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“Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must c things the way they are or people mig think we’re stupid.” Jules Feiffer

“Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

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Page 1: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

“Artists can color the sky redbecause they know it’s blue.Those of us who aren’t artists must colorthings the way they are or people mightthink we’re stupid.”

Jules Feiffer

Page 2: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Red Galaxiesat

High Redshift

Stijn Wuyts, Marijn Franx, Pieter van Dokkum,Ivo Labbé, Natascha Förster Schreiber, Greg Rudnick,TJ Cox, Phil Hopkins, Brant Robertson, Lars Hernquist

• When did the stars in galaxies form?• How was the mass in galaxies assembled?

Page 3: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

• When did the stars in galaxies form?• How was the mass in galaxies assembled?

Ingredients & History From colors to physics Evolution

Page 4: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Telescopes

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Telescopes

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Galaxy interactions

Page 7: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Galaxy interactions-simulations-

Page 8: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Galaxy interactions-simulations-

Holmberg 1941

Page 9: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Galaxy interactions-simulations-

Holmberg 1941 Springel et al.

Page 10: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Quasars&

Black Holes

Page 11: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Richards et al. 2005

Quasars

&

Black Holes

Schmidt 1963

2dF-SDSS LRG and QSO Survey

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Genzel et al.

Quasars

&

Black Holes

Schmidt 1963

Häring & Rix 2004

Page 13: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Normal galaxies

Hubble 1926Hubble 1936

• HDFS (5 arcmin2)• MS 1054-03 (25 arcmin2)• CDFS (113 arcmin2)

Labbé et al. 2003

Page 14: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Normal galaxies

Hubble 1926Hubble 1936

• HDFS (5 arcmin2)• MS 1054-03 (25 arcmin2)• CDFS (113 arcmin2)

Page 15: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Stellar population synthesis

Wood 1966

Page 16: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Evolutionary stellar population synthesis

Bruzual & Charlot 2003

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Evolutionary stellar population synthesis

Star formation historySSP, exponentially declining (τ300), CSF

Page 18: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Evolutionary stellar population synthesis

Dust screen (Calzetti et al. 2000)

Page 19: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

SED modeling - results

Red galaxies at high redshift do not form a uniform population.

Page 20: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Red galaxies at high redshift dominate at the high mass end.

SED modeling - results

Page 21: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Red galaxies dominate the total IR emission at high redshift.

SED modeling - results

Page 22: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Testing SED modeling with simulations

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• Wide range of spectral types• Have real universe equivalents

Testing SED modeling with simulations

Page 24: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Mismatch real vs. template SFH→ Impossible to correct for difference light- vs. mass-weighted

Impact of star formation history

Page 25: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Impact of dust

Increased extinction towards young stellar regionsreduces offset light- vs. mass-weighted properties.

Page 26: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Mismatch real vs. template SFH→ Impossible to correct for difference light- vs. mass-weighted→ Less severe in the presence of age-dependent extinction

Impact of dust

Intrinsic Attenuated

Page 27: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Every observer is limited by the light he/she receives.

Impact of dust

Eff

ectiv

e re

dden

ing

Effective extinction

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Input: Calzetti, MW or SMC reddening curveEffective reddening: greyer than Calzetti

Impact of dust

Page 29: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Modeling sub-solar stellar populationswith solar-metallicity templates.→ underestimate reddening → underestimate extinction

Impact of metallicity

Page 30: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Real: Stars + AGN → Recovered: younger & dustier stellar pop.

Impact of AGN

Page 31: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Testing SED modeling with simulations: results

Page 32: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

An evolutionary scenario

Sanders et al. 1988

ULIRG(L > 1012Lsun)

QSO

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An evolutionary scenario

Hopkins et al. 2006

Page 34: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Quasar to galaxy demographics

Hopkins et al. 2006

Page 35: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Quasar to galaxy demographics

Hopkins et al. 2006

Page 36: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Abundance of massive galaxies

Page 37: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Mass function

Page 38: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Colors of massive galaxies

V-J

U-V

Page 39: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Colors of massive galaxies – by type

Page 40: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Colors of massive galaxies – by type

Page 41: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Selecting by specific star formation rate

Page 42: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Abundance of massive galaxies – by type

Page 43: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Pair statistics

Page 44: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Red Galaxiesat

High Redshift

Observations• Diversity at high redshift• Evolutionary scenario involving merger-triggered QSOs• Abundance of massive galaxies OK• Colors of dusty red galaxies not reproduced

Conclusions

Page 45: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

Emlen 1967, 1970

After man, the indigo bunting is the best documented example of a speciesthat in its earthly life uses celestial bodies outside the solar system.

Page 46: “Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they are or people might think we’re

• When did the stars in galaxies form?• How was the mass in galaxies assembled?

Ingredients & History From colors to physics Evolution