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1 AUGUST–NOVEMBER 2013

AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

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Page 1: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

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Page 2: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

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EXHIBITIONS LA JOLLA

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Page 3: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

3

LOST iN ThE MEMORy PALAcE: JANET cARdiff ANd GEORGE BURES MiLLER

ON vIEw 9/21/13 THROugH 1/12/14 > LA JOLLA

The multimedia artworks of Janet Cardiff and george Bures miller emphasize aural and visual

experiences that transport the viewer to other realms of consciousness. Their work is highly

scripted, meticulously detailed, and often cinematic in scope, breaking down distinctions between

fiction and everyday reality. Through various levels of engagement, the viewer becomes a

participant, either witnessing a phenomenon or becoming immersed in a scenario.

Janet Cardiff began collaborating with fellow Canadian artist and partner george Bures miller in

1995. when Cardiff and miller represented Canada at the 49th venice Biennale with The Paradise

institute (2001), they won both La Biennale di venezia Special Award and the Benesse Prize, which

recognizes artists who “break new artistic ground with an experimental and pioneering spirit.”

They are now among the foremost artists of their generation, and their work has been shown

around the world.

Organized by the Art gallery of Ontario and the vancouver Art gallery, lost in the Memory

Palace is a selected survey that takes as its focus Cardiff and miller’s work from the mid-1990s

to today. Spanning a period from key early pieces such as dark Pool (1995) and The Muriel lake

incident (1999) to recent works including Killing Machine (2007) and experiment in F# Minor

(2013), the exhibition consists of a series of discrete immersive environments.

These installations, all of which have a strong architectural character, are imaginary spaces

where time slows down and is altered, allowing fictional and historical narratives to blend and

merge with the viewer’s own experience and memory. As environments that viewers understand

to be art yet with which they willingly engage both physically and psychically, Cardiff and miller’s

works encourage shifts in consciousness and create uniquely compelling possible worlds.

lost in the Memory Palace: Janet Cardiff and George Bures Miller is organized by the Art gallery of Ontario, in collaboration with the

vancouver Art gallery. Institutional support for mCASd is provided, in part, by the City of San diego Commission for Arts and Culture.

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Page 4: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

4

ScRiPPS ON PROSPEcT: EVOLUTiON Of ViLLA ANd cOTTAGE

ON vIEw 9/21/13 THROugH 1/12/14 > LA JOLLA

On view in Axline Court, this novel collaboration between mCASd and the La Jolla Historical

Society examines the historical evolution of their respective buildings at 700 and 780 Prospect

Street. Constructed within less than a decade of each other at the turn of the twentieth century,

both institutions’ original buildings share an association with the Scripps family—mCASd was Ellen

Browning Scripps’s residence, while wisteria Cottage belonged to her half-sister, Eliza virginia.

They also have an association with modernist architect Irving gill, who designed or remodeled each

of the buildings. This exhibition traces significant changes in the buildings over time, including

architectural additions to mCASd by Robert mosher and Robert venturi, and wisteria Cottage’s

transformation into the Balmer School and later The Nexus and John Cole’s bookstores. Together,

these iconic buildings have remained cultural and educational landmarks, linked with a common

past that reflects the history of the La Jolla community.

scripps on Prospect: evolution of Villa and Cottage is organized by the La Jolla Historical Society and the museum of Contemporary Art San diego.

Institutional support for mCASd is provided, in part, by the City of San diego Commission for Arts and Culture. TO

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Page 5: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

5

dANA MONTLAcK: SEA Of cORTEz

ON vIEw 9/21/13 THROugH 1/12/14 > LA JOLLA

Photographer dana montlack’s richly hued images isolate and abstract biological specimens into

beguiling graphic elements. working with micro lenses, montlack makes the unseen visible in

compositions that convey both specificity and mystery. Her newest body of work directly references

John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week

expedition through the gulf of California with marine biologist Ed Ricketts. Part intertidal taxonomy,

part ecological travelogue, the book considers themes of home, mapping, and environmental

harmony. working collaboratively with the scientists and staff members at uC San diego’s Scripps

Institution of Oceanography and Birch Aquarium, montlack selected and photographed specimens

and charts from the waterways Steinbeck explored. By isolating and layering this source imagery,

drawn from the vast Scripps Oceanographic Collections, montlack crafts a new taxonomy of place.

dana Montlack: sea of Cortez is organized by the museum of Contemporary Art San diego, with thanks to uC San diego Scripps Institute

of Oceanography and Birch Aquarium. Institutional support for mCASd is provided, in part, by the City of San diego Commission for Arts

and Culture.

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Page 6: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

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EXHIBITIONS LA JOLLA

APPROxiMATELy iNfiNiTE UNiVERSE

ON vIEw THROugH 9/1/13 > LA JOLLA

approximately infinite Universe is inspired by science fiction, with its exploration of other possible

worlds, its dislocation of spatial and temporal trajectories, and its challenges to distinctions

between human and alien, self and other. The artists in approximately infinite Universe include

Edgar Arceneaux, Andrea Bowers, matthew Buckingham, Luke Butler, victoria Fu, Chitra ganesh,

desirée Holman, Emre Hüner, Ann Lislegaard, Simone Leigh, yoko Ono, the Otolith group, Jacolby

Satterwhite, Amie Siegel, Cauleen Smith, Kara Tanaka, and Saya woolfalk.

These artists understand art as a vehicle for time travel, employing an array of mediums as

means to move backward and forward through time. They employ ideas and strategies associated

with experimental science fiction writing, such as that of a new wave of science fiction writers who

emerged in the late 1960s and ‘70s, influenced by the social and political movements of that time,

including ursula K. Le guin, Octavia E. Butler, and Samuel R. delany, among others.

approximately infinite Universe is organized by the museum of Contemporary Art San diego and is made possible by generous gifts from the

Cochrane Exhibition Fund, valerie and Harry Cooper, and the LLww Foundation. Institutional support for mCASd is provided, in part, by the

City of San diego Commission for Arts and Culture.

Page 7: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

7

LizA LOU: cOLOR fiELd

On view thrOugh 11/3/13 > DOwntOwn

For twenty years, the glass bead has been Liza Lou’s primary art-making material. Lou

transforms the possibilities of this tiny unit of color and embellishment just as she expands

the meaning of the objects she recreates. Color Field (2010-2013), her newest floor-bound

sculpture, features an expansive prism of color. the gridded rainbow is composed of

uniform lengths of wire, each threaded with a single shade of beads. the sheer expanse of

the piece conveys exuberance, underscored by the work’s bounty: its multitude of colors,

beads, and touch. Pulsing and pixelated, Color Field’s complex mosaic foregrounds its

construction and the network of hands which helped shape it.

Liza Lou: Color Field is organized by the Museum of Contemporary Art San Diego. underwriting support for this exhibition has

been generously provided by iris and Matthew Strauss. institutional support for MCASD is provided, in part, by the City of San

Diego Commission for Arts and Culture.Liz

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Page 8: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

8

EXHIBITIONS dOwNTOwN

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ThE VERy LARGE ARRAy: SAN diEGO/TiJUANA ARTiSTS iN ThE McA cOLLEcTiON

ON vIEw THROugH 10/13/13

Referencing the famous group of immense astronomical radio telescopes in the New mexico

desert, The Very large array nods to the vast spectrum of objects assembled in mCASd’s collec-

tion and to the ability of artists to connect us to something much larger than ourselves. Featuring

more than one hundred artists and representing five decades of collecting, this expansive exhi-

bition of museum acquisitions highlights many of the region’s most beloved and accomplished

artists. with two-dimensional works displayed in a salon-style installation, the white cube space at

the center of the room presents focused, thematic selections, which change seasonally.

In July, mCASd opened a two-person exhibition in the cube, pairing early works by manny Farber

and Faiya Fredman. Juxtaposing Farber’s paintings on collaged paper from the late ‘60s and ‘70s

and Fredman’s mid-1970s works of fleece and sand on canvas, the exhibition considers questions

of process and materiality in the work of two distinctive San diego artists.

The Very large array: san diego/Tijuana artists in the MCa Collection is organized by the museum of Contemporary Art San diego.

Institutional support for mCASd is provided, in part, by the City of San diego Commission for Arts and Culture.

Page 9: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

9

hiTO STEyERL: GUARdSON vIEw THROugH 12/8/13 > dOwNTOwN

Berlin-based filmmaker and writer Hito Steyerl is interested in the proliferation and circulation of

images in our globalized world. She often works with the format of the video essay, combining a

heterogeneous range of material, including interviews, found footage, fictional dramatizations,

pop-music sound tracks, and first-person voiceovers. with her recent piece Guards (2012), Steyerl

turns her attention to the intersection of national security and the security of cultural treasures.

Commissioned by the Art Institute of Chicago, Guards features interviews with museum security

staff who have military and law enforcement backgrounds, including one of mCASd’s own security

services representatives, Ron Hicks. The video follows the officers as they move through the Art

Institute’s galleries, recounting harrowing stories from their law enforcement days. In one scene,

Hicks reenacts a stakeout recalled from his previous career as a Federal Police Officer serving

as part of a Special Reaction Team. He was invited to participate in the project after former Art

Institute of Chicago curator Lisa dorin visited the exhibition Phenomenal at mCASd in 2011 and

the two struck up a conversation.

hito steyerl: Guards is organized by the museum of Contemporary Art San diego, with special thanks to The Art Institute of Chicago.

Institutional support for mCASd is provided, in part, by the City of San diego Commission for Arts and Culture.HIT

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Page 10: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

10

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Page 11: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

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This fall, mCASd will partner with the La Jolla Playhouse for its inaugural without walls (wow)

Festival, happening October 3–6, 2013. This one-of-a-kind festival will showcase events in and

around the Playhouse Theatre district, with performances presented by the Playhouse, mCASd,

and uC San diego’s art departments of Theatre & dance and music. Featuring more than a 20

site-based works by local, national, and international artists, the wow Festival is designed to

break the barriers of traditional theatre and performance.

mCASd will present works by renowned visual and performance artists James Luna, Kate

gilmore, and Jacolby Satterwhite. In a new work commissioned by mCASd, Luna will take up the

iconic image of the American Indian storyteller as a vehicle for his narratives of contemporary

Indian life. The festival will feature a new piece by Kate gilmore, whose work combines

performance and sculpture to explore ideas of feminist struggle, physical labor, slapstick comedy,

and various legacies of twentieth century art. New york-based artist Jacolby Satterwhite, whose

work is also featured in approximately infinite Universe, integrates dance, drawing, video, and

3-d animation to produce fantastical computer-generated worlds and innovative performances

that explore memory and desire. Satterwhite performs in concert with his videos, wearing

elaborate multimedia costumes. As the first of what will be a biennial event, the wow Festival

will shine a national spotlight on San diego, bringing an innovative, outdoor artistic event to a

burgeoning arts city. visit www.mcasd.org for more information.

The la Jolla Playhouse Without Walls Festival is supported in part by The James irvine Foundation, The national endowment for the

arts, and donornation.

WoW fESTiVAL

Thursday Night Thing (TNT) heads north! mCASd will

help launch this fall’s wow Festival with our signature

art and music mash-up event on Thursday, October 3.

TNT is typically held three times each year at mCASd

downtown, but we will stage a special version at the La

Jolla Playhouse campus, bringing artist talks and perfor-

mances, live music and more, all inspired by the festival.

On November 14, TNT heads back downtown to

celebrate the opening of an exhibition by mike Berg

and more. Join us for art tours, art-making activities,

live music on the North Plaza, and tasty cocktails.

TNT x2mark your calendar

for two TNTs this fall

Page 12: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

BACK TO SCHOOL

12

BAcK TO SchOOL dOESN’T NEcESSARiLy MEAN BAcK TO ThE cLASSROOM.

This summer we’re gearing up for a new academic year

with yOu in mind. Be prepared to explore contemporary

art through tours in the galleries, take part in an art

history seminar course, or learn how you or someone

you know can become a teen advisor or an intern.

make use of the museum as an extended classroom! Ru

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Page 13: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

BACK TO SCHOOL

Are you a lifelong learner? whether you’re a novice

or a contemporary art connoisseur, Sessions in

Contemporary Art will nurture your art interest and

knowledge on many levels. This four-part, seminar-

style art course, led by mCASd’s Chief Curator

Kathryn Kanjo and Associate Curator Jill dawsey,

will explore the work of John Baldessari, Ellsworth

Kelly, Agnes martin, martha Rosler, Eleanor Antin,

and many others. The class will review significant

art movements from the 1950s to the present and

investigate the seminal ideas of Conceptual Art,

the emergence of video art, multimedia practices,

performance art, the influence of identity politics

on art, and the rise of a global art scene. Sign up

now at www.mcasd.org to guarantee your spot.

TuESdAy, OCTOBER 29 > 5-6 Pm> BREAKINg wITH THE PAST:

ART AFTER ABSTRACT EXPRESSIONISm

TuESdAy, NOvEmBER 5 > 5-6 Pm> THE OBJECT uNFRAmEd:

wORKS FROm THE 1970S

TuESdAy, NOvEmBER 12 > 5-6 Pm > APPROPRIATION, PICTuRES, ANd

PLuRALISm: THE 1980s RECONSIdEREd

TuESdAy, NOvEmBER 19 > 5-6 Pm > NEw STORyTELLINg:

ART IN THE NEw mILLENNIum

TUiTiON fOR fOUR SESSiONS:

mEmBERS $200; NON-mEmBERS $320

ThiS SEMESTER’S SchEdULE

SESSiONS iN cONTEMPORARy ART

13

Page 14: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

14

BOOK A TOURExplore contemporary art through lively conversations and

hands-on experiences. with a wide range of tour experiences

to serve the public, grades 6–12, higher education students,

community groups, and adult groups, mCASd offers all ages

the opportunity to continue learning. visit mCASd.org/learn

to book a tour.

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15

BACK TO SCHOOL

LOOK/exPLOre tOurS

are hour-long, student-centered dialogues

in which students gain a greater under-

standing of the works on view through

visual inquiry and in-gallery activities.

ArtLAb wOrKShOPS

build on the Look/Explore Tour with an

additional hour of hands-on art-making in

which students further explore process

and materials.

SeLF-guiDeD tOurS

give higher education professors and

instructors the ability to reserve space for

their class to visit the museum as a group.

FOCuS tOurS

are one-hour, dialogue-based tours for

adults and higher education groups focused

on one of the museum’s special exhibitions.

BOOK A TOuR By vISITINg mCASd.ORg/LEARN.Th

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16

TOURS MAKE A diffERENcETeacher vernon Ng and his

students explain why.

what did you get out of your visit to MCASD?

“I don’t see museums as just paintings anymore—

art can be anything that people make or think

about. I feel like the museum is a more comfortable

spot for me to visit now.” —Khadji, student

why is it important to visit museums as part of

your school curriculum?

“visiting the museum is more hands-on and

visual. we get to see the direct artifacts and

connect them with what we’re learning in

the classroom. Altogether, you get a better

understanding of what you’re learning when

you visit the museum.” —Anna, student

what was the best thing about your tour at

MCASD?

“The ability to tailor our visits and emphasize

certain exhibitions, themes and works of art.

Also, it was incredible to work with the museum

educators, many of whom are practicing artists

themselves.” —vernon Ng, High Tech High

Chula vista teacher

16

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BACK TO SCHOOL

TEEN AdViSORy GROUP (TAG)

The Teen Advisory group is at the core of the

mCASd teen programs. Composed of many

diverse teens representing high schools from

across San diego, TAg meets regularly at the

museum to explore contemporary art in the

galleries. TAg imagines, develops, and realizes

a project designed to reach the wider teen

audience by advising the museum’s Education

team on how to better engage with teens.

The application for the 2013–2014 Teen

Advisory group will be available in late August.

visit mcasd.org/learn/25-and-under and submit

your application by monday, September 23,

2013 to be considered for the program.

BEcOME AN iNTERN!mCASd’s internship program offers for-credit

educational opportunities to high school, under-

graduate, and graduate students. Interns may

learn skills in marketing and communications,

educational curriculum development, and cura-

torial research. visit http://www.mcasd.org/

about/internship-opportunities to learn more.

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Arthur DAntO, whAt Art iS

yale university Press: $24

danto has always been an engrossing read, his

art writing heavily informed by philosophy but

not weighed down by it. This new book distills

many of his key themes into one small volume.

It pinpoints why he still thinks Warhol’s Brillo

Boxes are the key works of our time.

veStA MOniCA herreriAS AnD PAbLO

Ortiz MOnASteriO, MexiCAn POrtrAitS

Aperture/Fundacion televisa: $85

Its format is very large, the printing of

photographs terrific. The range of artists is

generous, almost symphonic, from photo-

essayists to studio portraitists to conceptualists.

many of the chosen images are indelible, the

design of the pages elegant.

yOUR REcOMMENdEd REAdiNG LiST By ROBERT PiNcUS

“Here are a few new titles that have attracted my attention—

all for different reasons, but all for good reason.”

BACK TO SCHOOL

LizA LOu, DurbAn DiArieS

D.A.P./white Cube: $30

Liza Lou’s remarkable beaded Kitchen,

completed in San diego in 1995, launched her

celebrated career. She has spent much of the

past eight years in durban, South Africa, and

her writing sensitively chronicles her working

life involving local artisans. This humble looking

book also includes reproductions of compelling

wall works.

ROBERT L. PiNcUS iS ThE fORMER San Diego

Union-TribUne ART cRiTic, cURRENT McASd

SENiOR GRANTS ANd ART WRiTER, ANd

ALL-AROUNd BOOK fANATic.

ALL BOOKS ARE AVAiLABLE AT ThE x STORE

iN LA JOLLA.

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18

The museum has seen an impressive amount

of change over the past few decades, but one

thing that has remained a fortunate constant:

the leadership of Hugh davies, who celebrates

his 30th anniversary as The david C. Copley

director and CEO this fall.

davies’ accomplishments are many, but

among the most significant are expanding the

museum’s locations and audiences, growing

its endowment dramatically, and increasing its

holdings, with a strong focus on Latin American

artists and the Light and Space movement.

In 1983, when davies first came on board

after serving as founding director of the

university gallery at the university of

massachusetts, Amherst, the museum occupied

10,000 square feet and was called the La Jolla

museum of Contemporary Art.

After three major capital efforts (the down-

town venue at 1001 Kettner Blvd./America

Plaza in 1993; the expansion and renovation of

mCASd La Jolla by Robert venturi and denise

Scott Brown in 1996; and the opening of the

Richard gluckman-designed Jacobs and Copley

Buildings at mCASd downtown/1100 Kettner

Blvd. in 2007), mCASd now boasts nearly

32,000 square feet of gallery space across

three buildings at its two campuses.

during davies’ tenure, mCASd has grown

dramatically in earned and contributed income,

endowment, membership, attendance, and

international stature, and has developed a

strong binational presence.

while a Latin American focus is a relatively

recent phenomenon for many contemporary

art museums, davies has been engaging with

Tijuana artists and mexican border projects

for more than two decades. la Frontera/The

Border: art about the Mexico/United states

Border experience was a groundbreaking effort

organized in 1993, in collaboration with Balboa

Park’s Centro Cultural de la Raza. The critically

acclaimed 2000 exhibition, Ultra Baroque:

aspects of Post latin american art, challenged

misperceptions about art of this hemisphere.

Remarkably, about half of the works in the

2006 show strange new World: art and design

from Tijuana are in the museum’s permanent

collection. more recent exhibitions with a bina-

tional focus include last summer’s santa ana

Condition: John Valadez, the first retrospec-

tive of this important mexican American artist,

and the major permanent collection show

now on view downtown, The Very large array:

san diego/Tijuana artists in the MCa Collection.

while Latin America has been a focus, davies

is perhaps even better known for rounding

out the museum’s collection of Light and

Space works—arguably, the most significant

and influential “school” of art the west Coast

has produced to date—a fact the 2010 show

Phenomenal: California light, space, surface

helped make more publicly known. more than

40 percent of the works in that highly lauded

exhibition came from the museum’s collection.

The collection now numbers more than

4,300 works, and in the past two decades

mCASd has produced four major catalogues

devoted to portions of its holdings.

Looking forward, davies’ plans to develop

an exhibition considering recent manifesta-

tions of Latin American art, focusing on a

STAyiNG POWERmCASd Celebrates Three decades with Hugh davies at the Helm

NEwS

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multi-national group exhibition that embraces a

spectrum of important work from Latin America.

davies envisions more institutional partner-

ships, and anticipates celebrating the museum’s

75th anniversary in 2015—the same year as

the Balboa Park Centennial. davies plans to

leverage these two milestones to help elevate

San diego’s stature as a visual art city to a

national/international audience.

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MONTE cARLO: A NiGhT AT LES cAVES

SATuRdAy, SEPTEmBER 7 > LA JOLLA

6:30 Pm > COCKTAILS

8 Pm > dINNER

9:30 Pm > THE AFTER PARTy

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mONTE CARLO

MONTE cARLO: A NiGhT AT LES cAVESSEPTEMBER 7, 2013

This year’s gala promises to be an unforget-

table evening. guests will be whisked away

to Saint-Tropez, the exotic playground of the

jet set. Think sparkling azure sea, vibrant and

alluring night life, and decadent epicurean

delights that epitomize the French Riviera.

Sonia and gavin mandelbaum are the 2013 monte Carlo event chairs.

Sonia is a member of mCASd’s Board of Trustees and former arts

administrator at the New york Pops and The Los Angeles County

museum of Art.

ThE SiGhTS“Artist Kelsey Brookes is serving as this year’s Art Ambassador.

Known for his brilliant and dynamic works that have propelled him

to rock star status, Kelsey is the perfect person to craft the artistic

vision for the night. we’re excited to bring Kelsey’s work to life in the

context of monte Carlo.”

ThE SOUNdS“Tom deLonge of Blink 182 and his wife Jen deLonge are co-chairing

the After Party. This gala is famous for the After Party and the

deLonge duo promises to make this year’s the best yet with charity

gambling, dancing, a late-night band performance, and of course,

music curated by Tom and Jen.”

ThE ScENE“A lavish al fresco dinner under the stars (prepared by chefs Ryan

Johnston of whisknladle, giuseppe Ciuffa of giuseppe Restaurants

and Fine Catering, and michele Coulon of michele Coulon dessertier)

followed by a night in the hottest club in Saint-Tropez. It doesn’t get

any more elegant and exotic than the south of France.”

—Sonia mandelbaum, monte Carlo Chair

get your tickets now at www.mcasd.org/specialevents.

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ARTiST SPOTLiGhT: LizA LOU Liza Lou’s newest large-scale installation

Color Field opened at mCASd in July.

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23

ARTIST SPOTLIgHT

But to realize her vision of even one beaded

room had been arduous, Lou admitted.

“There were daunting hurdles along the way,”

she said. “How do you live and do this?, I asked

myself. How does any artist make a huge work

of art? yet I never thought I wouldn’t do it.”

This mix of inspired vision and tenacity has

persisted through a procession of remarkable

projects. Setting up a large studio in South

Africa in 2005 is an example of that sense

of determination. Pushing herself to emulate

their expert beadwork became an ambition. So,

too, does continuing to work on a grand scale,

as she has done with Color Field—“my largest

sculpture to date,” she tells me. Its 10,000-plus

strands of steel threaded with glass beads are

the product of her work with zulu artisans in

South Africa. They were installed blade by blade

here with the help of volunteers. It is her first

solo exhibition in a local museum, though she

showed her american Presidents series at Quint

Contemporary Art in 1996 and at the California

Center for the Arts museum in 1997.

She writes movingly about her years in South

Africa in her recent book, durban diaries. Lou

makes it clear how much she benefits from

the artisans’ skills, and she has provided jobs

in durban (in the province of Kwazulu-Natal),

where unemployment is shockingly high. It also

becomes evident that the bonds with these

women are deeper than simply professional

ones—for her and for them.

The year was 1995. I can’t quite recall how I

found out about Liza Lou and her remarkable

Kitchen. I only know, in retrospect, it was an

extremely wise decision to accept an invitation

to see it.

I really wasn’t prepared for what I saw in

her downtown San diego studio. you never

are when it comes to a first encounter with an

unforgettable work of art.

She had literally beaded the surface of a full

scale kitchen interior, including a table, plates,

saucers, and cutlery. There was beaded water in

the sink and a beaded “linoleum” floor too. But

beyond this feat was the careful attention to

design and detail: exaggerated wood grain, an

argyle-like tile pattern on the walls, and colorful

dust balls in the dust pan.

Her work was one of the most delightful

discoveries I have made during my years as a

critic in San diego. I may have been the first

person to write about her at length, both in

the Union-Tribune and in a first exhibition

catalog, but the Kitchen propelled her quickly

and deservedly to wider renown. She showed

her Kitchen at the New museum in New york

in 1996, and by 2002 had garnered a “genius”

grant from the macArthur Foundation. (She

moved to Los Angeles in 1997 and still resides

there part of the year.)

Lou wasn’t planning to exhibit locally at

the time, but I knew I had to write about her.

my interview with her was great fun; she is a

witty, funny, and forthright conversationalist.

“what I especially like,” she said back then,

“is that at the end of my life I will have created

an entire world.”

LizA LOU: cOLOR fiELd

ON vIEw THROugH 11/3/2013

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NEwS

MATThEW STRAUSS: NEW BOARd PRESidENT

we are pleased to announce the recent appointment of matthew

Strauss as our new mCASd Board President. with a distinguished

commitment to the art world, matthew Strauss and his wife, Iris,

have made profound contributions to San diego’s art community.

Passionate collectors, the Strauss’ collection recently made

the list as one of the Top 200 in the world as profiled by ArtNews.

Their impressive collection, which includes some of the biggest

names in modern and contemporary art, was recently featured in

Game Changer: new Media and Multiples From the Matthew and

iris strauss Family Foundation. we are honored and humbled by

matthew Strauss’s commitment to mCASd, and we look forward

to the next era working under his leadership.

TOP ROw FROm LEFT: RICHARd mARSHALL, mARy KEOugH LymAN, dAvId guSS, NANCy BROwAR, vALERIE COOPER, JOHN IPPOLITO, JAmES ROBBINS. SECONd ROw FROm LEFT: LINNEA ARRINgTON, mARgARET JACKSON, CHARLES g. COCHRANE m.d., NORA SARgENT, mARyANNE C. PFISTER, JOyCE STRAuSS, mELISSA gARFIELd BARTELL, BARBARA BLOOm, PAuLINE FOSTER, BARBARA ARLEdgE, HugH m. dAvIES. BOTTOm ROw FROm LEFT: mATTHEw STRAuSS, CAROLyN P. FARRIS, COLETTE CARSON ROySTON, dR. CAROL RANdOLPH, gAd SHAANAN, dR. mARy F. BERgLuNd. NOT PICTuREd: HOLLy BRuCE, RONALd L. BuSICK, CHRISTOPHER CALKINS, ISABEL COPPEL, KAREN FOX, gAIL KNOX, SAmI LAdEKI, SONIA mANdELBAum, gARNA muLLER, SHERyL wHITE, BRENT wOOdS.

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ON ThE ROAd santa ana Condition: John Valadez

John valadez is widely considered the most significant artist to have developed a realist pictorial

language recording the Chicano experience in Los Angeles during the ‘70s, ‘80s, and ‘90s. Last summer

we proudly presented santa ana Condition: John Valadez, the first survey exhibition of this important

mexican-American artist and muralist whose work has come to define the iconography of Chicano

identity of the period. The exhibition spanned 35 years of valadez’s photographs, paintings, pastels,

and other works on paper.

we’re pleased to see this groundbreaking exhibition travel to the National museum of mexican Art

in Chicago, one of the premier repositories for mexican art in the nation. The exhibition will remain on

view through August 11, 2013. After its stint in Chicago, the exhibition will travel to the vincent Price

Art museum in East Los Angeles, where it can be seen from September 21 to december 8, 2013.

MASON PhELPS (1925–2013)

On April 13, 2013, we lost a wonderful friend. mason Phelps was a

prominent member of the mCASd Board of Trustees for more than

twenty-four years. His service to the museum included a term as board

president (1992–93), chairman of the Architecture Committee during

the Robert venturi expansion (1994–96), and chair of the Building

Committee for the Jacobs and Copley Buildings at mCASd downtown.

In addition to mason’s commitment to the board, he was a long-time member of International

Collectors, a group that supports the museum’s operations and annual exhibitions, and part of the

Axline Society, a community of donors with planned gifts to the museum.

Throughout his twenty-seven-year friendship to mCASd, mason generously gifted over $1 million to

support arts education, accessions, and, in particular, the expansion of the museum, both in La Jolla

and downtown. mason’s passion for contemporary art is illustrated through his unwavering support as

well as his distinguished personal collection. Over the years, mason donated numerous dynamic works

of art to the museum’s permanent collection, including several by San diego artist Jay Johnson.

mason Phelps has made a lasting impression on mCASd, and he will be greatly missed.

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mEmBERS

uPPer-LeveL FieLD triP: LOS AngeLeS

> SEPTEmBER 30, 2013

members at the Avant garde level and above

are invited to experience the vibrant diversity

of artwork represented in the “City of Angels”

with a day trip led by mCASd Associate Curator

Jill dawsey. Explore LACmA’s retrospective of

James Turrell’s masterful works, stop by the

studio of a locally-based artist, lunch at one of

the city’s hot spots, and and enjoy an exclusive

private collection visit at the Los Angeles home

of Karen Fox and Harvey Ruben. Reserve your

spot or learn more about our Field Trip program

by contacting April Farrell at 858 454 3541 x162

or [email protected]. Cost is $175 per person.

internAtiOnAL COLLeCtOrS Art tOur:

beLgiuM AnD PAriS > OCTOBER 17–25, 2013

mCASd’s International Collectors have explored

some of the most significant global art destina-

tions through the years, and our fall 2013 trip to

Brussels, Antwerp, ghent, and Paris is sure to top

them all. Hugh m. davies, The david C. Copley

director & CEO, and Chief Curator Kathryn Kanjo

will lead the group as they delve into the art and

culture of these historic destinations. Brussels is

on the forefront of the contemporary art scene,

and travelers will discover the varied studios

of artists Hans Op de Beeck, Luc Tuymans,

and michel Francois, take in the remarkable

private collections of mark vanmoerkerke and

walter vanhaerents, explore the famous ghent

Altarpiece in St. Bavo Cathedral, and enjoy

special receptions at Antwerp’s S.m.A.K. and the

Barbara gladstone gallery in Brussels.

Our group will then take the Thalys high

speed train to Paris, where they’ll explore the

renowned FIAC (Art Fair), take in the historic

musée d’Orsay and Pompidou Center, stop by

the Palais Royal to see daniel Burens’s instal-

lation Les deux Plateaux of 1986, experience

the studios of artists Jean michel Othoniel and

Xavier veilhan, and revel in the beauty and

romance of this iconic city.

Reserve your spot or learn more about our

Collectors Circle travel program by contacting

Heather Cook at 858 454 3541 x165 or

[email protected]. dE

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mEmBERS

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yeAr’S SuMMer SOLStiCe SOiree?

“we loved the intimate setting of the dinner and

to be able to connect personally with the artists

and mCASd staff.”

—viveca Bissonnette, Summer Solstice Co-Chair

“The dinner provided the opportunity to meet

other members in a more intimate setting.”

—monique Konovalov

“I enjoyed the diversity of the guests—meaning

not just the usual museum members but,

people from other industries. In this case it was

interior designers, architects, etc...it was very

refreshing to see people who do “applied arts”

for their daily jobs.”

—Beatriz zayas

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ViEW WiNS 1ST PRizE iN AAM dESiGN cOMPETiTiON

mCASd is pleased to announce the vIEw member magazine

won 1st prize in the American Alliance of museums’ 2013

museum Publications design Competition. This award was

given for the redesign of vIEw, which debuted in december

2012. Being a visual arts organization, design plays a major

role in shaping the institution and communicating who we

are. we’re honored to have our publication selected for this

prestigious award by our peers.

27

1

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13

DiD yOu LeArn Anything FrOM An ArtiSt

During the event?

“It was wonderful to speak to them about

their lives and artistic process. It was more

in-depth and personal than just learning about

the specific pieces they were showing in the

exhibition.”

—viveca Bissonnette, Summer Solstice Co-Chair

we were given a dazzling tour of [former artist-

in-residence] Brian dick’s studio.”

—monique Konovalov

“I got to know artist david Avalos and learn

more about the art projects and political

movements he was involved in. Kudos to you for

including artists!”

—Beatriz zayas

SUMMER SOLSTicE SOiREE REcAP

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28

BAcK TO SchOOL ShOPPiNGwhether you’re going back to school

or just back to the office, we’ve

got everything you need to keep it

all organized. These supplies will

put you in a class all your own.

THE X STORE

> MAGNETic STONE SET

Regular $45/ members $40.05

> PANTONE NOTEBOOKS

Regular $9–$16 / members

$8.10–$14.40

Page 29: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

29

PuRCHASE THESE PROduCTS IN THE X STORE IN LA JOLLA

OR ONLINE AT mCASd.ORg/STORE.

> REcycLEd LEAThER fOLdERS

Regular $9.50–$22.50 / members $8.55–$20.25

> STicKy BOOKMARK PAd

Regular $6.50/ members $5.85

> MESSAGE iN A BOTTLE 4GB fLASh dRiVE

Regular $28/ members $25.20

Page 30: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

30

THANK yOu TO OuR dONORS

21ST CENTuRy CAmPAIgN dONORS

FOuNdERS$3,000,000 ANd ABOvEJOAN ANd IRwIN JACOBSdAvId C. COPLEyCAROLyN P. FARRISCATELLuS, A PROLOgIS COmPANy

dISTINguISHEd BENEFACTORS$1,000,000–$2,999,999THE ANNENBERg FOuNdATIONSuE K. ANd dR. CHARLES C.

EdwARdSdR. PETER C. FARRELL THE ALBATROSS FOuNdATIONmARy ANd JAmES BERgLuNdJAKE ANd J. TOdd FIgIPAuLINE ANd STANLEy FOSTERRuTH ANd muRRAy A. gRIBINSTEPHEN wARREN mILES ANd

mARILyN ROSS mILES FOuNdATION

KATHERINE ANd mANSFIELd mILLSmARyANNE ANd IRwIN PFISTERdR. ANd mRS. KuRT E. SHuLERIRIS ANd mATTHEw STRAuSS

PATRONS$500,000–$999,999COLETTE CARSON ROySTON ANd

dR. IvOR ROySTONdRS. STACy ANd PAuL JACOBSTHE KRESgE FOuNdATIONHELEN K. COPLEyJAmES S. COPLEy FOuNdATIONROBERT ANd LOuISE HARPER

NATIONAL ENdOwmENT FOR THE HumANITIES

ELIzABETH ANd mASON PHELPS

BENEFACTORS$250,000–$499,999BETLACH FAmILy FOuNdATIONNATIONAL ENdOwmENT FOR

THE ARTSROBIN ANd gERALd PARSKyQuALCOmmSHERyL ANd HARvEy wHITE

CONTRIBuTORS$100,000–$249,999BARBARA ANd CHARLES ARLEdgELINNEA ANd FRANK ARRINgTONBARBARA BLOOm FuNdNANCy ANd mATT BROwARdIANE ANd CHRISTOPHER

CALKINSdR. CHARLES g. ANd

mONICA H. COCHRANECOuNTy OF SAN dIEgO,

3Rd dISTRICT SuPERvISOR PAm SLATER-PRICE

COuNTy OF SAN dIEgO, 4TH dISTRICT SuPERvISOR RON ROBERTS

dANAH H. FAymANdAvId guSS FAmILyJudITH C. HARRIS ANd

ROBERT SINgER, m.d.THE JAmES IRvINE FOuNdATIONIN mEmORy OF IRENE R.

JELLINEKARTHuR ANd SANdRA LEvINSONmARy KEOugH LymANJOSEPHINE R. mACCONNELLPATSy ANd dAvId mARINOAmELIA ANd KENNETH mORRISTHE PARKER FOuNdATIONFRITz ANd NORA SARgENTSELTzER CAPLAN mCmAHON

vITEKIN mEmORy OF dOROTHy

mITCHELL SHAPIROJOyCE ANd TEd STRAuSSJOHN m. ANd SALLy B.

THORNTON FOuNdATIONuBSgILdA ANd vICTOR vILAPLANAJO ANd HOwARd wEINER

mCASd ANNuAL FuNd dONORS

INdIvIduAL dONORS$100,000 and aboveAnonymousColette Carson and

dr. Ivor Royston Carolyn P. FarrisPauline FosterFaye HunterJoan and Irwin Jacobs drs. Stacy and Paul JacobsThe mark & Hilarie moore

Family TrustIris and matthew Strauss The Sheryl and Harvey white

Foundation

$50,000–$99,999 maryanne and Irwin Pfister

$25,000–$49,999 Barbara and Charles Arledgemelissa garfield Bartell and

michael Bartellmary and James BerglundBarbara Bloom FundHolly mcgrath Bruce and

david Brucevalerie and Harry Coopermrs. Sue K. Edwards

$10,000–$24,999 AnonymousAnonymous Fund at the

San diego FoundationLisa and Steve AltmanFrank and Linnea Arringtonwendy and Bill Brodymatt and Nancy Browarmrs. Lee Clark and Jerry Pikolysky

d.d.S.

dr. Charles g. Cochrane and monica H. Cochrane

donald and Karen CohnIsabel and Agustín CoppelOlivia and Peter FarrellKaren Foxmilton Fredman Familywilliam georgis and

Richard marshallHelene and george gouldmargaret Jackson and

Neil Hadfielddebby and Hal JacobsSheri and dr. Stuart JamiesonJeanne Jones and

don BreitenbergLeon and Sofia Kasselgail and george KnoxSharon and Sami LadekiTami and michael LangSonia Kassel mandelbaum and

gavin mandelbaumPatsy and david marinogarna g. mullerCatherine and Bob PalmerRobin and gerald ParskyRobert Caplan and

dr. Carol RandolphNora and Fritz SargentSuzan and gad ShaananPatsy ShumwayJoyce and Ted StraussElizabeth and Joseph TaftThe John m. and Sally B. Thornton

Foundation

$5,000–$9,999 AnonymousRusti Bartellviveca Bissonnette and

Jeff HollanderCarolin BotzenhardtCathy and Ron BusickTrulette Clayes and Jeff PartrickJudge Jonathan T. ColbyRenée Comeau and Terry guldendr. and mrs. william T. Comerdesign Institute of San diegoThe dillon Funddan and Phyllis EpsteinLisette and michael FarrellElaine galinsondr. Seuss Fund at the San diego

FoundationLynda and Richard Kerrdr. warren and Karen KesslerFraeda and Bill Kopmangary S. LevineJay and Jennifer LevittLeanne Hull macdougallStephen warren miles and

marilyn Ross miles FoundationStephen miles Jr.Nicole montoyaRebecca mooresScott H. Peters and

Lynn E. gorguzeCele and Justin Renaudin

James K. RobbinsClifford Schireson and

John venekampSteven m. Strauss and

Lise N. wilsonvera and Brian Sweeneydonald and Linda Swortwooddr. marie Tartar and

dr. Steve EilenbergJose m. TasendeTamara StraussNancy B. TiekenErika and dr. Fred TorriKim and Erik Tyrrell-KnottJo and Howard weinerdr. Emad and mrs. may zawaidehHelene and Allan zimanEmma & Leo zuckerman

$1,500–$4,999 Joan and Jeremy Bergdiane and Christopher Calkinsmary E. CollinsOvie Cowling and danny KellyRachel and Spencer douglassSusanna and michael FlasterRocio and michael FlynnInge Johansen and Robert gagnonCarol and Lawrence gartnerJennifer and Richard greenfielddennis KernLewis and marnie Kleingary Koerper and Tiffany Archermichael Krichmandr. and mrs. James E. LasryJames LevineKen LittleElspeth and Jim myermr. and mrs. Phil NapierskieRosalie and william O’Brienviviana and Charles Polinskydr. J. Harley QuintTina SimnerAnne and Ronald SimonElene and Herbert Solomonmichael R. Somin, FAIALorna york

$600–$1,499 Sandro Albertimr. Teri Evonsmalgorzata and Ray FreiwirthKelly gartonRichard L. gomez, m.d.michael & Jennifer KagnoffLewis and marnie KleinJennifer LuceEdie NehlsEric H. NguyenChristopher Nielsen and

Paula m.d. FitzgeraldPaul and magdalena Ecke

Poinsettia FoundationPaul and Stephanie StrongIrving and Arlene TashlickSylvia and Aaron wechter

Page 31: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

31

$300–$599 Robert E. Ashermr. and mrs. michael P. BatterJohn david Bukrygeorge & mary CoryAriel R. Cowendaniel defenbaugh and

debbie LiaoPauline Fosterdoreann and Steve gibsonRobert grazianoJoshua d. gruenbergNicole HadfieldJon HammerChris and Eloisa HaudenschildTrey Idekergrace Kangdr. warren and Karen Kesslerwilliam and marryanne KuhnertKelly Larrabeedr. and mrs. Elliott C. Lassermr. and mrs. J. gerald LipschitzNina macConnel and Tom Chinogerry mcAllisterdennis A. mcConnellJudith and Alex mcdonaldRose E. merinoJennifer Nelson and John dineenElizabeth NolanCatalina and david PreskillJohn m. SeiberEsther ShapiroJoyce Cutler ShawCurt ShermanEsther and Alan SimanJulianne and geoffrey SmithSusan and Richard ulevitchShana van NamenJoan L. warrenIsabelle and mel wassermanJudith and Jack whiteLisa widmier

CORPORATE, FOuNdATION, ANd gOvERNmENT dONORS

$100,000 and Above City of San diego Commission

for Arts and CultureQualcomm Foundation

$50,000–$99,999 J. Paul getty TrustThe Andy warhol Foundation

for the visual Arts

$25,000–$49,999 Christie’sCounty of San diegoNational Endowment for the ArtsNorthern Trust Bank

$10,000–$24,999 Cooley LLPLLww Foundationmandell weiss Charitable TrustNordstrom

The Resmed FoundationSan diego FoundationErmenegildo zegna Corporation

$5,000–$9,999KPmg LLP

$1,500–$4,999guCCIThe Arts FederationThe Cynthia and george mitchell

FoundationPrice Family Charitable FundTarget Corporation

$600–$1,499willis Allen Real Estate

$300–$599merck Partnership For giving

IN-KINd SuPPORT

$25,000–$49,999KPBSKSONThe San diego union-Tribune

$10,000–$24,99991XRanch and Coast magazineRiviera magazineSan diego City Beat

$5,000–$9,999Authentic FlavorsCampineCrown Point CateringElegant Events Catering Co.The French gourmetgiuseppe Fine CateringHyatt Regency La Jolla

at AventineLawrance FurniturePeartrees Catering, Inc.RoppongiStone Brewing CompanyTapenadewaters Fine Catering

AT THE $1,500 LEvEL ANd ABOvE, CuRRENT dONORS ARE LISTEd FOR THE PERIOd OF ONE yEAR. AT THE $300–$1,499 LEvEL, CuRRENT dONORS ARE LISTEd ONCE, IN THE ISSuE FOLLOwINg THE dATE OF THE gIFT TO mCASd.

wE mAKE EvERy EFFORT TO BE ACCuRATE. THIS LIST IS CuRRENT AS OF 7/1/13. PLEASE CALL 858 454 3541 X172 IF yOu SHOuLd FINd AN ERROR, OR IF yOu HAvE OTHER INQuIRIES ABOuT mEmBERSHIP.

ViEWAuguSt—nOveMber 2013

mCASd BOARd OF TRuSTEES 2013–2014Barbara ArledgeLinnea Arrington, Secretarymelissa garfield Bartelldr. mary F. BerglundBarbara BloomNancy BrowarHolly BruceRonald L. BusickChristopher Calkinsdr. Charles g. Cochranevalerie CooperIsabel CoppelCarolyn P. FarrisKaren Foxdavid gussJohn Ippolito, vice Presidentmargaret A. Jacksongail KnoxSami Ladekimary Keough Lyman Sonia mandelbaumRichard marshallgarna mullermaryanne Pfister, vice Presidentdr. Carol RandolphJames RobbinsColette Carson Royston, vice PresidentNora d. Sargentgad ShaananJoyce Straussmatthew C. Strauss, PresidentSheryl whiteBrent v. woods, vice President

Sue K. Edwards, Honorary Trusteedanah Fayman, Honorary Trustee

david C. Copley, In memoriammason Phelps, In memorium

dr. Hugh m. davies, The david C. Copley director and CEO

Editor-in-Chief: Leah Straub design director: Kasey ReisContributors: Heather Cook, Jill dawsey, Alli deFrancesco, Kate deuparo, April Farrell, Elizabeth Harker, Kathryn Kanjo, Anne Kindseth, Edie Nehls, Robert Pincus, Cris Scorza, Jenna Jacobs, Shannel Smith, Kathleen wise, Anna-Leigh zinza.

The museum of Contemporary Art San diego, founded in 1941, is a member-supported, private, nonprofit organization dedicated to the collection, exhibition, and interpretation of contemporary art. mCASd, accredited by the Association of museums, is one museum with two locations: La Jolla and downtown San diego. All programs and activities are made possible by generous contributions from mCASd members and many individuals, foundations, corporations, and government agencies.

Institutional support for mCASd is provided by the City of San diego Commission for Arts and Culture.

The Andy Warhol Foundation for the Visual Arts

Page 32: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

change service requested

700 Prospect St. La Jolla, CA 92037-4291

Non-profit Organization

u.S. Postage PAId

Permit Number 3426

San diego, California

Page 33: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

Liza Lou: CoLor FieLd

Through November 3

Lou’s newest, large-scale sculpture was initiated in

Durban and completed with teams of volunteers at

mCASD.

For inFormation 24 hours a day

858 454 3541

www.mcasd.org

mCasd downtown

1100 and 1001 Kettner blvd., San Diego CA 92101

mCasd La JoLLa

700 Prospect Street, La Jolla CA 92037

hours

11 Am – 5 Pm Daily

11 Am – 7 Pm Third Thursday of every month

Closed Wednesday

store

www.mcasd.org/store

museum CaFe

858 456 6427

pubLiC tours La JoLLa and downtown

Weekends at 2 Pm

Third Thursdays at 5 and 6 Pm

admission

mCASD members Free

$10 general

$5 Seniors (age 65+)

Free for military (with ID)

Free for ages 25 & under

Admission valid for 7 days at all mCASD locations.

25 & under free admission supported by

mCASD is accessible to all its visitors.

parking

Free two-hour street parking is available in La Jolla

near the museum. Public garages and two-hour

metered street parking are available near mCASD

Downtown.

eVents CaLendar

saturday, noVember 2

AN ouTSIDe PerSPeCTIve: The ArT AND SCIeNCe

oF The SeA oF CorTez > 1–3 Pm > LA JoLLA

tuesday, noVember 5

SeSSIoNS IN CoNTemPorArY ArT

> The obJeCT uNFrAmeD: WorKS From The 1970s

> 5–6 Pm > LA JoLLA

saturday, noVember 9

ANNuAL DIreCTor’S ChAmPAgNe bruNCh

> 10 Am–12 Pm > LA JoLLA

sunday, noVember 10

FAmILY ArTLAb: SouND TrAveL > 2–4 Pm > LA JoLLA

tuesday, noVember 12

SeSSIoNS IN CoNTemPorArY ArT

> APProPrIATIoN, PICTureS, AND PLurALISm:

The 1980s reCoNSIDereD > 5–6 Pm > LA JoLLA

thursday, noVember 14

TNT: ImmerSe > 7–10 Pm > DoWNToWN

monday, noVember 18

A CurATor’S PerSPeCTIve > 2 Pm > DoWNToWN

tuesday, noVember 19

SeSSIoNS IN CoNTemPorArY ArT

> NeW STorYTeLLINg: ArT IN The NeW mILLeNNIum

> 5–6 Pm > LA JoLLA

thursday, noVember 21

exTeNDeD SChooL PArTNerShIP (eSP) ShoWCASe

> 5–7 Pm > LA JoLLA

thursday, august 1

Shore ThINg: LIve muSIC bY The buLLeTINS

> 5–8 Pm > LA JoLLA

Friday, august 2

LoADINg DoCK LuNCheS > 11:30 Am–1:30 Pm

> DoWNToWN

thursday, august 8

Shore ThINg: SCreeNINg oF SanS Soleil

(1983) bY ChrIS mArKer > 6:15 Pm > LA JoLLA

thursday, august 15

Shore ThINg > 5–8 Pm > LA JoLLA

thursday, august 22

Shore ThINg: SCreeNINg oF 2001: a Space

odySSey (1968) bY STANLeY KubrICK > 6:15 Pm

> LA JoLLA

sunday, august 25

FAmILY ArTLAb: CoLor PALeTTe

> 11:30 Am–2 Pm > DoWNToWN

thursday, august 29

Shore ThINg > 5–8 Pm > LA JoLLA

saturday, september 7

moNTe CArLo: A NIghT AT LeS CAveS > 6:30 Pm

CoCKTAIL hour > 7:30 Pm DINNer > 9:30 Pm

AFTer PArTY > LA JoLLA

thursday, september 19

AN ouTSIDe PerSPeCTIve: guArDS > 7– 8 Pm

> DoWNToWN

Friday, september 20

memberS’ oPeNINg: loSt in the MeMory

palace: Janet cardiff and GeorGe BureS

Miller > 6 Pm SuPPorTerS’ reCePTIoN

> 7 Pm memberS’ oPeNINg > LA JoLLA

monday, september 23

A CurATor’S PerSPeCTIve > 2 Pm > LA JoLLA

thursday, september 26

eDuCATor’S reCePTIoN > 4–7 Pm > LA JoLLA

monday, september 30

uPPer-LeveL FIeLD TrIP To LoS ANgeLeS

SEPTEMBER

eXhibitions on View

LA JOLLA

approXimateLy inFinite uniVerse

Through SePTember 1

Inspired by science fiction, this exhibition

features work by seventeen artists who aim to

rethink cultural categories, imagine new sets of

social and sexual relations, and create alternate

narratives of the past and the future.

Lost in the memory paLaCe: Janet

CardiFF and george bures miLLer

SePTember 21, 2013–JANuArY 12, 2014

Janet Cardiff and george bures miller’s multimedia

installations seem to alter time, allowing fictional

and historical narratives to merge with the viewer’s

own experiences.

sCripps on prospeCt:

eVoLution oF ViLLa and Cottage

SePTember 21, 2013–JANuArY 12, 2014

This archival project of mCASD and the La Jolla

historical Society examines the evolution of their

respective buildings at 700 and 780 Prospect

Street in La Jolla.

dana montLaCk: sea oF Cortez

SePTember 21, 2013–JANuArY 12, 2014

Photographer Dana montlack transforms biological

specimens into beguiling graphic elements, which

directly reference John Steinbeck’s the log from

the Sea of cortez (1951).

DOWNTOWN

hito steyerL: guards

Through DeCember 8

hito Steyerl’s recent video Guards (2012) features

interviews with museum security staff who have

military and law enforcement backgrounds,

including one of mCASD’s own security services

representatives, ron hicks.

the Very Large array: san diego/

tiJuana artists in the mCa CoLLeCtion

Through oCTober 13

This expansive group show of museum acquisitions

highlights many of the region’s most beloved artists.

AUGUST OCTOBER NOVEMBER

member-exclusive event. Join us at mcasd.org/join. For tickets and more information, please visit www.mcasd.org.

thursday, oCtober 3

TNT @ WoW > 7–10 Pm > LA JoLLA PLAYhouSe

thursday, oCtober 3-sunday, oCtober 6

WIThouT WALLS FeSTIvAL

> ThurSDAY, oCTober 3

7–10 Pm > JACoLbY SATTerWhITe AND

KATe gILmore

8 Pm > JAmeS LuNA

> FrIDAY, oCTober 4

8:30–9:30 Pm > JACoLbY SATTerWhITe

> SATurDAY, oCTober 5

8 Pm > JAmeS LuNA

> SuNDAY, oCTober 6

5:30–7:30 Pm > KATe gILmore

sunday, oCtober 13

FIeLD TrIP: SAN DIego’S ArTS SCeNe > 10 Am

> DoWNToWN DePArTure

thursday, oCtober 17

exTeNDeD SChooL PArTNerShIP (eSP)

ShoWCASe > 5–7 Pm > LA JoLLA

tuesday, oCtober 29

SeSSIoNS IN CoNTemPorArY ArT

> breAKINg WITh The PAST: ArT AFTer

AbSTrACT exPreSSIoNISm > 5–6 Pm > LA JoLLA

au

g /

se

p /

oC

t /

no

V 2

013

eXhibitions downtown

Liza Lou (through 11/3)

the Very Large array (through 10/13/13)

approXimateLy inFinite uniVerse (through 9/1)

eXhibitions La JoLLa

Lost in the memory paLaCe (9/21/13 through 1/12/14)

sCripps on prospeCt (9/21/13 through 1/12/14)

dana montLaCk: sea oF Cortez (9/21/13 through 1/12/14)

hito steryL (through 12/8)

Page 34: AUGUST–NOVEMBER 2013John Steinbeck’s The log from the sea of Cortez (1951). Steinbeck’s book recounts his six-week expedition through the gulf of California with marine biologist

an outside perspeCtiVe: guards

> ThurSDAY, SePTember 19 > 7–8 Pm

> DoWNToWN

Guards (2012) by hito Steyerl features interviews

with museum security personnel who have military

backgrounds, including mCASD Security Services

representative ron hicks. Join us for a conversa-

tion with ron hicks, Alex Scott, and Juanita hayes,

current mCASD guards and former military and

law enforcement personnel, and learn about what

they do to protect our visitors and artwork. An

outside Perspective invites visitors to explore issues

emerging from the exhibitions by hearing from a

specialist in another field of knowledge.

a Curator’s perspeCtiVe

> moNDAY, SePTember 23 > 2 Pm > LA JoLLA

Join Associate Curator Jill Dawsey for a gallery

walkthrough of the exhibition lost in the Memory

palace: Janet cardiff and George Bures Miller. The

Curator’s Perspective series offers the opportunity

to gain first-hand knowledge about the installation

and curatorial process directly from the curator.

sessions in Contemporary art

> TueSDAYS: oCTober 29, November 5, 12

AND 19 > 5–6 Pm > LA JoLLA

Are you are lifelong learner? Whether you’re a

novice or contemporary art adept, this four-part,

seminar-style course led by Chief Curator Kathryn

Kanjo and Associate Curator Jill Dawsey is designed

to expand your knowledge of today’s art world.

Check out this semester’s line-up:

october 29 > breaking with the Past:

Art After Abstract expressionism

November 5 > The object unframed:

Works from the 1970s

November 12 > Appropriation, Pictures, and

Pluralism: The 1980s reconsidered

November 19 > New Storytelling:

Art in the New millennium

an outside perspeCtiVe: the art and

sCienCe oF the sea oF Cortez

> SATurDAY, November 2 > 1–3 Pm > LA JoLLA

There are multiple entry points into the world of

contemporary art. An outside Perspective invites

visitors to explore exhibitions by hearing from a

specialist in another field of knowledge: music, film,

architecture, and even science. Artist Dana montlack

photographs the microscopic life in the Sea of

Cortez and has developed a working relationship

with scientists at Scripps Institute of oceanography

and birch Aquarium. Join us for a conversation

about her research and the sea life that inspires her.

a Curator’s perspeCtiVe

> moNDAY, November 18 > 2 Pm > DoWNToWN

Join Chief Curator Kathryn Kanjo for a gallery

walkthrough of the exhibitions featuring mike berg

and Nelson Leirner.

shore thing > ThurSDAY NIghTS Through

AuguST 29 > 5–8 Pm > LA JoLLA

Thursday nights are a Shore Thing at mCASD.

Join us for evening tours of approximately infinite

universe, art activities, film, music, food trucks, and

a cash bar. This extended-hours event gives you

the opportunity to mingle with old friends and new

friends, picnic in the Sculpture garden, and explore

the galleries until late in the evening.

Loading doCk LunChes > FrIDAY, AuguST 2

> 11:30 Am–1:30 Pm > DoWNToWN

Feed your hunger for art! This popular pairing of

food truck lunch meets art conversation is back

by popular demand. You’re invited to dine in our

loading dock as you enjoy lunch and mingle with our

staff and members of the San Diego/Tijuana arts

community. visitors can explore the galleries for

free during the program.

tnt @ wow > ThurSDAY, oCTober 3 > 7–10 Pm

> LA JoLLA PLAYhouSe

our wildly acclaimed TNT (if we say so ourselves!)

is kicking off the La Jolla Playhouse Without Walls

festival. everything you like about this event will

happen thirteen miles north of our downtown

campus. enjoy performance art, art-making activi-

ties, live music, tasty cocktails, and so much more.

without waLLs FestiVaL

> ThurSDAY, oCTober 3–SuNDAY, oCTober 6

> LA JoLLA PLAYhouSe

This fall, mCASD is partnering with the La Jolla

Playhouse for the innaugural Without Walls (WoW)

Festival. This one-of-a-kind festival will showcase events

in and around the Playhouse Theatre District with

performances presented by the Playhouse, mCASD, and

uC San Diego’s departments of Theatre & Dance and

music. mCASD will present works by renowned visual

and performance artists James Luna, Kate gilmore,

and Jacolby Satterwhite. Check the events Calendar for

times and dates of their performances.

tnt: immerse > ThurSDAY, November 14

> 7–10 Pm > DoWNToWN

Dive deeper into the art with tours, art-making

activities, live music on the plaza, tasty cocktails,

and delicious bites from mIho gastrotruck. This TNT

offers the opportunity to celebrate our newest exhi-

bitions by mike berg and Nelson Leirner. Learn more

from spotlight talks led by gallery educators

eXtended sChooL partnership (esp)

showCase

> ThurSDAY, oCTober 17 > 5–7 Pm > LA JoLLA

Through the museum of Contemporary Art San

Diego’s extended School Partnership (eSP)

program, students focused on works of art on

view through multiple visits to mCASD. Join us

for a celebration of the students’ mCASD-inspired

projects and their achievements.

eXtended sChooL partnership (esp)

showCase

> ThurSDAY, November 21 > 5–7 Pm > LA JoLLA

Through the museum of Contemporary Art San

Diego’s extended School Partnership (eSP) program,

students focused on works of art on view through

multiple visits to mCASD. Join us for a celebration

of the students’ mCASD-inspired projects and their

achievements.

SanS Soleil (1983) by Chris marker

> ThurSDAY, AuguST 8 > 6:15 Pm > LA JoLLA

The film takes the form of a series of letters, from

an imaginary cameraman to an equally imaginary

woman, which together comment on the global

array of images presented. At their most immediate

level, the images present themselves as a meditation

on present day Japan, and phenomenon of global-

ization. This screening will be held during Shore

Thing, our summer extended-hours event. This

program is free with museum admission.

2001: a Space odySSey (1968)

by stanLey kubriCk

> ThurSDAY, AuguST 22 > 6:15 Pm > LA JoLLA

An imposing black structure provides a connec-

tion between past and future in this enigmatic

adaptation of a short story by revered sci-fi author

Arthur C. Clarke. When Dr. Dave bowman and other

astronauts are sent on a mysterious mission, their

ship’s computer system, hAL, begins to display

increasingly strange behavior, leading up to a tense

showdown. This film screening will be held during

Shore Thing, our summer extended-hours event.

This program is free with museum admission.

FamiLy artLab: CoLor paLette

> SuNDAY, AuguST 25 > 11:30 Am–2 Pm

> DoWNToWN

Dive into a color exploration at our downtown

campus. Take part in a Look/explore tour and let

our gallery educators lead your family in lively

conversation about liza lou: color field and

artists manny Farber and Faiya Fredman. Stay for

a hands-on art-making experience. This program is

recommended for families with children ages 5 and

older. Tickets are sold on a first come, first served

basis; capacity is limited.

FamiLy artLab: sound traVeL

> SuNDAY, November 10 > 2–4 Pm > LA JoLLA

You hear a noise or listen to a song and you’re

suddenly transported to the past. Let our gallery

educators lead you and your family on a tour of

the exhibition lost in the Memory palace: Janet

cardiff and George Bures Miller. Consider how

music can inspire you to create artwork that

revisits our past. Join us for a hands-on experi-

ence and become a sound artist yourself! This

program is recommended for families with chil-

dren ages 5 and older. Tickets are sold on a first

come, first served basis; capacity is limited.

eduCator’s reCeption > ThurSDAY,

SePTember 26 > 4–7 Pm > LA JoLLA

Calling all teachers! Please join us for an educator

reception to celebrate all the work you do in the

classroom. explore the exhibitions on view in La

Jolla and consider ways in which music, photog-

raphy, or other sources inspire your curriculum.

This program is free for educators. Light refresh-

ments will be served. rSvP by Tuesday, November 12

to [email protected] with subject line “educator

reception.”

FieLd trip: san diego’s arts sCene

> SuNDAY, oCTober 13 > 10 Am

> Downtown departure

Celebrate the arts in our own city with a field trip to

local galleries, artist studios, and collections. explore

helmuth Projects epic installations by artist rob

Andrade and Timothy earl Neil, and visit the studio

of artists John oliver Lewis and Jessica mcCambly.

monte CarLo: a night at Les CaVes

> SATurDAY, SePTember 7 > 6:30 Pm CoCKTAIL

hour > 8 Pm DINNer > 9:30 Pm AFTer PArTY

> LA JoLLA

Join Chairs Sonia and gavin mandelbaum as we

celebrate the 37th annual monte Carlo gala. guests

will be whisked away on an unforgettable journey to

Saint-Tropez as the museum is magically transformed

into the French riviera. mCASD has tapped artist

Kelsey brookes to serve as Art Ambassador for the

gala, and blink 182 musician Tom DeLonge and his

wife Jen will serve as After Party co-chairs, curating a

band for late night revelers.

members’ opening: loSt in the MeMory

palace: Janet cardiff and GeorGe

BureS Miller > FrIDAY, SePTember 20

> 6 Pm SuPPorTerS’ reCePTIoN

> 7 Pm memberS’ oPeNINg > LA JoLLA

get a sneak peek of our newest exhibition before

it opens to the public. Celebrate the opening with

gallery conversations, cocktails, and more.

upper-LeVeL FieLd trip to Los angeLes

> moNDAY, SePTember 30

Avant garde members and above are invited to

experience the vibrant diversity of artwork in the

“City of Angels” with a day trip led by mCASD

Associate Curator Jill Dawsey.

annuaL direCtor’s Champagne brunCh

> SATurDAY, November 9 > 10 Am–12 Pm

> LA JoLLA

enjoy a special intimate champagne brunch and

tours of the current exhibitions in La Jolla with

David C. Copley Director and Ceo hugh Davies and

mCASD’s outstanding curatorial team. This event

is open to Donor Circle members and above.

member appreCiation day > SuNDAY,

DeCember 8 > 11 Am–5 Pm > LA JoLLA

mCASD knows our members are the best, so we

like to say “thank you” as often as possible! Join

us for a day where we appreciate you with special

discounts and offers, snacks and treats, and time

to meet the ever grateful staff. each member will

receive two additional guest passes that can be

used that day or in the future.

ImAgeS, From LeFT: hITo STeYerL, GuardS, 2012, SINgLe ChANNeL hD vIDeo, 20 mINuTeS. © hITo STeYerL, CourTeSY WILFrIeD LeNTz roTTerDAm. / PhoTogrAPher DANA moNTLACK revIeWS ImAgeS IN The LAb. / STAFF AND vISITorS DINe IN mCASD’S LoADINg DoCK. / TNT-goerS gATher oN The PLAzA. / STILL ShoT From SanS Soleil (1983) bY ChrIS mArKer. / YouTh eNJoY ArT IN The gALLerIeS. / Cover: JANeT CArDIFF & george bureS mILLer, Opera fOr a Small rOOm (DETAIL), 2005, mIxeD meDIA WITh SouND, reCorD PLAYerS, reCorDS AND SYNChroNIzeD LIghTINg, 2.6x3x4.5 meTer. INTerIor vIeW KuNSThAuS bregeNz. CourTeSY oF The ArTISTS. PhoTo bY mArKuS TreTTer (KuNSThAuS bregeNz).