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Hudson Valley Words and Art
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*Aw/Al*Vol.II/Issue02*Jan2012* In This Issue... Editor’s Note Lauren Tamraz
Issue Artist Samantha Valentine
Words Howie Good, Kendra Grant Malone
Matthew Savoca, Sean H. Doyle
Jeremiah Akin, Matthew Cronin
Matthew Gasda, Dana C. Carrico
Contributors Acknowledgements
Editor’s Note... Lauren Tamraz
Lately I’ve been feeling like less is more.
Maybe it’s a New Year’s, January, clean slate sort of thing. But I suspect it has also
been inspired by a Christmas gift from my husband. I can be something of a loud dresser, with bold accessories, pink sneakers and a love for all things vintage and/or
rhinestoned/sequined. When I opened a tiny box a few weeks ago, I did not expect the
petite and sparkling earrings inside. They were beautiful—no doubt about that—but they were a quiet kind of pretty that I usually avoid. I thought they were *safe pretty*, but did
my best to smile about them. My husband could tell though, and he convinced me that they were “me”, and that I looked great in them, even without anything the size of a key
fob dangling from my ears. I eyed the box for a few days.
I decided to wear them around the house one day. I found myself watching them sparkle in the mirror when I went to the bathroom. I wore them again the next day.
In that vein, for this issue I decided to pare down the usual outline. The page count
has not really decreased, but the number of contributors has. This month we’re featuring more work from fewer writers. Also, there is only one artist for the entire issue; but from
cover to cover, Samantha Valentine’s BFA thesis project, Natural Elegance, does not disappoint. Follow the journey from creating hundreds of tiny ceramic barnacles to the
finished gown they adorn. I had the great pleasure of seeing this thesis exhibit, but the
horror of hearing a gallery-goer crush a few barnacles underfoot. It was like a bottle popping under tires. The Dorsky Museum fell quiet. Samantha handled what must have
been devastating with true grace, just like her finished product. Or, maybe she just took a deep breath and channeled this month’s mantra.
Thanks again for being here, dear readers. Enjoy the deep winter (that has not
always been feeling that way) and we’ll see you in mid-March as the light begins to grow brighter.
XO
*L
Issue Artist: Samantha Valentine
Samantha Valentine grew up in Massapequa, Long Island. While attending Massapequa
High School she spent weekends in the city attending Saturday Live, classes offered to high school students through a program at the Fashion Institute of Technology. It was at
FIT that Samantha became adept at using different kinds of sewing machines and learning how to create patterns for clothing. When she graduated, Samantha was awarded the
Leadership in Art Award.
The artist chose to attend SUNY New Paltz for its rising reputation and extensive art department. While attending college she was able to explore a variety of media and learn
valuable skills, such as welding and soldering. She also learned proper techniques for band saws for wood and metal, as well as table saws and jig saws. During her sophomore
year, after taking her first ceramics class, it was then she realized her desire to create
three-dimensional work. After taking two more upper division classes in ceramics, she applied for the BFA program. There was so much to explore and experiment with; she
gained vast knowledge on clay formulations, but especially focused on testing and creating glazes. Samantha found an important part of creating glazes was firing them
and, in turn, learned how to fire all the kilns the studio had to offer. Samantha’s interest went beyond just firing the kilns, but to physically building them through Kiln Building, a
class offered in the summer of 2009.
Samantha’s thesis show was this past December at the Dorsky Museum on the SUNY New Paltz campus. Her thesis work consisted of hand built ceramic multiples referred to as
‘barnacles’ which were attached to a gown. Joining these two craft materials created a gown that was both desirable, but grotesque and challenged the accessibility of the work
to the viewer. Find more of Samantha’s work at: http://www.flickr.com/photos/samlval
All images throughout from Natural Elegance and courtesy of the artist
My Life & Hard Times
1
He comes toward me, jingling a paper cup.
The kind of books I write
aren’t the kind that sell.
2 I stand knee-deep
in the noise of spiders. Old cuts begin to bleed.
If they won’t love me,
an angel is thinking,
they can still fear me.
3 An ungovernable city of chill and gloom.
Every street ends in an ellipsis. . .
Only a stranger, or madman, would stop here. I step down off the bus.
Vivace
O the merry-go-round music
of married sex!
Familiar and tinny, but jaunty, too,
passing through the skin
with leaps and spins
and diabolical little curlicues.
-Howie Good
Tiny Little Good for Nothing Tiny Man
we’ve caught ourselves in this silly little circle
where my current life goal is to become you
and it seems to me your current life goal
is to become me but i could be reading
into this, as i tend to do when you are so quiet
it’s convenient that we
wear the same size jeans
though and similar t-shirt
and dress sizes of course underwear too,
i like how yours cling to my thighs which are just
the littlest bit bigger than yours
did you know
in france it is considered a bit stylish for a woman
to be slightly taller than her male lover?
but we won’t move to france
for a few reasons and don't worry
no one will ever notice because you hair makes up
for 3 inches of your height which officially makes you taller
depending on how arbitrary you measure
and i'm sorry that when i wear my heels
i like to pull you close and stare down your forehead
making growling dog noises in my bedroom
and ya ya,
i'm still sorry i bit you last night
so do you think people are
buying into our inside joke?
the one about how cruel i am to you?
i think sometimes people forget that
persona ends sometimes at night
and sometimes in the
morning and i think we forget
that persona is always a little bit there too-
that's what i was thinking
last night when i was looking out the window
and then asked you what you were thinking about
only because i wanted to be asked in return
i still can't decide
how badly i want
people to notice how tall i am compared to
you me, being slightly
tall for a woman you, being slightly
short for a man and both of us being
thin for the time being thank god
i own six inch heels for work
in case my decision slants that way
-Kendra Grant Malone
poem at the beginning of summer
on the roof i stare at trees and wonder what i should do
in general i'm afraid to call you
because we spoke an hour ago oh wait you're calling me right now
you're saying “guess what i just did i did the dishes.
and then i saw that the sink drain was really dirty
so i bleached it and then i saw that the pan below the
dry rack
was really dirty so i put all the dishes in the tub
and then i bleached it and then i saw that the toaster oven was
dirty so i took all the components out
as many components as i could and then.......
i bleached it”
i laughed each time you said bleached it and then you sent me a picture
of yourself wearing baby blue lingerie that your friend gave you
and you laughed and said “i look like a figure skater
i don't know why i'm still wearing it why am i still wearing it? matthew, i'm
still wearing it!” i laughed each time you said wearing it
and then half-sung “what would brian boitano do?”
“he's canadian, right?” you said
and i agreed but then found out later that he's american, born in california
eventually we hung up the phone “i'm not going to call you again tonight”
you said “ok” i said
but then you called me back and told me all about your bank account
-Matthew Savoca
poem at the end of summer
it's 11:09 pm on my bed today and you are in another state
texting me dollar signs in reference to why you aren't wearing panties
“i was naughty” you said “i bought a red bra and panties
AND that coat” smiley face a while later you asked my permission
to drink a beer
i said two would be okay but check back in with me before the third
i watch half an episode of saved by the bell on the computer
and come to the realization that some of the people i talk to on weekends
are far too young to even know what saved by the bell is
i'm waiting for you to call me when you do, it's with another man's mouth
enclosed on your foot his name is georgio
and he's giving you a pedicure, apparently, with his teeth or something
i think he's laughing, you said,
because my other foot is on his stomach and i just felt it move
later i'm eating a snack and get a text saying 'asshole'
which is quickly blamed on your roommate and it occurs to me
that i might be the first person to ever give you a chance
-Matthew Savoca
M is for Martha
Back in the mid-‘90s, when I was still
living in Phoenix, I met this girl -- Martha --through the singer of the band I was
in.
Actually, I didn’t really meet as her as much as I heard about her. Supposedly,
she used to come to all of our shows and just stand off to the side of the stage and
watch me play. She and the singer had met through some weird circumstances -
- I think when he was still in the straight edge band he used to front they played a
benefit for some riot grrl zine she and
her friends were trying to keep alive -- but had stayed in touch. She was a
senior in high school, and was deeply involved in everything I was not --
veganism, straight edge, feminism, the riot grrl scene, political activism.
Me? I was sort of teetering on the edge
of hedonism, I suppose. I smoked a lot of pot and was not shy about being
someone who was willing to lay down with almost any woman who was willing.
I drank a lot. I dabbled with a lot of other drugs as well. Cocaine. Meth on
the few rare occasions when cocaine
could not be procured. Because my father was the manager for the
apartment complex where I lived, I would use master keys and go into the
apartments of some of the elderly when they were in and out of the hospital and
steal their morphine pills and their valium. Basically, everything I was -- a
not-very-nice, drug-taking-type-of-person – was diametrically opposed to
everything Martha stood for.
Martha used to write me letters even though we lived only three or four miles
apart.
I’m not sure who gave her my mailing
address, but this is how we began to
communicate. She would send me these
handwritten letters -- long-form missives and volleys, really -- that would only
have the letter “M” and a PO Box for a return address.
At first, because I was such a stoner, I
wasn’t able to put two and two together and realize this was the infamous Martha
I had been hearing so much about. She never signed a letter as Martha, she
always signed them with “Respectfully, M.” For a while, I kept on going through
my mental Rolodex trying to figure out if
during my travels I had met a woman with impeccable handwriting and
communication skills who had an M name. I was quite sure that when I was
in the military I did not meet such a woman. The M who was writing me these
letters was trying to relay something bigger, something much more important
than some past lover or confidant who was
trying to reconnect -- these letters were full of her thoughts on feminist theory
and how it related to her sending letters to a guy in a band that nobody knew
about who embodied nothing more than
“pure testosterone with a guitar strapped on for the ride,” her thoughts about
animals and why I should consider no longer eating them, sexual abuse, punk
rock and the power within it to heal all wounds for all freethinking people.
One afternoon when we were rehearsing
for an upcoming show, I made a joke about getting bizarre letters from fans.
The singer was standing there and then suddenly a beer bottle came flying
toward my head.
“You really are an asshole, Sean. The least you can do is answer her letters
after she pours her heart out to you.”
“Jesus. Fuck -- you know her? Did you
give her my address?”
“It’s my friend Martha -- the one I’ve been telling you about. Why are you
such a fucking moron?”
“Oh. Shit. Okay, I’ll write her back. Sorry, man.”
The drummer and bass player looked a
little confused, but the singer gave them the quick version of events -- she had
come to one of our shows because he
had invited her, witnessed the hurricane I turn into as soon as there was volume,
and subsequently felt the need to start writing me letters. They rather enjoyed
this, and started to rib me about it quite a bit.
I felt like a total asshole for not realizing or responding.
******
In one of my response letters to Martha,
I included my phone number. I told her that as much as I enjoyed her letters,
she was more than likely going to get slow responses from me. If she wanted
to talk, my phone rang twenty-four hours a day.
******
“Have you ever been with another man?”
“You mean sexually?”
“Yes. Have you ever been with another
man -- sexually?”
“When I was younger I was confused and I experimented a bit. I realized pretty
quickly that I wasn’t gay. If that’s what you’re asking, then yes -- I have been
with another man sexually, even though we were boys.”
“Most guys won’t admit that, you know.”
“I’m not ashamed of anything I have ever done in my life.”
“I’ve noticed.”
******
Martha would usually call me at roughly the same time every night -- just around
midnight. By then I was half in the bag, so she didn’t have to dance around all
the usual conversational trappings people have to dance around, and could
ask me about anything she wanted and I would almost always answer as straight
as I possibly could. She liked to ask me about my sex life a lot -- she seemed to
be fascinated with my middling promiscuity. I tried very hard to be a
gentleman and not flirt with her, but it
was very hard to deny that animal part of me that flirts with anyone up to and
including the sixty year old bank teller who I would see once a week when I
cashed my paycheck.
Martha and I had still not met in the flesh, or at least I was full of the belief
that we had not. Every time my band played a show I would scan the crowd for
a girl/woman who fit the physical description she had given me over the
phone. The singer of my band was of no help to me, because for some reason he
felt it important -- at times it came
across like it was his sole mission in life, really -- for me to be learning about
something greater than myself in this
oddball situation.
Martha was the one who tipped me off on the phone that the band had been
auditioning other guitar players behind my back. She told me that the singer
had had more than enough of my inebriated antics, and she told me that
most of the guitar players they were auditioning could not figure out how I
was able to play so many moving parts as if there were more than one guitar
player.
When I quit the band the next day, the
singer angrily told me -- “You might as well go out and buy a drum machine and
a four-track and just do everything yourself, since you seem to think you’re
a musical genius.”
When I told Martha that night on the phone that I had quit the band I could
hear her crying softly on the other end of the line.
******
I didn’t hear from Martha for a couple of
weeks after I had quit the band. I would
sit at my kitchen table with the phone next to me, waiting. It never rang at all.
When the mail was delivered, I would check it to see if there was anything
from her, but there wasn’t. I called her number one night to see if she would
pick up, but it rang and rang so I set the receiver down and went back to drinking
and smoking.
******
I saw a flyer in a record store for my old band. They had a show coming up at a
new warehouse-type venue. I knew I
would not be welcome at the show, but my mind immediately thought of Martha
-- maybe if I went she would show
herself to me. Maybe if I went she would
speak to me and tell me why she had disappeared.
When I got home, I picked up the phone
to see if there were any messages. There were three.
The first message was from the bass
player in my old band, telling me he was sorry that I had quit, but he understood
why I had to -- he and I had played in many bands together, and I almost
always quit each band. Throughout my teens and my early twenties he was
probably my only real friend. He also
mentioned in the message who they had replaced me with -- a peripheral
acquaintance named Kyle, who was very close with the singer -- and about how
hard it had been for him to teach him all of my guitar parts. He also mentioned
they were playing a show, and it would probably be best for everyone if I did not
show up. I deleted this message.
The second message was from Kyle, the new guitar player. He apologized to my
voicemail for the awkwardness of the call, but he had some questions for me
about some of the guitar parts, and felt
like I was the best person for him to ask. He said he was willing to come over to
my place and have me show the parts to him, since nobody else in the band was
happy with his attempts at figuring stuff out. He said he knew everything was
really weird and that we didn’t know each other very well. He also said the
singer urged him to call me and ask me for help. I deleted this message.
The third message was from Martha. She
apologized for not being around, and she also mentioned how she felt it was weird
that the band had replaced me with Kyle.
She called him a “hippie weirdo,” and she mumbled something about how he had
tried to make out with her at a party
once and his face smelled like eggs being cooked. Again she apologized for not
calling or writing. She also told me that she would try and call me back again
later on that evening. I saved this message.
I waited.
******
The next time I heard from Martha, she told me the band had broken up for
good. This was another week or so after their attempt at playing one show with
Kyle as my replacement. Obviously, it
went horribly. Martha then told me that Kyle was moving to San Francisco to go
to some recording school, and had convinced her that she should come out
and see him when he got settled out there.
“Are you and Kyle a ‘thing,’ Martha?”
“I don’t think so. Why, are you jealous?”
“A little. I’m more jealous that I have no
idea who you really are, and all of these people I know are aware of who you
are.”
“It’s probably better that way, Sean.”
******
Martha decided to hitch her way from
Phoenix to San Francisco. I advised her that she would probably end up dealing
with a lot of creeps and freaks on the road, and that it might be best for her to
invest in some pepper spray or even allow me to teach her how to use a knife
to defend herself. She laughed at me and told me she would be fine. I made her
promise me that she would call me
collect every night so I could know she was okay. She agreed.
******
For the next five nights, I would receive
a collect call from Martha. Each time, I would ask her immediately if she was
okay. She would usually then begin to ramble like someone jacked-up on truck
stop coffee about the events of her day. How she was able to grab a ride out of
Phoenix that took her all the way to Yuma, and that the kid who gave her a
ride was a really nice kid who was going to medical school in Tucson and he had
semi-decent taste in music and never once tried to hit on her or treat her like a
piece of meat. She told me about the
Mexican family she met at a gas station and gave her a ride from Yuma to Indio,
and about how amazing it was to see the Salton Sea and the badlands of that
part of California while sandwiched in the back seat of a car between two beautiful
children. She told me about the old woman who took her from Palm Desert -
- where she had taken a bus to from Indio -- all the way into Pasadena, and
about how she kept on telling her over and over again how she should be in
movies because she was so smart and pretty, and how the woman also gave
her sixty dollars to take the bus out of
the Los Angeles area because she felt Martha was “too precious to hitchhike
without being raped.” Martha then told me about how the bus from Los Angeles
to Fresno was terrible -- full of screaming children and meth-addled faces. A man
got on the bus in Bakersfield who decided he was going to make Martha his
“old lady,” and he kept on offering her pulls off of his bottle of Old Granddad.
She finally got him to relent by telling him she was on her way to see her
father who she told him was in prison -- Pelican Bay -- and that got him to leave
her alone. She told me that when she
arrived in Fresno at dawn it was like a George Romero movie, and she
had never felt superior to other people
before in her life and felt really guilty
about feeling that way. She said the bus depot there was like a tomb for the
homeless and the drug-addicted. Martha then told me about the girl she met in a
Denny’s in Fresno who was going to San Jose who gave her a ride. The girl was a
student who was the first member of her family to go to college, and they talked
the entire time about things that Martha loved -- feminism, being vegetarian,
being sexually confused. Martha told me that when they got to the girl’s
neighborhood, she parked the car and asked Martha if she could kiss her.
Martha said it was the best kiss she had
ever known, and she kept on thinking about it after she got out of the car and
walked toward the bus station to make the rest of her way to Kyle in San
Francisco.
Each one of these collect calls felt like a postcard.
******
On the sixth night, the phone rang
differently.
******
“You have a collect call from ‘Martha,’ will you accept the charges?”
“Yes.”
“Sean? Sean. Oh, God. Sean.”
“What’s wrong, Martha? What happened?
Are you in San Francisco now?”
“Sean -- Kyle is dead. Kyle is fucking
dead.”
“Wait -- what? What are you saying, Martha? Slow down and talk to me,
okay?”
“Fuck. FUCK. I got here this morning. I tracked Kyle down at his school because
he doesn’t have a fucking phone. I found the address of the school in the phone
book and I went down there to find him. I found him and he was so happy to see
me. He decided he needed to ‘celebrate,’ so we went into some really gross area
of town – I have no idea what it was
called -- and he bought some heroin for himself.”
“Oh God, Martha. What the fuck happened? Are you alone?”
“I am at one of his classmate’s
apartment building. Sean -- we went back to Kyle’s shitty apartment and we
were making out. I have no idea why I came on this trip. We were making out
and he decided he wanted to shoot a little dope and then go show me the city.
He went into the bathroom to do it because I told him I couldn’t watch him
do it. FUCK.”
“I’m so sorry, Martha. I am so sorry.”
“He was in the bathroom for a long time
and I didn’t know what to do, so I went and knocked on the door. I couldn’t hear
anything other than the water in the sink running. I opened the door and he was
on the floor and his face was purple, Sean.”
“Martha? Can you stay with his
classmate for the night? I do not think you should be alone there.”
“Sean, I had to call his parents and tell
them. They didn’t even know who I was --they thought I was some friend of his
playing a joke on them. I feel so fucking
terrible and sick. I don’t know what to do. Sean, what do I do? Why did this
have to happen right now?”
“I don’t know, Martha. I’m sorry this happened to you, and I am sorry that
Kyle is gone.”
“Kyle was an asshole, Sean. I’m freaking out because I came almost one thousand
miles to see someone I just kissed, dead on his bathroom floor. For what? I can
never come home again. Ever.”
“Martha, slow down -- okay? What do
you mean you can never come home again?”
The next sound I heard was the dial tone.
I never heard from Martha again, and to
the best of my knowledge -- nobody else did, either.
--Sean Doyle
Strip
Gold Rush City 2010. I am enveloped by airbrushed bosoms and buttocks.
Gauntlets of card clickers thrust escort tracts at passersby,
and I picture the apocalypse or a nuclear blast turning towers of slot machines to mountains of dust. Strip
lights up at dusk while the Bellagio fountains twirl and dance
like Rockettes to “The Star Spangled Banner.” A neon Moloch casts a red glare on my glasses, and I wonder if this is what America means
—a thousand blind pedestrians gawking by the waters of Babel. Strip
smells like a Malibu-marinated sorority girl in a candy store. I get a coffee at the Hard Rock and wish I had a Camel cut to salt the air.
Newlyweds at the next table take out menthols and a light. A wedding dress bought at ten is on the floor by midnight
-Jeremiah Akin
On Losing a Spring Baby
during the vernal stretch you grew like an arctic bulb
an any-daisy or an amaryllis—
vibrant carmine perennially lit by a sun-tint embedded deep
like its tiny vessel-roots
late April sweetpea,
my early June hyacinth— (planted like a school of dead starfish
longing for the royal thistle shade)
calling Girl, Girl, Girl
forgetting about you & i
-Matthew Cronin
The Loft Apartment
Empty the rain of thunderstorms. Or
Just kiss me now, finally. The nights
Here have always been strange. Full of A longing that wakes you up terrified.
Mandrakes crying for blood. Birds that Suddenly stop singing.
Memories are rooted in the deep of you,
Like butterflies that will not Dust off their wings.
How could so much life go out of us? You set the alarm for later in the morning.
All these days are like falling out of love.
-Matthew Gasda
How It Was
The sky was never dark and it was always early. The road to my house was
empty and Leadbelly’s words in my voice bounced around the valley and back to
our feet where they lay, bruised and bloodied, like our soft soles from the
shards of glass all mixed in with gravel
on the shoulder. Your clothes were dirty – wet – sweat soaked and steeping in
pheromones. I had blood twining down my left leg from a cut on my knee. It
left little spots of red behind where my heel was.
I smoked too many cigarettes and you could hear it in my laugh. I laughed a lot.
Loud. Booming. Happy. I was happy. Your breath was trapped, stale, but like
candy in a jar on a hot day. Sweet. I liked how you shot it down my throat
when we went to kiss, kissed my open
mouth, all of my teeth, my smile.
You didn’t have smokes so we shared mine. Passed every couple hits. I liked it
better that way. Not because we were partners in some physical crime but
because we were enjoying the same thing, at the same time, in the same
place. I like novelty, liked it then, am a
sucker for it still.
The grass under our feet was dying in September’s heavy air. Your spackled
boots looked silly next to my bare feet and I rested my toes on your steel tips.
You giggled. You have a great giggle.
I loved you and you were indifferent. But I don’t trust linear conceptions of time,
so every moment is both the first and the last, always. That’s how I loved you.
Like every moment was both the start and end of something beyond fallible
language. But you were indifferent and
when we were still, motionless, and kissed, nothing lined up, nothing was
perfect, no synapses fired. I was self-conscious about that. It didn’t seem
right, was not fitting, because when our chests pressed together, all sticky with
the day, everything was beautiful – seemed to promise to always stay
beautiful – and the taunting forever forever taunting was not overwhelming,
but infinite and huge – lovely, exciting, wonderful. It was this fracture that
brought my attention to the indifference. It gnawed at first. Then it became
choking. It’s still choking.
When I looked in your eyes, my face
twitched. It twitches now, thinking of the endlessly passing past. You didn’t look in
my eyes. Didn’t look at me at all. Not since the night we flooded our bodies
with chemicals and twined together in my bed. Not since you looked at me, on
top of you with our necklaces all tangled and knotted, and whispered, “you’re so
beautiful” – as though in awe. As though your eyes were actually open. As though
you actually meant it.
But you are indifferent, so I now know
better. You were very unlike any other. They
had sharpened edges – synthetic,
trained, polished - but you, you were
rusty - different, naturally dangerous - and it made me think of scrapping in the
woods to pay off the debt from living in a society that requires greenbacks for
entry. Made me think of running madly through poisons and prickers but being
immune to their sting. Made me think of all the other items that could hurt me,
because of their very make, but wouldn’t if I was delicate and smart in my
movement. If I just kept my head spinning, remembering always that it
turns, I would be fine. I told you I’d be fine. I’m fine.
Yes, it was your rust all along. I could smell the iron on your skin when you
sweat.
But this is really how it was – this is what all of the other excellent lovely sunflower
moments prove to be –
We were at a picnic bench by the river. It wasn’t late. It was always early. We rode
bikes there and where we sat, we were hidden from the road 100 meters away.
It was the road I lived on. You had walked it with me before. I was making
love songs out of cigarette smoke and
you were lying back on the table; our heads together, bodies pointing in
opposite directions. I asked you to kiss my face and you said you couldn’t
that night. I said, “you cant right now?”
It just didn’t make any sense to me.
When we left that night, I went right and you went left. You told me to be careful
and I couldn’t make sense of that either - it’s a clumsy imperative - sometimes it
means avoid danger, sometimes it means keep your head, sometimes it
means nothing at all, particularly if
you’re indifferent and I think that you are.
It occurs to me now that it’s just the
human necessity to make special that has caused all of my problems. I’m
lighter with the realization that you owe me nothing at all. Unbearably lighter. But
the sun is rising higher and higher and the plants need watering. It’s still early,
never late, and I have things to do. Things that make me happy, make me
sweat, sometimes smile. I have cold beer in the fridge and warm whiskey by
my bed. After I made you so big that you
blocked the sun, I came to understand
that it’s the little tiny wisps of light that make it all worthwhile anyhow. It’s the
flowers. The dirt all around my toes, in my toenails. Those scrapes and bruises
that were all over the body that you called beautiful. The moon. Sound, no
matter its tone – touch, no matter its texture. Pheromones. The little things.
I told you that I’m fine. I’m fine.
-Dana C. Carrico
Howie Good, a journalism professor at
SUNY New Paltz, is the author of the 2011 poetry collection, Dreaming in Red,
from Right Hand Pointing. All proceeds from the sale of the book go to a charity,
which you can read about here: https://sites.google.com/site/rhplanding/
howie-good-dreaming-in-red
Kendra Grant Malone's first book of poetry Everything Is Quiet is available
from Scrambler Books (http://thescrambler.com/eng/books/kg
m-ms/) and her second collection of poetry, Morocco, co-written with
Matthew Savoca is available from Dark
Sky Books. (Ed. note: Morocco was on Awosting Alchemy’s year-end book list.)
Matthew Savoca was born in Pennsylvania in 1982. He is the author of
the poetry books long love poem with descriptive title (2010, scrambler books)
and Morocco with Kendra Grant Malone (2011, Dark Sky Books). He lives in New
York and Philadelphia, building and fixing things for money. (Ed. note: Morocco
was on Awosting Alchemy’s year-end book list.)
Sean H. Doyle lives in Brooklyn, NY. He
works hard every day to be a better person. Find more of his work here:
www.seanhdoyle.com
Jeremiah Akin is an undergrad at the University of Idaho majoring in English
with an emphasis on creative writing and poetry. He is a music minor, and
released his first full-length album last year.
Matthew Cronin is a student at SUNY
New Paltz, majoring in Philosophy and English.
Matthew Gasda lives in Brooklyn, NY. His first book of poetry, The Humanist, is
available now on Amazon, from Literary Laundry Press.
Dana C. Carrico is a graduate of SUNY
New Paltz. She utilizes her degrees in English and Philosophy to perform as
your typical genius waitress at a small Mediterranean restaurant. To flex her
intellectual muscles, she also works as a research assistant for a local flustered
graduate student.
Acknowledgements
There are so many individuals and businesses without whom Awosting
Alchemy could not exist in this form. Thank you to David Friedman & Barner
Books of New Paltz who have supported the project from Day 01. Special thanks
to The Yoga House of Kingston, NY who hosted our Paper Anniversary celebration
this month. Thank you, talented & diverse band of contributors, for doing
your art & word thing so well here in the
Valley and around the globe. Aw/Al exists because you exist! And thank you
again, dear reader, not only for beginning at page 01, but for reading
through to the end. We hope you enjoyed your journey and will be back for
the next issue in March 2012.
* * * Submission Guidelines * * *
Thanks for choosing to send your work to Awosting Alchemy. We’re writers and
artists too, dutifully sending our work out
into the atmosphere with our fingers
crossed. We truly appreciate what you do and your decision to include us in your
efforts. Always check our website for updated submission guidelines &
contests. Submit through Submishmash, our wonderfully easy and helpful
submission manager. You may also feel free to contact us with any questions you
have at [email protected]. Our response time is fairly swift. Expect
to hear back from us within about a
month. Thanks again. We look forward to your submissions. Send us things you
had to write or create because they were nowhere else in the world, sharp and
new and not yet worn out by others. Strive for a new set of fingerprints.
* * * * * * * Read: AwostingAlchemy.com
Submit: AwostingAlchemy.submishmash.com
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