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10 • Resident The Week Of April 2, 2007 Arts In The City Minimalist master Walter De Maria brings his industrial, highly geometric sculpture to Gagosian Ga llery , in an exhibition so big that it takes u p two of the gallery’s Manhattan locations. Through May 5. gagosian.com McNally Robinson, stalwa rt defender s of the Davids in a publishing world ful l of Goliath s, present the Best New Poets 2006, featuring Theo Hummer, Barbara Strasko and Gary Joseph Cohen reading from their work. At McNally Robinson Books April 5. mcnallyrobinsonnyc.com “Dangerous Beauty” explores the role of beauty in modern culture through painting, sculpture, photography , installation, and video by artists including Nicola Constantino, Barbara Kruger, Marilyn Minter and  Joshua Neustein.  At the Chelsea Art Museum through April 21. chelseaartmuseum.org “Apostasy,” a new play by Gino DiLorio, navigates the relati onships of a  Jewish hospice patient with her disappointing daughter and a charismatic televangelist.  At Urban Stages, through May 6. urbanstages.org Norwegian pop crooner Sondre Lerche and The Faces Down Quartet bring their new, slightly chillier  vibe to Webster Hall April 7. webster-hall.com WEEKLY PICKS   a   r   t   m   u   s    i   c   p   o   e   t   r   y   n   e   w    m   e    d    i   a FIT FOR A PRO From the philharmonic to the string quartet, when it comes to classical music the violin is the star of the show . So it makes sense that virtuosos demand the best instruments. For many, that means using a 17th-century Stradivarius, the legendary product of the Italian craftsman Antonio Stradivari, but as writer John Marchese found out during his three-year quest, New Y ork has its own craftsman satisfying the most demanding musicians. In his new book, “The Violin Maker,” Marchese nds Sam Zygmuntowicz, a Brooklyn- based violin maker, commissioned by Eugene Drucker of the Emerson String Quartet. The book, a detailed personal account of Zygmuntowicz’s quest to build the perfect instrument, the city plays a vital role. “Gene [Drucker] is just the quintessential New Y ork tho roughbred musician,” said Marchese of the violinist , a Jull iard grad and son of a musician. And Brooklyn, home to Zygmuntowicz’s workshop, is a character in the story, said Marchese. “Zygmuntowicz would probably have told you it would have been impossible for him to set up shop in Manhattan, for the obvious reasons,” of space restrictions and real estate prices. But even in Brooklyn, the workshop was threatened by the development of the Atlantic Y ards, which led Zygmuntowicz to move his workspace to his home in Park Slope. But while real estate prices may change , the craft of making the perfect violin remains the same. As Zyhuntowicz notes in the book, aside from the electric lights, Stradivari could walk into the workshop and feel right at home.  —Heather Corcoran LEGEND ON STAGE  With fans like Jimi Hendrix, Eric Clapton and the Rolling Stones, it’s no wonder that many consider Buddy Guy one of the world’s greatest guitarists – and he’s sold more than 2 million records and won ve Grammy Awards to prove it. This April 11 and 13, he brings his electrifying act to New York with a pair of shows at B.B. King Blues Club in Times Square.—  H.C . RAPPER HEATS UP Hot on the heels of his successful single, “This is Why I’m Hot,”  Washingt on Heights-born rapper Shawn Mims released his debut album “Music is My Savior .” The infectious single rst reached number 1 on the Billboard Hot 100 charts in early March, while online it surpassed Justin Timberlake’s “What Goes Around Comes Around” for the top spot in February. Though the album has received tepid reviews, it is expected to debut high on the charts.   —H.C.   t    h   e   a   t   e   r SPOTLIGHT Jam band Umphrey’s McGee follow 2006’s “Safety In Numbers” with the April 3 release of “The Bottom Half,” a doub le disc of unreleased songs and bonus material from the same recording session that yielded their breakthrough third album. Safety made Billboard’s Top 200, received a collective critical swoon, and made them an even bigger cult hit than they already were, even scooching them to the heady precipice of commercial success . At the Nokia Theatre, April 13. ticketmaster.com.  —Meg Ryan    A    P    P    h   o    t   o

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Arts In The City

Minimalist masterWalter De Maria brin

his industrial, highlygeometric sculpture toGagosian Gallery, in an

exhibition so big that

it takes up two of thegallery’s Manhattan

locations. Through Ma

gagosian.com

McNally Robinson,stalwart defenders of th

Davids in a publishing 

world full of Goliaths,present the Best New

Poets 2006, featuring Theo Hummer,Barbara Strasko 

and Gary JosephCohen reading fromtheir work. At McNally

Robinson Books April 5

mcnallyrobinsonnyc.co

“Dangerous Beauty”

explores the role of beauty in modern

culture through paintin

sculpture, photography

installation, and videoby artists including 

Nicola Constantino,Barbara Kruger,

Marilyn Minter and

 Joshua Neustein.  Atthe Chelsea Art Museu

through April 21.

chelseaartmuseum.org 

“Apostasy,” a new play

Gino DiLorio, naviga

the relationships of a

 Jewish hospice patientwith her disappointing 

daughter and acharismatic televangelis

 At Urban Stages, throuMay 6. urbanstages.org

Norwegian pop crooneSondre Lerche and TFaces Down Quartet br

their new, slightly chillie

 vibe to Webster Hall Ap7. webster-hall.com

WEEKLY PICK

  a  r  t

  m  u  s   i  c

  p  o  e  t  r  y

  n  e  w   m

  e   d   i  a

FIT FOR A PROFrom the philharmonic to the

string quartet, when it comes to

classical music the violin is the

star of the show. So it makes sense

that virtuosos demand the bestinstruments. For many, that means

using a 17th-century Stradivarius,

the legendary product of the Italian

craftsman Antonio Stradivari, but

as writer John Marchese found

out during his three-year quest,

New York has its own craftsman

satisfying the most demanding 

musicians. In his new book, “The

Violin Maker,” Marchese finds

Sam Zygmuntowicz, a Brooklyn-

based violin maker, commissionedby Eugene Drucker of the

Emerson String Quartet. The

book, a detailed personal account

of Zygmuntowicz’s quest to build

the perfect instrument, the city

plays a vital role. “Gene [Drucker]

is just the quintessential New

York thoroughbred musician,”

said Marchese of the violinist,

a Julliard grad and son of a

musician. And Brooklyn, home

to Zygmuntowicz’s workshop,

is a character in the story, said

Marchese. “Zygmuntowicz would

probably have told you it would

have been impossible for him

to set up shop in Manhattan,

for the obvious reasons,” of 

space restrictions and real estate

prices. But even in Brooklyn, the

workshop was threatened by the

development of the Atlantic Yards,

which led Zygmuntowicz to move

his workspace to his home in Park 

Slope. But while real estate pricesmay change, the craft of making the

perfect violin remains the same. As

Zyhuntowicz notes in the book, aside

from the electric lights, Stradivari

could walk into the workshop and

feel right at home.

 —Heather Corcoran

LEGEND ON STAGE With fans like Jimi Hendrix, Eric

Clapton and the Rolling Stones,

it’s no wonder that many consider

Buddy Guy one of the world’s

greatest guitarists – and he’s sold

more than 2 million records and

won five Grammy Awards to prove

it. This April 11 and 13, he brings

his electrifying act to New York with

a pair of shows at B.B. King Blues

Club in Times Square.—  H.C .

RAPPER HEATS UPHot on the heels of his successful

single, “This is Why I’m Hot,”

 Washington Heights-born rapper

Shawn Mims released his debut

album “Music is My Savior.” The

infectious single first reached number

1 on the Billboard Hot 100 chartsin early March, while online it

surpassed Justin Timberlake’s “What

Goes Around Comes Around” for

the top spot in February. Though the

album has received tepid reviews, it is

expected to debut high on the charts. 

 —H.C.

  t   h  e  a  t  e  r

SPOTLIGHTJam band Umphrey’s McGee follow

2006’s “Safety In Numbers” with the April3 release of “The Bottom Half,” a double

disc of unreleased songs and bonus material

from the same recording session that yielded

their breakthrough third album. Safety made

Billboard’s Top 200, received a collective

critical swoon, and made them an even bigger

cult hit than they already were, even scooching 

them to the heady precipice of commercial

success. At the Nokia Theatre, April 13.

ticketmaster.com. —Meg Ryan

   A   P

   P   h  o   t  o