropez “New Stars

of Cinema” International Film

Festival is destined to become a major

event in French and international cinema.

With its first edition running from 10th

to 14th April 2018, it is open to French

and foreign feature films in every genre

(thrillers, dramas, comedies...). The idea

is to showcase actors and actresses

who have been introduced in their first

major film role, but also to reach out

to a passionate, curious and attentive

audience.

Taking place in the famous Provençal

village of Saint-Tropez, the festival is

primarily the creation of a team of film

enthusiasts and professionals, brought

together by Eric Michel, the President

of the Festival. This prestigious

event will mark the beginning of the

summer season in Saint-Tropez. A true

crossroads of French and international

culture, the Festival looks set to become

a springboard for future stars. Entirely

dedicated to the art of acting, passion,

conviviality and exchanges, it offers

guests an international selection in this

famous village in the Var.

A TALENT-REVEALING EVENT

Alegendary setting for French and

international cinema since 1930, the

village of Saint-Tropez offers an idyllic

natural setting for directors and actors

from around the globe. Its famous clock

tower, villas perched on slopes, beaches and

alleyways have left an indelible mark on the

history of cinema.

Aware of its array of cinematic legends, Eric

Michel and his team want to consolidate

the reputation of this celebrated place by

organising five days of meetings and festivities

in homage to the cinema and its rising stars.

By inviting the biggest names in French and

international cinema to present their films to

a ‘Tropezian’ audience, the first edition of the

Festival will bring together actors, directors,

screenwriters, creators, producers, and even

casting directors, all sharing their passion for

the cinema every day.

The idea is to turn Saint-Tropez into a

melting pot of professional encounters and

exchanges. During these 5 days of cinema-

related activity, the Festival’s organisers

intend to contribute to the dynamism of

the region and the town of Saint-Tropez by

screening previews of as-yet unreleased films

from a range of cultures. All the ingredients

will be in place to make this major summer

festival an indispensable meeting place for

professionals and the cinema-going public.

SAINT-TROPEZ,A LEGENDARY SETTING FOR A FIRST-RATE FESTIVAL

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THEY WERE REVELATIONS...

A FESTIVAL TO SHOWCASE

TALENTED ACTORS AND LAUNCH THEIR

RISE TO FAME

We all remember Sophie Marceau in La

Boum (The Party), Charlotte Gainsbourg

in L’Effrontée (An Impudent Girl), Bérénice

Bejo in Meilleur espoir féminin (Most Promising Young

Actress), Vincent Cassel in La Haine, or Romain Duris

in Le Péril Jeune.

Now it’s time for a new generation of young actors

to shine – like Adèle Exarchopoulos in La Vie d’Adèle

(Blue Is the Warmest Colour), Gaël García Bernal in

Amores Perros, Lupita Nyong’o in Twelve Years a

Slave, Vincent Lacoste in Beaux Gosses (The French

Kissers), Ryan Gosling in Drive, Adèle Haenel in Les

Combattants (Love at First Fight), Daniel Brühl in

Good Bye Lenin! or Antoine Olivier Pilon in Mommy…

At the César awards last year, Niels Schneider won

the Most Promising Actor award for the role of Pier

in Arthur Harari’s Diamant Noir (Dark Inclusion), and

Oulaya Amamra the Most Promising Actress award

for playing Dounia in Houda Benyamina’s Divines.

These actors were all chosen by a director for their

first major film role while unknown to the general

public.

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A FESTIVAL TO SHOWCASE

TALENTED ACTORS AND LAUNCH THEIR

RISE TO FAME

With an ever-increasing number

of talented actors coming to the

fore, several awards have been

established to recognise young actors and

actresses: for example, the Romy Schneider

and Patrick Dewaere awards, or the

“Revelations” shortlist at the César awards.

Now, with the first edition of the Saint-

Tropez International Film Festival, an entire

event is being dedicated to them.

Every year the “Revelations” Committee

at the César Academy selects a number

of young actresses and actors that have

stood out for them: their Revelations. The

list contains ten individuals: in 2017, Niels

Schneider won the César for Most Promising

Actor for the role of Pier in Arthur Harari’s

Diamant Noir (Dark Inclusion). Oulaya

Amamra, meanwhile, won the César for

Most Promising Actress for playing Dounia

in Houda Benyamina’s Divines.

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THE LEADING FILM PERSONALITIES SUPPORTING THE FESTIVAL

In 2001, Christophe Barratier created his first short

film, Les Tombales, starring Lambert Wilson and

Carole Weiss. In 2004, his first feature film Les

choristes (The Chorus) was a triumph, achieving

huge success both in the box office (more than 8.5

million tickets sold) and critically (two Césars and

two Oscar nominations, including for Best Foreign

Language Film, propelling the young actor Jean-

Baptiste Maunier to fame). In 2008, Christophe

Barratier returned with Faubourg 36 (Paris 36),

where he continued in a similar vein of popular and

nostalgic cinema. For this film, which allowed him to

combine his love of music and the cinema again, he

worked with Gérard Jugnot, Clovis Cornillac and Kad

Merad. In particular, he introduced Nora Arnezeder

to audiences in her first major film role. Three years

later, he created an adaptation of the popular novel

La Guerre des boutons (War of the Buttons), again

working with Gérard Jugnot and Kad Merad. The

film-maker returned with L’Outsider (The Outsider)

in 2016. In this new feature film, a biopic about

the former trader Jérôme Kerviel, he introduced

audiences to Arthur Dupont in his first major film role.

P atrice Leconte began his career working

on short films. In 1975 he directed his first

feature film, Les Vécés étaient fermés de

l’intérieur, starring Coluche and Jean Rochefort.

Two years later, he directed Les Bronzés (French

Fried Vacation) and then its sequel, starring

Josiane Balasko, Gérard Jugnot, Thierry Lhermitte,

Marie-Anne Chazel, Christian Clavier and Michel

Blanc. Next, together with Michel Blanc, a former

member of the Splendid café-théâtre, Patrice

Leconte co-wrote three other popular comedies:

Viens chez moi, j’habite chez une copine (1980),

Ma femme s’appelle reviens (1982) and Circulez

y’a rien à voir (1983). In 1985, Patrice Leconte

abruptly switched register with the brawny hold-

up film Les Spécialistes, starring Gérard Lanvin

and Bernard Giraudeau. This change of tone was

characteristic of the career of this versatile film-

maker, always ready to switch genres.

From then on, every Leconte film release was a

major event. This was particularly the case in 1997,

when he brought together two giants of French

cinema for the first time since Borsalino: Alain

Delon and Jean-Paul Belmondo in Une chance

sur deux (Half a Chance). He directed Johnny

Hallyday in L’Homme du train (The Man on the

Train, 1997) and Sandrine Bonnaire in Confidences

trop intimes (Intimate Strangers, 2003).

These were followed by a string of stage and

cinema successes, including Les Bronzés 3

(French Fried Vacation 3, 2005) and a cinematic

adaptation of the successful play Une heure de

tranquillité (Do Not Disturb) in which he again cast

Christian Clavier. He also gave Judith Godrèche

one of her first major roles in Ridicule, released

in 1996.

CHRISTOPHE BARRATIER

PATRICE LECONTE

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T he daughter of director Gérard Oury and

actress Jacqueline Roman, it was only natural

for Danièle Thompson to grow up immersed

in film. She began her screenwriting career in 1966

working with her father on La Grande Vadrouille.

Their fruitful collaboration continued with Le

Cerveau (The Brain, 1969), La Folie des grandeurs

(Delusions of Grandeur, 1971) and Les Aventures

de Rabbi Jacob (The Mad Adventures of Rabbi

Jacob, 1973). She went on to work with Jean-

Charles Tacchella on Cousin, cousine, for which

they received a Best Screenplay nomination at

the 1977 Oscars. Alongside “family” hits like Le

Coup du parapluie (The Umbrella Coup, 1980)

and L’As des As (The Ace of Aces, 1982), Danièle

Thompson secured Sophie Marceau’s popularity

among French audiences by writing both parts of

La Boum (The Party) and then L’Etudiante (The

Student) with Claude Pinoteau in 1988. Nominated

in 1995 for the César award for Best Screenplay

for La Reine Margot (Queen Margot), she has also

worked with Alain Berberian (Paparazzi, 1998) and

Gabriel Aghion (Belle Maman, 1999). In 1999 she

tried her hand at directing with the bittersweet

comedy La Bûche (Season’s Beatings), nominated

for the César awards for Best First Feature Film

and Best Screenplay. With this ensemble film, co-

written with her son Christopher Thompson, she

established her own style, in which she “kept the

viewer suspended halfway between laughter and

deep emotion”. In 2002, she directed Décalage

horaire (Jet Lag) starring Jean Reno and Juliette

Binoche. Continuing to work on comedies of

manners, she assembled a star-studded cast

for her next two films: Fauteuils d’orchestre

(Orchestra Seats, 2006), nominated five times for

a César award, and Le Code a changé (Change

of Plans, 2009). Four years later, she directed

another ensemble film: Des gens qui s’embrassent

(It Happened in St. Tropez).

Pierre Arditi has also appeared in numerous TV

films including Josée Dayan’s impressive 1998

saga, Le Comte de Monte-Cristo (The Count of

Monte-Cristo), which drew record audiences for

televised fiction. The 2000s also saw the actor

appear in various comedies, working with well-

known directors such as Claude Berri (L’Un reste,

l’autre part, 2004), Pascal Thomas (Le Grand

appartement, 2006), Alexandre Arcady (Tu peux

garder un secret?, 2007), and Danièle Thompson

(Le Code a changé, 2009). He went on to appear in

Ensemble c’est trop (Together is Too Much) in 2010,

Adieu Berthe ou l’enterrement de mémé (Granny’s

Funeral) by Bruno Podalydès in 2012, and La Fleur

de l’âge (Family Matters) in 2013.

DANIÈLE THOMPSON

I nitially a stage actor, Pierre Arditi made his first real

screen debut in 1977 with L’Amour violé. In a life-

changing encounter, he made the acquaintance

of Alain Resnais, who introduced him to audiences

in Mon oncle d’Amérique (My American Uncle) and

many other films such as Mélo (1986), for which he

won the César award for Best Supporting Role, as

well as Smoking/No Smoking (1992) which landed

five Césars (including Best Actor for Arditi), and

later On connaît la chanson (Same Old Song,

1997), Pas sur la bouche (Not on the Lips, 2003),

and Vous n’avez encore rien vu (You Ain’t Seen

Nothin’ Yet!, 2012). The actor extended his range

by working with Jean-Pierre Mocky, Yves Boisset

and Gérard Oury. He tried his hand at historical

drama in Le Hussard sur le toit (The Horseman on

the Roof, 1995) and joined the Lelouch “family” in

Hommes, femmes: mode d’emploi (Men, Women: A

User’s Manual), Hasards ou coïncidences (Chance

or Coincidence) the following year and Le courage

d’aimer in 2005, then played himself in Les Acteurs

(Actors), a biographical comedy by Bertrand Blier.

PIERRE ARDITI

PRESIDENT

OF THE

JURY

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Because the stars of yesterday inspire those of

tomorrow... At the opening of this 1st Saint-Tropez

International Film Festival, Francis Lai will honour

us with an original reinterpretation of his piece “Les

étoiles du cinéma” (“The Stars of Cinema”), distributed

as an exclusive preview for our Festival.

In a perfect tie-in with our theme of “revelations”, he

gives us our official musical theme for the festival:

“Les Nouvelles étoiles du Cinéma” (“The New Stars of

Cinema”) which will open ceremonies and screenings of

the films in competition. Francis Lai, born in Nice on the

26th of April 1932, is a French composer and musician,

specialising in film scores, theme music and songs. In

particular, he composed the scores for Un homme et

une femme (A Man and a Woman) and Love Story, for

which he received the Oscar for Best Original Score in

1970.

A favourite composer of the director Claude Lelouch,

he works in a popular idiom, playing accordion and

piano, and first became known as the composer of such

successful songs as La Bicyclette for Yves Montand.

His successes include the 1974 composition of the

musical theme for the television channel France 3 -

performed on the cello and guitar.

OFFICIAL FESTIVAL MUSIC BY FRANCIS LAI

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PARTICIPATION OF ERIC SERRA AT “CAFE RENDEZVOUS”

Beginning his musical apprenticeship at the age of five (acoustic guitar), Eric Serra, son of the poet and

cabaret singer Claude Serra, grew up immersed in music. A self-taught guitarist, he started his first band,

FLEP, at the age of 15 and soon became a professional musician.

In the early 1980s Eric Serra met Luc Besson who asked him to compose the music for his first film, a 1981

short entitled L’Avant dernier. Over the years, he continued to collaborate with Besson, working on the score

for films like Le Dernier Combat (The Last Battle) and Le Grand Bleu (The Big Blue). This was a global hit, with

three million copies of the soundtrack sold worldwide. Next came the soundtracks for Nikita in 1990, Atlantis

in 1991 and Léon in 1994.

In 1995, he composed the music for the James Bond film GoldenEye. Two years later, he worked with Luc

Besson again, this time on the Le Cinquième élément (The Fifth Element).

Between 2002 and 2005, he worked on various joint projects, including the soundtracks for Gérard Krawczyk’s

Wasabi, John McTiernan’s Rollerball, Danièle Thompson’s Jet Lag (Décalage horaire), and Paul Hunter’s

Bulletproof Monk.

In 2006, in partnership with Recall Group, Eric Serra founded Recall Music For Films, a new label dedicated

entirely to film music. He also worked on two new original soundtracks for the film Bandidas by Joachim

Roenning and Espen Sandberg, and the saga Arthur and the Invisibles, which marked a return to his

collaboration with Luc Besson.

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THE PLACES OF «DO YOU DO YOU SAINT-TROPEZ ?»

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For over 80 years, the village of

Saint-Tropez has contributed

to the economic and touristic

development of its department

and region. The Var is the French

department with the second highest

number of filming days after the Parisian

department of Ile de France.

More than 77 films have been

made here since 1930.

Jean Godard was responsible for one

of the first films shot in Saint-Tropez in

1931, Pour un soir, starring Jean Gabin

and Colette Darfeuil. Some scenes take

place in the old port of Saint-Tropez.

In 1956, director Roger Vadim shot

Brigitte Bardot and Curd Jurgens in Et

Dieu créa la femme (And God Created

Woman). The legend was born!

Next, Jean Girault’s Gendarmes series

established Louis de Funès and Saint-

Tropez. Now a “legendary” heritage

site in the village, the gendarmerie

is a must-see tourist monument.

Inaugurated in June 2016 after being

restored and renovated, it now houses

the Gendarmerie and Cinema Museum,

dedicated to these brilliant comedies

that still retain their appeal.

SAINT-TROPEZ, A WORLD-FAMOUS AND AUTHENTIC VILLAGE

« the saint-tropez national gendarmerie has been transformed

into a gendarmerie and cinema museum »

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SAINT-TROPEZ IS ALSO...

GLAMOUROUS

TRADITIONAL

Celebrities from across the world at prestigious parties

An enduring petanque tournament between foreign actors and actresses such as Diane Kruger

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LEISURELY

RELAXING

ALIVE

Festive dinners on yachts in the port

Endless sea and sun

Coffee and a slice of Tarte Tropézienne on a sunny terrace

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PLACE DES LICES, THE HEART OF THE FESTIVALIt’s impossible to think of Saint-Tropez without

conjuring up the famous Place des Lices. The

veritable nerve centre of the village, this wonderful

square, planted with hundred-year-old trees, will

for five days be energised by the festival. The

Saint-Tropez International Film Festival will turn

this magnificent location, home to the Renaissance

cinema, the Jean Despas Hall and “the Cafe”, into

a vital meeting point for every cinema enthusiast.

A capital of tourism for 50 years, it looks set to

become the new capital of cinema.

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Cinemas

Animations

CINÉMA STAR Public screenings

PARKING DU PORTPaid parking

PARKING DES LICESPaid parking

CINÉMA RENAISSANCE Official screening

PLACE DES LICESRed carpet

PARKING 15ÈME CORPSCar exhibition

SALLE JEAN-DESPASCinema exhibition

LE CAFÉ “Cafe Rendezvous” with Vincent Perrot

Parkings

MAP OF THEFESTIVAL

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« new stars of cinema »

02COMPETITION

21

PROGRAMMATION

Public and guests will also enjoy some

fifteen special sessions, among which we will

find emblematic films shot in Saint-Tropez

and in the region, films in honor of our

guests. Les gendarmes, La Piscine, Et Dieu

créa la femme, as well as many newer films

will be part of it ...

INVITÉSBetween 120 and 150 international film

professionals: film crews, actors, directors,

producers, writers, journalists...

We already have the support of the

directors, Christophe Barratier, Patrice

Leconte, Danièle Thompson, the actor

Pierre Arditi, and the composers Francis

Lai and Eric Serra.

TROPHY AWARDS> Award for female performance

in a main role

> Award for male performance

in a main role

> Special jury prize

French and foreign feature films presented in competition

9 15FILMS SPECIALSESSIONS

The cinemas, the Renaissance

and the Star, will host the

official screenings and the

catch-up sessions, respectively.

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SELECTION COMMITTEE

VINCENTPERROTJournalist / Animator

STEPHANE BOUDSOCQMovie journalist

JACQUES BENLOULOUEx RTL Partnerships Manager

THIERRY JOUSSEReviewer / Director

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A PRESTIGIOUS JURYProspective membersin confirmation

DANIÈLE THOMPSONWriter / Director

STÉPHANEDE GROODTActor / Director

EMMANUELLEBERCOTActress / Director

ÉRICBARBIERWriter / Director

ELSA ZYLBERSTEINActress

LAURE MARSACActress / Director

ÉRIC SERRAMusic Composer

PHILIPPE LE GUAYWriter / Director

PRESIDENT

OF THE

JURY

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A programme rich in emotion, with numerous events open to

all. Throughout the day, discover what has made and continues

to make Saint-Tropez the place it is:

> Car exhibition

Historic and famous vehicles will be on display throughout the

festival. A chance to (re)discover the legendary cars of cinema

and television.

> “Cafe Rendezvous” with Vincent Perrot

A daily, interactive encounter with a figure from cinema, open

to the public and presented by Vincent Perrot

> Cinematic equipment exhibition

An exhibition of period cinematic equipment, with authentic

film posters. Possibility of integrating parts provided by

partners with a connection to the cinema.

> Red carpet

Every evening from 18:30, the public will attend the “Red Carpet”

event, with festival guests being invited to the Renaissance

cinema on Place des Lices, for the official evening screening.

> And plenty of other surprises...

5 SPECIAL DAYS

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APRÈS-MIDI 15h00 Official opening of the cinema car exhibition

SOIRÉE 18h30 Opening ceremony

19h00 Red carpet at Place des Lices

19h30 Film projection (out of competition)

21h45 Dinner in an iconic location


MATINÉE 10h30 Official screening no. 1

DÉJEUNER Free time for lunch

APRÈS-MIDI 15h00 Official screening no. 2

SOIRÉE 17h00 “Cafe Rendezvous” with Vincent Perrot

19h00 Projection Film hors compétition


19h30 Film presentation



PROGRAMME

TUESDAY 10 APRIL

WEDNESDAY 11 APRIL

SAINT-TROPEZ INTERNATIONAL FILM FESTIVAL

AVRIL 10TH > 14TH 2018






19h00 Official screening no. 5







19h00 Official screening no. 8




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THURSDAY 12 APRIL

FRIDAY 13 APRIL

PROGRAMMESAINT-TROPEZ INTERNATIONAL FILM FESTIVAL




APRÈS-MIDI 14h30 Film projection (out of competition) 15h00 Jury deliberation 15h00 “Cafe Rendezvous” with Vincent Perrot

SOIRÉE 17h00 Film projection (out of competition) 18h30 Closing ceremony 21h45 Dinner in an iconic location 22h00 Film projection (out of competition)

APRÈS-MIDI 14h30 Film projection (out of competition)


SOIRÉE 19h30 Film projection (out of competition)

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SUNDAY 15 APRIL

SATURDAY 14 APRIL

PROGRAMMESAINT-TROPEZ INTERNATIONAL FILM FESTIVAL


GUEST DEPART

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03COMMUNICATION

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THE FESTIVAL IN NUMBERS

EDITION from 10th to 14th April 2018

40

10000

60000

FOUNDING PARTNERS

CONNECTED TV'S on the TV

channel partner in the hotels of the Gulf of

Saint-Tropez

INDIVIDUALS project team, volunteers,

employees

FESTIVAL-GOERS

TOURISTS in April

MAGAZINES & FLYERS

produced and distributed

5 DAYS of festivities

CELEBRITIES Artists, actors, directors,

producers ...

1ST

15000

120 to 150

- Shown on more

12 1000

MORE THAN

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DIGITAL www.festival-sainttropez.com

PRESS ARTICLES GALA - PREMIERE - VAR MATIN

RADIO SPOTS NRJ SAINT-TROPEZ

CUSTOMIZABLE event plans

POSTERS

MAGAZINE of the Festival

MEDIA relation

TV news

PUBLIC relations

CINEMAS

3600 PUBLICITY CAMPAIGN

OFFLINE MEDIAVISIBILITY

TV - Reports & Interviews France Télévision, Canal +, TMC, BFM TV, LCI, Arte, M6, Var Azur TV

RADIO - Spots, programmes & interviewsFrance Bleu Provence, RTL2, RTL, NRJ région, Mistral FM

Cinema

Press - Articles and press releases> Specialist press: Le Film Français,

Première, Studio Ciné Live, Télérama, Les InRocks, Paris Match, Gala.

> Regional press: Var matin, Luxe…> National Press

/FestivalFilmSaintTropez

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MAGAZINE OF THE FESTIVAL15,000 copies of the festival magazine

will be printed and distributed to the

general public and to guests during

the event. Among other things, it will

contain a presentation of the films in

competition, the film crews, and film

news. This quality magazine, featuring

in-depth editorial content, will describe

the commitment made by our partners

and the attractiveness of our region.

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04CONTACTS

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A TEAM OF PROFESSIONALS AND ENTHUSIASTS

A CINÉ FRANCE FESTIVAL EVENT

Our project was born from a desire to

bring together passion for cinema and the

professionalism of every trade in the film

industry.

The Saint-Tropez host association, CINE

FRANCE FESTIVAL, was created in 2015

to organise a festival in Saint-Tropez. The

members of the team all met over time at

festival and on film projects, and all share

the passion for cinema that this ambitious

project requires.

The President, Eric Michel, assembled a

team of film professionals and enthusiasts

who have been working to organise the first

edition of the festival. The team includes

a director, scheduling manager, project &

partnership manager, public relations officer,

artistic agent, artistic director, general

coordinator, press attachés...

VINCENT PERROT

A TV and radio personality, Vincent Perrot

is first and foremost an insatiable cinephile

who has always tried to share his passion

for cinema with as many people as possible.

An author of books (Stunts and Stuntmen

on Screen, Georges Delerue, French

Cinema Soundtracks, Vladimir Cosma,

Marlon Brando, Aznavour: My Life, Songs,

and Films), and producer and director

of documentaries (Listening to Godard,

Maestro Morricone, Francis Lai: a Musical

Universe, Belmondo: A Journey…, Aznavour:

Come See the Actor, Gaumont: 120 Years of

Cinema, Rémy Julienne: 50 Years of Stunts),

Vincent Perrot is currently working on a

film entitled Gainsbourg et les arts majeurs

(Gainsbourg and the Major Arts) for France

5 and is delighted to be putting his all-

consuming passion for cinema at the service

of the 1st Saint-Tropez Festival.

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APRIL 10 > 142018

CONTACT

CINE FRANCE FESTIVAL General organization of the International Saint-Tropez Film Festival "New stars of cinema"

ERIC MICHEL [email protected] / Tel. +33(0) 4 83 36 17 98

VINCENT PERROT Festival Art [email protected]

CAMILLE VIÈS Project and Coordination [email protected] / Tel. +33(0) 4 83 36 17 93

GUILLAUME CAZANAVE Partnerships & Key Account [email protected] / Tel. +33(0) 6 46 64 01 98

ADRIEN MANAVELLA Partnerships & Key Account [email protected] / Tel. +33(0) 4 83 36 17 93

JEAN-CHARLES DEVILLARD Graphic Design & [email protected] / Tel. +33(0) 4 83 36 17 93

NATHALIE DANA Programming [email protected] / Tel. +33(0) 6 73 68 69 83

LAURETTE MONCONDUIT Press and media [email protected] / Tel. +33(0) 1 43 48 01 89

JEAN-MARC FEYTOUT Press and media [email protected] / Tel. +33(0) 1 43 48 01 89

www.festival-sainttropez.com

Phot

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Shut

terst

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A N E V E N T

www.festival-sainttropez.com

Documents

APRIL 10 > 14 2018 - sainttropeztourisme.com · related activity, the Festival’s organisers intend to contribute to the dynamism of the region and the town of Saint-Tropez by screening