20
annual review 2013 / 2014

Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

  • Upload
    others

  • View
    8

  • Download
    0

Embed Size (px)

Citation preview

Page 1: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

annual review

2013 / 2014

Page 2: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

What’s inside?IntroductionReflection on the year by GemmaA bit about usAt a GlanceHighlightsCase StudiesOur peopleFinancesThank you

Image: Family Fiesta 2013

“I love the Arts Centre, it’s a wonderful place and with 4 children I can always find something suitable for their individual interests. Each show is an inspiration which stays with us long after the show. Life would be extremely dull without SAC.”

Audience comment on Feedback Wall

Page 3: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

IntroductionI was honoured to be asked to take on the role of Chair at Salisbury Arts Centre at the beginning of the year - if not a little daunted to be following in the footsteps of Rhoddy Voremberg. Throughout his 6 years as Chairman, Rhoddy made such a contribution towards unlocking the potential for the present and future success of the Arts Centre.

As a newcomer both to the Arts Centre and to Salisbury itself, there has been much to learn. What became immediately apparent to me were the passion, commitment and considerable talent of the team of staff, volunteers and supporters at Salisbury Arts Centre. Together, these create an extraordinarily rich and diverse arts programme of considerable quality. Perhaps more importantly, they create a determination to make the arts – particularly participation in the arts – accessible to the widest possible audiences.

In a context where funding of the arts continues to be a major concern for arts organisations, our partnership with Arts Council England has been of immeasurable importance. We are delighted that the Arts Centre will continue to be a National Portfolio Organisation for the next 3 years, giving us financial stability as well as the benefit of the Arts Council’s expertise and encouragement.

We are not without challenges. We have set ourselves ambitious targets in terms of delivering outstanding cultural experiences, reaching more audiences, and building a more sustainable organisation. None of this will be possible without the continuing and invaluable support of our volunteers and members, the business community, our artists, partners and funders and, most importantly, our audiences. We thank you for making such an important contribution to the success of Salisbury Arts Centre – past, present and future.

Kate BarkerChair of the Board

Image: Jigsaw Youth Dance Company

Page 4: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

Image: Sue Austin, People Like You

Reflection on the year by GemmaMuch of the past year has been spent exploring “the heroic in the everyday”. The theme inspired the work of over 100 workshop participants and artists in our Homegrown Exhibition. It then morphed into ‘heroes and superheroes’ for our annual Family Fiesta, where young and not-so-young alike took up the challenge of becoming a hero for the day.

My personal highlight was the ‘People Like You’ exhibition and conference, looking at the place of disabled people in our society, against the backdrop of both the Paralympics and changes to the benefits system. Liz Crow’s art installation ‘Bedding Out’, which took place over 48 hours and was live-streamed on the internet, was a reminder of the realities of daily life for many disabled people. By contrast, Sue Austin’s underwater wheelchair used great wit and beauty (not to mention some very impressive engineering) to celebrate the liberating effect that her wheelchair has had on the way she experiences the world.

“This is how art can and should be – holding a mirror to the world to give a different perspective than we are normally shown.” (RusticRita on Liz Crow’s ‘Bedding Out’ in The Guardian)

As well as a really interesting year for our artistic and engagement programmes, we also heard that we have been successful with an application to Arts Council England for changes to Salisbury Arts Centre’s facilities. Since the building was last upgraded in 2005 our programme and audiences have increased significantly. Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme.

This funding will enable us to respond to that feedback with new raked seating, entry doors, and toilets. It means we can replace our ancient kiln and lighting with new options that will use less gas and electricity. Over 80% of the cost of this project has now been raised, but if you are able to contribute in any way it would be great to hear from you. From making a small donation when you buy a ticket to sponsoring a seat, your support could make a real difference in securing a bright and ambitious future for the arts in Salisbury.

Gemma OkellDirector

“Brilliant. This is really important art making really thoughtful points. Thank you.”Audience feedback on People Like You Exhibition

Page 5: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

A bit about usour missionTo surprise, challenge and include people in thought-provoking creative experiences.

why? Because communities thrive when imaginations fly.

our programme

Contemporary danceContemporary theatre: physical, dance, circus, puppetry, mask, new mediaDisability Arts performances: work by and for people with disabilitiesFamily performances and performances specifically for young peopleInternational and culturally diverse workOutdoor performanceRegional and local professional performance companies and artists Visual art and new media exhibitions and installationsWorld and art house cinemaWorld musicWorkshops including Visual Arts, Dance and New media Residencies and workshops by visiting professional performance companiesParticipative activities specifically for familiesPartnership co-promotions including Comedy and development of Theatre and Dance work in progress

Images: Wanderflower by Harriet White and Dan Canham ‘Ours Was the Fen Country’

Page 6: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

At a glance

Images (left to right): Probe ‘Running on Empty’, Family Fiesta

2013/201467,000 attendances

2013/20141,666 events

Page 7: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

17,646 attendances at workshops and participatory events

66% of those attendances were by children, young people and families

24% of those attendances were at sessions at a venue other than Salisbury Arts Centre

52% of those attendances were at no cost to the participants

282 live performances & film screenings

10 exhibitions

975 artistic workshop sessions

230 other participatory events

Images (left to right, top to bottom): Shun Li and the Poet, Lya Garcia, Feltmaking, Family Fiesta 2013

Page 8: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

AprilWe teamed up with Salisbury Playhouse for Theatre Fest West celebrating South West talent. Performances included Little Artist Big Painting by Commotion Dance and Love Letters Straight from Your Heart by Uninvited Guests & Fuel.

Highlights How have the artists interpreted the theme? Widely! There are works in the exhibition that some people won’t consider drawing at all. The panel had quite a debate over some pieces. If people look at individual works and think they’re not drawing I’d encourage them to consider why they’re not and what ‘drawing’ is to them. We invited applications that challenge our perceptions of what drawing is and I think the artists selected have really done that. The exciting thing now is to see how people react and how perceptions change or stay the same after viewing the work. We’re not making a comment on what we think ‘drawing’ is; we’re inviting people to think about what drawing means to them. Responding to art is every bit as individual as creating it.

What makes an artwork stand out in an Open application process?That’s a really good question. Works stand out for different reasons. Some because they use materials in a really innovative way. Others are exquisitely executed or have interesting subject matter. Open 2013: DrawingThursday 3 October - Sunday 10 NovemberTuesday - Sunday 10am - 3pm (subject to closure during performance times)

MayAll the way from Cuba, we welcomed Sierra Maestra for a lively night of music and dancing. The local Salsa group who came along certainly put our dance moves to shame!

JuneDan Canham’s company Still House treated us to ethereal dance-theatre exploring universal stories of rural communities fading from view in Ours Was the Fen Country.

JulyYouth panel Upstarts presented another successful Hijack All Dayer youth arts festival packed with parkour, live music, comedy and workshops for 13 - 21 year olds. Over 300 young people came along to enjoy a full day of free activities.

AugustCollaborating with Salisbury Playhouse, we ran a two-week residency for a group of young people to write, create and stage a brand new multi-media performance responding to our 2013 theme of The Heroic in the Everyday.

SeptemberOver 600 people demonstrated their Super Hero powers at the annual Family Fiesta. We particularly enjoyed watching Hercules being put through his paces!

AprilWe welcomed Bone China Slip Casting expert Sasha Wardell to teach a special one-off workshop as part of our ceramics programme.

May We heard from Arts Council England, that our consortium application to their Catalyst fund to build our fundraising skills and capacity had been successful. And so the learning began with Catalyst partners Disability Arts Online, The Point and Stopgap Dance Company.

JuneWe hosted a successful Wiltshire College Film Screening, showcasing the filmmaking talents of our local students with a night of short films.

JulyWe launched our small but perfectly formed craft shop featuring beautiful hand-crafted ceramics, jewellery and wrapping paper.

AugustWe launched the new Loyalty Card and Membership schemes so you could afford to enjoy more arts!

SeptemberWe welcomed back Outside In On Tour, exhibiting powerful works from twenty artists facing barriers to the art world in a special show selected by Pallant House Gallery.

Images (left to right): Love Letters Straight From Your Heart, Sierra Maestra, Ours Was the Fen Country Images (left to right): Sarah Targett Wrapping Paper, Summer Stage, Outside In

Page 9: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

How have the artists interpreted the theme? Widely! There are works in the exhibition that some people won’t consider drawing at all. The panel had quite a debate over some pieces. If people look at individual works and think they’re not drawing I’d encourage them to consider why they’re not and what ‘drawing’ is to them. We invited applications that challenge our perceptions of what drawing is and I think the artists selected have really done that. The exciting thing now is to see how people react and how perceptions change or stay the same after viewing the work. We’re not making a comment on what we think ‘drawing’ is; we’re inviting people to think about what drawing means to them. Responding to art is every bit as individual as creating it.

What makes an artwork stand out in an Open application process?That’s a really good question. Works stand out for different reasons. Some because they use materials in a really innovative way. Others are exquisitely executed or have interesting subject matter. Open 2013: DrawingThursday 3 October - Sunday 10 NovemberTuesday - Sunday 10am - 3pm (subject to closure during performance times)

OctoberWe highlighted male performance with a full week of all-male theatre, dance and music from first time visitors Propeller, Zoielogic and Arts Centre favourites Black Umfolosi 5.

NovemberThe Patchwork Meadow exhibition, in partnership with PlantLife, attracted beautifully embroidered squares from local crafters and community groups.

DecemberAmnesty International hosted a thought-provoking screening of Wadjda: the first feature film ever shot entirely in Saudi Arabia.

JanuaryBristol Reggae Orchestra got everyone dancing with a special blend of Bristol community and professional musicians.

FebruaryTom Wrigglesworth proved that comedy can be poignant and moving with a touching show about his grandfather. It certainly tickled our Business Members and raised a few gasps at the end.

MarchRed Table Theatre brought Rudyard Kipling’s The Just So Stories to life with colourful creatures made out of everyday objects. We particularly liked the umbrella crab with tennis ball eyes!

OctoberWe screened the final Salisbury Odyssey film created by young people on Bemerton Heath. Our local MP said: “I very much enjoyed The Heath... Clearly Bemerton is nurturing some talent, some of the acting was really impressive to say nothing of the gymnastics and acrobatic skills.”

November We ran Diwali activities for over 70 children alongside Tara Arts’ production of Sita’s Story.

DecemberFollowing a series of workshops developing choreography and learning about the origins of Bhangra, students from Avon Valley College and Sarum Academy took part in a special performance with professional Bhangra group 4 x 4 in collaboration with Asian Arts Agency.

JanuaryOur Engagement team, in partnership with CEW, began an exciting community arts project in Tidworth to help integrate military and civilian families. The project, ‘In Our Place’, began with a series of muti-art form workshops for residents focusing on ideas of community and belonging.

FebruarySalisbury Arts Centre joined forces with The Unit and local young people to present Sound and Light at Salisbury Cathedral, giving three local bands the chance to perform alongside Billy Lunn from The Subways.

MarchRegular filmmaking tutor Simon DaVison began filming his new film 5 Greedy Bankers around the building with Pippa Haywood (Green Wing) and Ramon Tikaram (Game of Thrones).

Images (left to right): Zoielogic ‘Echo’, Patchwork Meadow, Wadjda Images (left to right): Bristol Reggae Orchestra, Tom Wrigglesworth, The Just So Stories

Page 10: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

Involving everyone in an open and encouraging environment

We have included as many people as possible in our work by taking projects out into the community and working with partner organisations and local residents to plan and run events:

“Thought it was amazing :) Can’t wait for the next one! When will you be starting the next production???”Shannon, Odyssey filmmaking project participant from Bemerton Heath

Image: 1000 Sheep Picnic, The Heath: A Salisbury Odyssey, Masterclass at St Edmund’s Girls’ School

1000 SheepTo coincide with the 1,000 Sheep exhibition, our Young Curators organised a Sheep Picnic. Working in partnership with Ageas Salisbury International Arts Festival and Riverbourne Community Farm, and assisted by professional artist mentors, the Young Curators helped to coordinate an engaging family event featuring street-theatre performances, history displays, sheep shearing and a barbecue for families to enjoy together.

The Heath: A Salisbury OdysseyWith financial support from Salisbury Area Board, our Outreach and Engagement team took to the streets of Bemerton Heath to create A Salisbury Odyssey film with local young people. They uncovered some incredible talent.

Watch The Heath: A Salisbury Odyssey on Salisbury Arts Centre’s YouTube Channel>>>

Professional Dance Company Zoielogic ran a special

masterclass with St Edmund’s Girls’ School

Page 11: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

Being passionate about the arts and our place in the community

We are passionate about working with other organisations who share our enthusiasm for creating the best possible opportunities for artists and audiences.

In April 13 we teamed up with Salisbury Playhouse to celebrate the best of South West talent in Theatre Fest West. We presented performances by Commotion Dance, Cabaret Vérité and comedian Chris Ramsey to complement Salisbury Playhouse’s programe of South West Theatre.

We also collaborated with Salisbury art collective NewRED Studios to present the exhibition Coexist and 24 Hour Salisbury. Coexist offered local artists the opportunity to exhibit at Salisbury Arts Centre while 24 Hour Salisbury included the wider community in creating a film portrait of the city.

Zone Club with Wiltshire Music Centre provided opportunities for adults with learning disabilities to develop their musical talents.

Images: Cabaret Vérité, Commotion Dance, 24 Hour Salisbury contribution from Gini

Page 12: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

Pushing the boundaries by offering surprising and challenging experiences

We have commissioned or supported artists to make or programme new work not otherwise available to audiences in Wiltshire:

Practice Our Practice showcase for works in progress encourages artists to push their boundaries and try new ideas. It also gives them the chance to receive honest audience feedback to help shape their future productions. Every now and again we discover works in progress that we simply can’t wait to see as fully formed productions. Karla Shacklock Company’s The Buttercup and resident company Two Destination Language’s Near Gone were two such shows so we co-commissioned and presented them as a Theatre and Dance Double Bill.

People Like You: An exhibition co-produced with Link Up Arts and Disability Arts Online.We’re committed to championing Disability Arts and joined forces with partners Link Up Arts and Disability Arts Online to create a special exhibition featuring works by Gini, Sue Austin and Liz Crow. The painted white wheelchair tracks by Sue Austin and the shocking pink grab rails by Gini caused quite a stir in the city, making disability a hot topic of discussion throughout Salisbury.

Images: Karla Shacklock ‘The Buttercup’, Sue Austin ‘People Like You’, Two Destination Language ‘Near Gone’ image by Alma Hasler

Page 13: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

Inspiring the imagination with high quality work that is vibrant and alive

In 2013/2014 we inspired audiences with:

Workshops with touring companiesIn November 2013 and February 2014 we arranged two very special residencies to inspire Jigsaw Salisbury Youth Dance Company, giving them the opportunity to work with professional dance companies Earthfall and Tavaziva Dance.

Both companies worked with our talented young dancers to create curtain raiser performances.

Images: Nicky Cornwell Drawing Open, Tavaziva Dance ‘Tavaziva Ten’, Drawing Open

Open ExhibitionEach year our Open exhibitions encourage artists at any stage of their career to create new work on a given theme. The theme for the 2013 Open was Drawing and artists were invited to challenge definitions of drawing. The resulting exhibition was an inspiring mix of traditional and original interpretations.

“Such an interesting exhibition which stretches ones mind” Feedback in comments book

Page 14: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

Going the extra mile to be friendly, welcoming and trusted

“Friendly and bright” Audience feedback from post-show survey

“Friendly and bright” Audience feedback from post-show survey

Even when that means making fools of ourselves! Pictured above, the team all got into the Kathakali spirit performing the nine emotions of Kathakali (or eight of them anyway!) prior to a performance by The Kala Chethena Kathakali Company.

Or becoming workshop leaders for a dayto run free activities before family performances, giving families the chance to get creative and make something to take home.

Image: Kala Chethena Kathakali Company

Page 15: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

Case StudiesKat MaleLeading the next generation of arts managers

Kat has been a member of Salisbury Arts Centre’s young creative panel, UpstARTs, for three years. She has become a leading figure in managing and promoting youth events, which has helped her develop some vital skills and enhanced her university applications.

As a member of creative youth panel UpstARTs, Kat has helped to organise a large number of gigs and events for young people, providing them with opportunities to perform in public. These range from regular open mic nights to an annual youth arts festival at Salisbury Arts Centre.

Through UpstARTs activities Kat has gained vital experience in managing and promoting events, including hands on experience of backstage practice for live music gigs. In 2014 UpstARTs planned, developed and programmed a large scale youth gig at Salisbury Cathedral which Kat described as a “huge, amazing experience”. As well as being part of the steering group behind the planning and programming of the event, Kat acted as Stage Manager for professional acts and a number of local bands.

The work Kat has done at Salisbury Arts Centre has significantly improved her CV and added a lot of weight to her university applications. As well as specific industry experience, being part of UpstARTs has helped Kat developed a range of other career skills, such as people management, marketing and communication.

“Being part of UpstARTs has improved my confidence”

On finishing school this year, Kat will be taking a gap year to continue working with UpstARTs before fulfilling her ambition to study Music Industry Management. Being part of Salisbury Arts Centre’s young creative panel has helped her realise her passion and talents, providing her with solid foundations for a future career in the creative industries.

Working with Young PeopleAt Salisbury Arts Centre, we mostly just want young people to have fun and try new things. However, we also realise that for some young people professional involvement in the arts will be their future. The following case studies are just two examples of young people we’ve worked with who are beginning bright futures in the arts.

Image: Hijack All Dayer

Page 16: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

“Salisbury Arts Centre gave me film and directing experience that school didn’t offer”

Ellie RogersA filmmaker with a bright future ahead

Ellie Rogers took an active involvement in Salisbury Arts Centre film projects as a local teenager, helping her to secure a place studying Film Production at Arts University Bournemouth. As a graduate, she now works as an editor and director on community film projects with Salisbury Arts Centre’s Outreach department.

As a teenager Ellie regularly entered Salisbury Arts Centre’s annual film competition, 48 Hour Shootout, creating short films in 48 hours as part of a group. She won the Preloader film competition in 2009 after directing a music video. She also got involved with Salisbury Arts Centre’s youth group Hijack and worked as Assistant Director for Summer Stage.

Her involvement with Salisbury Arts Centre gave her opportunities to meet and work with other filmmakers and to showcase her own work.

“Salisbury Arts Centre gave me film and directing experience that school didn’t offer”

Ellie specialised in directing during her university studies, but also has a passion for editing. After a recommendation from a lecturer, Ellie worked with Salisbury Arts Centre at Larmer Tree Festival during summer breaks from university as an onsite editor for the Media Dreamspace Tent, which led to further work.

Having now graduated with a first class degree, Ellie continues to work with the Arts Centre on a number of film projects as paid work, such as editing for the community integration project In Our Place and working as a director for the Old Sarum area film project. She takes pride in seeing a new generation of young people develop confidence through Salisbury Arts Centre’s Outreach programme.

“Projects like this give me the chance to be involved with the entire creative process”

While her fellow graduates are struggling to find industry work, connections made through Salisbury Arts Centre have proved extremely beneficial to Ellie, helping her sustain a life in London as a filmmaker. Her graduation film Lou and Henry is currently being screened at film festivals including the London Short Film Festival.

“I’m extremely fortunate to be doing this work”

Page 17: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

It was all made possible by:• 17 full time equivalent staff plus a pool of casual staff• Over 100 freelance professional artists & workshop leaders• 41 regular volunteers • 18 young people on work experience placementsNot to mention our lovely audience members and funders and rather a lot of cake from the cafe to keep our energy levels up!

our peopleWhen we ask people what words they most associate with Salisbury Arts Centre the one that nearly always comes up is “friendly”. That wouldn’t be possible without a team of individuals who genuinely care about the arts and the community.

We would like to say a big thank you to everyone who works at (or has worked at) Salisbury Arts Centre. We’re really proud of every single one of you.

Board MembersKate Barker (chair from Dec 13), Frances Chinemana, Gini Churchill, Michael Cooney, Kate Dalton, Jane Gann, Ian Kirby (vice chair), Ben Occhipinti, Lucy Salisbury, Paul Stephenson, Conolly Tunnard, Rhoddy Voremberg (chair to Dec 13), Peter Williams

Board ObserversCllr Helena McKeown (Wiltshire Council), Cllr Mark Timbrell (Salisbury City Council), Faye Stewart (Arts Council England), Peter Tyas (Wiltshire Council)

Staff TeamSam Adams, Mathew Bawden, Cheryl Bingham, Richard Bingham, Robb Blake, Fiona Cassidy, Ivan Condliffe, Ben Cooper, Ellie Cootes, Becka Davies, Jessy Evans, Melanie Evans, Jess Glover, Mirka Golden-Hann, Stephanie Gunner, Stacey Horler, Crystal Jones, Suzy Kirby, Sara Lock, Chris Lucas, Karen MacDonald, Harvey Mann, Jack Martin, Simon Morris, Esther Nissard, Chris Nicol, Gemma Okell, Mary Pearse, Martin Plimsoll, Emma Reynolds, Rosie Rice, Mike Scott, Chris Silberston, Tom Sneddon, Saam Stapley, Sarah Sheldon, Sophie Wilkinson

Volunteer TeamDaisy Amy, Linder Baker-Beall, Jan Bradford, Susan Carter, Sandra Chivers, Helen Chrome, Miriam Collingwood, Irene Cooney, Mick Cooney, Lynn Dalgety, Paul Dean, Miranda Gallagher, Maddy Galleymore, Jan Going, Mary Gould, Ann Hamilton, Lizzie Harris, Robina Hattersley, June Heron, Ann Houston, Mags Kirby, Kathryn Littlewood, Polly Mason, Carol Ann Mercer, Anna Milne, Peter Mitchell, Viv Moreland, Fiona Nelder, Gillian Paton, Sue Phillips, Jean Pook, Julie Richardson, Anne Roberts, Christine Romano, Angie Street, Simon Thornton, Daphne Török, Sue Tranter, Anne Walker, Tony Webb, Sally Whitehead

Resident ArtistsBig State TheatreHoodwink TheatreMirka Golden-HannTwo Destination Language

Page 18: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

FinancesDuring 2013 / 2014 Salisbury Arts Centre has gathered financial resources from a broad range of sources including earned artistic income, trading income through the catering and bar operation, public funding and other grant income. The principal sources of core revenue funding were Arts Council England (£258,201) and Wiltshire Council (£89,507).

Unrestricted income £720,048Statutory Income 48%Charitable Activity (events & hirings) 30%Trading Income (cafe and bar) 20%Fundraised Income 2%

Unrestricted expenditure £738,058Charitable Activities 82%Trading expenses (catering and bar) 17%Governance costs 1%Fundraising costs 0%

Balance as at 31 March 2014Unrestricted Funds £74,229Designated Funds £9,226Restricted Funds £3,235,204Cash at bank and in hand £136,504

This summary of financial information is provided to give an outline of Salisbury Arts Centre’s financial position in 2013 / 2014. This has been taken from the full annual accounts, which have been audited by Fawcetts Chartered Accountants. A copy of the full annual accounts, trustees report and audit report can be obtained from www.salisburyartscentre.co.uk or by contacting the Arts Centre on 01722 343020.

Statutory income

Charitable activity (events and hirings)

Trading income (café and bar)

Fundraised income

Charitable Activities

Trading Expenses (catering and bar)

Governance Costs

Statutory Income

Charitable Activity (events& hirings)

Trading Income (cafe andbar)

Fundraised Income

Governance costs

Charitable Activities

Trading expenses(catering and bar)

Fundraising costs

Image: Live Lunch featuring The Paper Shades

Page 19: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme

Thank youCore Supporters

Trusts & FoundationsBBC Performing Arts Fund, Community First, Coutts Charitable Trust, Sir Jules Thor Trust

Business MembersAnokaa, Barchester Green Ltd, Batt Broadbent, City Cabs Salisbury, D Phillips Ltd, Fawcetts, Fletcher & Partners, Hugh Davies & Co, Innovate Product Design, Knight Security Solutions, Naim Audio Ltd, Personnel Placements, Sarum Colourview, Salisbury Newspapers, Sambecketts, Sarum College, Signs in Motion Ltd, Traveller’s World (Salisbury), Trinity Photography, Wessex Care, Whitehead Vizard, Solicitors, Wilsons Solicitors LLP

Ms Jen NewmanMrs Madeline EdmondsMrs Gillian LeachMrs Sorrel DaleDr Ros BaverstockMartin PlimsollMrs Caroline RippierMiss Geraldine Fairfax-CholmeleyMrs Renee WilsonSophia Murray-ThreiplandMs Marianne EllisMrs Vanessa PaverPeter WilliamsMr Christopher DonaldsonMrs Heather OlsenMr Edward Long-FoxMs Delphine CookMrs Marian FreemanMrs Carmen GreenleesMr & Mrs Mark Hatt-CookMrs C A WhiteChristine CampbellMrs Judith BossanoDr H BirdMrs Sharon IbbotsonMrs A DowningJanet WatfordMrs Susan KentHelen HoldsworthMr Mark FordMrs R E WilsonJenni DouganDr D GravesKrupa VyaghraMr Barry WilkinsMrs Jean CroftMarian LaceySue WightNorma BellMarlen BlumerMr Chris CarnegyJohn and Val PotterTony BaileyMrs Gwynneth DoranMr & Mrs Leslie & Susan BakerMr Alan HymanAlison Bennett

Ms Ellen WaeckerlinGini ChurchillNath DakinHeather SlaterMs Jane GannMrs Mary Christine RatcliffeMr & Mrs Derek SealeyMr C MacmahonMr & Mrs Bernard & Pat CrosslandVivien KayMr Mick CooneyMr Ian KirbyRhoddy & Susie VorembergMs V DewanPaul StephensonMs Kate DaltonMrs Sarah BrumfittPhillip Ruark-DavisValerie JammetMs Kate BarkerMrs Robina HattersleyMrs Frances ChinemanaMr & Mrs Rhoddy & Susie VorembergMrs Olivia MarchantMr S CookMs Caroline LanyonJames & Sue OkellMrs Sally PeelLady R HawleyRobert FosterSusan BurroughsKeith VineyMr P McSorleyAnthony LeighMr & Mrs Derek PhebyMr & Mrs Sheila WarranderMr Peter SmithMr & Mrs B CookeSally WhyteMr Neville MoodyJill CheatlePauline OliverJan BrianMr R HemmingNick & Sarah Bravery

Susanne WallerDawn WrightMrs Ann KinderMrs Katherine LewisMr Ralph BryderMrs A CarrJM EnglishMiss A M RawsMs Nelly ThelwallGillian HamshawMr Peter MartindaleDr Chris CochraneLady H BennettMr & Mrs Peter CurbishleyGareth and Kate HeathcoteCeri StannahMr & Mrs Neil BeagrieShirley HebbertMrs K MillsAnne Beckwith-SmithAnn GillamDr Helen SuttonMrs Rowena GodwinMr D InglisMrs P PageRoger BattenMr Ken DungateRoger & Mary StephensMr Richard J BradleyMr Conolly TunnardMr Christopher WainMrs Suzie GutteridgeMrs Elizabeth KirbyJill BurnetJill LowMs C CollierDeryck NewlandJune HeronLaura BellHugh AbelAlan CorkillMr J CurryMr C J FosterMr P MasonMr Anthony MillerMr Roger TownsendMs J Whittle

Members

Our final thanks go to our volunteer stewards, artists, supporters, hirers and partners without whom our work would not be possible, and to our audience members and participants who make all the hard work worthwhile.

Image: Magic Doors

Page 20: Audience comment on Feedback Wall · Consistent audience feedback has suggested that improvements to the facilities are now essential to match the quality of our artistic programme