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50 | September 2004 TUTORIAL ART100.tutphoto 50 ART100.tutphoto 50 21/7/04 1:54:27 pm 21/7/04 1:54:27 pm

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50 | September 2004

TUTORIAL

ART100.tutphoto 50ART100.tutphoto 50 21/7/04 1:54:27 pm21/7/04 1:54:27 pm

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TUTORIAL

ADD ANOTHER DIMENSION

PHOTOSHOP CS

It’s relatively easy to spice up your photos in Photoshop. But how about taking it one step further? The key to success is to fi x your colours and enhance them. That way you’ll be sure to achieve eye-catching results

September 2004 | 51

Ë Okay, so you’ve grasped the techniques, but you need more than

that if you’re to produce a range of original eye-catching work. Don’t underestimate the power of composition or the importance of balance.

This tutorial will teach you to create stunning effects using glows, loads of Colour Dodge, and lots and lots of neon – hot pinks and lemon yellows are prominent here. You’ll also learn how to utilise white in all the right places, so that white areas look less like negative space and more like the result of added energy and light.

The fi ner details are very important, too. The small glowing dots used throughout this image may be small, but they add so much. Always pay attention to detail in anything you create – simplicity is good but there are always details that, when added, make all the difference.

This tutorial stresses the importance of strong colour. The background of this piece contains a faint fl oral pattern, which is key, but very subtle. It does not call your attention or stand out on its own. Rather, it serves its purpose as a background correctly. In addition, another dimension is added using fl owers and scanned imagery, giving the image a truly organic feel. So keep in mind the importance of strong colours and solid composition in all your work and you’ll see instant results.

4 Now select a default circle-shaped Brush with soft edges and make the

size roughly 550. Using bright pinks, yellows, greens and blues, brush lightly on the girl’s skin using single clicks to add subtle colour to the shadows already present.

1 Open Model1.tif from the cover CD. Adjust the Brightness/Contrast to -50 and +30,

respectively. Now go to Filter>Sharpen> Sharpen to ensure that the whole image appears as crisp as possible.

2 Using the Pen tool, draw an outline around the girl’s body. Do not worry

about the fi ner details around the hair, but do make sure that you outline inside the area where her arms bend upwards. Save this Path and label it “Outline”.

3 Create a new layer named Colour Fades. Set the Blending style to Colour Burn.

Select the Path you made in step two and click on Load Path as a Selection.

Photography by Paul&Paulwww.paulandpaul.co.uk

Illustration by Chuck Andersonwww.nopattern.com

ON THE CDYou will fi nd all the fi les you need to complete this tutorial in the folder named Tutorial\Photoshop

TIME LENGTH

1.5-2 hours

Chuck Anderson, who works under the

name NoPattern, is a freelance artist from Chicago. He has worked with dozensof magazines and a huge range of clients, including Sony and McDonald’s. Seemore of his work at www.nopattern.com

INFO

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TUTORIAL

PHOTOSHOP CS

13 Open Design.tif from the cover CD, Select All and then Copy. Paste this

into the main image and rotate it to fi t accurately into the curve of her arm. Move to her chest, and set the Layer to Screen.

7 Duplicate and move the Background Design layer until you have enough to

fi ll the background. Then merge all of these duplicated layers into one and again labelit “Background Design”. Finally, set the Opacity to about 15-20 per cent – whatever looks good to you. 10 Choose a default soft edge circle

Brush with the Airbrush turned on at or around size 12. Click randomly all over the background to create a galaxy of stars. Try clicking and holding to utilise the Airbrush feature and create a larger star.

11 Using the same brush, make long strokes across the girl’s body, working

from the bottom left to the top right to create the wires/lines. Repeat this process until you have dozens. You could change the size of the brush to produce a thicker wire.

12 Create a new layer named “Wires Behind”. Select the Outline path,

click Load Path as a Selection and then Select>Inverse. Use the technique used in step 11 to make the wires again, only this time you should make them behind the subject. This adds dimension to the image.

8 Next, make a new layer and label it “Diagonal Lines”. Using the Polygonal

selection tool, create diagonal lines going from the middle of the left edge to the middle of the top edge. Then, with the Brush tool, paint inside using the same technique as you did on the girl, using pink and yellow.

9 Create a new layer and label it “Stars, Wires”. Next, choose Layer>LayerStyle

>OuterGlow. Set the Blend mode to Colour Dodge, the Opacity to 100 per cent, noise to 0 per cent, and use a solid pink colour (#F19AC2). Ensure that Technique is set to Softer, Spread to 0, and Size to 18.

5 Make a new layer and label it Colour Fades Background. Again, click on

Load Path as a Selection before choosing Select>Inverse. Repeat step four, but add the soft colour to the background, mostly around the girl’s body.

6 Open BackgroundDesign.tif from the cover CD, Select All and Copy. Go back

to the main image, click on Load Path as a Selection and then choose Select>Inverse and then Edit>PasteInto. Rename this layer “Background Design”.

52 | September 2004

FOLDER ITIf you use the Pen tool to outline a subject within a photo, you can add elements in front of and behind the subject to make your design/illustration appear as though it’s part of the photo.

Outline the subject with the Pen tool, then choose Load Path as a Selection in the Paths palette and choose Select>Inverse. Create a new layer and draw/paste into the selected area. Your design will then go on to the background only.

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TUTORIAL

22 Finally, fl atten the image so that you have just one Layer and go to Image>

Adjustments>ColorBalance. Set Cyan to -50 to remove the hot colours and give it a crisper feel. You can now adjust any of the other colours until you reach your desired hues.

19 Duplicate this Layer. Choose Edit> Transform>Flip Horizontal and then

Edit>Transform>Scale and make the new layer about one-third the size of the fi rst. To balance the composition, place this on the left-hand side, next to her other hip.

20 Go back to the “Stars, Wires” layer, right-click on it and select Copy Layer

Style. Create a new layer named “Beauty”. Right-click this new Layer and choose Paste Layer Style. Now, using the default soft-edge Brush tool at size 10, write the word “Beauty”.

21 On the main Layer, the original photo, use the Burn tool on the Shadows at

100 per cent and go over the girl’s face once with a size 100 soft-edge Brush. This adds great shadow and defi nition to her face.

17 Open Fireworks.tif from the cover CD and Copy and Paste it into the main

image. Set the Blending mode to Lighten, the Brightness to -30 and the Contrast to +30. Position the fi reworks near her ear.

18 Now open Flowers2.tif and again, Copy and Paste into the main image.

Set the Blending mode to Screen. Move these fl owers to the bottom-middle area near the girl’s hip so that the stems follow the curve of her body.

16 Duplicate that Layer. Next, choose Edit>Transform>FlipHorizontal and

then Edit>Transform>Scale and make it a little smaller, ensuring that you keep it in proportion. Place this alongside her other arm.

14 Duplicate this Layer before choosing Edit>Transform>FlipHorizontal.

Move the Layer to her left-hand side so that it aligns correctly with the fi rst and, fi nally, set this layer to Screen.

15 Open Flowers1.tif from the cover CD and then Copy and Paste it into the

main image. Set the Blending mode to Screen and place it on the left-hand side, near her right arm, as shown.

September 2004 | 53

When you create a new layer, you can immediately set its style. Take OuterGlow, for example – everything done in that Layer will obtain the Outer Glow settings you choose from the start. When on a dark or black background, setting the Blending mode in the Layer style to Color Dodge will provide you with a vibrant, neon glow – the same style usedto give the glow effects to the stars and wires in this tutorial.

NEXT ISSUE

LAYER STYLE

UNDERWATER A new technique using water and a colour printer

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