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With the nineteenth century certain historical, social and cultural events occur that demand the synchronization of the Romanian with European literature. Through scholars studying abroad and bringing innovative ideas takes place a real process of emancipation of the Romanian people on all levels. The union wants Romanian Principalities, autonomy and culture spread among the Romanian people, attempting such a synchronization on all levels with the West, whose development was the model for men of culture in our country. In the case of Grigore Alexandrescu, French influence was the main source of his writings, although his work was created two distinct aesthetic registers, representing the duality of his consciousness. The keynote of his personality is a romantic Alexandrescu both elegy and tutoring, as well as in letters and fables, even if the latter is characterized by a slower imaginative spirit and formal balance. Poet turns out, one by one, reflective and problematical, controlling his emotions lucidly, he sought to discover the profound truth of their own destiny through self-analysis, but the truth of the external world by denouncing the vices and defects satirizarea and contemporary. Lamartine's influence in the work of Grigore Alexandrescu is raised by George Călinescu affirming that: ,, In a part of it, the poetry of Grigore Alexandrescu is the strongest expression of lamartinismului us. "(Călinescu 1962, p. 109), adding that: ,, meditation, reverie and harmony in nature, religiosity, prayer, oceans;immensity are they great French poet. Sometimes air gets hazy vision and reflection Ossian byronic a roar. All these are but muzicalizate, and Lamartine "(Ibid, p.109) sublimity of nature described in verses Romanian poet Lamartine and Voltaire's also is charged with political significance, George Călinescu explaining that: ,, In a historic moment the country was without prestige and without large buildings, only nature Patriots chest swell feeling of greatness and misery of civilization feudal landowners opposed her imperishable monuments. "(G. Calinescu, 1962, p.112). Although an ancient tradition known ruins theme in universal poetry, if poetry Grigore Alexandrescu, evoking the ruins and pessimistic meditation which they cause penetrate through the French poet Volney literature. In the spirit of Volney and further Ovid, Alexandrescu exclaimed the ruins of the royal palace of Targoviste; all that's left of the old glow of the city, Farewell poem in Targoviste, which then evolves within the meaning of meditation Lamartinian: ,, But where are they? They are
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7/17/2019 Articol
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